Search Result - Ordered Chronologically
|
|
Bach Bibliography Search Result - Ordered Chronologically |
Author : MSYour search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Lehms, Georg Christian: Historische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. (1710), 119p |  |
| | 2. | Lehms, Georg Christian: Gottgefälliges Kirchen-Opffer. (1711), x, 85p | |
 | 3. | Kühmstedt, Friedrich: Gradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. (1839-1845), 107p | |
| | 4. | Kühmstedt, Friedrich (ed.): DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6. (1842), 41p | |
| | 5. | Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.): Präludium und Fuga [in] F-moll von Joh. Sebastian Bach. SämtOrgComp 2 (c 1849), 18-24 | |
| | 6. | Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.): No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach. SämtOrgComp 21 (1850), 18-23 | |
| | 7. | Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.): Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH. SämtOrgComp 22 (1850), 11p | |
| | 8. | Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.): Toccata et Fuga [in D-moll von] Joh. Sebastian Bach. SämtOrgComp 49 (c 1850), 141-152 | |
| | 9. | Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.): PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH. SämtOrgComp 31 (1851), 7p | |
| | 10. | [Brahms, Johannes] (ed.): Sonate für zwei Claviere componirt von Wilh. Friedemann Bach. (1864), 19p | |
 | 11. | Riemsdijk, J. C. M. van: Bach en de Bachvereeniging. Fantasio en Riehl. Caecilia 28/16 (15 Aug 1871), 142-143 |  |
| | 12. | Rimsky-Korsakow, Nicolas: Six Variations sur le thème B-A-C-H ; op. 10. (1878), 21p |  |
| | 13. | Brahms, Johannes (arr.): CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. (1879), 15p | |
| | 14. | Brahms, Johannes (arr.): PRESTO nach J.S. Bach. Erste Bearbeitung. (1879), 5p | |
| | 15. | Brahms, Johannes (arr.): PRESTO nach J.S. Bach. Zweite Bearbeitung. (1879), 5p | |
| | 16. | Riemsduk, J. C. M. van: Jean Adam Reinken. TijdschrVNedMgeschied 2/1 (1885), 61-91 | |
| | 17. | Ziemssen, Ludwig: Johann Sebastian Bach: ein Lebensbild für Deutschlands Jugend. (1889), 128p | |
| | 18. | Abdy Williams, Charles Francis: The Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 (1892-93), 73-93 |  |
| | 19. | Wurmser, Lucien (ed.): Fantasia II pour piano par Ph. E. Bach. (1900), 7p | |
| | 20. | Abdy Williams, Charles Francis: Bach. (1900), xi, 223p | |
| | 21. | Hohenemser, Richard: J. K. F. Fischer als Klavier- und Orgelkomponist. MhMges 34/ 9, 10, 11 (1902), 154-163; 167-176; 183-189 | |
| | 22. | Ziemssen, Ludwig: Johann Sebastian Bach. (1905), 133p | |
| | 23. | Hohenemser, R.: Die Pflege der Bachschen Musik in der Gegenwart. MlRundschau(München) 3/8f (1907) | |
| | 24. | Abdy Williams, Charles Francis: Reminiscences of a Pilgrimage through the Bach Country. Musician 17/ 9 (Sep 1912), 590-591 | |
| | 25. | Dahms, Walter: Mendelssohn. (1919), 202p | |
| | 26. | Vaughan Williams, Ralph (ed.): Jesus Took to Him the Twelve. (1921), 12p | |
| | 27. | Williams, Gerrard (arr.): Aria from Suite in D / J.S. Bach (1922), 3p + 2 St | |
| | 28. | Williams, Gerrard (arr.): Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach (1922), 6p + 2 St | |
| | 29. | Brahms, Johannes; Mayer-Mahr, Moritz (eds.): Studien für Klavier. EdSchott 1426 (1922), 41p | |
| | 30. | Williams, Gerrard (arr.): Sixth Organ Sonata in G. (1923) | |
| | 31. | Dahms, Walter: Johann Sebastian Bach. Ein Bild seines Lebens. (1924), 123p | |
| | 32. | Williams, P. F.: A Bach Course. MTimes 65/977 (Jul 1924), 641 | |
| | 33. | Vaughan Williams, Ralph; Foster, Arnold (arr.): THE 'GIANT' FUGUE / J. S. BACH. OxfordOrchSer 6 (1925), 4p | |
| | 34. | Williams, Gerrard (arr.): BACH PRELUDE from 'English' Suite No.5 OxfordOrchSer 7 (1925), 19p | |
| | 35. | Adams, H. M.: Passion Music Before 1724. MLetters 7/3 (Jul 1926), 258-264 | |
| | 36. | Williams, Gerrard (arr.): A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. OxfordOrchSer 21 (1926), 36p | |
| | 37. | Williams, Gerrard (arr.): Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach (1927), 12p | |
| | 38. | Williams, Gerrard (arr.): Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach (1927), 7p | |
| | 39. | Williams, Gerrard (arr.): Prelude and fugue in G major. Fugue / J.S. Bach (1927), 9p | |
| | 40. | Brahms, Johannes (arr.): Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach EdBreitkopf 6018 (1927), 15p | |
| | 41. | Hohenemser, Richard (ed.): Zwölf zwei- und dreistimmigen kleine Stücke für die Flöte oder Violine und das Klavier (1770) / Carl Philipp Emanuel Bach. (1928), 18p + 2 St | |
| | 42. | Brahms, Johannes (arr.): Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. EdBreitkopf 6019 (1928), 9p | |
| | 43. | Thomson, Beatrice Leslie: Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. (1929), 124p | |
| | 44. | Williams, Becket (arr.): Mortify us by thy grace, from cantata no.22. (c 1930) | |
| | 45. | Williams, Becket (arr.): ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. (1930), 8, 8p | |
| | 46. | Williamson, John Finley (ed.): Planets, Stars, and Airs of Space ... (1931) | |
| | 47. | Williamson, John Finley (ed.): I stand beside the Manger Stall. (1931) | |
| | 48. | Williamson, John Finley (ed.): All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. (1931), 12p | |
| | 49. | Williams, Becket (arr.): HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach (1931), 3p | |
| | 50. | Hohenemser, Richard: Joseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin. DieMusik 23/ 9 (Jun 1931), 641-644 | |
| | 51. | Williams, Becket (arr.): JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach (1932), 4p | |
| | 52. | Vaughan Williams, Ralph (arr.): Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. [ce]BachBookForCohen 10 (1932), 25-29 | |
 | 53. | Brahms, Johannes: [Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] (1933) | |
| | 54. | Williams, Canon Walter (ed.): Wie schön leuchtet der Morgenstern = How Brightly Shines yon Morning Star, two choruses for mixed voices from Cantata No. 1 ... (c 1933), 29p | |
| | 55. | Williams, Becket (arr.): Trio in C minor [from short organ trio] / J.S. Bach (1933), 3, 3p | |
| | 56. | Williams, Becket (arr.): Concerto no. 1 for organ (1st movement) / J. S. Bach (1933), 3, 3p | |
| | 57. | Hohenemser, Richard: Brahms und die Volksmusik. DieMusik 25/ 8 (May 1933), 599-601 | |
| | 58. | Brahms, Johannes; Martienssen, Carl Adolf (eds.): Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. EdPeters 4284 (1933), 20, 20p | |
| | 59. | Williams, Becket (arr.): Gigue: (from an Organ Trio) / J. S. Bach (1935), 3, 3p | |
| | 60. | Williams, Becket (arr.): Trio in G (from Sonata for Gamba) / J. S. Bach (1935), 5, 5p | |
| | 61. | Brahms, Johannes (ed.): Choral aus der Kantate Nr. 60 'O Ewigkeit du Donnerwort' / J. S. Bach. ZsfM 100/ 5 Beil (May 1935), 1-2 | |
| | 62. | Williams, Becket (arr.): Suite for two pianos / Bach (c 1937), 11, 11p | |
| | 63. | Williamson, John Finley (ed.): What can Life be but a Shadow ... [by Johann Bach] (1937), 19p | |
| | 64. | Williams, Walter (ed.): Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38. (c 1938), 18p | |
| | 65. | Williams, Becket (arr.): Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach HinrichsenEd 65 (1939), 8p | |
| | 66. | Williams, Meirion (arr.): Two Transcriptions / BACH. Sonatina -- Chorale 'All Glory, Praise and Majesty'. PortraitGallery 51 (1939), 4p | |
| | 67. | Thomson, Virgil: Music in Germany. NYHeraldTribune 4/5 (14 Oct 1945) | |
| | 68. | Williams, Patrick (arr.): J.S. Bach's organ toccata and fugue in D minor. (1947), 19, 19p | |
| | 69. | Brahms, Johannes; Martienssen, Carl Adolf (eds.): Sonata in F major for two pianos, four hands / W. F. Bach. (1947), 20, 20p | |
| | 70. | Williams, Patrick (arr.): Minuet in G / J. S. Bach. (1949) | |
| | 71. | Williams, W. S. Gwynn (ed.): Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach. (1949), 7p |  |
| | 72. | Williams, Patrick (arr.): Air: (better known as the Air on the G string) / J. S. Bach CramersLibOrgM 35 (1950), 3p | |
| | 73. | Vaughan Williams, Ralph: Bach, the Great Bourgeois. Listener (3 Aug 1950), 170 | |
| | 74. | Vaughan Williams, Ralph: Bach, the great bourgeois. MDigest 17 (1950), 1-6 | |
| | 75. | Samson, J.: Influence de Bach sur l'art choral liturgique contemporain en France. MLiturg(Paris) 16-17 (1950), 10-15 | |
| | 76. | Armstrong, Thomas: Bach and the English Choralist. MTimes 91/1289 (Jul 1950), 261-263 | |
| | 77. | Williams, Patrick (arr.): Minuet in G / J. S. Bach. (1951), 13p | |
| | 78. | Williams, Patrick (arr.): Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. CramersLibOrgM 37 (1951), 9p | |
| | 79. | Vaughan Williams, Ralph: Bach, the Great Bourgeois. MBook 7 (1952), 277-282 | |
| | 80. | Williams, Becket (arr.): Adagio ma non troppo ... (1953), 7p | |
| | 81. | Williams, Patrick (ed.): Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. CramersLibOrgM 49 (1953), 11p | |
| | 82. | Williams, Patrick (arr.): Minuet in G / J. S. Bach. (1955), 7p | |
| | 83. | Williams, Patrick (arr.): Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. CramersLibOrgM 65 (1955), 7p | |
| | 84. | Ramsey, Basil: Bach Motets at St. James's Piccadilly. MTimes 98/1375 (Sep 1957), 499 | |
| | 85. | Williams, Patrick (arr.): Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] (1958), 3p | |
| | 86. | Ramsey, Basil: London Bach Society. MTimes 99/1386 (Aug 1958), 442 | |
| | 87. | Williams, W. S. Gwynn (ed.): Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach. (1959), 4p | |
 | 88. | Lambert, Arthur Adams: The keyboard partitas of J. S. Bach: A study of background, text, and interpretation. diss. (1961), 292p | |
| | 89. | Williams, Peter F.: J. S. Bach and English Organ Music. MLetters 44/2 (Apr 1963), 140-151 | |
| | 90. | Williams, Peter F.: Bach at Edinburgh. MTimes 104/1449 (Nov 1963), 815 | |
| | 91. | Williams, Peter F.: Bach Thoughts from Edinburgh. MTimes 106/1472 (Oct 1965), 771-772 | |
| | 92. | Williams, Peter F.: The European Organ 1450-1850. (1966), 336p | |
| | 93. | Williams, Peter F.: The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54/4 (Oct 1968), 503-523 | |
| | 94. | Williams, Janet Leslie: An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. (1969), 169p | |
| | 95. | Williams, Peter F.: Basso continuo on the Organ. MLetters 50/1, 2 (Jan; Apr 1969), 136-152; 230-245 | |
| | 96. | Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p | |
| | 97. | Helms, Siegmund: Zahlensymbolic in der Musik Johann Sebastian Bachs. MBildung 2 [61]/ 3 (Mar 1970), 113-116 | |
| | 98. | Helms, Siegmund: Zahlen in J. S. Bachs Matthäus-Passion. MKirche 40/1, 2 (1970), 18-27; 100-110 | |
| | 99. | Williams, Peter F.: The Organs of Saxony. MTimes 111/1533 (Nov 1970), 1141-1143 | |
| | 100. | Helms, Siegmund: Johannes Brahms und Johann Sebastian Bach. BachJb 57 (1971), 13-81 | |
| | 101. | Clarke, J. Williams: Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. diss. (1971), 85p | |
| | 102. | Williams, Peter F.: The French Silbermann. MTimes 112/1535 (Jan 1971), 77-78 | |
| | 103. | Williams, Peter F.: Bach Organ Music. BBCMGuides 20 (1972), 71p | |
| | 104. | Helms, Marianne: Kantaten und Oratorien des Bach-Festes. Bachfest 48 [Nürnberg] (1973), 70-75 | |
| | 105. | Williams, Patrick (arr.): 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach CramersLibOrgM 109 (1973), 8p | |
| | 106. | Adamson, J. Philip I.: Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. diss. (1973), 150p | |
| | 107. | Helms, Marianne (ed.): Kantaten zum Michaelisfest / Johann Sebastian Bach. NBA 1/30 (1973), xi (5p facs), 169p | |
| | 108. | Krams, Peter: Wechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik auf den Pedalklaviaturen verschiedener Bauart, untersucht an exemplarischen Orgelkompositionen vom 16. Jahrhundert bis zur Gegenwart. (1974), viii, 199p | |
| | 109. | Williams, Peter F.: Bach Recitatives. MTimes 115/1579 (Sep 1974), 747 | |
| | 110. | Helms, Marianne: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. NBA 1/30 (1974), 156p | |
| | 111. | Williams, Peter F.: Bach's Seven Fughette. MTimes 116/1589 (Jul 1975), 653, 655, 657 | |
| | 112. | Helms, Marianne (ed.): Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. NBA 1/ 5 (1975), xii (6p facs), 253p | |
| | 113. | Helms, Marianne: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. NBA 1/ 5 (1976), 235p | |
| | 114. | Williams, Peter J.: The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. diss. (1977) | |
| | 115. | Williams, Peter F.: Why do we need a new book on Bach's Organ Music? MReview 38/4 (1977), 249-257 | |
| | 116. | Platen, Emil; Helms, Marianne (eds.): Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. NBA 2/2 (1978), xi (5 facs), 333p | |
| | 117. | Thomson, Ulf: Voraussetzungen und Artungen der österreichischen Generalbasslehre zwischen Albrechtsberger und Sechter. WienVeröffMw 8 (1978), 148p | |
| | 118. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120/1636 (Jun 1979), 476-479 | |
| | 119. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120/1637 (Jul 1979), 571-573 | |
| | 120. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120/1638 (Aug 1979), 648-650 | |
| | 121. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120/1640 (Oct 1979), 816-818 | |
| | 122. | Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p | |
| | 123. | Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p | |
| | 124. | Williams, Peter F.: The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p | |
| | 125. | Umstaedt, Monica Johanna: The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. diss. (1980), 177p | |
| | 126. | Hawthorne, Walter Williams: J. S. Bach's Inventions and Sinfonias: an Analysis. diss. (1980), 197p | |
| | 127. | Darmstadt, Gerhart: Kurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert MKirche 50/3 (1980), 130-134 | |
| | 128. | Adams, Robert Michael: Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. diss. (1981) | |
| | 129. | Williams, Peter F.: BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9/3 (Jul 1981), 330-337 | |
| | 130. | Williams, Peter F.: The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart (1981), 259-278 | |
| | 131. | Adams, Courtney S.: Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13/2 (Apr 1982), 6-16 | |
| | 132. | Adams, Courtney S.: Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13/3 (Jul 1982), 12-19 | |
| | 133. | Williams, Peter F.: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 (1982), 131-142 | |
| | 134. | Williams, Peter: French Elements in Bach. [cr]McGill1981 (1982), 13-19 | |
| | 135. | Williams, Peter F.: Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73/ 4:869 (Apr 1982), 3-4 | |
| | 136. | Platen, Emil; Helms, Marianne: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. NBA 2/2 (1982), 224p | |
| | 137. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17/ 1 (Jan 1983), 45-47 | |
| | 138. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17/ 3 (Mar 1983), 50-52 | |
| | 139. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17/ 9 (Sep 1983), 42-47 | |
| | 140. | Williams, Peter F.: The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] (1983), 230-240 | |
| | 141. | Williams, Peter F.: J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339 | |
| | 142. | Darmstadt, Gerhart: Zur Aufführungspraxis der Johannes-Passion Johann Sebastian Bachs. MKirche 53/4 (1983), 202-208 | |
| | 143. | Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p | |
| | 144. | Williams, Peter F.: Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18/ 2 (Feb 1984), 38-39 | |
| | 145. | Williams, Peter F.: Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18/ 9 (Sep 1984), 44-45 | |
 | 146. | Williams, Peter F.: J. S. Bach: Mass in B minor. EarlyM 12/1 (Feb 1984), 137,139,141 | |
| | 147. | Williams, Peter F.: Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12/3 (Aug 1984), 345-354 | |
| | 148. | Williams, Peter F.: Some Tercentenary Questions for the Performer. AmerOrganist(2) 19/ 1 (Jan 1985), 42-46 | |
| | 149. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19/ 2 (Feb 1985), 56-57 | |
| | 150. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19/ 3 (Mar 1985), 118-119 | |
| | 151. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19/ 4 (Apr 1985), 82-84 | |
| | 152. | Williams, Peter F.: Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19/ 5 (May 1985), 74-75 | |
| | 153. | Williams, Peter F.: Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19/ 6 (Jun 1985), 44-46 | |
| | 154. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19/ 7 (Jul 1985), 56-58 | |
| | 155. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19/ 8 (Aug 1985), 38-40 | |
| | 156. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19/ 9 (Sep 1985), 62-64 | |
| | 157. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19/10 (Oct 1985), 117-119 | |
| | 158. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19/11 (Nov 1985), 91-93 | |
| | 159. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19/12 (Dec 1985), 60-62 | |
| | 160. | Williams, Peter F.: 'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays (1985), 327-346 | |
| | 161. | Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p | |
| | 162. | Williams, Peter F.: Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2/4 (Jun 1985), 41-48 | |
| | 163. | Adams, Gwen E.: Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76/7:908 (Jul 1985), 9-11 | |
| | 164. | Williams, Peter F.: Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 (1985), 38-54 | |
| | 165. | Williams, Peter F.: Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126/1707-1708 (May-Jun 1985), 276-278; 339-343 | |
| | 166. | Williams, Peter F.: New Bach? [on recently discovered chorales] MTimes 126/1710 (Aug 1985), 452 | |
| | 167. | Malmström, Bo G.: Blockflöjten hos Bach och Händel. Musikrevy 40 (1985), 223-228 |  |
| | 168. | Williams, Peter F.: Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20/ 6 (Jun 1986), 63-64 | |
| | 169. | Helms, Marianne: Kantaten und Lieder aus Schemellis Gesangbuch. Bachfest 61 [Duisburg] (1986), 112-127 | |
| | 170. | Williams, Peter F.: Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 (1986), 123-125 | |
| | 171. | Helms, Siegmund; Hopf, Helmuth (eds.): Werkanalyse in Beispielen. BosseMPaperback 27 (1986), 423p | |
| | 172. | Williams, Peter F.: The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist (1986), 274-294 | |
| | 173. | Williams, Peter F. (ed.): Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 (1986), xxxviii, 51p | |
| | 174. | Williams, Peter F. (ed.): Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 (1986), xlvi, 138p | |
| | 175. | Williams, Peter F.: The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk (1986), 267-282 | |
 | 176. | Williams, Isabelle: Metric Complexity in Bach's Cantata No.182. [p]AMS_NewYorkState (Mar 1986) | |
| | 177. | Williams, Peter F.: Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 (1986-87), 29-44 | |
| | 178. | Thomson, Andrew: The Life and Times of Charles-Marie Widor, 1844-1937. (1987), 116p | |
| | 179. | Williams, Peter F.: Playing the organ works of Bach: Some case studies. (1987), 128p | |
| | 180. | Williams, Peter F.; Owen, Barbara: The Organ. (1988), 438p | |
| | 181. | Williams, Peter F.: 2/4 Time and J. S. Bach. [p]AMS_Southeast (Mar 1988) | |
| | 182. | Williams, Peter F.: French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193 | |
| | 183. | Williams, Peter F.: A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17/1 (Feb 1989), 43-54 | |
| | 184. | Bloch, Robert Samson: The Art of the Fugue: A Humanist View. [p]AMS_PacificSouthwest (Apr 1990) | |
| | 185. | Bromse, Peter: Harmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [fs]Graml70 (1991), 130-142 | |
| | 186. | Samson, Jim (ed.): The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin (1992), xi, 341p | |
| | 187. | Adams, Howard C.: The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. ContributStudMDance 19 (1992), 5-9 | |
| | 188. | Darmstadt, Hans: '... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. MKirche 62/2 (Mar-Apr 1992), 79-87 | |
| | 189. | Williams, Simon: Some Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). OrganistsReview 78/3 (1992), 209-211 | |
| | 190. | Brahms, Johannes: [Brief an Clara Schumann, Jun 1877] ReclamUBib 8832 (1992), 135-136 | |
| | 191. | Williamson, Barry Scott: A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. (1993), 107p | |
| | 192. | Williams, Peter F.: Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21/4 (Nov 1993), 613-622 | |
| | 193. | [Krapp, Edgar]; Adamski-Störmer, Ursula: Edgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. MSacra 113/1 (1993), 31-34 | |
| | 194. | Helms, Siegmund; Schneider, Reinhard: Große Chorwerke. Werkanalyse in Beispielen. (1994), 230p | |
| | 195. | Williams, Peter F.: Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 (1994), 67-86 | |
| | 196. | Helms, Siegmund; Schneider, Reinhard (eds.): Werkanalyse in Beispielen: Grosse Chorwerke. BosseMPaperback 52 (1994), 230p | |
| | 197. | Williams, Peter F.: Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113 | |
| | 198. | Williams, Peter F.: Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 (1994), 143-156 | |
| | 199. | Williamson, Rosemary: Sterndale Bennett's Lost Piano Concerto Found. JRMA 119/1 (1994), 115-129 | |
| | 200. | Williams, Peter F.: Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 (1995), 5-41; 25-41 | Latin 2
 |
| | 201. | Darmstadt, Gerhart: Zur Begleitung des Rezitativs nach deutschen Quellen des 18. Jahrhunderts: Eine Dokumentation. BaslerJbHistMpraxis 19 (1995), 75-158 | |
| | 202. | Darmstadt, Gerhart: Andante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach. Symbolon 12 (1995), 43-104 | |
| | 203. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. (1996), 441p | |
| | 204. | Jost, Christa; Darmstadt, Gerhart: Zu Robert Schumanns Bearbeitung der 3. Violoncello-Suite Joh. Seb. Bachs für Violoncello und Klavier. (1996), 52-75 | |
| | 205. | Williams, Peter F.: Orugan Kyoku. [ce]BachJiten (1996), 294-298 |  |
| | 206. | [Page, Anne; Ramsey, Basil]: Bach is best. ChoirOrgan 4/3 (May 1996), 15-16 | |
| | 207. | Williams, Peter F.: Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 (1996), 85-98 | |
| | 208. | Mommsen, Katharina: Ein Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit GoetheJb 113 (1996), 161-178 | |
| | 209. | Williams, Peter F.: J.S. Bach y el compás de 2/4. Quodlibet 5 (Jun 1996), 3-18 |  |
| | 210. | Rumsey, David: Bach and Numerology: 'Dry Mathematical Stuff'? LitAesth 7 (1997), 143-165 | |
| | 211. | Williams, Peter F.: The Chromatic Fourth. During Four Centuries of Music. (1998), 272p | |
| | 212. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. (1998), 476p | |
| | 213. | Williams, Peter F.: Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 (1999), 185-198 | |
| | 214. | Hurford, Peter; Williams, Peter F.: Approaches to Bach Performance and Scholarship, then, now, next (Nov-Dec 2000) | |
 | 215. | Grimsted, Patricia Kennedy: Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. (2000) | |
| | 216. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. (2000), 365p | |
| | 217. | Williams, Peter F.: Playing and studying Bach: Where next? BIOSJ 24 (2000), 80-92 | |
| | 218. | Williams, Peter F.: Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook (2000), 1-14 | |
| | 219. | Darmstadt, Gerhart: Die dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. [ce]ProvokationTradition (2000), 347-364 | |
| | 220. | Darmstadt, Hans: Meine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. MKirche 70/1 (Jan-Feb 2000), 46-47 | |
| | 221. | Williams, Peter F.: Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84/4 (Winter 2000), 756-775 | |
| | 222. | Williams, Peter F.: Stop Press: Some questions about JS Bach and his organ music. MTimes 141/1870 (Spring 2000), 34-40 | |
| | 223. | Williams, Peter F.: Sui generis: some fashionable uses to which Bach is put. MTimes 141/1871 (Summer 2000), 8, 10, 12-15 | |
| | 224. | Williams, Peter F.: Decoding Bach 2: Clouds of witness. MTimes 141/1872 (Autumn 2000), 13-15 | |
| | 225. | Williams, Peter: The International Organ Competition, Leipzig, July 2000. OrganistsReview 86/4: 340 (Nov 2000), 336-337 | |
| | 226. | Williams, Peter F.: Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 (2000), 75-90 | |
| | 227. | Williams, Peter F.: J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 (Oct 2000), 68-84 | |
| | 228. | Grimsted, Patricia Kennedy: Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 (Aug 2000), 22-35 | |
| | 229. | Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p | |
| | 230. | Williams, Peter F.: Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 (2001), 553-572 | |
| | 231. | Lehmstedt, Mark: 'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. LeipzigerBl 38 (2001), 68-69 | |
| | 232. | Darmstadt, Gerhart: Auf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? NMz(Regensburg) 50 (Dec-Jan 2001-02), 50-51 | |
| | 233. | Samson, Jim (ed.): The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM (2002), xv, 772p | |
| | 234. | Lehmann-Wermser, Andreas: 'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. MBildung 34/4 (Oct-Dec 2002), 18-25 | |
| | 235. | Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.): Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999. QuellenStGesMannheimHofkapelle 8 (2002), 517p | |
| | 236. | Grimsted, Patricia Kennedy: Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. (2003) | |
| | 237. | Williams, Peter F.: The Organ Music of J. S. Bach. Second Edition. (2003), x, 624p | |
| | 238. | Williams, Peter F.: Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope (2003), 140-156 | |
| | 239. | Williams, Peter F.: Some further Thoughts. DortmundBachF 6 (2003), 371-388 | |
| | 240. | Williams, Briony: Sharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter. [p]IS_Memphis (Nov 2003) | |
| | 241. | Grimsted, Patricia Kennedy: Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. SpoilsWar 8 (May 2003), 67-104 | |
| | 242. | Williams, Peter F.: The Life of Bach. (2004), viii,219p | |
| | 243. | Williams, Peter F.: Public Executions and the Bach Passions. BachNotesABS 2 (Fall 2004), 1-4 | |
| | 244. | Williams, Peter: Some remarks on organs, organ-playing and the studying of music. BIOSJ 28 (2004), 6-25 | |
| | 245. | MS: The Johann Sebastian Bach Journey. Germany 18-24 April 2004. Organ 83/328 (May-Jul 2004), 51-53 | |
| | 246. | Williams, Peter F.: More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 (2004), 139-143 | |
| | 247. | Röder, Matthias; Adams, Sarah (eds.): The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. (2005), 40p | |
| | 248. | Thomson, Kemer: An interview with Joel Speerstra. ClavichordInternat 9/1 (May 2005), 2-4 | |
| | 249. | Williams, Peter F.: Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen (2005), 53-71 | |
| | 250. | Williamson, John (ed.): Words and Music. LiverpoolMSymposium 3 (2005), viii, 258p | |
| | 251. | Darmstadt, Hans: Orpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. MKirche 75/2 (Mar-Apr 2005), 106-113 | |
| | 252. | Adams, Sarah (ed.): Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. CPEBachCW 3/ 2 (2006), xxiv, 100p | |
| | 253. | Darmstadt, Gerhart: Wege zu Bachs Air: 'Gewaltfrei!' MBildung 38/4 (Oct-Dec 2006), 34-43 | |
| | 254. | Williams, Peter: Tuning and Temperament. (2007) | |
| | 255. | Williams, Peter F.: J.S. Bach: A Life in Music. (2007), xi, 405p | |
| | 256. | Adams, David William: 'Modern' Organ Style in Karl Straube's Reger Editions. diss. (2007), xiv, 222p | |
| | 257. | Williams, Peter F.: The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 (2007), 371-381 | |
| | 258. | Williams, Peter F.: Again: Was J.S. Bach an expert on organs? OrganYb 36 (2007), 86-105 | |
| | 259. | Williams, Peter F.: Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 (2007), 18-28 | |
| | 260. | Williams, Peter F.: J. S. Bach: Ein Leben in der Musik. (2008), 575p | |
| | 261. | Williams, Peter F: Was J. S. Bach an expert on organs? BibDeputStoriaUmbria 6 (2008) | |
| | 262. | Vaughan Williams, Ralph: Bach and Schumann. [ce]VaughanWilliamsOnMusic (2008), 129-132 | |
| | 263. | Vaughan Williams, Ralph: Bach cantatas. [ce]VaughanWilliamsOnMusic (2008), 401-402 | |
| | 264. | Vaughan Williams, Ralph: Bach, St. Matthew passion. [ce]VaughanWilliamsOnMusic (2008), 405-406 | |
| | 265. | Lamsa, Katharina: Die Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart. ForumBachAkad 63 (Feb-May 2008), 9-10 | |
| | 266. | Williams, Peter F.: Johann Sebastian Bach's ideal organ. OrganistsReview 94/2 (May 2008), 7-13 | |
| | 267. | Blomstedt, Herbert: Balance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140. ThomanerJ 1 (2008), 12-14 | |
| | 268. | Williams, Simon: Leipzig: The Cradle of German Acting. [ce]AstonMagnaAcademy (2009), 191-206 | |
| | 269. | Darmstadt, Hans: Johann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. DortmundBachF 10 (2009), 229p | |
| | 270. | Tergau-Harms, Christine: Gottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. GemeinsamGottesdGestalten 11 (2009), 322-330 | |
| | 271. | Arnold, Jochen; Tergau-Harms, Christine (eds.): Kleiner Gottesdienst - weiter Raum. GemeinsamGottesdGestalten 11 (2009), 403p | |
| | 272. | Thomsen, Knut: Erinnerung an Hermann Melchert. MtblNBG 65 (Winter 2009-10), 28 | |
| | 273. | Armstrong, Joe (trans.): The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41/1 (2010), 32-96 | |
| | 274. | Williams, Simon: A New (Bach?) Organ for St George's, Hanover Square in London. BachNotesLBS (Spring 2010), [5] | |
| | 275. | Gingras, Bruno; McAdams, Stephen; Schubert, Peter N.: The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538. [cr]Graz2008 (2010), 305-318 | |
| | 276. | Williams, Christopher: Bach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style. [p]AMS_Sanfrancisco (Nov 2011) | |
| | 277. | Darmstadt, Hans: Johann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. DortmundBachF 11 (2012), 387p | |
| | 278. | Williams, Peter: Two new editions of Bach's organ music: some questions arising. OrganYb 41 (2012), 183-212 | |
| | 279. | Williams, Peter: On Bach and the Organ. [p]ABS_Rochester (Sep 2012) | |
| | 280. | Williams, Peter F.: Frescobaldi's Fiori musicali and Bach. Recercare 24/1-2 (2012) | |
| | 281. | Williams, Peter: What is it to Write a Biography of J. S. Bach? Bach 45/1 (2014), 1-14 | |
| | 282. | Simms, Bryan R. (ed.): Pro mundo-pro domo: The writings of Alban Berg. [ce]Berg (2014), xiii, 444p | |
| | 283. | Thomson, Virgil: Master of distortion and exaggeration. [ce]Thomson (2014), 191-193 | |
| | 284. | Thomson, Virgil: Rhythmic grandeurs. [ce]Thomson (2014), 204-206 | |
| | 285. | Thomson, Virgil: A shower of gold. [ce]Thomson (2014), 206-207 | |
| | 286. | Thomson, Virgil: In tune, but not with the infinite. [ce]Thomson (2014), 222-223 | |
| | 287. | Thomson, Virgil: Hymns of tribulation and rejoicing. [ce]Thomson (2014), 230-231 | |
| | 288. | Thomson, Virgil: Harvard fair but no warmer. [ce]Thomson (2014), 238-239 | |
| | 289. | Thomson, Virgil: Transcriptions. [ce]Thomson (2014), 276-278 | |
| | 290. | Thomson, Virgil: Wrestling and shadow boxing. [ce]Thomson (2014), 324-325 | |
| | 291. | Thomson, Virgil: Money's worth. [ce]Thomson (2014), 336-337 | |
| | 292. | Thomson, Virgil: The noble style. [ce]Thomson (2014), 337-338 | |
| | 293. | Thomson, Virgil: In the first category. [ce]Thomson (2014), 340-341 | |
| | 294. | Thomson, Virgil: Incomparable Chopin. [ce]Thomson (2014), 341-342 | |
| | 295. | Thomson, Virgil: Warm welcome. [ce]Thomson (2014), 343-344 | |
| | 296. | Thomson, Virgil: Too fast for brilliance. [ce]Thomson (2014), 346-347 | |
| | 297. | Thomson, Virgil: Sound without fury. [ce]Thomson (2014), 347-348 | |
| | 298. | Thomson, Virgil: Young man, why so serious? [ce]Thomson (2014), 348-349 | |
| | 299. | Thomson, Virgil: Intensity and brains. [ce]Thomson (2014), 349-350 | |
| | 300. | Thomson, Virgil: Young but not romantic. [ce]Thomson (2014), 351-352 | |
| | 301. | Thomson, Virgil: Musical badminton. [ce]Thomson (2014), 355-356 | |
Search terminated at maximum, narrow your query!