Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Abe, Kin'ya:   Bach no Miryoku no Himitsu. BachZenshu 15 (Jul 1999), 150-156. [The secret of Bach's attractiveness]
2. Aeba, Takao:   'Seimei' no Ongaku. BachZenshu 11 (Jul 1996), 110-117. [The music of 'Life']
3. Agario, Shinya:   Gakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. BachZenshu 13 (Jul 1997), 140-157. [The days of concert master: the vocation of a 'musician' in the middle age Germany]
4. Allison, John:   Bach o hiku Simon Preston. BachZenshu 9 (Jan 1997), 102-106. trans. by Tadashi Isoyama. [Simon Preston playing Bach]
5. Awazu, Norio:   Matai Junankyoku. BachZenshu 8 (Jan 1998), 78-86. [St Matthew Passion]
6. Beißwenger, Kirsten:   Bach no Ongaku Bunko: Tanin no Sakuhin no Shushu Katsudo ni Han'ei sareta Bach no Hatten to Geijutsu. BachZenshu 15 (Jul 1999), 200-219. Bach no Shogai. [Bach's life: Bach's music library: Bach's development and art reflected in his collection activities of other's works] trans by Hiroko Kato.
7. Choki, Seiji:   Hindemith to Bach. 20-Seiki Ongaku no Ethos. BachZenshu 13 (Jul 1997), 64-76. [Hindemith and Bach: Ethos of the 20th century music]
8. Dadelsen, Georg von:   Bach Kenkyu no arata na Kadai. BachZenshu 14 (Dec 1995), 26-37. Trans. by Ryuichi Higuchi. [New subjects for Bach research]
9. Dadelsen, Georg von:   Bach no Seikatsu Isshukan. BachZenshu 1 (Apr 1996), 36-44. [One Week of Bach's Life]
10. Dadelsen, Georg von:   Elbe Kahan no Hercules. Bach no Sezoku Kantata ni okeru Shinwa to Guui. BachZenshu 6 (Apr 1998), 36-47. trans. by Yoichi Ishikawa. [Hercules upon the Elbe: Mythology and Parable in Bach's Secular Cantatas]
11. Dürr, Alfred:   Bach e no Michi. Watashi no Baai. BachZenshu 11 (Jul 1996), 28-39. Trans. by Hiroko Kato. [A way to Bach: in my case]
12. Dürr, Alfred:   Bach no Koraru Kantata ni tsuite. BachZenshu 2 (Apr 1997), 26-35. Trans. by Hisao Nishikawa [On Bach's chorale cantata]
13. Ebata, Nobuaki:   4sei no Koraru BWV 253-438 yori. BachZenshu 8 (Jan 1998), 230-243 [46-59]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from 4 part chorales, BWV 253-438; commentary]
14. Ebata, Nobuaki:   Aria 'Ware wa Kare no Na o tsugen' BWV 200. BachZenshu 15 (Jul 1999), 314-316 [49-51]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Aria 'Bekennen will ich seinen Namen' BWV 200].
15. Ebata, Nobuaki:   Bach no Sakuhin ni okeru samazama na 'Ko' no Mondai ni tsuite. BachZenshu 15 (Jul 1999), 312-313 [52-53]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On problems of various 'versions' in Bach's works]
16. Ebata, Nobuaki:   Bach no Shoki Clavier Sakuhin ni tsuite. BachZenshu 15 (Jul 1999), 289-298 [67-76]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On Bach's early keyboard works; BWV 917, 918, 921, 922, 923+951, 944, 950, 993]
17. Ebata, Nobuaki:   Fuki: Densho ga Fukanzen na Kyokai Kantata ni tsuite. BachZenshu 15 (Jul 1999), 313-314 [51-52]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Supplement: on the cantatas whose transmission is incomplete]
18. Ebata, Nobuaki:   'Furansu Kumikyoku' to 2tsu no 'Kumikyoku' ni tsuite. BachZenshu 11 (Jul 1996), 196-205 [44-53]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On French suites and other two suites; commentary; BWV 812-817, 818/818a, 819/819a]
19. Ebata, Nobuaki:   'Goldberg Hensokyoku' no Teion Shudai ni yoru 14 no Kanon To-Chocho BWV 1087. BachZenshu 15 (Jul 1999), 286-289 [76-79]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [14 canons based on the bass subject of the 'Goldberg variations']
20. Ebata, Nobuaki:   Hosetsu: 'Kyu Bach Zenshu' ni yoru Kyokai Kantata no Bango ni tsuite. BachZenshu 4 (Oct 1998), 314-315 [34-35]. [Excursus: on the numbering system used for the church cantatas in the Bach-Gesellschaft edition]
21. Ebata, Nobuaki:   Igirisu Kumikyoku ni tsuite. BachZenshu 11 (Jul 1996), 205-214 [35-44]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On English Suites; commentary; BWV 806-811]
22. Ebata, Nobuaki:   [Kaisetsu BWV 894]; Reinken no Trio Sonata no Bach ni yoru Henkyoku ni tsuite; [Kaisetsu BWV 965] BachZenshu 11 (Jul 1996), 215-219 [30-34]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [commentary BWV 894; On Bach's arrangements of Reincken's Trio Sonatas; commentary BWV 965]
23. Ebata, Nobuaki:   [Kantata Dai-119-Ban - Dai-129-Ban] BachZenshu 4 (Oct 1998), 299-319 [30-50]. Sakuhin Kaisetsu. [Commentary; BWV 119-129]
24. Ebata, Nobuaki:   [Kantata Dai-47-Ban - Dai-69-Ban.] BachZenshu 2 (Apr 1997), 261-294 [39-72]. Sakuhin Kaisetsu. [Commentary; BWV 47-68, 69a, 69]
25. Ebata, Nobuaki:   Klavier kumikyoku no Rekishi to Bach. BachZenshu 11 (Jul 1996), 54-67. [The History of Clavier suites and Bach]
26. Ebata, Nobuaki:   Koraru 'Fukaki Fuchi yori Ware wa yobu' BWV 246/40a (Sakusha Fusho no 'Ruka Junankyoku' Dai-40-Kyoku BWV 246/40 no Henkyoku) BachZenshu 15 (Jul 1999), 298-302 [63-67]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Choral 'Aus der Tiefen rufe ich' BWV 246/40a (arragement by Bach from anonymous St.Luke Passion BWV 246)].
27. Ebata, Nobuaki:   Kotansai Dai-2-Nichi, Dai-3-Nichi no Pericope ni tsuite. BachZenshu 2 (Apr 1997), 279 [54]. [On the Pericope for the 2nd and 3rd day of Christmas]
28. Ebata, Nobuaki:   Magnificat (Dai-1-Ko) Hen Ho-Chocho BWV 243a. BachZenshu 15 (Jul 1999), 307-312 [53-58]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Magnificat (1st version) E-flat major, BWV 243a]
29. Ebata, Nobuaki:   Sakuhin no Iko no BWV Bango ni tsuite. BachZenshu 15 (Jul 1999), 303 [62]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On the BWV numbering for variants]
30. Ebata, Nobuaki:   'Shoki' no Kyokai Kantata ni okeru pitch (Onko) ni tsuite. BachZenshu 2 (Apr 1997), 284 [49]. [On the pitch in the early church cantatas.]
31. Ebata, Nobuaki:   Tsuneni Mikansei. Leipzig Jidai no Bach no Shigoto. BachZenshu 7 (Oct 1996), 152-167. Bach no Shogai. [Bach's life: Always incomplete: Bach's works in Leipzig]
32. Ebata, Nobuaki:   'Wilhelm Friedemann Bach no tame no Clavier Shokyokushu' ni tsuite; Hisseki no Kenkyu ni tsuite. BachZenshu 11 (Jul 1996), 219-222 [27-30]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [On Clavierbüchlein for W. F. Bach; On handwriting research]
33. Ebata, Nobuaki:   Yohane Junankyoku BWV 245 Dai-2-Ko yori 3tsu no Aria. BachZenshu 15 (Jul 1999), 303-307 [58-62]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [3 arias from St John Passion BWV 245, 2nd version]
34. Ebisawa, Bin:   Bach Zanzo 1789-Nen: Kita Doitsu no Mozart. BachZenshu 15 (Jul 1999), 134-149. [An afterimage of Bach in 1789: Mozart in North Germany]
35. Emans, Reinmar:   Bach to Italia Ongaku. BachZenshu 15 (Jul 1999), 42-53. [Bach and the Italian music] trans by Yoichi Ishikawa.
36. Fujimoto, Itsuko:   Bach to Kyokai. BachZenshu 1 (Apr 1996), 136-145. Bach no Shogai. [Bach's life: Bach and the Church]
37. Fujimoto, Itsuko:   Manifikato Ni-Chocho BWV 243. BachZenshu 7 (Oct 1996), 211-215 [54-58]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Magnificat, BWV 243; commentary]
38. Fujimoto, Itsuko:   Shomisakyoku ni tsuite; Sho-Misakyoku ni ten'yo sareta Genkyoku; [Kaisetsu] BWV 233-236. BachZenshu 7 (Oct 1996), 215-219 [50-54]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On Missa brevis; On original works which parodiert into Missa brevis, BWV 233-236; commentary]
39. Fujishiro, Kouichi:   Eisenach, soshite Weimar. BachZenshu 13 (Jul 1997), 124-139. [Eisenach, and then Weimar]
40. Fukatsu, Fumio:   Boku no Naka no Kantata. BachZenshu 2 (Apr 1997), 96-102. [Cantata within me]
41. Geck, Martin:   Bach no Kantata ni okeru 'Kirisuto no Koe' Gakusho. BachZenshu 4 (Oct 1998), 38-61. trans. by Kinya Osumi. ['The Voice of Christ' movement in Bach's Cantatas]
42. Glöckner, Andreas:   Bach no ushinawareta Junankyoku ni tsuite. BachZenshu 8 (Jan 1998), 24-33. Trans. by Hisao Nishikawa [On the lost Passions]
43. Gunji, Sumi:   Bach Jidai no Gakki. BachZenshu 13 (Jul 1997), 77-84. Pictorial J. S. Bach. [Instruments in Bach's day]
44. Göbel, Reinhard:   Bach Jidai no Enso o Saigen suru. BachZenshu 14 (Dec 1995), 94-99. Trans. by Taro Yamazaki. [A realisation of the performance of Bach's day]
45. Hamada, Jiro:   Bach, Lute, soshite Guitar. BachZenshu 13 (Jul 1997), 50-63. [Bach, Lute and Guitar]
46. Hara, Kenji:   Shijo ni mureru Doke tachi, aruiwa Yutakasa no Kyohaku. BachZenshu 6 (Apr 1998), 86-105. [Clowns gathering in the market, or the threat of the wealth]
47. Higuchi, Ryuichi:   4tsu no Duetto BWV 802-805 [in Clavierübung III]. BachZenshu 11 (Jul 1996), 224-225 [24-25]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [4 Duets; commentary; BWV 802-805]
48. Higuchi, Ryuichi (ed.):   Chenbaro Kyoku I / Werke für Cembalo 1 / Music for harpsichord 1. Tokyo: Shogakukan, 1996. 245p. ISBN: 4-09-612011-1. (= Bach Zenshu, 11; Complete Johann Sebastian Bach edition, 11) [contents]
49. Higuchi, Ryuichi:   Cöthen no Sei to Zoku. BachZenshu 13 (Jul 1997), 180-195. Bach no Shogai. [Bach's life: Sacred and secular in Cöthen]
50. Higuchi, Ryuichi:   [France] BachZenshu 15 (Jul 1999), 250-255 [110-115]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [François Couperin; Nicolas de Grigny; Jean-Philippe Rameau]
51. Higuchi, Ryuichi:   Fukkatsusai Oratorio 'Kitare, isoge, soshite hashire' BWV 249. BachZenshu 8 (Jan 1998), 243-245 [44-46]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Easter Oratorio, BWV 249; commentary]
52. Higuchi, Ryuichi:   Invention (2-sei) to Sinfonia (3-sei) BWV 772-801. BachZenshu 11 (Jul 1996), 224-231 [18-25]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [Inventions and Sinfonias BWV 772-801 (commentary)]
53. Higuchi, Ryuichi:   [Italia] BachZenshu 15 (Jul 1999), 255-262 [103-110]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Antonio Vivaldi; Alessandro Marcello; Giovanni Battista Pergolesi; Giuseppe Torelli; Girolamo Frescobaldi]
54. Higuchi, Ryuichi:   [Kantata Dai-37-Ban - Dai-43-Ban.] BachZenshu 2 (Apr 1997), 297-305 [28-36]. Sakuhin Kaisetsu. [Commentary; BWV 37-43]
55. Higuchi, Ryuichi:   Kantata no Shijin tachi. BachZenshu 4 (Oct 1998), 12-25. [The Poets for Bach's Cantatas]
56. Higuchi, Ryuichi:   Kantata no Shiki. BachZenshu 2 (Apr 1997), 12-25. [The four seasons of cantata]
57. Higuchi, Ryuichi:   Kizoku mo Shimin mo Nomin mo. Bach no Sezoku Kantata ga utsusu 18-Seiki Doitsu no Shakai to Seikatsu. BachZenshu 6 (Apr 1998), 12-23. [Aristcrats, citizens and farmers: the society and life in the 18th century Germany portrayed by Bach's secular cantatas]
58. Higuchi, Ryuichi:   Kyoikusha to shite no Bach. BachZenshu 11 (Jul 1996), 174-186. Bach no Shogai. [Bach's life: Bach as an educator]
59. Higuchi, Ryuichi (ed.):   Kyokai Kantata II / Kirchenkantaten 2 / Church cantatas. 2. Tokyo: Shogakukan, 1997. 329p. ISBN: 4-09-612002-2. (= Bach Zenshu, 2; Complete Johann Sebastian Bach edition, 2) [contents]
60. Higuchi, Ryuichi (ed.):   Kyokai kantata IV /Kirchenkantaten 4 / Church cantatas 4. Tokyo: Shogakukan, 1998. 345p. ISBN: 4-09-612004-9. (= Bach Zenshu, 4; Complete Johann Sebastian Bach edition, 4) [contents]
61. Higuchi, Ryuichi:   Matai Junankyoku BWV 244. BachZenshu 8 (Jan 1998), 251-263 [26-38]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Matthäus-Passion, BWV 244; commentary]
62. Higuchi, Ryuichi (ed.):   Misa to Junankyoku II / Messen und Passionen 2 / Masses and passions 2. Tokyo: Shogakukan, 1998. 286p. ISBN: 4-09-612008-1. (= Bach Zenshu, 8; Complete Johann Sebastian Bach edition, 8) [contents]
63. Higuchi, Ryuichi:   Orpheus o koete. Bach to Klavier o meguru kosatsu. BachZenshu 11 (Jul 1996), 12-27. [Beyond Orpheus: a thought on Bach and Clavier]
64. Higuchi, Ryuichi:   Rekishi no naka no Junankyoku to Oratorio. BachZenshu 8 (Jan 1998), 12-23. [Passions and Oratorios in the history]
65. Higuchi, Ryuichi:   Sezoku Kantata. BachZenshu 6 (Apr 1998), 220-236 [25-41]. Sakuhin Kaisetsu. [Secular Cantatas; commentary; BWV 36c, 201-215]
66. Higuchi, Ryuichi (ed.):   Sezoku Kantata / Weltliche Kantaten / Secular cantatas. Tokyo: Shogakukan, 1998. 256p. ISBN: 4-09-612006-5. (= Bach Zenshu, 6; Complete Johann Sebastian Bach edition, 6) [contents]
67. Higuchi, Ryuichi:   Sinfonia Ni-Chocho BWV 1045. BachZenshu 14 (Dec 1995), 233 [28]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Sinfonia BWV 1045 (commentary)]
68. Hill, Robert:   Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. BachZenshu 12 (Jul 1998), 50-63. [In search of two-manual instrument: the background of the 'Goldberg' variations]
69. Hofmann, Klaus:   Bach no Italia-go Kantata. BachZenshu 6 (Apr 1998), 48-60. trans. by Yoichi Ishikawa. [Bach's cantata in Italian]
70. Hofmann, Klaus:   Göttingen Bach Kenkyujo no Rekishi: Shin Bach Zenshu Hassho no Chi. BachZenshu 4 (Oct 1998), 26-37. trans. by Hiroko Kato. [The History of Bach Institut in Göttingen: The place of birth of the New Bach Editions]
71. Hofmann, Klaus:   Sakuso shita Michi no Tansaku. Bach no Cembalo Kyosokyoku to ushinawareta Genkyoku no Fukugen o megutte. BachZenshu 14 (Dec 1995), 38-52. Trans. by Hisao Nishikawa [Finding in a complicated paths: on the reconstruction of the lost original of Bach's harpsichord concertos]
72. Hofmann, Klaus:   Weimar Jidai no Kantata Karenda. BachZenshu 3 (Oct 1997), 26-37. Trans. by Mariko Ikegami [Cantata Calendar in Weimar period]
73. Holschneider, Andreas:   Archiv Production no Rekishi. BachZenshu 9 (Jan 1997), 82-92. trans. by Hiroko Kato. [The History of Archiv Production]
74. Holschneider, Andreas:   Bach Enso no Kako to Genzai. BachZenshu 2 (Apr 1997), 66-76. [Bach Performance in the past and present] trans by Hiroko Kato.
75. Horn, Wolfgang:   Dresden Kyutei Gakudan to Bach. BachZenshu 6 (Apr 1998), 24-35. Trans. by Hisao Nishikawa. [Dresden court chamber orchestra and Bach]
76. Hoshino, Hiromi:   Gakki no Oh, Bach no Gakki. BachZenshu 9 (Jan 1997), 70-81. [The King of Instrument: Bach's Instrument]
77. Hosokawa, Toshio:   Watashi to Bach, watashi to Europe. BachZenshu 5 (Apr 1999), 78-88. [I and Bach, I and Europe]
78. Ichikawa, Shin'ichiro:   Bach o torimaku Kenbangakki. BachZenshu 11 (Jul 1996), 101-108. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach]
79. Ikegami, Jun'ichi:   Zarathustra no Namida. BachZenshu 10 (Jan 1998), 150-169. [Zarathustra's tears]
80. Ikegami, Mariko:   J. S. Bach Nenpu. BachZenshu 1 (Apr 1996), 146-157 [144-155]. [J. S. Bach chronicle]
81. Ishikawa, Yoichi:   Ichizoku no Dento o tsutaeru Sakuhingun. BachZenshu 15 (Jul 1999), 281-285 [80-84]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [A set of works that passes on the family tradition] [Heinrich Bach; Johann Michael Bach; Georg Christoph Bach; Johann Christoph Bach]
82. Ishikawa, Yoichi:   [Kantata Dai-130-Ban - Dai-148-Ban] BachZenshu 4 (Oct 1998), 281-299 [50-68]. Sakuhin Kaisetsu. [Commentary; BWV 130-148]
83. Ishikawa, Yoichi:   [Kantata Dai-44-Ban - Dai-46-Ban; Dai-70-Ban - Dai-78-Ban] BachZenshu 2 (Apr 1997), 250-261, 294-297 [36-39, 72-83]. Sakuhin Kaisetsu. [Commentary; BWV 44-46, 70-78]
84. Ishikawa, Yoichi:   Kurisumasu Oratorio BWV 248. BachZenshu 8 (Jan 1998), 245-251 [38-44]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Christmas Oratorio, BWV 248; commentary]
85. Ishikawa, Yoichi:   Monteverdi to Bach. BachZenshu 2 (Apr 1997), 54-65. [Monteverdi and Bach]
86. Ishikawa, Yoichi:   Mühlhausen Izen no Bach. Dai-1-Ji Weimar Jidai. Dai-2-Ji Weimar Jidai. BachZenshu 15 (Jul 1999), 276-280 [85-89]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Bach in the pre-Mühlhausen era; 1st Weimar period; 2nd Weimar period] [Johann Rudolf Ahle; Johann Pachelbel; Johann Paul von Westhoff; Johann Gottfried Walther]
87. Ishikawa, Yoichi:   Shukyoteki riito 'Schemelli kakyokushu' BWV 439-507 yori. BachZenshu 8 (Jan 1998), 228-230 [59-61]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from Schemelli's sacred songs, BWV 439-507; commentary]
88. Isoyama, Tadashi:   7-tsu no Tokkata ni tsuite. BachZenshu 12 (Jul 1998), 212-215 [26-29]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [On 7 toccatas; commentary; BWV 910-916].
89. Isoyama, Tadashi:   Bach no Shikaku. Shikaku no Bach. BachZenshu 8 (Jan 1998), 144-155. Bach no Shogai. [Bach's life: Bach's eye-sight: Eye-sight's Bach]
90. Isoyama, Tadashi:   Bach to Wien Koten-ha BachZenshu 15 (Jul 1999), 88-97. [Bach and the Viennese Classical school]
91. Isoyama, Tadashi (ed.):   Chenbaro Kyoku II / Werke für Cembalo 2 / Music for harpsichord 2. Tokyo: Shogakukan, 1998. 237p. ISBN: 4-09-612012-X. (= Bach Zenshu, 12; Complete Johann Sebastian Bach edition, 12) [contents]
92. Isoyama, Tadashi:   [Dresden] BachZenshu 15 (Jul 1999), 263-267 [98-102]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann David Heinichen; Silvius Leopold Weiss; Jan Dismas Zelenka; Johann Georg Pisendel; Pierre-Gabriel Buffardin; Johann Christian Petzold; Johann Adolf Hasse; Friedrich II; Johann Gottlieb Graun]
93. Isoyama, Tadashi:   Goldberg Hensokyoku BWV 988. BachZenshu 12 (Jul 1998), 201-205 [36-40]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Goldberg variations, BWV 988; commentary]
94. Isoyama, Tadashi:   [Hamburg, Lüneburg, Lübeck] BachZenshu 15 (Jul 1999), 269-271 [94-96]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Georg Böhm; Dietrich Buxhude; Johann Adam Reinken; Georg Friedrich Händel; Georg Philipp Telemann]
95. Isoyama, Tadashi:   Heikinritsu Clavier Kyokushu Dai-1-Kan BWV 846-869; Heikinritsu Clavier Kyokushu Dai-2-Kan BWV 870-893. BachZenshu 12 (Jul 1998), 215-223 [18-26]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. [Well tempered Clavier, part 1 and 2; commentary]
96. Isoyama, Tadashi:   Ima, Bach no Kantata o. BachZenshu 1 (Apr 1996), 12-23. [Bach's Cantata Now]
97. Isoyama, Tadashi:   Itaria Kyosokyoku He-Chocho BWV 971. BachZenshu 12 (Jul 1998), 207-208 [33-34]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Italian Concerto, BWV 971; commentary]
98. Isoyama, Tadashi:   Jidai no Naka no Kantata. BachZenshu 3 (Oct 1997), 12-25. [Cantata in the age]
99. Isoyama, Tadashi:   Kantata Dai-163-Ban - Dai-199-Ban. BachZenshu 5 (Apr 1999), 244-277 [28-61]. Sakuhin Kaisetsu. [Cantata nos.163-199; Commentary.]
100. Isoyama, Tadashi:   Kantata Dai-1-Ban - Dai-36-Ban. BachZenshu 1 (Apr 1996), 234-275 [26-67]. Sakuhin Kaisetsu. [Commentary. Cantata nos.1-36]
101. Isoyama, Tadashi:   Kantata Dai-79-Ban - Dai-117-Ban. BachZenshu 3 (Oct 1997), 232-272 [29-69]. Sakuhin Kaisetsu. [Commentar; BWV 79-117]
102. Isoyama, Tadashi (ed.):   Kyokai kantata III / Kirchenkantaten 3 / Church cantatas 3. Tokyo: Shogakukan, 1997. 298p. ISBN: 4-09-612003-0. (= Bach Zenshu, 3; Complete Johann Sebastian Bach edition, 3) [contents]
103. Isoyama, Tadashi (ed.):   Kyokai Kantata I / Kirchenkantaten 1 / Church cantatas 1. Tokyo: Shogakukan, 1996. 297p. ISBN: 4-09-612001-4. (= Bach Zenshu, 1; Complete Johann Sebastian Bach edition, 1) [contents]
104. Isoyama, Tadashi (ed.):   Kyokai Kantata V / Kirchenkantaten 5 / Church cantatas 5. Tokyo: Shogakukan, 1999. 301p. ISBN: 4-09-612005-7. (= Bach Zenshu, 5; Complete Johann Sebastian Bach edition, 5) [contents]
105. Isoyama, Tadashi:   Kyosokyoku Ni-Chocho BWV 972; Aria to Henso I-Tancho BWV 989; Kapuriccho 'Saiai no ani no Tabidachi ni yosete' BWV 992; Applicatio (Unshi Renshukyoku) Ha-Chocho BWV 994. BachZenshu 12 (Jul 1998), 205-207 [34-36]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Concerto, BWV 972; Aria with variations, BWV 989; Capriccio, BWV 992; Applicatio, BWV 994; commentary]
106. Isoyama, Tadashi:   [Leipzig] BachZenshu 15 (Jul 1999), 272-275 [90-93]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann Kuhnau; Christoph Graupner; Johann Ludwig Krebs]
107. Isoyama, Tadashi:   Oruganisuto Bach. BachZenshu 9 (Jan 1997), 12-37. [Organist Bach]
108. Isoyama, Tadashi (ed.):   Orugan Kyoku I / Das Orgelwerk 1 / Music for organ 1. Tokyo: Shogakukan, 1997. 209p. ISBN: 4-09-612009-X. (= Bach Zenshu, 9; Complete Johann Sebastian Bach edition, 9) [contents]
109. Isoyama, Tadashi:   Record - CD ni yoru Kantata Enso-shi. BachZenshu 5 (Apr 1999), 12-25. [Performance history of Cantatas in records and CDs]
110. Isoyama, Tadashi:   [Sho-zensokyoku] BWV 924-931, 933-938, 939-943, [Zensokyoku to fugetta] BWV 901, 902; [Gensokyoku to fuga] BWV 903, 904, 906. BachZenshu 12 (Jul 1998), 208-212 [29-33]. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [small preludes, prelude and fugues, fantasia and fugues; commentary]
111. Isoyama, Tadashi:   Sozosei to Kyoiku: Bach no Clavier Ongaku. BachZenshu 12 (Jul 1998), 12-27. [Creativity and Education: Bach's clavier music]
112. Isozaki, Arata:   Enso Kukan ga kawatte iku. BachZenshu 5 (Apr 1999), 89-96. [Changing space of performance]
113. Ito, Tatsuhiko:   Bach to 'Yujo Kinencho' no Dento. BachZenshu 4 (Oct 1998), 170-184. Bach no Shogai. [Bach's life: Bach and the Tradition of 'The Notebook of Friendship']
114. Iyanaga, Nobumi:   'Rekishi no Naka' no Bach, 'Rekishi no Soto' no Bach. BachZenshu 1 (Apr 1996), 80-105. [Bach inside the History; Bach outside the History]
115. Kabayama, Kouichi:   Halle to Leipzig. Doitsu Seishin no futatsu no Senpo. BachZenshu 14 (Dec 1995), 112-123. [Halle and Leipzig: Two acmes of German spirit.]
116. Kanazawa, Masakata:   Johann Sebastian Bach to Watashi. BachZenshu 2 (Apr 1997), 86-95. [Johann Sebastian Bach and I]
117. Kaneko, Takashi:   Brandenburg Kyosokyoku ni tsuite. BachZenshu 14 (Dec 1995), 221-233 [28-40]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On Brandenburg concertos; commentary; BWV 1046, 1046a, 1047-1050, 1050a, 1051]
118. Kasahara, Kiyoshi:   Bach, 1725-Nen Natsu. 'Matai Junankyoku' Sakkyoku Zen'ya. BachZenshu 3 (Oct 1997), 104-119. [Bach in the summer of 1725: In the eve of composing the St Matthew Passion]
119. Katayama, Chikako:   'Chowasu' no Gainen o meguru Rekishiteki Tansaku. BachZenshu 10 (Jan 1998), 98-123. [A historical enquiry on the concept of 'Harmonic numbers']
120. Kato, Hiroko:   Kangengaku Kumikyoku ni tsuite. BachZenshu 14 (Dec 1995), 200-208 [53-61]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On orchestra suites; commentary; BWV 1066-1069, 1070]
121. Kato, Hiroko:   [Kantata Dai-149-Ban - Dai-162-Ban] BachZenshu 4 (Oct 1998), 270-281 [68-79]. Sakuhin Kaisetsu. [Commentary; BWV 149-162]
122. Kato, Hiroko:   'Kohi Kantata' to Doitsu Kohi Jijo. BachZenshu 6 (Apr 1998), 122-133. [Coffee Cantata and the state of affair of coffee in Germany]
123. Kato, Hiroko:   Motetto ni tsuite; Bach no Motetton ni tsuite; [Kaisetsu] BWV 225-230, 231, Anh.159, 118b [sic]. BachZenshu 7 (Oct 1996), 239-247 [22-30]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On motett; On Bach's motett; commentary BWV 225-230, 231, Anh. 159, 118 (later version)].
124. Kato, Hiroko:   Tanoshiki Leipzig. Hanahiraku Concert Seikatsu. BachZenshu 14 (Dec 1995), 124-135. [Joyous Leipzig: Lively Concert Life]
125. Kato, Shuichi:   Bach, Barokku, Bauhaus. BachZenshu 1 (Apr 1996), 54-64.
126. Kawai, Hayao:   'Tamashii' no Ongaku BachZenshu 1 (Apr 1996), 65-71. [The Music of the Spirit']
127. Kikuchi, Yoshio:   Bach no Ashiato. BachZenshu 3 (Oct 1997), 142-155. Bach no Shogai. [Bach's life: Bach's footpath]
128. Kimura, Bin:   Bach no warai. BachZenshu 13 (Jul 1997), 86-92. [Bach's laughter]
129. Kimura, Sachiko:   Mendelssohn ni yoru 'Matai Junankyoku' Saien -- Bach Fukko no Michinori. BachZenshu 8 (Jan 1998), 50-68. [Revival performance of St Matthew Passion by Mendelssohn -- Paths to Bach Revival.]
130. Kobayashi, Yoshitake:   Bach ni yoru Junankyoku Joen ni tsuite. BachZenshu 7 (Oct 1996), 34-47. [On the performance of Passions by Bach]
131. Kobayashi, Yoshitake:   Bach no gosenshi. BachZenshu 5 (Apr 1999), 54-68. [Bach's music paper]
132. Kobayashi, Yoshitake:   Bach no Hisseki o megutte. 1730-Nen Iko. BachZenshu 4 (Oct 1998), 62-87. [Tracing back Bach's handwriting: after 1730]
133. Kobayashi, Yoshitake:   Bach no Hisseki o megutte: Köthen Jidai kara Leipzig Jidai Shoki (1729) made. BachZenshu 3 (Oct 1997), 38-60. [Tracing back Bach's Handwriting: From his period in Köthen to his early Leipzig period (1729)]
134. Kobayashi, Yoshitake:   Bach no Hisseki o megutte: Weimar Jidai made. BachZenshu 2 (Apr 1997), 36-53. [Tracing back Bach's handwriting: till his Weimar period]
135. Kobayashi, Yoshitake:   Bach Orugan Sakuhin no Shiryo to Densho. BachZenshu 9 (Jan 1997), 38-51. [The sources and transmission of Bach's organ works]
136. Kobayashi, Yoshitake:   Bach to Kaiga. BachZenshu 12 (Jul 1998), 182-199. Bach no Shogai. [Bach's life: Bach and Painting.]
137. Kobayashi, Yoshitake (ed.):   Bach to sono Shuhen / Anhang / Supplement. Tokyo, Japan: Shogakukan, 1999. 359p. ISBN: 4-09-612015-4. (= Bach Zenshu, 15; Complete Johann Sebastian Bach edition, 15) [contents]
138. Kobayashi, Yoshitake:   Barokku Jidai no Shimin to Ongaku. BachZenshu 15 (Jul 1999), 125-132. Pictorial J. S. Bach. [Citizen and Music in the Baroque era]
139. Kobayashi, Yoshitake:   Brandenburg Kyosokyoku no Seiritsu ni tsuite. BachZenshu 14 (Dec 1995), 52-63. [On the origin of Brandenburg concertos]
140. Kobayashi, Yoshitake:   Gaisetsu: Bach Ichizoku no Kantata. BachZenshu 15 (Jul 1999), 285 [80]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Cantatas by Bach family]
141. Kobayashi, Yoshitake:   Gaisetsu: Bach Ko / Kosei no Sakkyokuka ni yoru Henkyoku. BachZenshu 15 (Jul 1999), 241 [124]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Ode to Bach: Arrangements by the composer of later generations]
142. Kobayashi, Yoshitake:   Gaisetsu: Bach no Ashiato o tazunete 1. [Mühlhausen Izen; Weimar] BachZenshu 15 (Jul 1999), 280-281 [84-85]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 1: before Mühlhausen; Weimar]
143. Kobayashi, Yoshitake:   Gaisetsu: Bach no Ashiato o tazunete 2. [Leipzig] BachZenshu 15 (Jul 1999), 275-276 [89-90]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 2: Leipzig]
144. Kobayashi, Yoshitake:   Gaisetsu: Bach no Ashiato o tazunete 3. [Kita Doitsu no Shotoshi -- Hamburg, Lüneburg, Lübeck] BachZenshu 15 (Jul 1999), 272 [93]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 3: North German towns--Hamburg, Lüneburg, Lübeck]
145. Kobayashi, Yoshitake:   Gaisetsu: Bach no Ashiato o tazunete 4. [Dresden; Berlin] BachZenshu 15 (Jul 1999), 267-269 [96-98]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 4: Dresden; Berlin]
146. Kobayashi, Yoshitake:   Gaisetsu: Bach no Musuko Tachi. BachZenshu 15 (Jul 1999), 249 [116]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach's Sons]
147. Kobayashi, Yoshitake:   Gaisetsu: Bach Sakuhin Hoi. BachZenshu 15 (Jul 1999), 316-317 [48-49]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview: Bach's Ouvre - Appendix]
148. Kobayashi, Yoshitake:   Gaisetsu: Bach to Furansu no Ongaku. BachZenshu 15 (Jul 1999), 255 [110]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and French music]
149. Kobayashi, Yoshitake:   Gaisetsu: Bach to Italia Ongaku. BachZenshu 15 (Jul 1999), 262-263 [102-103]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and Italian music]
150. Kobayashi, Yoshitake:   Kantata no Saihakken to Juyo. BachZenshu 1 (Apr 1996), 24-35. [Rediscovery of Cantata and Reception]
151. Kobayashi, Yoshitake:   Ongakushi no Nagare ni tatsu Bach: Shuen to Reimei. BachZenshu 15 (Jul 1999), 12-27. [Bach in the history of music: end and dawn]
152. Koike, Hisako:   Iesu no Junan. BachZenshu 7 (Oct 1996), 77-84. Pictorial J. S. Bach. [The passion of Jesus]
153. Koike, Hisako:   Iesu no Shogai. BachZenshu 1 (Apr 1996), 45-52. Pictorial J. S. Bach. [The Life of Jesus]
154. Koike, Hisako:   Iesu to Shito tachi. BachZenshu 2 (Apr 1997), 77-84. Pictorial J. S. Bach. [Jesus and his disciples]
155. Koike, Hisako:   Inori no Kozu. BachZenshu 10 (Jan 1998), 73-80. Pictorial J. S. Bach. [The Framing of Prayers]
156. Koike, Hisako:   Shi no Neiro: 'Shi no Buto' o megutte. BachZenshu 5 (Apr 1999), 120-139. [The sound of death: on the 'dance of death']
157. Kokaji, Kunitaka:   'Clavier Renshukyokushu Dai-1-Bu' '6-tsu no Partita' ni tsuite. BachZenshu 11 (Jul 1996), 188-196 [53-61]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavierübung part 1 '6 Partitas'; commentary; BWV 825-830]
158. Kokaji, Kunitaka:   France Gendai Ongaku to Bach. BachZenshu 11 (Jul 1996), 68-77. [Modern French music and Bach]
159. Kokaji, Kunitaka:   Fuga ni tsuite; Fuga no giho BWV 1080. BachZenshu 14 (Dec 1995), 189-194 [67-72]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On fugues; the art of fugue (commentary)]
160. Kokaji, Kunitaka:   Furansu-fu Jokyoku Ro-Tancho BWV 831. BachZenshu 11 (Jul 1996), 222-224 [25-27]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [French Overture in B minor, BWV 831 (commentary)]
161. Kokaji, Kunitaka:   Kanon ni tsuite; Ongaku no sasage mono BWV 1079. BachZenshu 14 (Dec 1995), 194-200 [61-67]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On canons; commentary; BWV 1072-1078, 1086, 1087; Musikalisches Opfer; commentary]
162. Kokaji, Kunitaka:   Kumikyoku ni tsuite. BachZenshu 11 (Jul 1996), 214-215 [34-35]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavier Suites]
163. Kokaji, Kunitaka:   Neumeister Korarushu (BWV 1090-1120) ni tsuite. BachZenshu 10 (Jan 1998), 208-218 [79-89]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Neumeister chorale collection, BWV 1090-1120; commentary]
164. Krummacher, Friedhelm:   Hatten no Dankai: Bach no Kantata ni okeru Gassho Gakusho ni tsuite. BachZenshu 5 (Apr 1999), 36-53. [The process of development: on the choral movements in Bach's cantatas] trans. by Mariko Ikegami.
165. Kumamoto, Mari:   Watashi no Bach Monogatari. BachZenshu 12 (Jul 1998), 123-128. [My Bach story]
166. Leisinger, Ulrich:   Bach no Mubanso Violin oyobi Cello no tame no Sakuhin. BachZenshu 13 (Jul 1997), 42-49. Trans. by Naoaki Eguchi. [Bach's works for unaccompanied violin and cello]
167. Matsui, Naomi:   Bach ni sodaterarete. BachZenshu 9 (Jan 1997), 115-120. [Brought up by Bach]
168. Melamed, Daniel R.:   Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 (Oct 1998), 88-96. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas]
169. Minagawa, Tatsuo:   Bach wa Ogawa dewa nai. BachZenshu 10 (Jan 1998), 82-89. [Bach is not a brook]
170. Miyake, Yukio:   6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. BachZenshu 13 (Jul 1997), 201-207 [62-68]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On flute sonatas, BWV 1030-1035; commentary]
171. Miyake, Yukio:   Bach no Violin Kyosokyoku [BWV 1041-1043]; Sanju Kyosokyoku I-Tancho BWV 1044 (Furuto, Violin to Chenbaro no tame no Kyosokyoku). BachZenshu 14 (Dec 1995), 233-239 [22-28]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's violin concertos; triple concerto (commentary)]
172. Miyake, Yukio:   Emanuel no Sakuhin. BachZenshu 15 (Jul 1999), 241-245 [120-124]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Carl Philipp Emanuel Bach; Sinfonia G-dur H 657; Sonate für Querflöte solo a-Moll H 562; Sonate H 74 (aus 'Versuch über der wahre Art das Klavire zu spielen'); Magnificat H 772]
173. Miyake, Yukio:   Friedemann, Friedrich, Chriatian no Sakuhin. BachZenshu 15 (Jul 1999), 245-249 [116-120]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Wilhelm Friedemann Bach: Konzert für 2 Cembali F-Dur BWV Anh. 188; Johann Christoph Friedrich Bach: Quartett für Traversflöte, Violine, Viola und Basso C-Dur; Johann Christian Bach: Ouverture No.1 D-dur, Duett G-Dur, Concerto Es-Dur op.7-5]
174. Miyake, Yukio:   Geijutsuka no Jiga, Sosaku no Jiyu. BachZenshu 14 (Dec 1995), 174-185. Bach no Shogai. [Bach's life: Ego of an Artist - Freedom of Creation]
175. Miyake, Yukio:   [Kaisetsu: BWV 1020, Anh. 153, 1021-1026]. BachZenshu 13 (Jul 1997), 211-216 [53-58]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [commentary BWV 1020 (= H. 542.5), Anh. 153, 1021-1026]
176. Miyake, Yukio:   Kashaku naki Hitsuzensei - Orugan no tame no Koraru Henkyoku o megutte. BachZenshu 10 (Jan 1998), 12-25. [Absolute necessity: on the chorale arrangements for organ]
177. Miyake, Yukio (ed.):   Kyosokyoku; Kangen gakkyoku / Orchesterwerke / Orchestral music. Tokyo: Shogakukan, 1995. 257p. ISBN: 4-09-612014-6. (= Bach Zenshu, 14; Complete Johann Sebastian Bach edition, 14) [contents]
178. Miyake, Yukio:   Mattaki Sekai Sozo: Wagner no Bach Juyo. BachZenshu 15 (Jul 1999), 98-111. [The Creation of Universe: Wagner's Bach reception]
179. Miyake, Yukio (ed.):   Misakyoku, Junankyoku I / Messen und Passionen 1 / Masses and passions 1. Tokyo: Shogakukan, 1996. 265p. ISBN: 4-09-612007-3. (= Bach Zenshu, 7; Complete Johann Sebastian Bach edition, 7) [contents]
180. Miyake, Yukio:   Mubanso Cello Kumikyoku (BWV 1007-1012) ni tsuite. BachZenshu 13 (Jul 1997), 227-235 [34-42]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Suites for unaccompanied violoncello, BWV 1007-1012; commentary]
181. Miyake, Yukio:   Mubanso Furuto no tame no Partita I-Tancho BWV 1013. BachZenshu 13 (Jul 1997), 226-227 [42-43]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [Partita for unac flute in a minor BWV 1013 (commentary)]
182. Miyake, Yukio:   Mubanso Violin no tame no Sonata to Partita (BWV 1001-1006) ni tsuite. BachZenshu 13 (Jul 1997), 235-242 [27-34]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas and Partitas for unac violin, BWV 1001-1006; commentary]
183. Miyake, Yukio:   Musica Reservata. BachZenshu 13 (Jul 1997), 12-27.
184. Miyake, Yukio:   Ongaku no Shujiho. BachZenshu 7 (Oct 1996), 12-23. [Musical Rhetoric]
185. Miyake, Yukio (ed.):   Orugan Kyoku II / Das Orgelwerk 2 / Music for organ 2. Tokyo: Shogakukan, 1999. 293p. ISBN: 4-09-612010-3. (= Bach Zenshu, 10; Complete Johann Sebastian Bach edition, 10) [contents]
186. Miyake, Yukio:   Orugan Kyosokyoku (henkyoku) ni tsuite. BachZenshu 10 (Jan 1998), 270-273 [24-27]. Sakuhin Kaisetsu. Orugan Kyoku [2]. [On organ concertos (arrangements); commentary; BWV 592-597]
187. Miyake, Yukio:   Orugan Shokyokushu (BWV 599-644) ni tsuite. BachZenshu 10 (Jan 1998), 253-270 [27-44]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Orgelbüchlein, BWV 599-644; commentary]
188. Miyake, Yukio:   Ryutokyoku ni tsuite. BachZenshu 13 (Jul 1997), 245-251 [18-24]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On lute works; commentary; BWV 995-1000, 1006a]
189. Miyake, Yukio (ed.):   Shitsunaigakkyoku / Kammermusik / Chamber music. Tokyo: Shogakukan, 1997. 265p. ISBN: 4-09-612013-8. (= Bach Zenshu, 13; Complete Johann Sebastian Bach edition, 13) [contents]
190. Miyake, Yukio:   Shitsunaigakkyoku ni tsuite. BachZenshu 13 (Jul 1997), 242-245 [24-27]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On chamber music]
191. Miyake, Yukio:   Torio Sonata ni tsuite. BachZenshu 13 (Jul 1997), 197-201 [68-72]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Trio Sonata; commentary; BWV 1036-1039]
192. Miyake, Yukio:   Viola da Gamba to Chenbaro no tame no Sonata (BWV 1027-1029) ni tsuite. BachZenshu 13 (Jul 1997), 207-211 [58-62]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for viola da gamba and cembalo, BWV 1027-1029; commentary]
193. Miyake, Yukio:   Violin to Chenbaro no tame no Sonata (BWV 1014-1019) ni tsuite. BachZenshu 13 (Jul 1997), 216-226 [43-53]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for violin and cembalo, BWV 1014-1019, 1019a; commentary]
194. Miyake, Yukio:   Yakudo suru Bach. Atarashii Bach Zo ni mukete. BachZenshu 14 (Dec 1995), 12-25. [Stirring Bach: toward a new image of Bach]
195. Miyake, Yukio:   Yohane Junankyoku BWV 245. BachZenshu 7 (Oct 1996), 198-211 [58-71]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Johannes-Passion, BWV 245; commentary]
196. Mochizuki, Michiaki:   Gusha to Kantata. BachZenshu 1 (Apr 1996), 72-78. [Inferior people and Cantata]
197. Murakami, Yoichiro:   Oto no Minshuka. BachZenshu 11 (Jul 1996), 140-151. [Democratisation of sound]
198. Nakajima, Yuji:   Bach ni Seishin no ayumi o. Uchu no Chitsujo o mita Hesse. BachZenshu 7 (Oct 1996), 86-93. [Identifying the course of spirit in Bach: Hesse viewed from the order of the universe.]
199. Nakamura, Kosuke:   Nihonjin no Bach Juyo: sono Rekishiteki tenkai. BachZenshu 15 (Jul 1999), 158-173. [Bach reception by Japanese: its historic development]
200. Nakamura, Yujiro:   Fuhenteki Harmony o koete. Dekaruto no Ongakuron to sono Shuhen. BachZenshu 7 (Oct 1996), 128-141. [Going beyond universal harmony: Descartes' Music theory and around his circle]
201. Nakamura, Yujiro:   Gakukyo no Benshoho. Theodor Adorno. BachZenshu 13 (Jul 1997), 158-169. [Dialectics in Music: Theodor Adorno]
202. Nakamura, Yujiro:   Gensen to shite no Ongaku. Nietzsche. BachZenshu 11 (Jul 1996), 152-163. [Music as the origin: Nietzsche]
203. Nakamura, Yujiro:   Kazu, Shukyo, Ongaku. Pythagoras. BachZenshu 1 (Apr 1996), 116-125. [Number, Religion, Music: Pythagoras]
204. Nakamura, Yujiro:   Kotori to no Taiwa. Ashiji no Francesco / Messian. BachZenshu 4 (Oct 1998), 144-159. [The conversation with birds: Francesco in Ashji (?) / Messian]
205. Nakamura, Yujiro:   'Me to Te no Hito' to Ongaku. Leonardo da Vinci. BachZenshu 6 (Apr 1998), 142-155. ['Man with Eyes and Hands' and Music: Leonardo da Vinci]
206. Nakamura, Yujiro:   Ongaku to Tetsugaku to Sugaku no Icchi: Leibnitz to Bach. BachZenshu 15 (Jul 1999), 174-189. [The correspondence between music, philosophy and mathematics: Leibnitz and Bach]
207. Nakamura, Yujiro:   Saezuru Kikai. Duruuzu & Gataari. BachZenshu 14 (Dec 1995), 148-165. [Twittering machine]
208. Nakamura, Yujiro:   Seishin no Fuga: Roman shugi no Ongaku Bigaku to Tetsugaku. BachZenshu 10 (Jan 1998), 170-181. [Spiritual Fugue: Music aesthetics in Romantic era and Philosophy - Hegel]
209. Nakamura, Yujiro:   Senritsu to Shakai Keiyaku. Rasseau no Ongakuron to sono Shuhen. BachZenshu 8 (Jan 1998), 122-133. [Melody and social contract: Rasseau's music theory and its circle]
210. Nakamura, Yujiro:   Shindo suru Mi. Sokuratesu kara Puraton e. BachZenshu 2 (Apr 1997), 122-133. [Vibrating 'Mi': From Socrates to Plato.]
211. Nakamura, Yujiro:   'Shinkyoku' no Sekaizo to Ongaku: Dante [Seishin no Fuga] BachZenshu 5 (Apr 1999), 140-151. [The universal image of 'La Divina Commedia' and music: Dante]
212. Nakamura, Yujiro:   Tamashii no Rhythm ron. Augustinus. BachZenshu 3 (Oct 1997), 120-131. [The spirit of Rhythm theory: Augustinus]
213. Narumi, Fumio:   [8-tsu no Sho-Zensokyoku to Fuga] BWV 553-560 (Gisaku) BachZenshu 9 (Jan 1997), 187-188 [25-26]. [8 small preludes and fugues (spurious); commentary]
214. Narumi, Fumio:   Berlin Monogatari. 18-Seiki Kohan ni itaru Toshi to Ongaku no Rekishi. BachZenshu 14 (Dec 1995), 136-147. [The Story of Berlin. The cities in second half of the 18th century and the history of music]
215. Narumi, Fumio:   Ensoka to shite no Bach. BachZenshu 5 (Apr 1999), 162-176. Bach no Shogai. [Bach's life: Bach as a performer]
216. Narumi, Fumio:   [Gensokyoku, Tokkata, Zensokyoku, Orugan Kyoku] BWV 561-572; [Fuga] BWV 574-581. BachZenshu 9 (Jan 1997), 184-187 [26-29]. [fantasies, toccatas, preludes, pièce d'orgue, fugues; commentary]
217. Narumi, Fumio:   [Kaisetsu: BWV 620a, 1085, Anh.55, 535a, 545b, 131a, 1027a] BachZenshu 10 (Jan 1998), 218-219 [78-79]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [commentary: BWV 620a, 1085, Anh. 55, 535a, 545b (Anh. II), 131a, 1027a]
218. Narumi, Fumio:   Kirnberger Korarushu (BWV 690-713) ni tsuite; 27 no Koraru Henkyoku (BWV 714-740) ni tsuite; 25 no Koraru Henkyoku (BWV 741-765) ni tsuite. BachZenshu 10 (Jan 1998), 221-234 [63-76]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Kirnberger chorale collection, BWV 690-713; on 27 chorale preludes, BWV 714-740; on 25 chorale preludes, BWV 741-765] [commentary]
219. Narumi, Fumio:   Kobetsu ni Densho sareru Orugan Korarugun. BachZenshu 10 (Jan 1998), 234 [63]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On seprately-transmitted Organ chorales]
220. Narumi, Fumio:   Koraru Partita (BWV 766-771) ni tsuite. BachZenshu 10 (Jan 1998), 219-221 [76-78]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale partitas, BWV 766-771; commentary]
221. Narumi, Fumio:   [Passakaria, Torio, Aria, Kanzona, Alla breve, Pasutorare, Chiisana Wasei no Meiro] BWV 582-591. BachZenshu 9 (Jan 1997), 182-184 [29-31]. [passacaglia, trios, aria, canzona, alla breve, pastorella, 'Kleines harmonische Labyrinth'; commentary]
222. Narumi, Fumio:   Torio Sonata (BWV 525-530) ni tsuite. BachZenshu 9 (Jan 1997), 193-196 [17-20]. Sakuhin Kaisetsu. Orugan Kyoku [1]. - [On Trio sonatas, BWV 525-530; commentary]
223. Narumi, Fumio:   [Zensokyoku to Fuga, Gensokyoku to Fuga, Tokkata to Fuga] BWV 531-552. BachZenshu 9 (Jan 1997), 188-193 [20-25]. [preludes (fantasies, toccatas) and fugues; commentary]
224. Nishihara, Minoru:   19-Seiki no Cembalo Fukko. BachZenshu 11 (Jul 1996), 88-100. [Harpsichord revival in the 19th century]
225. Nishihara, Minoru:   Bach no Kyutei Seikatsu. BachZenshu 6 (Apr 1998), 166-176. Bach no Shogai. [Bach's life: Bach's Life in Court]
226. Nishihara, Minoru:   Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. BachZenshu 10 (Jan 1998), 192-206. Bach no Shogai. [Bach's life: The way Bach was portrayed in the 19th century]
227. Nishihara, Minoru:   Bach to Keizai Seikatsu. BachZenshu 2 (Apr 1997), 144-158. Bach no Shogai. [Bach's life: Bach and Economic Life]
228. Oefner, Claus:   Bach Ichizoku no Senjin tachi. BachZenshu 15 (Jul 1999), 28-41. [The predecessors of Bach family] trans. by Naoaki Eguchi.
229. Ogawa, Akira:   Iesu Junan Monogatari no Seiritsu to Shoso. BachZenshu 8 (Jan 1998), 98-111. [The origin and some aspects of the story of Jesus' Crucifixion]
230. Ogawa, Hideharu:   Bach to no Deai. BachZenshu 6 (Apr 1998), 70-84. [Encounter with Bach]
231. Ohara, Mayumi:   Bach-ke no 'Kazoku no Shozo'. BachZenshu 8 (Jan 1998), 112-121. [Bach family's 'Family portrait']
232. Okabe, Shin'ichiro:   Tashu-Tayo na Bach Henkyoku. BachZenshu 15 (Jul 1999), 236-241 [124-129]. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Various Bach arrangements] [Wolfgang Amadeus Mozart BWV 874/2; Franz Liszt BWV 12/2; Johannes Brahms BWV 1004/5; Ferruccio Busoni BWV 639; Leopold Stokowsky BWV 565; Arnold Schönberg BWV 552; Anton Webern BWV 1079/2]
233. Oshio, Takashi:   Fudo to Bunka to Shinko to. BachZenshu 11 (Jul 1996), 128-139. [With climate, culture and belief]
234. Osumi, Kinya:   18 no Korarushu (BWV 651-668) ni tsuite. BachZenshu 10 (Jan 1998), 242-250 [47-55]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On The Eighteen Chorales, BWV 651-668; commentary]
235. Osumi, Kinya:   Bach to Josei. BachZenshu 9 (Jan 1997), 160-180. Bach no Shogai. [Bach's life: Bach and Women]
236. Osumi, Kinya:   'Clavier Renshukyokushu Dai-3-Bu' yori Koraru Henkyoku (BWV 669-689) ni tsuite. BachZenshu 10 (Jan 1998), 234-242 [55-63]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale preludes from Clavierübung III, BWV 669-689; commentary]
237. Osumi, Kinya:   Schübler Korarushu (BWV 645-650) ni tsuite. BachZenshu 10 (Jan 1998), 250-253 [44-47]. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Schübler Chorales, BWV 645-650; commentary]
238. Oyama, Mayumi:   Bach no Chenbaro Kyosokyoku. BachZenshu 14 (Dec 1995), 211-221 [40-50]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's cembalo concertos; commentary; BWV 1052-58, 1060-1065]
239. Oyama, Mayumi:   [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. BachZenshu 14 (Dec 1995), 208-211 [50-53]. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [concertos in reconstruction; commentary]
240. Rempp, Frieder:   Bach no 4-sei Koraru-shu o megutte. BachZenshu 8 (Jan 1998), 34-49. [On the Four-Part Chorales] trans. by Hiroko Kato. [Original title was 'Die Sammlung der vierstimmigen Choräle Johann Sebastian Bachs']
241. Sakata, Hiroo:   Orugan no Hanashi. BachZenshu 10 (Jan 1998), 90-96. [A story on the Organs]
242. Salmen, Walter:   Anhalt Cöthen Ko no Hoyochi Ongakuka. BachZenshu 6 (Apr 1998), 134-141. trans. by Hiroko Kato [Musicians of Resort for Prince of Anhalt Cöthen]
243. Sanko, Nagaharu:   Bach wa Ongaku no Sansukuritto. BachZenshu 7 (Oct 1996), 94-100. [Bach is the Sanskrit of music]
244. Sasaki, Chikara:   Bach no Ongaku to Sugaku. BachZenshu 12 (Jul 1998), 101-108. Pictorial J. S. Bach. [Bach's Music and Mathematics]
245. Sasaki, Ken'ichi:   Bach - Boileau - Kant. BachZenshu 12 (Jul 1998), 130-143.
246. Sato, Migaku:   Iesu no Fukkatsu. BachZenshu 8 (Jan 1998), 69-76. Pictorial J. S. Bach. [Ressurection of Jesus]
247. Sato, Migaku:   Seishogaku e no Maneki. Bach ni made tsuzuku Michi. BachZenshu 1 (Apr 1996), 106-115. [Invitation to Bible Study: The Way leading to Bach]
248. Sato, Migaku:   Shinyaku Seisho no Sugata. BachZenshu 5 (Apr 1999), 69-76. Pictorial J. S. Bach. [The appearance of the New Testament]
249. Schneider, Herbert:   Bach to Furansu ongaku. BachZenshu 15 (Jul 1999), 54-73. [Bach and the French music] Trans by Taro Yamazaki.
250. Schulze, Hans-Joachim:   Bach no Motetto o meguru Kosatsu: Seiritsushi, Kashi to Keishiki, Enso no Dento. BachZenshu 7 (Oct 1996), 24-33. [On Bach's Motet: Its origin, verse form and performance tradition] trans. by Ryuichi Higuchi
251. Schulze, Hans-Joachim:   Bach no Orugan Koraru - Shiryo to Densho. BachZenshu 10 (Jan 1998), 26-37. [Bach's Organ Chorale: sources and transmission] trans. from German by Ryuichi Higuchi.
252. Schulze, Hans-Joachim:   Leipzig Bach-Archiv. BachZenshu 5 (Apr 1999), 26-35. Trans. by Ryuichi Higuchi.
253. Sekine, Toshiko:   Kogaku Enso no Keifu. BachZenshu 5 (Apr 1999), 98-119. [A family tree of early music performance]
254. Sonoda, Takahiro:   Bach o shirukoto. BachZenshu 12 (Jul 1998), 110-122. [Knowing Bach]
255. Sugiyama, Yoshimu:   Uragawa kara mita Bach. BachZenshu 3 (Oct 1997), 70-90. [Bach viewed from the reverse side]
256. Sumikura, Ichiro:   Fuga no Giho o meguru Shomondai. BachZenshu 14 (Dec 1995), 64-76. [Various problems on the art of fugue]
257. Sumikura, Ichiro:   'Ro-Tancho Misa' saiko. BachZenshu 7 (Oct 1996), 66-76. [Revisiting the 'B-minor Mass']
258. Suzuki, Hidemi:   Gendai no Bach. BachZenshu 13 (Jul 1997), 104-113. [Bach in the modern time]
259. Suzuki, Masaaki:   Bach to Orugan. BachZenshu 9 (Jan 1997), 52-69. [Bach and Organ]
260. Suzuki, Tokiko:   Hercules Shinwa. BachZenshu 6 (Apr 1998), 61-68. Pictorial J. S. Bach. [Myths on Hercules]
261. Suzuki, Tokiko:   Tengoku to Jigoku. BachZenshu 3 (Oct 1997), 61-68. Pictorial J. S. Bach. [Heaven and Hell]
262. Takahashi, Hideo:   Bach Esukisu. BachZenshu 11 (Jul 1996), 118-126. [Bach Esquisse.]
263. Takahashi, Tatsushi:   Mainichi ga Shukusaijitsu, moshikuwa 'Esoragoto' no Nosonzo. 'Nomin Kantata' no Bijutsushi-teki Haikei. BachZenshu 6 (Apr 1998), 106-121. [Everyday is holiday, or 'Esoragoto' of the image of farming villege]
264. Takao, Toshikazu:   Bach no Shukyosei. Gendai ni okeru sono Igi. BachZenshu 2 (Apr 1997), 104-121. [Bach's Religiosity: its significance in the present day]
265. Takashina, Shuji:   Barokku no Bijutsu: Shiminkaiga. BachZenshu 10 (Jan 1998), 182-191. [Arts in the Baroque era: civic paintings]
266. Takashina, Shuji:   Barokku to Roman shugi. BachZenshu 15 (Jul 1999), 190-199. [Baroque and Romanticism]
267. Takashina, Shuji:   Barokku towa nani ka. Hizunda Shinju ni utsuru mono. BachZenshu 1 (Apr 1996), 126-135. [What is Baroque?: the matter reflected in the distorted pearl]
268. Takashina, Shuji:   Chooetsusei to Shinpisei. BachZenshu 7 (Oct 1996), 142-151. [Trancendency and Mystique]
269. Takashina, Shuji:   Hikari to Yami [Barokku no Bijutsu] BachZenshu 5 (Apr 1999), 152-161. [Light and Darkness]
270. Takashina, Shuji:   Kotenshugi. Antei shita Chitsujokan e no Shiko. BachZenshu 13 (Jul 1997), 170-179. [Classicism: a tendency towards the stable order]
271. Takashina, Shuji:   Kuno to Hoetsu. BachZenshu 8 (Jan 1998), 134-143. [Agony and Ecstasy]
272. Takashina, Shuji:   Mannerism. Fuan no Jidai no araware. BachZenshu 2 (Apr 1997), 134-143. [Mannerism: exposed in the age of uncertainty]
273. Takashina, Shuji:   Rococo no Bijutsu. BachZenshu 14 (Dec 1995), 164-173. [The Art in the Rococo]
274. Takashina, Shuji:   Shizen Shugi. BachZenshu 4 (Oct 1998), 160-169. [Naturalist]
275. Takashina, Shuji:   Soshoku to Ugoki. BachZenshu 6 (Apr 1998), 156-165. [Ornaments and motion]
276. Takashina, Shuji:   Taiko Shukyo Kaikaku to Taishu Kyoka. BachZenshu 3 (Oct 1997), 132-141. [Anti-reformation movement and the mass education]
277. Takashina, Shuji:   Toshi to Kenchiku. BachZenshu 11 (Jul 1996), 164-173. [City and Architecture]
278. Takayama, Hiroshi:   Maniera-Richeruka-ta: Bach no 'Barokku' ni tsuite. BachZenshu 7 (Oct 1996), 116-127. [Maniella-Ricercata: on Bach's 'Baroque']
279. Tanabe, Hideki:   Bach no koto. BachZenshu 4 (Oct 1998), 106-114. [About Bach]
280. Tanabe, Hideki:   Kyutei to Ongakuka. BachZenshu 14 (Dec 1995), 77-84. Pictorial J. S. Bach. [Court and musicans]
281. Tanabe, Mikinosuke:   Doitsu no Seido. BachZenshu 4 (Oct 1998), 97-104. Pictorial J. S. Bach. [Cathedrals in Germany]
282. Tanabe, Mikinosuke:   Kanmuri no tsuita Fukuro: Shukyo kaikaku to Doitsu no Seido Naiso ni tsuite. BachZenshu 10 (Jan 1998), 124-149. [The bag with crown: on the reformation and the internal decoration of German church]
283. Tanno, Yumiko:   Hoshi wa utau. Schütz, Bach o meguru Danso. BachZenshu 8 (Jan 1998), 87-96. [Stars sing: Thoughts on Schütz and Bach]
284. Terakado, Ryo:   Deai no Myo. BachZenshu 13 (Jul 1997), 114-122. [The wonder of an encounter]
285. Tokawa, Seiichi:   Bach to 'Heikinritsu'. BachZenshu 12 (Jul 1998), 28-49. [Bach and '(equal) temperament']
286. Tokuzen, Yoshikazu:   Ruta-ha Seitoshugi no Bach: Rippo to Fukuin o megutte. BachZenshu 3 (Oct 1997), 92-103. [Bach in the Lutheran Orthodoxy: on 'the Law and the Gospel']
287. Tomita, Yo:   'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. BachZenshu 12 (Jul 1998), 64-83. ['London autograph' and 'the 'Well-tempered Clavier']
288. Tsuchida, Eizaburo:   Misakyoku Ro-Tancho BWV 232. BachZenshu 7 (Oct 1996), 219-239 [30-50]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Messe in h-Moll, BWV 232; commentary]
289. Tsuji, Hiroshi:   Orugan o kataru. BachZenshu 9 (Jan 1997), 107-114. [Speaking about Organ]
290. Tsuji, Kunio:   Bach no Kami ni sotte. Mori Arimasa-Shi no Omoide ni. BachZenshu 14 (Dec 1995), 86-93. [Standing by Bach's God: in memory of Arimasa Mori]
291. Tsukasa, Osamu:   Gaka no mazushii Ongakutaiken. BachZenshu 14 (Dec 1995), 100-110. [Poor musical experience of an artist]
292. Ueda, Yoshiko:   Bach o meguru Orugan. BachZenshu 9 (Jan 1997), 93-100. Pictorial J. S. Bach. [Organs connected to Bach]
293. Wakakuwa, Midori:   Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. BachZenshu 7 (Oct 1996), 102-115. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant]
294. Watanabe, Yoshio:   'Bach no Cembalo' o motomeru Tabi BachZenshu 12 (Jul 1998), 84-100. [Journey to 'Bach's harpsichord']
295. Watanabe, Yoshio:   Lüneburg no Bach to Clavichord. BachZenshu 11 (Jul 1996), 78-87. [Bach in Lüneburg and Clavichord]
296. Wolff, Christoph:   Bach no Klavier Renshukyokushuu Shiriizu. BachZenshu 11 (Jul 1996), 40-53. Trans. by Teruhiko Nasu. [Bach's Clavierübung Series]
297. Wolff, Christoph:   Leipzig ni okeru Bach no Shitsunai Gakkyoku. BachZenshu 13 (Jul 1997), 28-41. Trans. by Naoaki Eguchi. [Bach's chamber music in Leipzig]
298. Wollny, Peter:   Musuko tachi ga tsutaeta Bach sakuhin. BachZenshu 15 (Jul 1999), 74-87. [Bach's works transmitted by his sons] trans by Hisao Nishikawa.
299. Yamazaki, Taro:   Doitsu-teki towa nani ka: Spitta no 'Bach-den' o megutte. BachZenshu 7 (Oct 1996), 48-65. [What is German-like? On Spitta's biography of Bach]
300. Yokosaka, Yasuhiko:   Bach to Sanbika - Gendai America no Sanbikashu ni miru Bach. BachZenshu 10 (Jan 1998), 56-72. [Bach and Hymns: Bach viewing from the modern American hymnbook]
301. Yomota, Inuhiko:   Bach to Eiga. Sutorobu-Yuire 'Anna Magdalena Bach no Nikki' o megutte. BachZenshu 4 (Oct 1998), 115-126. [Bach and Film: On Straub / Huillet's 'The chronicle of Anna Magdalena Bach']
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