Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Williams, Peter: What is it to Write a Biography of J. S. Bach? Bach 45/1 (2014), 1-14 | |
| 2. | Leaver, Robin A.: Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch. Bach 45/1 (2014), 15-33 | |
| 3. | Jerold, Beverly: Johann Philipp Kirnberger and the Bach Chorale Settings. Bach 45/1 (2014), 34-43 | |
| 4. | Greer, Mary: 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. Bach 45/1 (2014), 44-89 | |
| 5. | Szabó, Zoltán: Precarious Presumptions and the 'Minoritz Report': Revisiting the primary sources of the Bach Cello Suites. Bach 45/2 (2014), 1-33 | |
| 6. | Carrier-McClimon, Carolyn: Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248. Bach 45/2 (2014), 34-67 | |
| 7. | Rifé i Santaló, Jordi: The Kyries of J. S. Bach's B-minor Mass and Gottlob Harrer's D-major Mass (Harwv 32): Between Late Baroque and the Style Galant. Bach 45/2 (2014), 68-93 | |