Search Result
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Bach Bibliography Search Result |
| Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
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 | 1. | Türk, Daniel Gottlob: Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende, mit kritischen Anmerkungen. (1789), viii, 408, 12, 15p Leipzig: Schwickert, 1789. [viii], 408, 12 (Register), 15p (Mus.exx.). - Neue vermehrte und verbesserte Ausgabe. 1802. 488p.
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| | 2. | Riemann, Hugo: Geschichte der Musiktheorie im IX. - XIX. Jahrhundert. (1898), xx, 529p Leipzig: Hesse, 1898. xx, 529p.
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| | 3. | Abdy Williams, Charles Francis: Bach. (1900), xi, 223p With Illustration and Portraits. - London: J. M. Dent; N.Y.: E. P. Dutton, 1900. xi, 223p. 2/1903, 3/1906, 4/1921. (= The Master Musicians. ed. by Frederick J. Crowest) - Newly revised and edited by Eric Blom, 1934. xiii, 239p. (= The Master Musicians. New Series)
MTimes lxxv/1097 (Jul 1934) 619-620 (H.G.) MLetters xv/4 (Oct 1934) 367-368 (Scott Goddard) |  |
| | 4. | Boughton, Rutland: Bach. (1907), 170p London: John Lane The Bodley Head, 1907, xiii, 156p. 2/1920, 3/1927 (= 'The music of the masters' series); London: Kegan Paul; J. Curwen & Sons, 1930. xi, 303p.
MTimes lxxi/1054 (Dec 1930) 1087-1088 (H. G.) MTimes lxxii (1931) 23-26 (p.s. by the author) MLetters xii/1 (Jan 1931) 96-97 (Sc. G.) | |
| | 5. | Tiersot, Julien: Jean-Sébastien Bach. Avec quarante-huit planches hors-texte. (1912), 106p Paris: Les éditions Rieder, 1912, 2/1934 106p, 48 pl. (= Maîtres de la musique ancienne et moderne, 15)
RevueMcol xv/52 (Nov 1934) 237 (A G) ActaMcol vii/3 (Jul-Sep 1935) 126-127 (Hans Engel) |  |
| | 6. | Dolmetsch, Arnold: The Interpretation of the Music of the XVII and XVIII Centuries. Revealed by Contemporary Evidence. (1915), 493p London: Novello, 1915, 2/1946, 493p. (= Handbooks for Musicians) - Seattle: Univ.Washington Press, Seattle, R/1969.
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| | 7. | Terry, Charles Sanford: Bach's Chorals, Part I: The Hymns and Hymn Melodies of the 'Passions' and Oratorios. (1915), xv, 74p Cambridge: Cambridge Univ. Press, 1915. xv, 74p.
MLetters xiv (1933) 176 (W. G. Whittaker) | |
| | 8. | Terry, Charles Sanford: Bach's Chorals, Part II: The Hymns and Hymn Melodies of the Cantatas and Motets. (1917), xiii, 615p Cambridge: Cambridge Univ. Press, 1917. xiii, 615p.
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| | 9. | Wilson, Archibald W.: The chorales: Their origin and influence. (1920), v-vii, 77p [London]: The Faith Press, 1920. v-vii, 77p. (= Church music monographs, ed. by the Rev. H. V. Hughes, 1) [pt. I. The general history of the chorales.--pt. II. The melodies, with historical notes]
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| | 10. | Forkel, Johann Nicolaus: Johann Sebastian Bach, His Life, Art and Work. (1920), xxxii, 321p Ed. by Charles Sanford Terry. London: Constable, 1920. xxxii, 321p - Repr. New York: Da Capo. 1970., Vienna House 1974, xxxii, 321p.
MLetters ii/2 (Apr 1921) 183 (M. D. C.) MLetters xiv (1933) 176 (W. G. Whittaker) | |
| | 11. | Terry, Charles Sanford: Bach's Chorals, Part III: The Hymns and Hymn Melodies of the Organ Works. (1921), xiv, 361p Cambridge: Cambridge Univ. Press, 1921. xiv, 361p - N.Y.: AMS 1979.
MLetters xiv/2 (1933) 176 (W. G. Whittaker) | |
| | 12. | Sceats, Godfrey: The Liturgical Use of the Organ. (1922), 47p London: Musical Opinion, 1922. 47p (= Handbooks of church music)
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| | 13. | Grace, Harvey: The Organ Works of Bach. (1922), xvi, 319p with an introduction by Ernest Newman. - London: Novello & Co., 1922, R/1950, xvi, 319p. (= Handbooks for Musicians)
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| | 14. | Werker, Wilhelm: Studien über die Symmetrie im Bau der Fugen und die motivische Zusammengehörigkeit der Präludien und Fugen des 'Wohltemperierten Klaviers' von Johann Sebastian Bach. BachSt 1 (1922), 356p Leipzig, 1922. 356p. (= Abhandlung der Sächs. Staatl. Forschungsinstitute zu Leipzig. Forschungsinstitut für Musikwissenschaft, 3) - Wiesbaden: Sändig, 1969. 356p. (= Bach-Studien)
ZsfMw v/8 (May 1923) 461-466 (Georg Schünemann) ZsfMw v/8 (May 1923) 466-473 (Rudolf Steglich) MLetters viii/1 (Jan. 1927) 85-86 (Sc. G.) ZsfM xc/7 (1923) 145-148 (Alfred Heuß) | |
| | 15. | Weidig, Adolf: Harmonic Material and its Uses. (1923), 423p a textbook for teachers, students and music lovers - Chicago: Clayton F. Summy Co., [c1923]. 423p.
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| | 16. | Werker, Wilhelm: Die Mattäus-Passion. BachSt 2 (1923), 96p Leipzig: Breitkopf und Härtel, 1923. 96p. (= Bach-Studien, 2)
MLetters viii/1 (Jan 1927) 85-86 (Sc. G.) | |
 | 17. | Tovey, Donald Francis (ed.): Forty-Eight Preludes and Fugues / J. S. Bach. (1924), 183, 197p Edited by Donald Francis Tovey, fingered by Harold Samuel. - New York: Oxford University Press; London: The Associated Board of the Royal Schools of Music, 1924. R/1951. 2 vols. 183, 197p. Pl.-Nr.: A.B.99; A.B.100. (= The Associated Board Edition) [BWV 846-893]
MLetters xii/4 (1931) 378-383 (Ernst Walker) | |
| | 18. | [Meynell, Esther]: The Little Chronicle of Magdalena Bach. (1925), 183p London: Chatto and Windus, 1925, 183p
MLetters vi/3 (Jul 1925) 277-278 (Ernest Newman); xv/3 (Jul 1934) 270-271 (M. R. Bonavia) | |
| | 19. | Meynell, Esther: The Little Chronicle of Magdalena Bach. (1925), 183p Garden City, NewYork: Doubleday, Page & Company, 1925. 183p. - London: Chapman and Hull, 1934, 245p. R/1936, 1940, 1949. - Boston: E.C. Schirmer Music Co., 1934. 245p. - New York: Frederick Ungar Pub. Co., 1970. 245p.
MEducatorsJ xxi/4 (Feb 1935) 62 (Charles N. Boyd) | |
| | 20. | Terry, Charles Sanford: Joh. Seb. Bach: Cantata Texts, Sacred and Secular. With a reconstruction of the Leipzig Liturgy of his Period. (1926), xx, 656p London: Constable, 1926. xx, 656p; London: Holland Press, 2/1964; Boston: Branden, 1973.
MLetters vii/3 (Jul 1926) 271-272 (S. G.) DieMusik xix/2 (Nov 1926) 123-124 (Hugo Leichtentritt) BachJb xxiii (1926) 165-167 (Arnold Schering) MLetters xiv/2 (Apr 1933) 176 (W. G. Whittaker) | |
| | 21. | Hannam, William S.: Notes on the Church Cantatas of John Sebastian Bach. (1928), 128p London: Humphrey Milford, Oxford Univ. Press, 1928, 128p.
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| | 22. | Meyer, Hans: Linie und Form: Bach - Beethoven - Brahms. (1928), 236p Leipzig: C. F. Kahnt, 1928, [1930]. 236p
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| | 23. | Terry, Charles Sanford: Bach. A Biography. (1928), xix, 292p London: Oxford University Press, Humphrey Milford, 1928, xix. 292p. 76 pl. - Second and revised edition. London: Oxford Univ. Press, 1932, 1933, 5/1962. 262p, 76 pl.
MTimes lxix/1028 (Oct 1928) 904-905 (H. G.) SundayTimes (1928) (Ernest Newman) MLetters xiv (1933) 176 (W. G. Whittaker) | |
 | 24. | Valentin, Erich: Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). diss. (1928), 143p München, Univ., Diss., 1928. - Münster (Westphalia): Helios-Verlag, 1930. v, 145p. [Ein Teil der Arbeit Diss, München] (= Universitas-Archiv: 45 [Musikwissenschaftliche Abteilung, 6])
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| | 25. | Terry, Charles Sanford: The Origin of the Family of Bach Musicians / Ursprung der musikalisch-Bachischen Familie. (1929), 22p Edited with Pedigree Tables and a Facsimile of Bach's Manuscript. - London: Humphrey Milford, Oxford Univ. Press, 1929. 22p.
MLetters xi/1 (Jan 1930) 98-99 (Sc. G.) DieMusik xxii/4 (Jan 1930) 289 (Leo Wendhausen) | |
| | 26. | Borkowsky, Ernst: Die Musiker Familie Bach. (1929), 88p Jena: Eugen Dietrichs, 1929, 1930, 88p.
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| | 27. | Terry, Charles Sanford (ed.): The Four-Part Chorals of J. S. Bach. (1929), xii, 539p With German text of the Hymns and English Translations. Edited, with a Histrical Introduction, Notes and Critical Appendices, by Charles Sanford Terry. 5 parts. - London: Oxford University Press 1929, xii, 539p; R/1964.
MLetters xiv (1933) 176 (W. G. Whittaker) JChurchM vii (1965) 14 MEducatorsJ li/6 (Jul 1965) 87 (Theodore F. Normann) Notes xxii/4 (1966) 1307 (Catharine Keyes Miller) | |
| | 28. | Terry, Charles Sanford: John Christian Bach. (1929), xvi, 373p London: Oxford Univ. Press, 1929. xvi, 373p. 34 pl. - 2nd edn. London: Oxford University Press, 1933. xx, 292p
MTimes lxxi/1046 (Apr 1930) 324 (G.) RevueMcol xi/34 (May 1930) 132-133 (Dorothy Swainson) DieMusik xxiii/5 (Feb 1931) 377-378 (Willi Kahl) ZsfMw xiv/4 (Jan 1932) 226-227 (Heinrich Miesner) | |
| | 29. | James, Philip: Early Keyboard Instruments from their beginning to the year 1820. (1930), 153p London: Peter Davies, 1930. 153p
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| | 30. | Mojsisovics, Roderich von: Bach-probleme. Polyphone Klaviermusik. (1930), 69p Mit Notenbeispielen, etc. Würzburg: Universitätsdruckerei H. Stürz, 1930. 69p.
MLetters xii/3 (Jul 1931) 307 (A. H. F. S.) DieMusik xxiii/12 (Sep 1931) 933 (Alfred Lorenz) | |
| | 31. | Richardson, Alfred Madeley: Helps to Fugue Writing: Based on Bach's ''Das Wohltemperirte Klavier''. (1930), 90p [by] A. Madeley Richardson. ... With a foreword by Rubin Goldmark. ... - New York: The H. W. Gray, 1930. 90p.
MLetters xii (1931) 89-90 (Sc. G.) | |
| | 32. | Kittler, Günther: Geschichte des protestantischen Orgelchorals von seinen Anfängen bis zu den Lüneburger Orgeltabulaturbüchern. (1931), 112, 3p PhD diss., Univ. Greifswald, 1931. - Köslin i.Pomm.: Hendeß, 1931. 112, [3]p.
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| | 33. | Schwebsch, Erich: Johann Sebastian Bach und die Kunst der Fuge. (1931), 355p Stuttgart; den Haag; London: Orient-Occident-Verlag, 1931. 355p. - 2te erweiterte Aufl. Kassel [u.a.]: Bärenreiter, 1955. 377p - 3. Aufl. Stuttgart: Geistesleben, 1987. 388p.
MLetters xii/4 (Oct 1931) 410-411 (Isobel Munro) Drei xxvi/2 (1956) 90-92 (Frieda Margarete Reuschle) Mf ix/3 (1956) 358-359 (Rudolf Stephan) Drei lix/5 (1989) 382-383 (Gerhard Mattke) Mf xliv (1991) 197-198 (Dieter Gutknecht) | |
| | 34. | Tovey, Donald Francis: A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. (1931), 79p London: Oxford Univ. Press, 1931. 79p.
RevueMcol xiii (1932) 118 (M L Pereyra) | |
| | 35. | Tovey, Donald Francis (ed.): Die Kunst der Fuge (The Art of Fugue) by Johann Sebastian Bach. (1931), x, 127p Edited and Completed, with a Dissertation. Edition in open score for the use of students. Dedicated to Dr. Albert Schweitzer, friend and contrapuntist of the golden rule. - Oxford: Oxford Univ. Press, [1931], x, 127p.
MLetters xiii/2 (Apr 1932) 224-229 (Isobel Munro) | |
| | 36. | Arnold, Frank Thomas: The Art of Accompaniment from a Thorough-Bass, as practised in the XVIIth and XVIIIth centuries. (1931), xxiv, 918p London: Oxford Univ. Press, 1931. [xxiv], 918p. - reprint ed. with a new introduction by Denis Stevens. New York: Dover; London: Constable, 1966. Vol.I: xxv, 481p. Vol.II: xii, 534p.
MTimes lxxiii/1067-68 (Jan, Feb 1932) 32-34; 123-125 | |
 | 37. | Sirp, Hermann: Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. [1] BachJb 28 (1931), 1-50
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| | 38. | Schering, Arnold: Der Thomaskantor Joh. Gottlob Harrer (1703-1755). BachJb 28 (1931), 112-146
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| | 39. | Miesner, Heinrich: Mitteilung. Einige neu entdeckte Notizen über die Familie Friedemann Bachs. BachJb 28 (1931), 147-148
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| | 40. | Winkler, Heinrich Alexander: Die Bachstätte in Eisenach. Der Streit um Johann Sebastian Bachs Geburtshaus. ThüringHeimatSchr 2 (1931), 46p Flarchheim: Verlag der Thür. Monatshefte, 1931. 46p, 2 bl. (= Thüringer Heimatschriften Reihe 2, Kulturkunde)
MLetters xiii (1932) 436 (C. S. T.); xv/3 (Jul 1934) 268 (C. S. Terry) | |
| | 41. | Dreetz, Albert: Johann Christian Kittel, der letzte Bach-Schüler. (1932), 96p Berlin-Köpenick:: Nacken, 1932. 96p.
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| | 42. | Mohr, Ernst Werner: Die Allemande. Eine Untersuchung ihrer Entwicklung von den Anfängen bis zu Bach und Händel. (1932), viii, 159p Hrsg. von der Stiftung von Schnyder v. Wartensee, Zürich. - Zürich u. Leipzig: Hug & Co., 1932. Teil 1: Text, viii, 159p. Teil 2: Noten-Beispiele, 66p. (= Schriften hrsg. durch d. Stiftung von Schnyder von Wartensee, 29,1 u. 29,2) - zugl.: Basel, Univ., Diss., 1931. [published partially, under the title 'Die Allemande in der deutschen Klaviersuite'. Zürich: Berichthaus, 1931]
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| | 43. | Terry, Charles Sanford: Bach's Orchestra. (1932), xv, 250p London: Oxford Univ. Press, 1932, 1949, R/1956, 1958, 1961, 1966, xv, 250p. - St. Clair Shores, Mich.: Scholarly Press. 1972. 250p.
MLetters xiv/2 (Apr 1933) 176-177 (W. G. Whittaker) MTimes lxxiv/1085 (Jul 1933) 608-609 MTimes lxxvi/1103 (Jan 1935) 58 (J. E. Duncan); no.1106 (Apr 1935) 350 (Janet Micklethwaite) GalpinSocJ xii (May 1959) 100-102 (Eric Halfpenny) MLetters xl/1 (Jan 1959) 74 (Eric Blom) Musica xiii/3 (1959) 209 (Hermann Keller) MOpinion lxxxii (1959) 243 (H. H.) MTimes c/1395 (May 1959) 265 (Denis Stevens); c/1397 (Jul 1959) 391 (Thurston Dart); c/1399 (Sep 1959) 467 (Walter Emery) TimesLiterarySuppl (27 Feb 1959; 13 Mar 1959) (Walter Emery) RassegnaM xxix (1959) 179-181 (a. m.) Mf xix/2 (Apr-Jun 1966) 220-221 (Georg von Dadelsen) | |
| | 44. | Pirro, André: Comment jouer Bach sur l'orgue. RevueM(4) 13/131 (Dec 1932), 19-26 numéro special 'Bach'.
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| | 45. | Schneider, Max (ed.): Quodlibet: ein Fragment für vier Singstimmen mit Generalbaß / Joh. Seb. Bach. VeröffNBG 32/2 (1932), 36p + 1 St geschrieben von Joh. Seb. Bach. Erstmals veröffentlicht von Max Schneider. - Leipzig: Breitkopf & Härtel, 1932. 36p., 1 St.(Bc). Pl.-Nr. N.B.XXXII.2 (= Veröffentlichungen der Neuen Bachgesellschaft, 32.2) [BWV 524: first edition]
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| | 46. | Reinhart, Walther: Die Aufführung der Johannes-Passion von J. S. Bach und deren Probleme. (1933), 90p Leipzig: Carl Merseburger, 1933. 90p. - repr. Zürich: Hug, 1956. [1957] 87p. (= Internationale Bach-Gesellschaft. Jahresgabe, 1956)
SchweizerischeMzSängerBl lxxiv/9 (1 May 1934) 321 (Dv.) | |
| | 47. | Smend, Friedrich: Bachs Kanonwerk über 'Vom Himmel hoch da komm ich her'. BachJb 30 (1933), 1-29
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| | 48. | Schering, Arnold: Kleine Bachstudien. BachJb 30 (1933), 30-70 1. 'Du Friedefürst, Herr Jesu Christ'; 2. Die Motette 'Singet dem Herrn ein neues Lied'; 3. Zum Weihnachtsoratorium; 4. 'Unser Mund sei voll Lachens.'; 5. Zum Credo der Hohen Messe; 6. 'Gott, gib dein Gerichte.'; 7. 'O holder Tag, erwünschte Zeit.'; 8.'O Jesu Christ, mein's Lebens Licht.'; 9. 'Non sa che sia dolore.'; 10. Zum Et incarnatus est; 11. Zu 'Gebt mir meinen Jesum wieder'; 12. Die Arie 'Es halt' es mit der blinden Welt'.
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| | 49. | Hey, Gotthold: Zur Biographie Johann Friedrich Bachs und seiner Familie. BachJb 30 (1933), 77-85
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| | 50. | Schünemann, Georg: J. G. Walther und H. Bokemeyer. Eine Musikerfreundschaft um Sebastian Bach. BachJb 30 (1933), 86-118
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| | 51. | Borris, Siegfried: Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. diss. (1933), 110p Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf.
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| | 52. | Landshoff, Ludwig (ed.): Die 15 zweistimmigen Inventionen und die 15 dreistimmigen Sinfonien / Joh. Seb. Bach. EdPeters 4201 (1933), 63p + 2 Beil Urtext Ausgabe. Hrsg. von Ludwig Landshoff. Mit Anhang: Bemerkungen zum Vortrag und Revisionsbericht. - Leipzig: C. F. Peters, [1933]. 63p + 2 Beilage (11, 17p). Pl.-Nr.: 11037. EP 4201; - repr. 1953, 1958. Pl.-Nr. 11037. Best.-Nr: Ed. Peters 4201a. [BWV 772-801, Beil. enth.: Sinfonia 4,5,7,9 und 11 in verzierter Fassung sowie Bemerkungen zum Vortrag mit erläuternden Notenbeispielen]
RevueMcol xv/51 (Aug.1934) 177-178 (Maurice Cauchie) | |
| | 53. | Freyse, Conrad (ed.): Eisenacher Dokumente um Sebastian Bach. VeröffNBG 33/2 (1933), 47p Im Auftrage der Neuen Bachgesellschaft. Leipzig: Breitkopf & Härtel, 1933. 47p. (= Veröffentlichungen der Neuen Bachgesellschaft, 33.2)
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| | 54. | Meynell, Esther: Bach. (1934), 136p London: Duckworth; Hinrichsen, 1934. 136p. - London; N.Y.: Wyn, 1947, 1949, 144p. - 1962. 140p. (= Great lives, 25)
MTimes lxxvi/1103 (Jan 1935) 29-33 (H.G.) | |
| | 55. | Menke, Werner: History of the Trumpet of Bach and Handel. (1934), 141p A new point of view and new instruments forming a history of the trumpet and its music, from its earliest use as an artistic instrument to the middle of the eighteenth century. Englished by Gerald Abraham. London: William Reeves, 1934. xiii, 223p; R/1960; Nashville, Tenn.: Brass Press, 1972, 141p. With a new bibliography and index, prepared by Bruce R. Smedley. (= Blair Academy series); R/1985 (= Brass research series)
BrassWorld ix/1 (1974) 4-6 (Henry Meredith) BrassBul (1973), No.5/6, 149 | |
| | 56. | Meyer, Ernst Hermann: Die mehrstimmige Spielmusik des 17. Jahrhunderts in Nord - und Mittel Europa. HeidelbergStMw 2 (1934), 258p [Teilw. Zugl.: Heidelberg, Univ., Diss., 1934 (1930?)] Kassel: Bärenreiter, 1934. 258p. - Dazu Beispielhefte u.d.T.: 'Spielmusik des Barock'. (= Heidelberger Studien zur Musikwissenschaft, 2)
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| | 57. | Danckert, Werner: Beiträge zur Bachkritik. JenaStMw 1 (1934), 72p I. Kassel [u.a.]: Bärenreiter, 1934. 72p. (= Jenaer Studien zur Musikwissenschaft, 1)
MKirche vii (1935) 137-138 (Karl Ziebler) | |
| | 58. | Dickinson, Alan Edgar Frederic: The Art of J. S. Bach. (1935), 296p London: Duckworth, 1935, 1936. 296p. - Heinrichsen, 2/1950, 260p.
MTimes lxxvii/1118 (Apr 1936) 328 (W. McN) MTimes xcii/1302 (Aug 1951) 355-356 (W. McN.) MLetters xxxii/2 (Apr 1951) 163-165 (W. S. Mann) Tempo no.19 (Spring, 1951) 37, 39 (Dennis Stevens) Notes viii/3 (Jun 1951) 529 (Helen E. Bush) MReview xii (1951) 234-235 | |
| | 59. | Steglich, Rudolf: Johann Sebastian Bach. (1935), iv, 160p Potsdam: Akademische Verlagsgesellschaft Athenaion M. B. H., 1935. iv, 160p. (= Die großen Meister der Musik). - Lizenzausgabe der Akademische Verlagsgesellschaft, Wiesbaden 1980. 160p; Laaber-Verlag, 1980. 160p. ISBN: 3-9215-1839-3.
ZsfHausmusik iv (1935) 155-160 (Erich Doflein) SchweizerischeMzSängerBl lxxv/11 (1 Jun 1935) 424-425 (Dv.) TheolLiteraturBl lvi/11 (1935) 167-169 (Hans Preuß) MLetters xvii/2 (Apr 1936) 164 (C. S. Terry) | |
| | 60. | Spitta, Philipp: Johann Sebastian Bach. (1935), xi, 388p Gekürzte Ausgabe mit Anmerkungen und Zusätzen von Wolfgang Schmieder. - Leipzig: Breitkopf & Härtel, 1935, 2. verb. Aufl. 1941. xi, 388p; 3. Aufl. Wiesbaden: Breitkopf & Härtel, 1949. xi, 388p; 4. Aufl. 1954, xi, 388p.
SchweizerischeMzSängerBl lxxvi/8 (15 Apr 1936) 251 (Dv.) | |
| | 61. | Gurlitt, Wilibald: Johann Sebastian Bach. Der Meister und sein Werk. (1936), 78p (Vortrag). Berlin: Furche-Verlag, 1936. 78p. - Mit einem vorwort von Alfred Dürr. Kassel [u.a.]: Bärenreiter, 2/1947. 86p; Basel: Reinhardt, 1947. 86p; Kassel [u.a.]: Bärenreiter, 3/1949. 116p; 4/1959. - Kassel [u.a.]: Bärenreiter; München: St. Taschenbuchverlag, 5/1980. 110p. (= dtv. 1534: dtv-Bärenreiter: Biogr)
DieMusik xxix/4 (Jan 1937) 293 (Friedrich W. Herzog) ZsfM civ/2 (1937) 203 (Friedrich Högner) TheolLiteraturZ lxii/17 (1937) 313-314 (W. Luther) MKirche xvii/3 (1947) 87 (Walter Blankenburg) MLetters xxix/4 (1948) 417 (J. A. W.) Mf iii/1 (1950) 76 (Rudolf Steglich) MReview xi (1950) 59 (G. A.) RassegnaM xx/3 (1950) 268-269 (m. m.) MKirche l/1 (1980) 313 (Gerhard Schuhmacher) NZsfM cxli/6 (1980) 582-583 (Rudolf Stephan) OrganistEredienst xlvi/11 (1980) (Jenne Meyster) MGottesd xxxv (1981) 107-108 (Andreas Marti) | |
| | 62. | Harris, Roy; Herter Norton, M. D. (eds.): The Art of Fugue / J. S. Bach. (1936), xxiv, 113p + 4 St Transcribed for String Quartet by R. Harris and M. D. Herter Norton. - New York: G. Schirmer, 1936. xxxiv, 113p + 4 St. Pl.-Nr.: 36665 (score), 36666 (parts). [BWV 1080]
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| | 63. | Kinsky, Georg: Die Originalausgaben der Werke Johann Sebastian Bachs. Ein Beitrag zur Musikbibliographie. (1937), 134p Wien; Leipzig; Zürich: Herbert Reichner, 1937. 134p; Hilrersum, Netherlands, R/1968, 134p.
SchweizerischeMz lxxvii/16-17 (1 Sep 1937) 492-493 (Dv.) | |
| | 64. | Hess, Myra (arr.): ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. (1937), 3p Adapted for Piano Solo by Myra Hess. - London: Oxford University Press, [c.1937]. 3p. [BWV 564/1]
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| | 65. | Zingerle, Hans: Zur Entwicklung der Melodik von Bach bis Mozart: die musikalische Interpunktion. (1937), 51p Baden bei Wien: Rohrer, 1937. 51p.
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| | 66. | Ashby, A. B. (ed.): The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection (1937), 57p [Edited] by A. B. Ashby. - London: Oxford University Press, c1937. 57p.
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| | 67. | Graeser, Wolfgang; Schwebsch, Erich (arr.): Die Kunst der Fuge / Joh. Seb. Bach. (1937), xi, 121p Nach der Neuordnung von Wolfgang Graeser für zwei Klaviere gesetzt von Erich Schwebsch. - Wolfenbüttel u. Berlin: Georg Kallmeyer, 1937. (je) xi, 121p. - 2. Ausgabe (VNr. fehlt) Wolfenbüttel: Möseler, 1950. xi, 121p. 3/1955. [BWV 1080]
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| | 68. | Jonas, Oswald: Ein Bach-Präludium: ein Weg zum organischen Hören. Dreiklang 1 (Apr 1937)
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| | 69. | Klotz, Hans: Das Buch von der Orgel: Ueber Wesen und Aufbau des Orgelwerkes, Orgelpflege und Orgelspiel. (1938), 127p Kassel [u.a.]: Bärenreiter, 1938. 127p.
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| | 70. | Payne, May de Forest: Melodic Index to the Works of J. S. Bach. (1938), vii, 101p N.Y.: Schirmer, 1938. vii, 101p. - N.Y.: American Musicological Society 1979. - Kessinger Publishing, 2007. 120p
MOpinion lxxii/853 (Oct 1948) 14 (R.H.W.) | |
| | 71. | Gray, Cecil William Turpie: The Forty-eight Preludes and Fugues of J. S. Bach. (1938), viii, 148p London: Oxford Univ. Press, 1938, viii, 148p. 2/1948, R/1952; New York: Da Capo, 1979. vii, 148p.
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| | 72. | Lovelock, William: Use of the Pedal in Bach's '48'. MTimes 80/1157 (Jul 1939), 534-535
| |
| | 73. | Watts, Harold E.: Bach's '48': Use of the Pedal, and Other Problems. MTimes 80/1160 (Oct 1939), 722-724 Letters to the Editor.
| |
| | 74. | Dent, Edward J.: Notes on Fugue for Beginners. (1941), 47p Cambridge Univ. Press, 1941. 1958. 47p.
MLetters xl (1959) 79 (Eric Blom) | |
| | 75. | Thurston, Frederick J. (ed.): Three Fugues from 'The Well-tempered Clavier'. (1941?) Arranged for two Clarinets and Bassoon. Score and Parts. London: Boosey & Hawkes, 1941?
| |
 | 76. | Bach, Johann Sebastian: Prelude and Fugue in B minor [BWV 544] (1942), 8, 2pp Afterward by Otto Erich Deutsch. - Cambridge: W.Heffer, 1942 / London: Chiswick Press, 1943. 8p, 2p. (The Harrow Replicas, No.4) [Autograph, Priv.Besitz] [BWV 544]
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| | 77. | Taylor, Stainton de Boufflers: The Chorale Preludes of J. S. Bach: a Handbook. HinrichsenEd 1006 (1942), x, 126p With foreword by W. Gillies Whittaker. - London: Oxford Univ. Press, 1942. x, 126p; London et al: Peters, Hinrichsen, R/1971, 96p. (= Hinrichsen edition, 1006)
MonMRec lxxii/836 (1942) 88 (J.A.W.) MLetters xxiii/3 (Jul 1942) 258 (E. W.) MEducatorsJ xxix/2 (Nov-Dec 1942) 58 (Russell V. Morgan) MTimes cxii/1545 (Nov 1971) 1073, 1075 (Walter Emery) 'Chorale preludes simplified' | |
| | 78. | Wood, Henry Joseph (ed.): Brandenburg Concerto No.3 in G major / Johann Sebastian Bach. (c 1944), 70p Edited by Henry J. Wood. [Full score] - London: Boosey & Hawkes, c1944. 70p. Pl.-Nr.: B.&H.8783. [BWV 1048]
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| | 79. | Emery, Walter: Bach Registration. MTimes 85/1211 (Jan 1944), 21-23
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| | 80. | David, Hans T.; Mendel, Arthur (eds.): The Bach Reader. (1945), 474p A Life of Johann Sebastian Bach in Letters and Documents. N. Y., London: W. W. Norton, 1945, 431p. - Revised, with a Supplement 1966, 474p.
MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman) MLetters xxvii/4 (Oct 1946) 265-266 (E.B.) MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.) MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein) MReview viii (1947) 301-302 (Hubert J. Foss) MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell) Einstein (1957) 45-48 (Alfred Einstein) MTimes cviii/1491 (May 1967) 424-425 (Walter Emery) MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup) Composer No.25 (1967) 31 MClubsMag xlvi (1967) 55 ColMSymposium vii (1967) 149 Pan Pipes of Sigma Alpha Jota lx (1967) 44-45 MReview xxix (1968) 52-53 (Hans F. Redlich) HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek) | |
| | 81. | Westrup, J. A. (ed.): Choral Preludes from the 'Orgelbüchlein', arranged for Two Pianos. HinrichsenEd 335 (c 1946) [No 1: Liebster Jesu, wir sind hier; No 2: In dulci jubilo; No 3: Ich ruf' zu dir] London: Hinrichsen, [c.1946]. (= Hinrichsen Edition, No. 335) - later edn. 'Choralvorspiele = Chorale Preludes'. c1957. 11p. incl. No.4 'Alle Menschen müssen sterben'. Pl.-Nr.: Hinrichsen Edition, No.335a, 335b. [BWV 633, 608, 639; BWV 643]
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| | 82. | Sterndale Bennett, R. (ed.): Two Chorale Preludes arranged for Piano. 1. Der Tag, der ist so freudenreich; 2. Nun freut euch, lieben Christen. (1946?) London: Chester, 1946?
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| | 83. | Grew, Eva Mary; Grew, Sydney: Bach. (1947), 239p London: J.M.Dent & Sons; New York: Farrar, Straus and Cudaby, 1946. xiv, 239p - N.Y.: Farrar, Straus and Giroux, 1965. 239p. (= Master Musicians. New Series) - Reprint Services Corporation. Reprint, 1993. 239p. (= Music Book Index)
MLetters xxix/2 (Apr 1948) 175-177 (W.D.) MReview ix (1948) 134 (E. J. W.) MonMRec lxxviii/898 (1948) 160-161 (G.A.) MSurvey i/2 (Winter 1948) 48 (E. H. W. M.) | |
| | 84. | Apel, Willi: Masters of the Keyboard: a Brief Survey of Pianoforte Music. (1947), 323p Cambridge, Mass.: Harvard Univ. Press, 1947, 1948. 323p. London: Cumberlege.
MLetters xxx (1949) 73-74 (I. K.) | |
| | 85. | Blume, Friedrich: Johann Sebastian Bach im Wandel der Geschichte. MwArb 1 (1947), 39p Kassel [u.a.]: Bärenreiter, 1947, 39p. (= Musikwissenschaftliche Arbeiten, 1)
MReview ix (1948) 57 MKirche xviii/1-2 (1948) 53-56 (Walter Blankenburg) | |
| | 86. | Oldroyd, George: The Technique and Spirit of Fugue: An historical study. (1948), 220p With a foreword by Sir Stanley Marchant. - London: Oxford Univ. Press, 1948. viii, 220p. Greenwood Press Reprint. ISBN: 0-313-25052-9.
MReview ix (1948) 203-206 (E. J. D.) RassegnaM xx/3 (1950) 278-279 (Angiola Maria Bonisconti) | |
| | 87. | Kahl, Willi: Selbstbiographien deutscher Musiker des XVIII. Jahrhunderts. (1948), 350p Mit Einleitungen und Anmerkungen. - Köln & Krefeld: Staufen-Verlag 1948. 349p; (fotomechan. Nachdruck Hilversum 1970?) - Amsterdam: Knuf 1970. 350p. [Bach, Johann Sebastian; Bach, Carl Philipp Emanuel; Haydn, Joseph; Häßler, Johann Wilhelm; Kellner, Johann Peter; Quantz, Johann Joachim; Quiel, Johann Heinrich; Stölzel, Gottfried Heinrich; Telemann, Georg Philipp]
MLetters xxxi/3 (Jul 1950) 269-270 (R.C.) | |
| | 88. | Bukofzer, Manfred: Music in the Baroque Era. From Monteverdi to Bach. (1948), 489p New York: Norton, 1947; London: Dent, 1948. xv, 489p.
MLetters xxx/1 (Jan 1949) 64-66 (A. C. L.) MReview x (1949) 57-59 (E. J. D.) RassegnaM xx/3 (1950) 274-276 (m. m.) | |
| | 89. | Taylor, Stainton de Boufflers (ed.): Six Organ Preludes: on the Chorales of the lesser Catechism from the Clavier-Ubung (part III). HinrichsenEd 376 (1948), 15p [BWV 672-675, 683, 687] Rearranged for the organ by Stainton de B. Taylor. - London: Hinrichsen, [1948], 15p. (376 Hinrichsen Edition)
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| | 90. | Boult, Adrian Cedric; Emery, Walter: The St Matthew Passion: Its preparation and performance. (1949), vii, 75p London: Novello, 1949, vii, 75p.
MLetters xxxi/3 (1950) 265-266 (Ivor Keys) | |
| | 91. | Bach, Carl Philipp Emanuel: Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p Translated and edited by William J. Mitchell. London, etc: Cassell and Co., 1949. 1974. xiii, 449p. - London: Eurenburg Books, 1974. xiii, 449p.
MQ xxxv/2 (Apr 1949) 323-329 (Arthur Mendel) MTimes xc (1949) 438-439 (W. E.) MReview xi (1950) 57-58 (G. A.) MLetters xxxi/1 (Jan 1950) 71-73 (R. D.) MSurvey ii/3 (Winter 1950) 193 (E. H. W. M.) MReview xxxix (1978) 69 (A. F. L. T.) | |
| | 92. | Engel, Hans: Johann Sebastian Bach. (1950), 252p Berlin: Walter de Gruyter, 1950. xi, 252p.
MReview xii (1951) 229-229 (Gerald Abraham) Mf iv/2-3 (1951) 230-232 (Hellmuth Christian Wolff) MSurvey iv/1 (Oct 1951) 352-353 (H. K.) | |
| | 93. | Mann, William S.: Introduction to the Music of Johann Sebastian Bach. 1685-1750 (1950), 80p London: Dennis Dobson, 2/1950. 80p.
MTimes xcii/1298 (Apr 1951) 168 (W.McN) MonMRec lxxxi/927 (1951) 132 (A.H.) MSurvey iv/1 (Oct 1951) 357-358 (J. J. N.) | |
| | 94. | Blume, Friedrich: Two Centuries of Bach. An account of changing taste. (1950), 85p [Johann Sebastian Bach im Wandel der Geschichte] Trans. by Stanley Godman. - London; N.Y.: Oxford Univ. Press, 1950. 85p - N.Y.: Da Capo Press, 1978. 85p.
MSurvey iii/1 (Summer 1950) 64 (A. E. F. D.) MOpinion lxxiii/874 (Jul 1950) 581, 583 (H.H.) MLetters xxxi/4 (Oct 1950) 348-350 (W. S. Mann) Notes viii/1 (Dec 1950) 159-160 (Karl Geiringer) | |
| | 95. | Besseler, Heinrich; Kraft, Günter (eds.): Johann Sebastian Bach in Thüringen. Festgabe zum Gedenkjahr 1950. [ce]JSBiThüringen (1950), 255p Quellenkundliche Studien, vorgelegt von einer Arbeitsgemeinschaft thüringischer Musikforscher. Weimar: Thüringer Volksverlag, 1950, 255p.
Notes ix/1 (Dec 1951) 133-134 (Karl Geiringer) MReview xiii (1952) 65 (G. A.) JAMSoc v/3 (Autumn 1952) 254-255 (Arthur Mendel) | |
| | 96. | Finlay, Ian F.: Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. diss. (1950), 98p Melbourne, Univ., Diss., 1950. - Göttingen: Göttinger Druckerei u. Verlag Ges. [1950]. 98p. - London: Hinrichsen [by the author], 1950. 98p.
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| | 97. | Mendel, Arthur: More for the Bach reader. MQ 36/4 (Oct 1950), 485-510
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| | 98. | Salazar, Adolfo: Juan Sebastián Bach. Un ensayo. (1951), 345p Mexico City: Ediciones des Fondo de Culture Ecconomice, 1951, 345p. - Madrid: Alianza, 1985. 256p. (= Alianza música, 25)
MLetters xxxvi/2 (Apr 1955) 185-187 (A. L. L.) |  |
| | 99. | Davison, Archibald Thompson: Bach and Handel. The consummation of the baroque in music. (1951), 77p [Based on lectures delivered at the University of Virginia under the page-barbour foundation.] Cambridge, Mass.: Harvard Univ. Press; London: Geoffrey Cumberlege, 1951. viii, 77p. - New introduction by Christoph Wolff. New York: Da Capo, 1986. vii, 77p
Notes ix/3 (Jun 1952) 417 (Ernst C. Krohn) | |
| | 100. | Isaacs, Leonard (arr.): The Art of Fugue = (Die Kunst der Fuge) / J. S. Bach. (1952), 124p Arranged for chamber ensemble. - London: Augener, 1952. 124p. Pl.-Nr. 18191. [Omits the incomplete Fuga a 3 [i.e.4] soggetti] [BWV 1080]
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| | 101. | Hindemith, Paul: J. S. Bach. Heritage and obligation. (1952), iv, 44p New Haven: Yale Univ. Press., London: Cumberledge. 1952, 44p. - Westport, CT: Greenwood, 1978. iv, 44p.
MTimes xciv/1327 (Sep 1953) 409 (Peter Evans) Notes x/3 (Jun 1953) 456/457 (Hans T. David) MonMRecord lxxxiv/955 (1954) 76-77 (P.T.B) | |
| | 102. | Emery, Walter: Bach's Ornaments. (1953), 164p London: Novello and Co., 1953, 2/1954, 3/1957, 4/1961, 5/1963, 6/1965, 7/1967, 8/1970. 164p.
MonMRec lxxxiii/950 (1953) 217 (G. A.) Notes xi/1 (Dec 1953) 109-110 (Putnam Aldrich) MLetters xxxv/1 (Jan 1954) 48-50 (W. S. M.) MReview xv (1954) 238 (Eric Taylor) Mf vii/1 (1954) 93 (Hans Klotz) MTimes cxi/1533 (Nov 1970) 1107 (Kenneth Holland), followed by the author in cxi/1534 (1970) 1219 and Robert Donington in cxii/1536 (Feb 1971) 130 | |
| | 103. | Rothschild, Fritz: The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p London: Adam and Charles Black, 1953. xi, 325p; N.Y.: Dufeur, 1954, 325p.
MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery) MReview xiv (1953) 237-238 MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel) Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey) Mf (1954) 352-353 (Hans F. Redlich) | |
| | 104. | Keller, Hermann: Phrasierung und Artikulation: ein Beitrag zu einer Sprachlehre der Musik. (1953), 92p Kassel [u.a.]: Bärenreiter, 1953. 1955. 92p.
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| | 105. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p.
Notes xii/2 (Mar 1955) 216-217 (Nathan Broder) MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.) MReview xvi (1955) 155-157 MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin) JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston) | |
| | 106. | Bach, Johann Sebastian: Kurtzer, iedoch höchstnöthiger Entwurff einer wohlbestallten Kirchen Music; nebst einigem unvorgreiflichen Bedenkken von dem Verfall derselben. Leipzig, den 23. August 1730. FaksRBachWS 1 (1954), 7 Bl Faks. nach dem Autograph. Mit einem Vorwort von Werner Neumann. - Leipzig: VEB Deutscher Verlag für Musik. 1954. 7 Bl. - Neuauflage (1965, 1977). 1 Bl., 5 Bl. Faks. (= Faksimile-Reihe Bachscher Werke und Schriftstücke. hrsg. vom Bach-Archiv Leipzig, 1)
MLetters xxxvii/2 (Apr 1956) 191 (E. B.) Mf ix/3 (1956) 379-380 (Helmut Wirth) | |
| | 107. | Winternitz, Emanuel: Musical Autographs from Monteverdi to Hindemith. (1955), 154p, 196 pl 2 vols. N. J.: Princeton; London: Cumberlege, 1955, 1956. 154p, 196pl.
JAMSoc xi/2-3 (1958) 243-244 (Denis Stevens) | |
| | 108. | Geiringer, Karl (ed.): The Music of the Bach Family: An Anthology. (1955), 248p Cambridge, Mass.: Harvard University Press; London: Cumberlege, 1955. - N.Y.: Da Capo Press 1980. 248p.
MLetters xxxvii/4 (Oct 1956) 406-407 (P. J. P.) MQ xlii/1 (1956) 99 (Walter Buszin) Mf ix/2 (1956) 234 (Wirth) JAMSoc xi (Spring 1958) 58-59 (Herbert Livingston) | |
| | 109. | Hudson, Frederick (ed.): Lord God. Great Master of Creation (Herr Gott, Beherrscher aller Dinge): Wedding Cantata. [vocal score] (1955), x, 61p The incomplete cantata reconstructed and edited by Frederick Hudson; with English text by Duncan Mennie. - London: J. Curwen; New York: G. Schirmer, 1955. x, 61p. [BWV 120a]
MLetters xxxix (1958) 94 (Eric Blom) Mf xii/2 (1959) 247-248 (Werner Neumann) | |
| | 110. | Ernst, Friedrich: Der Flügel Johann Sebastian Bachs. Ein Beitrag zur Geschichte des Instrumentenbaues im 18. Jahrhunderts. EdPeters 4851 (1955), 86p Frankfurt a.M.: Peters. 1955, 86p. - Frankfurt a.M.; London; N.Y.: Peters 2/1966. 86p. Ed. Peters. 4851.
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| | 111. | Dickinson, Alan Edgar Frederic: Bach's Fugal Works. (1956), 280p With an Account of Fugue before and after Bach. London: Pitman, 1956, ix, 280p - Westport, Ct.: Greenwood Press Reprint, 1979.
Notes xiv/2 (Mar 1957) 261-262 (Robert Stevenson) MLetters xxxviii/2 (Aug 1957) 194-195 (E. B.) MReview xviii (1957) 63-65 JMTheory i/1 (Mar 1957) 105-106 (Quincy Porter) | |
| | 112. | Besseler, Heinrich: Fünf echte Bildnisse Johann Sebastian Bachs. (1956), 99p, 12pl Kassel [u.a.]: Bärenreiter, 1956, 99p 12pl
Mf x/2 (1957) 314-320 (Georg von Dadelsen) Notes xiv/2 (Mar 1957) 260-261 (Karl Geiringer) SvenskTidskrMf xxxix (1957) 171-173 (Carl-Allan Moberg) MLetters xxxvii (1956) 396-397 (M. C.) RevueMcol xxxviii/114 (Dec 1956) 178-181 (Fedorov Vladimir) RassegnaM xxviii (1958) 167-168 (Alfredo Bonaccorsi) | |
| | 113. | Tagliavini, Luigi Ferdinando: Studi sui testi delle cantate sacre di J. S. Bach. (1956), xv, 291p Padoua: CEDAM, 1956. xv, 291p. (= Università di Padova: Pubblicazione della Facoltà di Lettere e Filosofia, 31) - Kassel [u.a.]: Bärenreiter, 1956. 291p.
RevueMcol xl/116 (1957) 226-228 (R. F. Bridgman) SvenskTidskrMf xxxix (1957) 206-207 (Richard Engländer) MLetters xxxviii/2 (Apr 1957) 204-205 (E. B.) Mf xiiI/1 (1959) 104-107 (Alfred Dürr) |  |
| | 114. | Smallman, Basil: The Background of Passion Music: J. S. Bach and his Predecessors. (1957), 124p London: SCM Press, 1957, 125p. - Revised and enlarged edn. New York: Dover; London: Constable, 1970. 3, 180p. (= Dover Books on music)
MTimes xcviii/1370 (Apr 1957) 198 (Ronald Tidmarsh) MTimes cxii (1971) 1174-1175 (Roger Bullivant) Notes xxix/3 (Mar 1973) 460-461 (Stanley A. Malinowski) | |
| | 115. | Emery, Walter: Notes on Bach's Organ Works. A companion to the revised Novello Edition. Books IV-V: Six Sonatas for Two Manuals and Pedal. (1957), 215p London: Novello, 1957, 215p.
MLetters xxxix/1 (Jan 1958) 80 (Bernard Rose) Notes xv/2 (Mar 1958) 214 (Richard Keith) | |
| | 116. | Dürr, Alfred: Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. BachJb 44 (1957), 5-162 also: Sonderdruck from Göttingen: Evangelische Verlagsanstalt, 1/1958. 162p.
MLetters xl/2 (1959) 192-194 (Walter Emery) MKirche xxix (1959) 94-95 (Walter Blankenburg) Mf xv/3 (1962) 292-293 (Ulrich Siegele) | |
| | 117. | David, Johann Nepomuk: Die zweistimmigen Inventionen von Johann Sebastian Bach. KleineVandenhoeckR 34 (1957), 37p Göttingen: Vandenhoeck & Ruprecht: 1957, 1958, 3/1967 37p. (= Kleine Vandenhoeck-Reihe. 34/34a/34b. Sonderbd.)
MLetters xxxviii/3 (Jul 1957) 289-290 (Eric Blom) Mf x/4 (1957) 587-589 (Rudolf Steglich) Hausmusik xxxiii (1958) 33-34 (Elisabeth Heckmann) MonMRecord lxxxviii (Jan-Feb 1958) 30 MReview xix (1958) 244-245 (Hans F. Redlich) NZsfM(2) cxix (1958) 167-168 (Walther Friedländer) RassegnaM xxviii (1958) 62-63 (Alfredo Bonaccorsi) AfMw xix-xx (1962-63) 147-159 (Hellmut Federhofer) | |
| | 118. | Busch, Gudrun: C. Ph. E. Bach und seine Lieder. KölnBeitrMf 12 (1957), 407p, 110p Zugl.: Köln, Phil. F., Diss. v. 9. Sept. 1957 (Nur in beschr. Anz. f. d. Aust.) - Regensburg: Bosse, 1957. 407p, 110p [Anhang: Chronologisches Verzeichnis sämtlicher Lieder]. (= Kölner Beiträge zur Musikforschung, 12)
MLetters xxxix/2 (Apr 1958) 192 (E.B.) Musica xii (1958) 181-182 (Lothar Hoffmann-Erbrecht) | |
| | 119. | Godman, Stanley: Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571). MLetters 38/1 (Jan 1957), 21-27
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| | 120. | Dadelsen, Georg von: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie V · Band 4. Die Klavierbüchlein für Anna Magdalena Bach. Kritischer Bericht. NBA 5/ 4 (1957), 124p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1957, 124p. [Ed.-Nr.: BA 5008-41]
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.) Mf xv/4 (1962) 407-409 (Friedrich Wilhelm Riedel) | |
| | 121. | Dadelsen, Georg von (ed.): Die Klavierbüchlein für Anna Magdalena Bach (1722 und 1725) / Johann Sebastian Bach. NBA 5/ 4 (1957), xi (6p facs), 138p Hrsg. von Georg von Dadelsen. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1957. xi, 138p. - 2/1963, 3/1978. Ed.-Nr.: BA 5008. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 4) [BWV 812, 813, 814, 815, 816, 573, 991, 728, 813/5, 814/5+6, 841; BWV 827, 830, Anh. 113, Anh. 114, Anh. 115, Anh. 183, Anh. 116, Anh. 117a+b, Anh. 118, Anh. 119, 691, 510, 511, 512, Anh. 120, Anh. 121, Anh. 122, Anh. 123, Anh. 124, Anh. 125, 515, 515a, Menuet (Böhm), Anh. 126, Anh. 127, Anh. 128, 508, 988/1, Anh. 129, Anh. 130, 846/1, 812, 813, Anh. 131, 516, 82/2-3, 514, Anh. 132, 518, 299, 517, 509, 513]
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.) AmerRecorder xi/4 (1970) 141 (Dale Higbee) | |
| | 122. | Bach, Johann Sebastian: Singet dem Herrn ein neues Lied. Motette für zwei Chöre. [BWV 225] (1958), 10 Bl Faksimile nach dem Autograph. Nachwort von W. Gerstenberg. - Kassel [u.a.]: Bärenreiter, 1958. 10 Bll. Faks., 2 Bll. [BWV 225]
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| | 123. | Mann, Alfred: The Study of Fugue. (1958), 341p New Brunswick, New Jersey: Rutgers Univ.Press 1958. - London: Faber & Faber, 1960. 341p. New York W W Norton & Company., 1965. - Greenwood Press Reprint, 1981. 351p. ISBN: 0-313-22623-7. - New York: Dover Publications, 1988. 352p. ISBN: 0486254399.
JMTheory iii/2 (Nov 1959) 316-319 (Donald Loach) MTimes ci (1960) 300 (Arthur Hutchings) MLetters xli (1960) 283-285 (H. K. Andrews) MReview xxii (1961) 55-61 (Roger Bullivant) | |
| | 124. | Hudson, Frederick (ed.): Trauungskantaten / Johann Sebastian Bach. NBA 1/33 (1958), ix (4p facs), 243p Der Herr denket an uns, BWV 196. O ewiges Feuer, o Ursprung der Liebe, BWV 34a; Herr Gott, Beherrscher aller Dinge, BWV 120a; Gott ist unsre Zuversicht, BWV 197; Dem Gerechten muß das Licht, BWV 195. Hrsg. von Frederick Hudson. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1958. ix, 243p. - 2/1986. Ed.-Nr.: BA 5010. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 33)
MReview xxi (1960) 164-165 | |
| | 125. | Haußwald, Günter; Gerber, Rudolf (eds.): Werke für Violine / Johann Sebastian Bach. NBA 6/1 (1958), v, 208p Drei Sonaten und drei Partiten für Violine solo, BWV 1001-1006; Sonate G-Dur für Violino und Continuo, BWV 1021; Sonate e-Moll für Violino und Continuo, BWV 1023. Hrsg. von Günter Hausswald ; Sechs Sonaten für Violino und Cembalo, BWV 1014-1019. Hrsg. von Rudolf Gerber. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1958. v, 208p. - 2/1974. Ed.-Nr.: BA 5012. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie VI: Kammermusikwerke. Band 1)
MReview xxi (1960) 164 | |
| | 126. | Kast, Paul: Die Bach-Handschriften der Berliner Staatsbibliothek. TübingerBachSt 2-3 (1958), x, 150p Trossingen: Hohner Verlag, 1958, x, 150p. (= Tübinger Bach-Studien, 2/3).
MLetters xl/4 (Oct 1959) 382-384 (Walter Emery) Notes xvii/4 (1960) 570-571 (Donald Mintz) MKirche xxxi/2 (1961) 77-78 (Walter Blankenburg) Mf xv/3 (1962) 293-294 (Karl-Heinz Köhler) | |
| | 127. | Dadelsen, Georg von: Beiträge zur Chronologie der Werke Johann Sebastian Bachs. TübingerBachSt 4-5 (1958), 176p Trossingen: Hohner Verlag, 1958, 176p. (= Tübinger Bach-Studien, 4/5)
Musica xiii (1959) 813-814 (Alfred Dürr) MKirche xxix (1959) 94-95 (Walter Blankenburg) Notes xvii/4 (1960) 570-572 (Donald Mintz) Mf xv/3 (1962) 292-293 (Ulrich Siegele) | |
| | 128. | Russell, Raymond: The Harpsichord and Clavichord. (1959), 208p, 103pl London: Faber & Faber, 1959. 208p, 103pl. 2/1973
MLetters xli (1960) 57-58 (Thurston Dart) | |
| | 129. | Emery, Walter (ed.): Prelude, Trio and Fugue in B flat for Organ / J. S. Bach (1959), ix, 17p edited by Walter Emery from the Benjamin Cooke manuscript. - London: Novello, 1959. ix, 17p (= Early Organ, 12) [BWV 545b (Anh. II)]
MLetters xli (1960) 200 (J. A. Westrup) | |
| | 130. | Bach, Johann Sebastian: Clavier-Büchlein vor Wilhelm Friedemann Bach. (1959), xix, 154p Edited in facsimile with a preface by Ralph Kirkpatrick. Yale University Press; London: Oxford Univ. Press 1959. xix, 154p. - N.Y.: Da Capo Press 1979. xix, 154p.
Musica xiii/6 (1959) 415 (Günter Haußwald) Notes xvi/3 (Jun 1959) 459-460 (Richard S. Hill) RevueMcol xliii/119 (1959) 117 (André Verchaly) MLetters xli/1 (Jan 1960) 97-98 (J. A. Westrup) MonMRecord xc/1000 (1960) 149-150 (G.A.) JAMSoc xiv/3 (Autumn 1961) 409-413 (Ernest T. Ferand) AmerRecorder xxi/2 (Aug 1980) 89 (Dale Higbee) | |
| | 131. | Newman, William S.: The Sonata in the Baroque Era. (1959), xvi, 447p Chapel Hill, North Carolina Univ. Press; Oxford Univ. Press, 1959. xvii, 447p. - New York: Norton, 4/1983.
MTimes ci (1960) 301 (Wilfrid Dunwell) MLetters xli (1960) 53-56 (Peter Evans) | |
| | 132. | Whittaker, William Gillies: The Cantatas of Johann Sebastian Bach. Sacred and Secular. (1959), xvi, 717p; 754p [Edited and revised by Harold Thompson.] 2 Vols. London, N.Y.: Oxford Univ Press. 1959. R/1964. xiv, 717; 754p - R/1978 (paperback edn)
JuilliardReview vii/2 (1960) 18 MensMelodie xv (May 1960) 139-142 (W.C. de Jong) MLetters xli/2 (Apr 1960) 177-179 (Walter Emery) MReview xxi (1960) 157-159 (E.J.G.B.) MonMRecord xc/999 (1960) 110-111 (G.A.) Musica xiv/6 (1960) 396 (Alfred Dürr) MTimes ci/1403 (Jan 1960) 25 (Paul Steinitz) Mf xiii/3 (1960) 354-355 (Alfred Dürr) Notes xvii/2 (Mar 1960) 228-229 (William H. Scheide) ChoralJ xxiii/1 (Sep 1982) 39-41 (Joan Conlon) | |
| | 133. | Neupert, Hanns: Harpsichord Manual. A Historial and Technical Discussion. (1960), 105p, xvi pl Trans. from the third German edition by F. E. Kirby. Kassel [u.a.]: Bärenreiter; London: Novello, 1960. 105p, xvi pl.
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| | 134. | Darenberg, Karl Heinz: Studien zur englischen Musikästhetik des 18. Jahrhunderts. (1960), 130p Hamburg: Cram, de Gruyster & co., 1960. 130p. (= Britannica et Americana, 6)
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| | 135. | Tureck, Rosalyn: An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck (1960), 24p 3 vols. - London, New York, Toronto: Oxford Univ. Press 1960, 23p, 24p, 39p.
GalpinSocJ xiv (Mar 1961) 81-83 (Joan Rimmer) Notes xviii/3 (Jun 1961) 485-486 (Oswald Jonas) DanskMTidsskr xxxvi (1961) 282-283 (Bengt Johnsson) | |
| | 136. | Bodky, Erwin: The Interpretation of Bach's Keyboard Works. (1960), xi, 421p Cambridge, Mass.: Harvard Univ.Press, Oxford Univ. Press 1960, ix, 421p - Westport, Conn.: Greenwood 1976. xi, 421p.
SaturdayReview xliii (26 Nov 1960) 48f JResearchMEduc ix (1961) 167-169 JuilliardReview viii/2 (1961) 13 MLetters xlii/2 (Apr 1961) 158-163 (Walter Emery) MEducatorsJ xlvii/3 (Jan 1961) 98 MReview xxii (1961) 316-324 (Roger F. T. Bullivant) MTimes cii/1415 (Jan 1961) 31 (Walter Emery) Notes xix/2 (Mar 1962) 255-256 (Klaus Speer) BritishJAesth ii (1962) 82-84 (Anthony Milner) AmerRecGuide xxix (1963) 477-480 | |
| | 137. | Kenney, Sylvia W.: Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library. (1960), xv, 295p Foreword by Selma M. Riemenschneider. - N.Y.: Columbia Univ. Press; London: Oxford Univ. Press, 1960, xv, 295p. (= Baldwin-Wallace College series)
MEducatorsJ xlvii/5 (1961) 100 Notes xviii/2 (Mar 1961) 236-237 (Jan LaRue) MTimes ciii/1429 (Mar 1962) 171 (A.P.) AmerRecorder xi/2 (1970) 68 (Dale Higbee) | |
| | 138. | Owen, Angela Maria: The Authorship of Bach's Cantata No. 15. MLetters 41/1 (Jan 1960), 28-32
| |
| | 139. | Dart, Thurston: Bach's 'Fiauti d'Echo'. MLetters 41/4 (Oct 1960), 331-341
MLetters xliii/2 (Apr 1962) 192-193 (Dale Higbee) | |
| | 140. | Gericke, Hannelore: Der Wiener Musikalienhandel von 1700 bis 1778. WienMwBeitr 5 (1960), 150p [Zugl.: Wien, Univ., Diss., 1960] Graz [u.a.]: Böhlau, 1960. 150p. (= Wiener musikwissenschaftliche Beiträge, 5)
MLetters xlii/3 (Jul 1961) 276-277 (C. B. O.) | |
| | 141. | Dahl, Ingolf; Szigeti, Joseph (eds.): Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources (1961) by Ingolf Dahl. Editorial collaboration and editing of the violin part by Joseph Szigetí. Reduction for violin and piano. [Score and part]. - London: Boosey & Hawkes, 1961. [BWV 1052]
MTimes cii/1425 (Nov 1961) 719 (Thurston Dart) | |
| | 142. | Day, James: The Literary Background to Bach's Cantatas. (1961), 115p N.Y.; London: Dobson, 1961, xi, 115p. (= The Student's Music Library - Historical and Critical Studies); Chester Springs, Pa.: Dufour, 1962. R/1966.
MLetters xliii/2 (Apr 1962) 136 (Walter Emery) MJournal xx (Sep 1962) 84 MReview xxiii (1962) 145-148 (Roger F. T. Bullivant) MTeacherPianoStud xli (Mar 1962) 143 MOpinion lxxxv (1962) 345 (B.R.) MTimes ciii/1428 (Feb 1962) 104 (Walter Emery) AmerOrganist l (1967) 7 | |
| | 143. | Hutchings, Arthur: The Baroque Concerto. (1961), 363p London: Faber & Faber, 1961. 363p. 2/1964, 3/1973.
JAMSoc xv/2 (1962) 228-231 (William S. Newman) MReview xxiii (1962) 61-72 (Gerald Abraham) MReview xxxv (1974) 326-327 (Peter J. Pirie) | |
| | 144. | Ehmann, Wilhelm: 'Concertisten' und 'Ripienisten' in der h-moll-Messe Joh. Seb. Bachs. (1961), 63p Kassel [u.a.]: Bärenreiter, 1961. 63p. (= Sonderdrück aus Musik und Kirche, Jg. 30, H.2-6. 1960)
MReview xxiii (1962) 149-153 (Roger F. T. Bullivant) Musica xvi (1962) 277 (Ludwig Finscher) MTimes ciii (1962) 403-405 (Oliver Neighbour) SvenskTidskrMf xlv (1963) 187-188 (Johan Sundberg) | |
| | 145. | Kolneder, Walter: Die Solokonzertform bei Vivaldi. CollEtudesMcol 42 (1961), 86p Strasbourg ; Baden-Baden: Heitz, 1961. 86p.(= Collection d'études musicologiques, 42)
| |
| | 146. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 (1961), xi, 472p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1961. xi, 472p.
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | |
| | 147. | Paccagnella, Ermenegildo: La formazione del linguaggio musicale. 2: J. S. Bach. (1962), 179p Roma: Ed. del Centro di studi Palestriniani, 1962. 180p. (= Collana di studi palestriniani, 3)
MLetters xlvi/2 (Apr 1965) 173-174 (P. E. P.) Notes xxii/4 (Jun 1966) 1233-1234 (Imogene Horsley) | |
| | 148. | Petzoldt, Richard: The Leipzig Thomaner Chor. (1962), 93p Trans. from the German by Lena Jaeck. - Leipzig: Edition Leipzig 1962. 93p
MTimes cviii/1494 (Aug 1967) 711 (Robert Anderson) MLetters xlix/1 (Jan 1968) 74 (J. A. W.) | |
| | 149. | Riemann, Hugo: History of Music Theory. Polyphonic Theory to the Sixteenth Century. (1962), xx, 431p [Geschichte der Musiktheorie im IX.-XIX. Jahrhundert. T. 1-2. English] translated, with a preface, commentary, and notes by Raymond H. Haggh. Books 1 and 2. Lincoln: University of Nebraska Press, 1962. xx, 431p - 2/1966; Repr. New York: Da Capo Press, 1974. ISBN: 0306706377.
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| | 150. | Neumann, Friedrich-Heinrich: Die Ästhetik des Rezitativs: Zur Theorie des Rezitativs im 17. und 18. Jahrhundert. CollEtudesMcol 41 (1962), 112p Strasbourg; Baden-Baden: Heitz, 1962. 112p. (= Collection d'études musicologiques = Sammlung musikwissenschaftlicher Abhandlungen, 41)
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| | 151. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 (1962), xv, 184p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1962. xv, 184p.
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | |
| | 152. | Brennecke, Wilfried; Hasse, Hans (eds.): Hans Albrecht in Memoriam. [gs]Albrecht (1962), 290p Gedenkschrift mit Beiträgen von Freunden and Schülern. Kassel [u.a.]: Bärenreiter, 1962, 1969. 290p.
MReview xxvi (1965) 69 (Hans F. Redlich) MLetters xlvi/2 (Apr 1965) 163-165 (G. A.) | |
| | 153. | Carrell, Norman: Bach's Brandenburg Concertos. (1963), 130p Foreword by Yehudi Menuhin. Kassel [u.a.]: Bärenreiter; London: George Allen & Unwin, 1963. 130p
MMusicians xii (1964) 45 MEvents xix (1964) 19-22 MEduc xxviii (1964) 28 MTimes cvi/1465 (Mar 1965) 193-194 (Thurston Dart) MReview xxvi (1965) 260-262 | |
| | 154. | Müller-Blattau, Joseph M.: Geschichte der Fuge. (1963), 184p Mit einem Notenanhang und einer Thementafel. Kassel [u.a.]: Bärenreiter; London: Novello; Lübeck. Dritte, erweiterte Aufl. 1963. 184p.
MLetters xlvi (1965) 56-59 (Roger Bullivant) Mf xx/2 (Apr-Jun 1967) 209-211 (Alfred Dürr) MReview xxviii (1967) 149-150 (Hans F. Redlich) | |
| | 155. | Donington, Robert: The Interpretation of Early Music. (1963), 605p London, Faber & Faber; N.Y.: St.Martins Press. 1963. 605p. 2/1966, 3/1974, 766p. R/1975. R/1992.
MTimes civ (1963) 633 (Anthony Milner) MTimes cvii (1966) 40 (Anthony Milner) MTimes cxv (1974) 847-848 (Stanley Sadie) MLetters lvi (1975) 202-204 (J. A. Westrup) | |
| | 156. | Neumann, Werner; Schulze, Hans-Joachim (eds.): Schriftstücke von der Hand Johann Sebastian Bachs. BachDok 1 (1963), 288p Vorgelegt und erläutert von Werner Neumann und Hans-Joachim Schulze. Kritische Gesamtausgabe. Leipzig: VEB Deutscher Verlag für Musik; Kassel: Bärenreiter, 1963. 288p. [Ed.-Nr.: BVK 25] ISBN: 3-7618-0025-8. (= Bach-Dokumente. Hrsg. vom Bach-Archiv Leipzig. Supplement zu: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke, 1)
MLetters xlv/3 (Jul 1964) 270-272 (Walter Emery) Musica xviii/3 (1964) 178 (Ludwig Finscher) MGesellschaft xvi/2 (1966) 122-123 (Fritz Hennenberg) BeitrMw viii (1966) 73-76 (Hans Gunter Hoke) Mf xviii/1 (Jan-Mar 1965) 99-100; 19 (1966) 480 (Reinhold Jauernig) NZsfM(2) cxxxv (1964) 223 (Gustav Adolf Trumpff) WürttembergBlKm (Jul/Sep 1964) 105-106 (P. Horn) MErziehung xx (1967) 141 AmerRecorder xi/4 (1970) 148-149 (Dale Higbee) MGottesd xxiv (1970) 30-31 (Edwin Nievergelt) Kmusiker xxii/3 (1971) 81-94 (Kurt Ihlenfeld) | |
| | 157. | Blume, Friedrich (ed.): Syntagma Musicologicum I. Gesammelte Reden und Schriften. [ce]SyntagmaMusicologicum 1 (1963), viii, 904p Hrsg. von Martin Ruhnke. Kassel, 1963. viii, 904p. [Umfangreiche Festschrift, Auswahl von 35 Schriften Blumes zu seinem 70. Geburtstag. - Mit zahlreichen Aufsätzen über J. S. Bach, Buxtehude, Mozart u. a.]
Mf xix/1 (Jan-Mar 1966) 64 (Anna Amalie Abert) | |
| | 158. | Reichert, Georg; Just, Martin (eds.): Gesellschaft für Musikforschung. Bericht über den Internationalen Musikwissenschaftlichen Kongress Kassel 1962. [cr]Kassel1962 (1963), xv, 392p Kassel [u.a.]: Bärenreiter; London: Novello, 1963. xv, 392p.
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| | 159. | Lohmann, Heinz (arr.): Die Kunst der Fuge (1749/50) ; BWV 1080 / Johann Sebastian Bach. EdBreitkopf 6410 (1963), 142p In der Orgelfassung von Heinz Lohmann. - Wiesbaden: Breitkopf & Härtel, c1963. 142p. Best.-Nr. Ed. Breitkopf 6410. Pl.-Nr. Wb. 522. [BWV 1080]
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| | 160. | Besch, Hans: Eine Auktionsquittung J. S. Bachs. EdMerseburger 1432 (1963), 74-79
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| | 161. | Wolff, Christoph: Die Rastrierungen in den Originalhandschriften Joh. Seb. Bachs und ihre Bedeutung für die diplomatische Quellenkritik. EdMerseburger 1432 (1963), 80-92
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| | 162. | Festschrift für Friedrich Smend zum 70. Geburtstag dargebracht von Freunden und Schülern. EdMerseburger 1432 (1963), 100p Berlin: Merseburger, 1963. 100p. (= Edition Merseburger, 1432)
Notes xxii/2 (Winter 1965-Winter 1966) 920-921 (John Vinton) | |
| | 163. | Abert, Anna Amalie; Pfannkuch, Wilhelm (eds.): Festschrift Friedrich Blume zum 70. Geburtstag. [fs]Blume70 (1963), 426p hrsg. von Anna Amalie Abert und Wilhelm Pfannkuch. - Kassel [u.a.]: Bärenreiter, 1963. 426p.
MLetters xlv (1964) 62-63 (Edward Olleson) MReview xxvii (1966) 68-70 (Franz F. Lanzer) | |
| | 164. | Gerstenberg, Walter; La Rue, Jan; Rehm, Wolfgang (eds.): Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963. [fs]Deutsch80 (1963), 392p hrsg. von Walter Gerstenberg, Jan LaRue und Wolfgang Rehm. - Kassel: Bärenreiter, 1963. 392p.
MReview xxvii (1966) 70-71 (Franz F. Lanzer) | |
| | 165. | Apfel, Ernst: Beiträge zu einer Geschichte der Satztechnik von der frühen Motette bis Bach. (1964), 112p Teil I, 112p. Teil II, 76p. München: Fink, 1964.
Notes xxii/3 (Mar 1966) 1031-1032 (Ruth Steiner) MLetters xlviii/1 (Jan 1967) 80-82 (JDB) | |
| | 166. | Barford, Philip T.: The keyboard music of C.P.E. Bach: Considered in relation to his musical aesthetic and the rise of the sonata principle. (1965), xv, 186p New York: October House; London: Barrie & Rockliff, 1965. xv, 186p.
MTimes cvii/1475 (Jan 1966) 35-37 (Stanley Sadie) Notes xxiii/4 (Jun 1967) 726-727 (David Fuller) Tempo no.77 (Summer, 1966) 26-27 (Robert Donington) Mf xxii/1 (1969) 120-122 (Lothar Hoffman-Erbrecht) | |
| | 167. | Bach, Johann Sebastian: Messe in h-Moll, BWV 232. DocumentaMcol 2/12 (1965), 15p (text), 188p (facs) Faksimile Lichtdruck des Autographs. Partitur. Hrsg. von Alfred Dürr mit einem Nachwort des Herausgebers in deutsch und englisch. Kassel [u.a.]: Bärenreiter, 1965 - Neue Aufl. mit revidiertem Nachwort 1981, 15p. Kassel [u.a.]: Bärenreiter, 1983. 15p (text), 188p (facs). 4/1992 (= Documenta Musicologica, ii/12) [BWV 232]
NZsfM(2) cxxviii (1967) 428 (I. H.) Notes xxiii/4 (1967) 828-830 (Robert L. Marshall) Musica xxi/6 (1967) 303 (Günther Haußwald) Mf xxii/3 (1969) 411 (Georg von Dadelsen) OrganYb xvi (1985) 165 (Peter Williams) Notes xliv/4 (1988) 787-798 (Joshua Rifkin) | |
| | 168. | Kirkendale, Warren: Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. (1966), 379p mit einem Nachwort von Jens Peter Larsen. Tutzing: Schneider, 1966. 379p
Notes xxiv (1967) 43f (Leonard Ratner) Musikhandel cviii (1967) 36 (Paul Mies) MLetters xlviii (1967) 271f (Roger Bullivant) MTimes cix (1968) 542f (Stanley Sadie) SvenskTidskrMf l (1968) 149-152 (Hans Eppstein) OMzs xxiii (1968) 708f (Theophil Antonicek) HaydnYb (1970) 321f (H. C. Robbins Landon) RevueMcol lvi (1970) 246 (Pierre Pidoux) Mf xxiii/3 (Jul-Sep 1970) 351-353 (Ludwig Finscher) HudebniVeda viii (1971) 74 (Tomislav Volek) MErziehung xxiv (1971-72) 143 (Walter Pass) OpusMusicum (1973) 187f (Jiri Sehnal) | |
| | 169. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. (1966), 382p In collaboration with Irene Geiringer. N. Y.: Oxford Univ. Press, 1966. 382p. - Nowich: Jarrold & Sons, London: Allan and Unwin 1967. xi, 382p.
Clavier v (1966) 6 MLetters xlviii/4 (Oct 1967) 380-381 (Jack A. Westrup) MEvents xxii (1967) 27-28 MTimes cviii/1498 (Dec 1967) 1108-1109 (Walter Emery) MEduc xxxi (1967) 639 Pan pipes of Signa Alpha Jota lx (1967) 44-45 Church Music, Nr.2 (1967) 51 AmerChoralReview ix (1967) 46-48 AmerRecGuide xxxiv (1967) 157 MClubsMag xlvi (1967) 55 NATSBul xxiii (1967) 37 Notes xxiv/4 (Jun 1968) 709-710 (Henry Woodward) JAMSos xxi/3 (Autumn 1968) 396-400 (Arthur Mendel) StudMcolAcadSciHungaricae x facs.3/4 (1968) 377-379 (Csomasz K. Tóth) MUnterricht A. lix (1968) 215-216 (Hans Hollander) MEducatorsJ liv/5 (1968) 100-102 (Donald M. McCorkle) MGesellschaft xix/12 (1969) 855-856 (Gerd Schönfelder) MQ lv/1 (Jan 1969) 121-125 (John F. Ohl) | |
| | 170. | Buelow, George J. (ed.): Thorough-Bass Accompaniment According to Johann David Heinichen. (1966), xiv, 316p Berkeley: University of California Press, 1966. xiv, 316p.
JMTheory xi/2 (1967) 281-85 (Albert Cohen) Notes xxiii/4 (1967) 730-732 (Robert Donington) JAMSoc xxi/3 (1968) 393-396 (Bathia Churgin) Mf xxi/3 (1968) 381-382 (Walter Reckziegel) MLetters l/2 (Apr 1969) 314-315 (B.W.G. Rose) MEducatorsJ lvi/8 (Apr 1970) 85-86 (Donald M. McCorkle) | |
| | 171. | Kirby, Frank Eugene: A Short History of Keyboard Music. (1966), xviii, 534p N.Y.: The Free Press; London: Collier-Macmillan, 1966. xviii, 534p.
MGesellschaft xvii (1967) 636-638 (Gerd Schönfelder) | |
| | 172. | Agricola, Johann Friedrich (trans.): Anleitung zur Singkunst (1757, Faksimile-Nachdruck). (1966), xxxviii, xvi, 239, 44p zusammen mit dem italienischen Original von Pier Francesco Tosi: Opinioni de'cantori antichi e moderni o sieno osservazioni sopra il canto figurato (1723). Neu hrsg., mit einem Vorwort und einem Anhang von Erwin R. Jacobi. [With an English translation of the preface and the appendix by K. B. Tyldesley, and with facsimiles.] Celle: Hermann Moeck Verlag, 1966. xxxviii, xvi, 239, 44p
RevueMcol lii/2 (1966) 247 (Carl de Nys) MLetters xlviii/1 (1967) 86-87 (J. A. Westrup) | |
| | 173. | Fux, Johann Joseph: Gradus ad Parnassum [1725]. MonumentsMMLitFacs 2/24 (1966), 280p Facsimile of the 1725 Vienna edition. New York: Broude Brothers, 1966. 280p. (= Monuments of Music and Music Literature in Facsimile. 2nd Series: Music Literature, 24)
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| | 174. | Blume, Friedrich: Renaissance and Baroque music. (1967), 180p A comprehensive Survey. - Trans. by M. D. Herter Norton. N. Y.: Faber, 1967. 180p.
MLetters li (1970) 191-192 (Frederick Sternfeld) Consort xxix (1973) 47 (E. J. Godwin) | |
| | 175. | Reti, Rudolf: Thematic patterns in Sonatas of Beethoven. (1967), 204p London: Faber 1967. 204p
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| | 176. | Keller, Hermann: The organ works of Bach. A contribution to their history, form, interpretation and performance. (1967), 312p Trans by Helen Hewitt. - N. Y.: Peters. 1967, 312p.
MLetters xlix/3 (Jul 1968) 237-238 (James Dalton) Notes xxiv/4 (Jun 1968) 711-712 (Richard T. Gore) | |
| | 177. | Carrell, Norman: Bach the Borrower. (1967), 396p Preface by Basil Lam. - London: George Allen & Uniwin Ltd 1967, 396p.
MEvents xxii (1967) 27-28 MTeacherPianoStudent xlvi (1967) 16 Notes xxiv/3 (Mar 1968) 495-496 (Richard T. Gore) StudMcolAcadSciHungaricae x, fasc.3/4 (1968) 374-377 (Csomasz K. Tóth) MLetters xlix/1 (Jan 1968) 58-60 (Eric Taylor) MUnterricht A. lix (1968) 215-216 (Hans Hollander) MGesellschaft xix/12 (1969) 854-855 (Gerd Schönfelder) BeitrMw xii/2 (1970) 146-148 (Peter Gülke) | |
| | 178. | Terry, Charles Sanford: John Christian Bach. (1967), lv, 373p 2nd edn. with a foreword by H. C. Robbins Landon. London: Oxford University Press, 1967. lv, 373p.
MTimes cviii/1490 (Apr 1967) 330-331 (Stanley Sadie) MLetters xlviii/3 (Jul 1967) 280 (Jack A. Westrup) Mf xxi/4 (1968) 524-525 (Ludwig Finscher) | |
| | 179. | Schrade, Leo; Lichtenhahn, Ernst (eds.): De scientia musicae studia atque orationes. [ce]Schrade (1967), 623p Bern: Paul Haupt, 1967. 623p.
RivistaItaliMcol v/1 (1970) 320-322 (Clotilde Morricone) MLetters xlix/4 (Oct 1968) 390 (Lorenzo Bianconi) Mf xxii/3 (Jul-Sep 1969) 375-376 (Ludwig Finscher) | |
| | 180. | Geck, Martin: Die Wiederentdeckung der Matthäuspassion im 19. Jahrhundert. StMges19Jh 9 (1967), 181p Die zeitgenössischen Dokumente und ihre ideengeschichtliche Deutung. - Regensburg: Bosse 1967. 181p (= Studien zur Musikgeschichte des 19. Jahrhunderts, 9)
MLetters xlviii (1967) 388 (J. A. Westrup) Musikhandel xviii (1967) 370 Musica xxii (1968) 195-196 (Hans Christoph Worbs) Mf xxi/2 (Apr-Jun 1968) 248-249 (Reinhold Sietz) Muzsika xi/2 (1968) 36 (Ferenc Bónis) NZsfM(2) cxxix (1968) 187-188 (Lars Ulrich Abraham) Kmusiker xix (1968) 36-37 (Friedhelm Krummacher) SvenskTidskrMf l (1968) 147-148 (Hans Eppstein) | |
| | 181. | Kross, Siegfried; Schmidt, Hans (eds.): Colloquium amicorum. Joseph Schmidt-Görg zum 70. Geburtstag. VeröffBeethovenHausBonn (1967), xxviii, 461p Bonn: Beethovenhaus, 1967. xxviii, 461p. [= Veröffentlichungen des Beethoven-Hauses in Bonn]
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| | 182. | Palisca, Claude V.: Baroque music. (1968), 230p Engewood Cliffs. N.J.: Prentice-Hall, 1/1968. vi, 230p. 2/1981 xiv, 300p. (= Prentice Hall History of Music Series, 3)
MReview xxxii (1971) 83-84 MLetters lxii (1981) 432 (Ian Spink) EarlyM x/4 (1982) 537-539 (Denis Arnold) | |
| | 183. | Chiapusso, Jan: Bach's World. (1968), x, 338p Bloomington: Indiana Univ.Press. 1965, 1968, R/1970, 1980. x, 338p.
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) Notes xxvi/3 (Mar 1970) 524 (Karl Geiringer) | |
| | 184. | Powers, Harold S. (ed.): Studies in music history; essays for Oliver Strunk. [fs]Strunk (1968), x, 527p Princeton, N.J.; Princeton U.P., 1968. x, 527p. - repr. 2015. ISBN: 9780691626406 (paper), 9780691652689 (hardcover), 9781400879182 (eBook)
MLetters l/4 (Oct 1969) 488-491 (G. A.) Notes xxvi/2 (Dec 1969) 256-258 ( Henry W. Kaufmann) | |
| | 185. | Großmann-Vendrey, Susanna: Felix Mendelssohn Bartholdy und die Musik der Vergangenheit. StMges19Jh 17 (1969), 254p Regensburg: Bosse, 1969. 254p. ISBN: 3-7649-2031-9. (= Studien zur Musikgeschichte des 19. Jahrhunderts, 17) [Vorwort (p.10-12); I. Herkunft und Begegnung (p.13-48); II. Selbständige Tätigkeit (p.49-219); Schluß (p.221-222); Anhang: Zeitgenössische Rezensionen (p.223-247); Register (p.249-254)]
NZsfM(2) cxxxi/11 (Nov 1970) 573-574 (Wolfgang Seifert) MKirche xl/3 (May-Jun 1970) 209 (Gerhard Schuhmacher) Mf xxv/3 (Jul-Sep 1972) 394-396 (Friedhelm Krummacher) | |
| | 186. | Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4
MLetters lii/3 (1971) 321-322 (Jack Allen Westrup) JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir) OrganYb iii (1972) 105 (Gustav Leonhardt) MQ lviii/2 (1972) 308-315 (George J. Buelow) AmerRecorder xiv/3 (1973) 91 (Dale Higbee) | |
| | 187. | George, Graham: Tonality and Musical Structure. (1970), 231p London: Faber & Faber, 1970. 231p.
MEducatorsJ lviii/2 (1971) 68-69 (Lothar Klein) | |
| | 188. | Young, Percy Marshall: The Bachs 1500-1850. (1970), 341p New York: Thomas Y. Crowell; London: J. M. Dent & Sons, 1970, xxii, 341p.
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) NZsfM(2) cxxxii/3 (1971) 169-170 (Gustav Adolf Trumpff) | |
| | 189. | Landon, H. C. Robbins; Chapman, Roger E. (eds.): Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. [fs]Geiringer70 (1970), 425p London: Allen & Unwin, 1970. 425p.
MLetters lii/2 (1971) 201-202 (Ronald Woodham) AmerRecorder xiii/2 (1972) 63 (Dale Higbee) | |
| | 190. | Bullivant, Roger: Fugue. (1971), 198p London: Hutchinson, 1971. 198p. ISBN: 0091084407; 0091084415. (= Hutchinson university library)
MTimes cxiii (1972) 463-464 (Michael Tilmouth) MReview xxxv/2 (1974) 170-172 (A. E. F. Dickinson) | |
| | 191. | Chailley, Jacques: L'Art de la fugue de J. -S. Bach. Étude critique des sources. Remise en ordre du plan. Analyse de l'œuvre. AuDelaNotes 1 (1971), 89p Paris: Alphonse Leduc 1971. 89p, 14 Taf. 2/1976. (= Au-delà des Notes. Collection d'explications de textes musicaux, 1)
MKirche xlii/1 (1972) 22-25 (Ludwig Prautzsch) CourrierM xxxviii (1972) 100 (Claude Chamfray) MLetters liv/4 (Oct 1973) 497-498 (Basil Lam) StudMcolAcadSciHungaricae xviii/1-4 (1976) 396-398 (F. András Wilhelm) OrganYb vii (1976) 171-172 (Stephen Daw) EtudesClassiques xlvi/1 (1978) (Joseph Legrand) | |
| | 192. | Bach, Johann Sebastian: Schweigt stille, plaudert nicht. Kaffeekantate. BWV 211. FaksRBachWS 10 (1971), 36p Faksimile der autographen Partitur. Herausgegeben von Werner Neumann. [Deutsche Staatsbibl. Berlin, Mus. ms. Bach P 141] Leipzig: VEB Deutscher Verlag für Musik, 1/1971. 36p. 2/1980. 36p. 3/1987. (= Faksimile-Reihe Bachscher Werke und Schriftstücke, 10) [BWV 211]
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| | 193. | Leavis, Ralph: Bach's setting of Psalm CXVII (BWV 230). MLetters 52/1 (Jan 1971), 19-26
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| | 194. | Salmen, Walter (ed.): Der Sozialstatus des Berufsmusikers vom 17. bis 19. Jahrhundert. MwArb 24 (1971), 146p Gesammelte Beiträge im Auftr. der Gesellschaft für Musikforschung. Kassel [u.a.]: Bärenreiter, 1971. 146p. ISBN: 3-7618-0245-5. (= Musikwissenschaftliche Arbeiten, 24)
Mf xxv/4 (1972) 575-576 (Tibor Kneif) HudebniVeda x/2 (1973) 165-166 (Jaroslav Buzga) Diapason lxxvi/9 (1985) 8 (Bruce Gustafson) Notes xli/3 (1985) 512-514 (William Weber) Dix-huitième siècle, xviii (1986) 551-552 (Françoise Escal) MLetters lxv/4 (1984) 402 (Alice Marie Hanson) JAMSoc xxxix/1 (1986) 199-205 | |
| | 195. | Robertson, Alec: The Church Cantatas of J. S. Bach. (1972), xi, 356p N.Y.: Praeger Pub./London, Cassell 1972. xi, 356p.
AmerRecorder xiii/4 (Nov 1972) 133 (Dale Higbee) Notes xxix/3 (Mar 1973) 459-460 (Karl Geiringer) MLetters liv/1 (Jan 1973) 93-94 (J. A. Westrup) EarlyM ii/1 (Jan 1974) 45,47 (Denys Darlow) | |
| | 196. | Bach, Johann Sebastian: Konzert D-Dur für Cembalo und Streichorchester. BWV 1054. FaksRBachWS 11 (1972), 12p Faks; 8p text Faksimile der autographen Partitur. Herausgegeben von Hans-Joachim Schulze. [Deutsche Staatsbibl. Berlin, Mus. ms. Bach P 234] Leipzig: VEB Deutscher Verlag für Musik, 1/1972. 2/1980. 3/1990. 8p (text), 12p (facs). (= Faksimile-Reihe Bachscher Werke und Schriftstücke, 11) [BWV 1054]
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| | 197. | Dorfmüller, Kurt (ed.): Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. [fs]Schmieder70 (1972), 204p In Verbindung mit Georg von Dadelsen. - Frankfurt a.M.: Peters, 1972. 204p. ISBN: 3-87626-005-1. (= Edition Peters, 8123)
MSacra xcii/5 (1972) 265-267 (Albrecht Schneider-Klement) Notes xxix/4 (1973) 726-729 (John H. Baron) Zeitschrift für Bibliothekswesen und Bibliographie, xx (1973): 116-118 (Hartmut Schaefer) MLetters liv (1973) 228-229 (J. A. Westrup) ZsfDPhilologie 92 (1973): 466-467 (Horst Brunner) Neue Zeitschrift für Musik, cxxxiv/10 (1973) 671 (Dietrich Kämper) MKirche xlv/1 (1975) 27-28 (Peter L. Voß) Mf xxviii/1 (1975) 105-106 (Imogen Fellinger) | |
| | 198. | Schneider, Herbert: Die französische Kompositionslehre in der ersten Hälfte des 17. Jahrhunderts. MainzStMw 3 (1972), 304p Tutzing: Schneider, 1972. 304p. ISBN: 3-7952-0110-1. (= Mainzer Studien zur Musikwissenschaft, 3). - Summary in Mf xxvi/1 (1973), 107-108.
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| | 199. | Dürr, Alfred (ed.): Matthäus-Passion BWV 244. Markus-Passion BWV 247 / Johann Sebastian Bach. NBA 2/5 (1972), xiv (5p facs), 309p Hrsg. von Alfred Dürr. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1972. xiv, 309p. - 2/1980, 3/1988, 4/1998, 5/2002. Ed.-Nr.: BA 5038. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 5) [BWV 244, 247]
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | |
| | 200. | Dürr, Alfred (ed.): Johann Sebastian Bach. Matthäus-Passion. Frühfassung BWV 244b. NBA 2/5a (1972), xxviii, 44 bl Kommentierte Faksimile-Ausgabe der Abschrift Johann Christoph Altnickols. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1972. xxvii, 44 bl. Ed.-Nr.: BA 5039. [BWV 244b]
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | |
| | 201. | Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4)
JMTheory xvi/1-2 (Spring-Winter 1972) 220-237 (Felix Salzer) MTimes cxiv/1562 (Apr 1973) 380-381 (Walter Emery) Notes xxix/4 (Jun 1973) 714-716 (Gerhard Herz) JAMSoc xxvi/3 (Autumn 1973) 483-488 (Paul Brainard) MLetters liv/3 (Jul 1973) 362-363 (J. A. Westrup) MQ lx/2 (Apr 1974) 275-279 (Christoph Wolff) SvenskTidskrMf lvi/1 (1974) 77-80 (Hans Eppstein) Mf xxviii/4 (1975) 463-466 (Alfred Dürr) MiscelMcol ix (1977) 218-220 (Andrew D. McCredie) | |
| | 202. | Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p London: Faber & Faber: 1973. 320p.
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock) MQ lx/4 (1974) 658-664 (Frederick Neumann) AmerRecorder xv/2 (1974) 57-59 (Dale Higbee) MTimes cxvi (1975) 626 (Howard Mayer Brown) MReview xxxvi (1975) 148 (Henry Raynor) American reference books annual vi (1975) 499 (Claude V. Palisca) MEducatorsJ lxii/3 (1975) 101-102 (William Pepper) Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount) Muzsika xxii/3 (1979) 43-45 (András Wilheim) | |
| | 203. | Mendel, Arthur (ed.): Johannes-Passion. BWV 245 / Johann Sebastian Bach. NBA 2/4 (1973), xiii (6 facs), 265p Hrsg. von Arthur Mendel. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1973. xiii, 265p, facs 11r. - 2/1983, 3/1988, 4/1995, 5/2000. Ed.-Nr.: BA 5037. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 4) [BWV 245]
Notes xxxii/1 (Sep 1975) 121-122 (Gerhard Herz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher) | |
| | 204. | Ryom, Peter (ed.): Verzeichnis der Werke Antonio Vivaldis (RV). Kleine Ausgabe. (1974), 214p Leipzig: Deutscher Verlag für Musik, 1974. 214p - 2. verbesserte und erweiterte Aufl. 1979. 226p.
MLetters lviii/1 (1977) 105-107 (Eleanor Selfridge-Field) SbornikFilFakultBrnUniv xxvii-xxviii/13-14 (1979) 86-87 (Rudolf Pecman) MGesellschaft xxxi/3 (1981) 180 (Karl-Heinz Viertel) | |
| | 205. | Glahn, Henrik; Sørensen, Søren; Ryom, Peter (eds.): Report of the Eleventh Congress. Copenhagen 1972. [cr]Copenhagen1972 (1974), 799p [IMS Report 1972] 2 volumes. Copenhagen: Edition Wilhelm Hansen, 1974. 799p [456p; 457-799p]. ISBN: 87-7455-026-8.
MelosNZsfM ii/6 (1976) 508-509 (Carl Dahlhaus) | |
| | 206. | Marshall, Robert L. (ed.): Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974. 392p. ISBN: 3-7618-0412-1 (Bärenreiter); 0-913574-26-0 (Boonin).
MKirche xlv/4 (1975) 193 (Ulrich Prinz) Kmusiker xxvii (1976) 111-112 (Heinz Lohmann) MLetters lvii (1976) 203-205 (Gerald Abraham) RevueMcol lxii/1 (1976) 157-159 (Jean-Michel Vaccaro) | |
| | 207. | Mendel, Arthur: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 4. Johannes-Passion. Kritischer Bericht. NBA 2/4 (1974), 356p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 356p. [Ed.-Nr.: BA 5037-41]
MKirche xliv (1974) 83-85 (Ulrich Prinz) Notes xxxii (1975) 121-122 (Gerhard Herz) Musica xxix (1975) 260 (Lothar Hoffmann-Erbrecht) MLetters lvi (1975) 91-95 (Frederick Hudson) MKirche xlv (1975) 26-27 (Ulrich Prinz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) | |
| | 208. | Dürr, Alfred: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 5. Matthäus-Passion. Markus-Passion. Kritischer Bericht. NBA 2/5 (1974), 276p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 276p. [Ed.-Nr.: BA 5038-41]
MKirche xlv (1975) 26-27 (Ulrich Prinz) MTimes cxvii (1976) 833-834 (Stephen Daw) | |
| | 209. | Bach, Johann Sebastian: Brandenburgisches Konzert Nr. 5 D-Dur. (BWV 1050) (1975), 10, 25 Bl Faks. des Originalstimmensatzes nach dem Autograph der Deutschen Staatsbibliothek Berlin, Mus. ms. Bach St 130. Hrsg. von Hans-Joachim Schulze. Leipzig: Edition Peters 1975, 10 (Vorwort), 25 Bl. (Faksimile) [BWV 1050]
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| | 210. | Campbell, Margaret: Dolmetsch: the man and his work. (1975), xv, 318p London: Hamilton, 1975. xv, 318p. ISBN: 0241891760.
AmerRecorder xviii/2 (1977) 47 (Dale Higbee) MLetters lvii/2 (1976) 197-199 (Michael Tilmouth) | |
| | 211. | Blume, Friedrich: Protestant Church Music: A History. (1975), xv, 831p by Friedrich Blume in collaboration with Ludwig Finscher, Georg Feder, Adam Adrio, Walter Blankenburg, Torben Schousboe, Robert Stevenson and Watkins Shaw; foreword by Paul Henry Lang. - N. Y.: Norton; London: Gollancz, 1975. xv, 831p. ISBN: 0575019964.
EarlyM iv (1976) 309-311 (John Caldwell) MLetters lviii (1977) 76-77 (Gerald Abraham) | |
| | 212. | Schwarz, Vera (ed.): Violinspiel und Violinmusik in Geschichte und Gegenwart: Bericht über den Internationalen Kongress am Institut für Aufführungspraxis der Hochschule für Musik und Darstellende Kunst in Graz, vom 25. Juni bis 2. Juli 1972. BeitrAuffPraxis 3 (1975), 333p Wien: Universal Edition, 1975. 333p. ISBN: 3-7024-0071-0. (= Beiträge zur Aufführungspraxis, 3)
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| | 213. | Bach, Johann Christian: Twelve Keyboard Sonatas, Op. V and Op. XVII. (1976), 2 vols Both sets have been reproduced in facsimile from originals in the Fitzwilliam Museum, Cambridge ... Opus V (shelf mark 30 F 20) is a second issue of the first edition by Welcker, c. 1768 ... Opus XVII (shelf mark 52 B 32) is a reprint from the same plates as the first English edition by Welcker, c. 1780.' With introduction in English and German by Christopher Hogwood. [v.] 1. Six sonatas, op. 5.--[v.] 2. Six sonatas, op. 17. Oxford University Press, 1976. ISBN: 0193722224; 0193722232.
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| | 214. | Wolff, Christoph (ed.): Vierzehn Kanons über die ersten acht Fundamentalnoten der Aria aus den 'Goldberg-Variationen', BWV 1087 / Johann Sebastian Bach. (1976), 20p = Fourteen Canons on the first eight notes of the Aria ground from the 'Goldberg Variations', BWV 1087. Erstausgabe / First Edition. Vorabdruck aus 'Neue Bach-Ausgabe'. Hrsg von / Ed. by Christoph Wolff. - Kassel [u.a.]: Bärenreiter, 1976. 20p. Best.-Nr.: Bärenreiter 5153 [Preprint from NBA V/2] - rev. Ausg. 2000. ISMN: M-006-46584-2. [BWV 1087]
Musica xxxi/1 (1977) 62 (Lothar Hoffmann-Erbrecht) MLetters lviii/2 (Apr 1977) 240 (Howard Ferguson) Mf xxx/1 (1977) 130 (Wolfgang Birtel) OrganYb x (1979) 161-162 (Peter Williams) | |
| | 215. | Benade, Arthur H.: Fundamentals of Musical Acoustics. (1976), xii, 596p New York; London: Oxford Univ. Press, 1976. xii, 596p. ISBN: 0195020308. - Ann Arbor, Mich., 1980. - New York: Dover; London: Constable, 1990. xii, 596p. ISBN: 048626484X.
MLetters lviii/1 (1977) 88-89 (G.K. Woodgate) GalpinSocJ xxx (1977) 164-166 (Philip Bate) Notes xxxiii/4 (1977) 837-838 (Larry Rowan) AmerRecorder xviii/1 (1977) 14-15 (Richard Sacksteder) Mf xxxii/2 (1979) 218-220 (Jürgen Meyer) Tibia v/1 (1980) 48-49 (Otto Steinkopf) | |
| | 216. | Hennenberg, Fritz: Das Kantatenschaffen von Gottfried Heinrich Stölzel. BeitrMwFDDR 8 (1976), 245p [Teilw. zugl.: Leipzig, Univ., Diss., 1965.] Leipzig: VEB Deutscher Verlag für Musik, 1976. 245p. (= Beiträge zur musikwissenschaftlichen Forschung in der DDR, 8)
MLetters lix/1 (1978) 63-66 (Basil Smallman) Mf xxxiii/1 (1980) 109-110 (Lothar Hoffmann-Erbrecht) | |
| | 217. | Schwendowius, Barbara; Dömling, Wolfgang (eds.): Johann Sebastian Bach. Zeit - Leben - Wirken. [ce]JSBZeitLebenWirken (1976), 179p Kassel [u.a.]: Bärenreiter, 1976. 179p. - London: Yale Univ. Press, 1984. 179p. ISBN: 0-300-03268-4.
Musica xxx/5 (1976) 431-433 (G. W. Finke) NMz(Regensburg) 5 (1976) 18 (Karlheinz Schlager) MGottesd xxi (1977) 213-214 (Edwin Nievergelt) MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher) MLetters lviii/4 (Oct 1977) 447-450 (Basil Lam) ArsOrgani xxv/53 (1977) 176-177 (Hermann J. Busch) MSacra xcvii (1977) 145-146 (Johannes Piersig) OMzs xxxiii (1978) 51 (Rudolf Klein) Orchester(Mainz) xxvi (1978) 335-336 (Kurt Westphal) LitMFineArts xii (1979) 117-118 (Winfried Kirsch) RevistaMChilena xxxiii/146-147 (1979) 123-126 (Francisco Curt Lange) MTimes cxx (1979) 916 (Stephen Daw) Heterofonia xii/3 (1979) 30-32 (Francisco Curt Lange) OrganYb x (1979) 173-174 (Peter Williams) AmerRecorder xx/4 (1980) 171 (Dale Higbee) MErziehung xxxvii/1 (1984) 150 (Christine Forster) MTimes cxxvi (1985) 156 (Stanley Sadie) ChoralJ xxvii/9 (1987) 32 (Lemuel Berrz, Jr) | |
| | 218. | Dürr, Alfred: Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. MwArb 26 (1976), 173p Mit Anmerkungen und Nachträgen versehener Nachdruck aus Bach-Jahrbuch 1957. Kassel [u.a.]: Bärenreiter, 2/1976. 173p. (= Musikwissenschaftliche Arbeiten, 26)
MGottesd xxxi (1977) 135-136 (Walter F. Hindermann) Musica xxxi/3 (1977) 260-261 (Gerhard Wienke) MKirche xlvii/3 (1977) 133-134 (Peter L. Voss) MSacra xcvii (Johannes Piersig) GalpinSocJ xxxi (1978) 177-178 (Ralph Leavis) MLetters lx/3 (1979) 325-328 (Basil Lam) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) OrganYb xi (1980) 145 (Peter Williams) | |
| | 219. | Siegmund-Schultze, Walther: Johann Sebastian Bach. ReclamUBib 633 (1976), 265p Leipzig: Reclam, 1976. 265p. 2/1984, 276p. (= Reclams Universal Bibliothek, 633)
BeitrMw xx/2 (1978) 137-153 (Hans Gunter Hoke) MSchule xxx (1979) 28-32 (Armin Schneiderheinze) | |
| | 220. | Veilhan, Jean-Claude: Les Règles de l'interprétation musicale à l'époche baroque. (1977), 101p Paris: Alphonse Leduc 1977. 101p.
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| | 221. | Busoni, Ferruccio: Sulla trascrizione per pianoforte delle opere per organo di Bach. (1977), 113p [Von der Übertragung Bach'scher Orgelwerken auf das pianoforte] Trans. Laura Dallapiccola and Fedele d'Amico. Milano: Il Saggiatore, [1977] 113p.
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| | 222. | Dürr, Alfred: Studien über die frühen Kantaten Johann Sebastian Bachs. (1977), 264p Verbesserte und erweiterte Fassung der in Jahr 1951 erschienenen Dissertation. - Wiesbaden: Breitkopf & Härtel, 1977, 264p. ISBN: 3-7651-0130-3.
OrganYb x (1979) 172 (Peter Williams) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) | |
| | 223. | Bach, Johann Sebastian: Opere per Liuto. [BWV 995-1000, 1006a] (1977), 3 vols: xi, 71p; xiii, 58p; 51p Ed. with Preface by E. Cipriani.] Vol.I: Partitura musicale (xi, 71p); II: Intavolatura strumentale (xiii, 58p); III: Documenti storici (51p). Rovereto (Trento): Stamperia Musicale 1977. [BWV 995-1000, 1006a]
Stimulus (Sep 1978) 50-51 (Louis Grijp) MLetters lxiii/1-2 (Jan-Apr 1982) 147-148 (Nigel North) MTimes cxxiv/1680 (Feb 1983) 109 (John Steele) Ongakugaku xxix/1 (1983) 76-78 (Michio Tominaga) EarlyM xi/3 (1983) 385, 387, 389 (Nigel North) | |
| | 224. | Busoni, Ferruccio: Lo sguardo lieto: tutti gli scritti sulla musica e la arti. (1977), 550p Ed. by Fedele d'Amico. Trans. by Laura Dallapiccola, Luigi Dallapiccola & Fedele d'Amico. Milan: Il Saggiatore, 1997. 550p.
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| | 225. | Bach, Johann Sebastian: Musicalisches Opfer. BWV 1079. (1977), facs: Faszikel I,II,III (10, 16, 12p); Kommentar (14p) Fotomech. Nachdruck der Originalausgabe Leipzig 1747. Hrsg. und komm. von Christoph Wolff. English trans. Douglass Seaton. Leipzig: Edition Peters 1977. facs: Faszikel I,II,III (10, 16, 12p); Kommentar (14p). Bestell-Nr. 9313. (= Peters Reprints. Musikwissenschaftliche Studienbibliothek) [BWV 1079]
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| | 226. | Smither, Howard E.: A History of the oratorio. Vol.1: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxvii, 480p Chapel Hill: University of North Carolina Press, 1977. xxvii, 480p. ISBN: 0807812749.
MQ lxiv/3 (1978) 397-402 (Ellen T. Harris) Notes xxxiv/4 (1978) 55-57 (Margaret Murata) EtudesClassiques xlvii/1 (1979) 57 (Joseph Legrand) MLetters lx/3 (1979) 341-345 (Winton Dean) NRivistaMItali xiii/3 (1979) 699-703 (Lino Bianchi) JAMSoc xxxii/2 (1979) 343-349 (Sven H. Hansell) OMzs xxxvii/12 (1982) 716 (Theophil Antonicek) | |
| | 227. | Walker, Daniel Pickering: Studies in Musical Science in the Late Renaissance. (1978), 174p London: Warburg Institute, University of London, 1978. 174p. ISBN: 0854810560. (= Studies of the Warburg Institute, 37)
JMTheory xxiv/1 (Spring 1980) 107-116 (Joseph di Giovanni) Archives internationales d'histoire des sciences, xxx (1980) 218-219 (Jamie Croy Kassler) IReviewAesthSociolM xii/1 (Jun 1981) 75-78 (Stanislav Tuksar) | |
| | 228. | Davies, John Booth: The Psychology of Music. (1978), 240p London, Hutchinson, 1978. 240p. ISBN: 0091295009; 9780091295004; Stanford, Calif: Stanford University Press, 1978. 240p. ISBN: 0804709807; 0804710570.
AmerMTeacher xxix/3 (1980) 48-49 (David Z. Kushner) | |
| | 229. | Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p.
MQ lxv/4 (1979) 597-604 (Lowell Lindgren) Brio xvi/1 (1979) 18-19 (Clifford Bartlett) Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson) Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly) OrganYb xi (1980) 153-154 (Peter Williams) JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller) FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell) AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin) MReview xli/1 (1980) 60-62 (Malcolm Boyd) Studies in music xiv (1980) 128-133 (Graham Pont) NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky) Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz) EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw) AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee) MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams) Concerto ix/74 (1992) 5-6 (Thomas Synofzik) OMzs xxxvii/12 (1982) 717 (Eduard Melkus) RevueMcol lxix/1 (1983) 109-116 (Dennis Collins) | |
| | 230. | Flesch, Siegfried; Baselt, Bernd (eds.): Händel-Handbuch: I. Lebens- und Schaffensdaten [S. Flesch]; Thematisch-systematisches Verzeichnis: Bühnenwerke. [HWV] HändelHandb 1 (1978), 539p Begründet vom Kuratorium der Georg-Friedrich-Händel-Stiftung von Walter Eisen und Margret Elsen. Gleichzeitig Supplement zur Hallischen Händel-Ausgabe (HHA). - Leipzig: DVfM; Kassel [u.a.]: Bärenreiter (Gemeinschaftsausg), 1978. 539p. 2/2008 Bärenreiter (unveränd. Nachdr.) ISBN: 3-7618-0610-8.
Notes xxxvi/4 (1980) 883-884 (Hugh Cobbe) NZsfM(2) cxli/4 (1980) 394-395 (Ludwig Finscher) NRivistaMItali xiv/2 (1980) 266-269 (Franco Piperno) Mf xxxiv/1 (1981) 102-103 (Anna Amalie Abert) BeitrMw xxiv/4 (1982) 301-303 (Werner Rackwitz) MLetters lxiv/3-4 (1983) 232-234 (Winton Dean) OrganYb xiv (1983) 129-130 (Peter F. Williams) WürttembergBlKm liv/3 (1987) 104 (Helmut Völkl) | |
| | 231. | Kurzhals-Reuter, Arntrud: Die Oratorien Felix Mendelssohn Bartholdys: Untersuchungen zur Quellenlage, Entstehung, Gestaltung und Überlieferung. MainzStMw 12 (1978), 251p [Zugl.: Mainz, Univ., Diss., 1976] - Tutzing: Schneider, 1978. 251p. ISBN: 3-7952-0251-5. (= Mainzer Studien zur Musikwissenschaft, 12)
MLetters lxi/1 (Jan 1980) 108-111 (William J. Gatens) NRivistaMItali xiv/3 (Jul-Sep 1980) 438 (Franco Piperno) | |
| | 232. | Massenkeil, Günther; Popp, Susanne (eds.): Festschrift für Ottmar Schreiber zum 70. Geburtstag am 16. Februar 1976. RegerSt 1 (1978), 170p Wiesbaden: Breitkopf & Härtel, 1978. 170p. ISBN: 3-7651-0136-2 (= Reger-Studien, 1; Schriftenreihe des Max-Reger-Instituts Bonn-Bad Godesberg, 1)
MKirche xlix/6 (1979) 301-302 (Gerhard Schuhmacher) Mf xxxii/2 (1979) 180 (Reinhold Brinkmann) MLetters lxi/1 (Jan 1980) 106-107 (Derrick Puffett) | |
| | 233. | Steinitz, Paul: Bach's Passions. (1979), ix, 137p London: Paul Elek, 1979, ix, 137p. (= Masterworks of choral music)
MLetters lxi/3-4 (Jul-Oct 1980) 365-367 (Basil Smallman) MReview xlii (1981) 56-57 (Malcolm Boyd) | |
| | 234. | Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. * [Vol. 1] (1685-1723). (1979), xii, 782p Turin: Edizioni di Torino, 1979. xii, 782p. (= Biblioteca di cultura musicale. Autori e opere). - 3. rist. 1987. xii, 782p. ISBN: 88-7063-011-0.
NRivistaMItali xv/2 (1981) 271-273 LaCartellina v/18 (1981) 58-60 MLetters lxii/3-4 (1981) 361-364 (Eleanor Selfridge-Field) Mf xxxiv/3 (1981) 367-368 (Alfred Dürr) BeitrMw xxvii/1 (1985) 81-83 (Karl Heller) EarlyM xiii/2 (1985) 277,279 (Stephen Daw) | |
| | 235. | Epstein, David: Beyond Orpheus: studies in musical structure. (1979), xiv, 244p Foreword by Milton Babbitt. - Cambridge (Mass.); London: M.I.T. Press, 1979. xiv, 244p. ISBN: 0262050161. - Oxford: Oxford University Press, 1987. xiv, 244p. ISBN: 0193151502.
Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby) JMTheory xxv/2 (1981) 319-325 (Arnold Whittall) MTheorySpec iii (1981) 150-157 (Gary E. Wittlich) TheoryPractice vi/2 (1981) 47-53 (William Rothstein) MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey) MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu) | |
| | 236. | Neumann, Werner (ed.): Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. BachDok 4 (1979), 447p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1979. 447p. [Ed.-Nr.: BVK 250] ISBN: 3-7618-0250-1. (= Bach-Dokumente. Supplement zu Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke, 4)
GottesdKm (1980) 186-187 WürttembergBlKm xlvii (1980) 199-200 (Gottfried Simpfendörfer) MErziehung xxxiv (Dec.1980) 77 (Eberhard Würzl) MKirche li/1 (1981) 33-34 (Walter Blankenburg) FontesArtisM xxviii/4 (1981) 331f (Thomas F. Heck) Musica xxxv/4 (1981) 380-382 (Lothar Hoffmann-Erbrecht) AmerOrganist(2) xv/12 (1981) 19 (D. DeWitt Wasson) NZsfM(2) cxlii/5 (1981) 522 (Peter Rummenhöller) MLetters lvii/3-4 (1981) 412-414 (Basil Lam) Notes xxxvii/4 (1981) 857-858 (Robert Cammarota) MTimes cxxiii/1673 (Jul 1982) 477, 479 (Stephen Daw) MTimes cxxiii/1676 (Oct 1982) 693 (Stephen Daw) BachJb lxviii (1982) 161-166 (Ingeborg Allihn) LitMFineArts xv (1982) 173-174 (Winfried Kirsch); Mf xxxvii/1 (1984) 57-59 (Martin Geck) | |
| | 237. | Schlichte, Joachim: Thematischer Katalog der Kirchlichen Musikhandschriften des 17. und 18.Jahrhunderts in der Stadt und Universitätsbibliothek Frankfurt am Main. KatFrankfurt 8 (1979), 500p bearb. u. beschrieben von Joachim Schlichte. [Zugl.: Frankfurt am Main, Univ., Diss., 1979 (erm.)] [Hrsg. von d. Stadt- u. Univ.-Bibliothek Frankfurt am Main] - Frankfurt am Main: Klostermann, 1979. 500p. ISBN: 3-465-01372-7; 3-465-01373-5. (= Kataloge der Stadt- und Universitätsbibliothek Frankfurt am Main / Stadt- und Universitätsbibliothek (Frankfurt, Main), 8)
Mf xxxiii/1 (1980) 63-64 (Richard Schaal) | |
| | 238. | Plum, Karl-Otto: Untersuchungen zu Heinrich Schenkers Stimmführungsanalyse. KölnBeitrMf 102 (1979), iv, 175p [Zugl.: Köln, Univ., Diss., 1978] - Regensburg: Bosse, 1979. iv, 175p. ISBN: 376492198-6. (= Kölner Beiträge zur Musikforschung, 102)
Mf xxxiv/4 (1981) 509-511 (Elmar Seidel) MAnalysis ii/1 (Mar 1983) 102-105 (William M. Drabkin) | |
| | 239. | Gustafson, Bruce: French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol 11 (1979), xlv, 394p Ann Arbor, Mich.: UMI Research Press, 1984. 3 vols. ISBN: 0-8357-1069-6: (1) Commentary. xlv, 394p. ISBN: 083571066-1; (2) Catalog inventories 1-36. 488p. ISBN: 083571067-X; (3) Catalog inventories 37-68. 380p. ISBN: 083571068-8. (= Studies in musicology, 11)
MLetters lxii/1 (1981) 89-90 (Howard Ferguson) Mf xxxv/2 (1982) 190-191 (Werner Breig) AmerRecorder xxiv/4 (1983) 162-163 (Sabina Teller Ratner) OrganYb xiv (1983) 125-127 (Peter F. Williams) EarlyM xxxi/4 (Nov 2003) 582-604 (David Chung) | |
| | 240. | Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p London: Faber & Faber; Bloomington, Indiana, 1980. 233p
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin) EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott) GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander) MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer) Notes xxxviii/1 (Sep 1981) 71 (George R. Hill) MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton) | |
| | 241. | Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p Univ. press Cambridge 1980, x, 357p.
Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver) Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer) Mf xxxv/2 (1982) 195 (Raimund W. Sterl) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton) BachJb lxviii (1982) 166-169 (Ernest May) OrganYb xiii (1982) 146-147 (Gustav Leonhardt) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) | |
| | 242. | Wolff, Christoph; et al.: The New Grove: Bach Family. (1980), 372p London: Papermac Macmillan, 1980, 372p - New York; London: W. W. Norton & Comp., 1983. 372p. (= The Composer Biography Series)
MLetters lxv/4 (Oct 1984) 394-396 (Susan Wollenberg) EarlyM xii/2 (May 1984) 243 (Basil Smallman) BachJb lxxii (1986) 135-140 (Gerhard Herz) Muzyka xxxi/1 (1986) 105-110 (Magdalena Kwiatkowska) | |
| | 243. | Mellers, Wilfrid: Bach and the Dance of God. (1980), viii, 324p London; Boston: Faber & Faber, 1980. viii, 324p. - London: Travis and Emery, 2007. 336p. ISBN-10: 1904331211; ISBN-13: 978-1904331216
MLetters lvii/3-4 (Jul-Oct 1981) 357-361 (Ulrich Siegele) NYReviewBooks xxviii/15 (8 Oct 1981) 6-10 (Joseph Kerman) Notes xxxviii/3 (Mar 1982) 597-598 (James Parakilas) AmerRecorder xxiv/2 (1983) 72 (William D. Gudger) | |
| | 244. | Williams, Peter F.: The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p Univ. press Cambridge 1980, 365p.
Notes xxxviii/1 (1981) 65-66 (George Stauffer) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton), followed by author in MLetters lxv/1 (Jan 1984) 135 BachJb lxviii (1982) 166-169 (Ernest May) Mf xxxv/2 (1982) 193-196 (Raimund W. Sterl) JBritishInstOrganStud vi (1982) 117-118 (John Rowntree) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) | |
| | 245. | Bach, Johann Sebastian: Das Wohltemperirte Clavier II. BritishLibMFacs 1 (1980), vii, 22 Bl Facsimile of the autograph manuscript in the British Library, Add. 35021, with an introduction by Don Franklin and Stephen Daw. London: The British Library 1980, vii, 22 Bl. (= British Library Music Facsimiles, 1)
MLetters lxiii/3-4 (Jul-Oct 1982) 354-357 (Denis Matthews) BachJb lxix (1983) 123-124 (Christoph Wolff) OrganYb xiv (1983) 116-117 (Peter Williams) | |
| | 246. | Kühn, Hellmut; Nitsche, Peter (eds.): Gesellschaft für Musikforschung: Bericht über den Internationalen Musikwissenschaftlichen Kongress Berlin 1974. [cr]Berlin1974 (1980), 632p [23. - 27. September] [IMS Report 1974] Kassel [u.a.]: Bärenreiter, 1980. xix, 632p. ISBN: 3-7618-0592-6.
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| | 247. | Bente, Martin (ed.): Musik. Edition. Interpretation. Gedenkschrift Günter Henle. [gs]Henle (1980), 487p hrsg. von Martin Bente. - München: G. Henle, 1980. 487p. ISBN: 3-87328-032-9.
Notes xxxviii/2 (1981) 76-77 (Hans Lenneberg) MLetters lxiv/1-2 (1983) (Alexander Hyatt King) Mf xxxix/1 (1986) 57-60 (Christoph-Hellmut Mahling) | |
| | 248. | Crum, Margaret: Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford Vol. I: Correspondence of Felix Mendelssohn Bartholdy and others. MbibliogrArb 7 (1980), xiv, 374p Tutzing: Hans Schneider, 1980. xiv, 374p. ISBN: 3795202639. (= Musikbibliographische Arbeiten, 7)
19cM vii/1 (Summer 1983) 85-87 (Marcia J. Citron) | |
| | 249. | Drummond, Pippa: The German concerto: five eighteenth-century studies. OxfordMonographsM (1980), ix, 402p Oxford: Clarendon Press, 1980. ix, 402p. ISBN: 0198161220. (= Oxford monographs on music)
Notes xxxvii/4 (1981) 858-859 (Ellen T. Harris) Mf xxxv/1 (1982) 93-94 (Jutta Ruile-Dronke) MReview xliii/2 (1982) 142-147 (Frederick Hudson) | |
| | 250. | Degrada, Francesco (ed.): Vivaldi Veneziano Europeo. StudiMVenetaQuadVivaldi 1 (1980), 370, xii p A cura di Francesco Degrada. - Firenze: Leo S. Olschki, 1980. 370, xii p. ISBN: 88-222-2930-4. (= Studi di Musica Veneta Quaderni Vivaldiani, 1)
MLetters lxiv/3-4 (1983) 255-257 (Colin Timms) | |
| | 251. | Daw, Stephen: The Music of Johann Sebastian Bach: The Choral Works. (1981), 240p Rutherford, N. J.: Fairleigh Dickinson Univ. Press 1981, 240p.
MEducatorsJ lxviii/8 (Apr 1982) 69-70 (James Braswell) MTimes cxxiv/1680 (Feb 1983) 123 (Robert Anderson) EarlyM xi/3 (Jul 1983) 365-366 (Malcolm Boyd) MKirche liv/5 (1984) 246-248 (Stephen A. Crist) | |
| | 252. | Rangel-Ribeiro, Victor: Baroque Music: a Practical Guide for the Performer. (1981), xiii, 306p N. Y.: Schirmer Books; London: Collier Macmillan, 1981. xiii, 306p.
Notes xxix/1 (1982) 85-88 (Mary Vinquist) AmerRecorder xxiv/3 (1983) | |
| | 253. | Heartz, Daniel; Wade, Bonnie C. (eds.): Report of the Twelfth Congress, International Musicological Society, Berkeley, 1977. [cr]Berkeley1977 (1981), xx, 912p Kassel [u.a.]: Bärenreiter; The American Musicological Society, 1981. xx, 912p. ISBN: 3-7618-0649-3.
Ethnomusicology xxix/3 (Fall 1985) 524-527 (James Porter) | |
| | 254. | Bent, Ian (ed.): Source materials and interpretation of music: a memorial volume to Thurston Dart. [gs]Dart (1981), 452p London: Stainer & Bell, 1981, 452p.
MLetters lxiv/3-4 (1983) 229-231 (Denis Stevens) GalpinSocJ xxxvi (1983) 145 (Edgar Hunt) | |
| | 255. | Braun, Werner: Die Musik des 17. Jahrhunderts. NHandbMw 4 (1981), 385p Wiesbaden: Athenaion; Laaber: Laaber-Verlag, 1981. 385p. ISBN: 3-7997-0746-8; 2/1996. ISBN: 3-89007-034-5. - Sonderausgabe: Laaber, 1996. ISBN: 3-89007-356-5. (= Neues Handbuch der Musikwissenschaft, 4)
DanskAarbogMf xiii (1982) 132-136 (Søren Sørensen) TijdschrVNedMgeschied xxxiii/1-2 (1983) 122-126 (Gert Oost) TVerNederlandseMg xxxiii/1-2 (1983) 122-126 (Gert Oost) JbVolksliedF xxix (1984) 155-156 (Jörg Fischer) SvenskTidskrMf lxvii (1985) 127-129 (Erik Kjellberg) HudebníVeda xxiii/1 (1986) 80-82 (Jaroslav Buzga) MLetters lxvii/1 (1986) 62-65 (George J. Buelow) | |
| | 256. | Marx, Hans Joachim: Johann Mattheson (1681-1764). Lebensbeschreibung des Hamburger Musikers, Schriftstellers und Diplomaten. Nach der 'Grundlage einer Ehrenpforte' und den handschritlichen Nachträgen des Verfassers herausgegeben und kommentiert. (1982), 171p Hamburg: Wagner, 1982. 171p
NZsfM(2) cxliv/3 (1983) 38 (Matthias Henke) MLetters lxv/2 (1984) 197 (George J. Buelow) Mf xxxviii/2 (1985) 141-142 (Franz Giegling) | |
| | 257. | Donington, Robert: Baroque Music: Style and Performance: A Handbook. (1982), x, 206p London: Faber, 1982. x, 206p. ISBN: 0571100414.
NZsfM(2) cxliii/10 (1982) 76-77 (Barbara Zuber) Notes xxxix/2 (1982) 65-66 (George B. Stauffer) EarlyM xi/4 (1983) 533,535 (Denis Stevens) MLetters lxvii (1986) 65-66 (Julie Anne Sadie) | |
| | 258. | Beach, David; Thym, Jurgen (trans.): The Art of Strict Musical Composition / Johann Philipp Kirnberger. (1982), xix, 423p Translated by David Beach and Jurgen Thym; introduction and explanatory notes by David Beach. - New Haven; London: Yale University Press, 1982. xix, 423p. ISBN: 0300024835. (= Music theory translation series, 4)
MTheorySpec vi (1984) 100-103 (Raymond Haggh) MLetters lxv/1 (1984) 64-65 (Philip J. Whitmore) JMTheory xxviii/1 (1984) 124-128 (William E. Caplin) | |
| | 259. | Türk, Daniel Gottlob: School of Clavier Playing or Instructions in Playing the Clavier for Teachers & Students. (1982), xxxvi, 563p Translation, introduction & notes by Raymond H. Haggh. Lincoln; London: Univ. of Nebraska Press, 1982. xxxvi, 563p. ISBN: 0803223161.
JALS xiv (1983) 128-129 (Maurice Hinson) AmerRecorder xxiv/4 (1983) 159-162 (Frederick Neumann) Notes xl/4 (1984) 773-775 (Floyd K. Grave) JMTheory xxviii/1 (1984) 154-157 (Harald Manfred Krebs) EarlyKeyboardJ 3 (1984-1985) 85-90 (Caroline S. Fruchtman) | |
| | 260. | Ottenberg, Hans-Günter: Carl Philipp Emanuel Bach. ReclamUBib 923 (1982), 409p 1. Aufl. Leipzig: Reclam, 1982. 408p. (= Reclams Universal-Bibliothek, 923) - Mainz: Schott, 1988. 408p. Reprint mit einem Geleitwort von Thorsten P.Schicke - München: Piper; Mainz: Schott, 1988. 408p. ISBN: 3492182356. (= Serie Musik Piper-Schott, 8235)
MErziehung xxxvii (1984) 151 (Eberhard Wurzl) MLetters lxv/4 (Oct 1984) 375-376 (Susan Wollenberg) MGesellschaft xxxiv (1984) 609-610 (Karl-Heinz Viertel) BachJb lxx (1984) 177-178 (Hans-Joachim Schulze) Mf xxxix/1 (1986) 72-73 (Lothar Hoffmann-Erbrecht) NZsfM(2) cl/3 (1989) 53-54 (Peter Niklas Wilson) | |
| | 261. | Samuel, Harold E.: The Cantata in Nuremberg during the seventeenth Century. StudMcol 56 (1982), xii, 536p Ann Arbor: UMI Research Press, 1982. xii, 536p. ISBN: 08357013059. (= Studies in musicology, 56)
EarlyM xii/1 (1984) 95-97 (Elizabeth Roche) Mf xxxix/1 (1986) 64-66 (Lini Hübsch-Pfleger) | |
| | 262. | Neumann, Frederick: Essays in Performance Practice. StudMcol 58 (1982), xii, 321p Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58)
AmerRecorder xxv/4 (1984) 147 (Alfred Mann) | |
| | 263. | Feder, Georg; Rehm, Wolfgang; Ruhnke, Martin (eds.): Quellenforschung in der Musikwissenschaft. WolfenbüttelF 15 (1982), 160p [Vorträge gehalten anläßlich des 2. Symposions der Freien Musikwissenschaftlichen Forschungsinstitute vom 19. bis 20. Oktober 1978 in der Herzog-August-Bibliothek] hrsg. von Georg Feder. - Wolfenbüttel: Herzog August Bibliothek, 1982. 160p. ISBN: 3-88373-020-3. (= Wolfenbütteler Forschungen, 15)
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| | 264. | Robinson, Ray: A study of the Penderecki St. Luke Passion. (1983), 124p Celle: Moeck, 1983. 124p. ISBN: 3875490169. (= Ed. Moeck, 4026)
MLetters lxvi/2 (1985) 175 (Malcolm Barry) | |
| | 265. | Wolff, Konrad: Masters of the Keyboard: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven and Schubert. (1983), 206p Bloomington: Indiana University Press, 1983. xi, 206p - Enlarged edn. 1990. xii, 314p. (= Midland Books, 567)
JAmerLisztSoc xv (1984) 211-212 (Charles Timbrell) EarlyKeyboardJ iii (1984-85) 97-99 (Francis M. Whang) Notes xlii/4 (Jun 1986) 771-773 (Jan La Rue) AmerMTeacher xli/5 (1992) 85-86 (Janice Saffir) BeethovenNewsletter vii/1 (1992) 19-20 (Kevin Bazzana) MOpinion cxiv (1991) 70 (Denby Richards) Notes xlviii (1991) 518-521 (Kenneth Drake) | |
| | 266. | Todd, R. Larry: Mendelssohn's Musical Education. A Study and Edition of His Exercises in Composition. Oxford, Bodleian Ms Margaret Deneke Mendelssohn C. 43. (1983), 260p Cambridge: Cambridge University Press, 1983. 260p. ISBN: 0-521-24655-5. (= Cambridge studies in music); paperback, 2009. ISBN-13: 978-0521106337.
NZsfM(2) cxliv/7-8 (1983) 66 (Hans Christoph Worbs) TheoryPractice viii/2 (1983) 49-52 (Floyd K. Grave) Notes xl/4 (1984) 784-786 (Eric Werner) CurMcol 37-38 (1984) 224-228 (Douglass Seaton) MLetters lxv/3 (1984) 288-290 (Jeffrey Hollander) RevueMcol lxxi/1-2 (1985) 206-208 (Jean-Alexandre Ménétrier) Mf xxxviii/4 (1985) 323-324 (Gerhard Schuhmacher) | |
| | 267. | Boyd, Malcolm: Bach. (1983), 290p London: J. M. Dent & Sons, 1983. xiv, 290p. - New York: Vintage, 1987. 2nd edition, Oxford Univ. Press, 1990. xiv, 290p - 3rd edition, Oxford Univ. Press, 2000. xvi, 312p. (= Master Musicians Series)
EarlyM xii/2 (May 1984) 241,243 (Basil Smallman) MLetters lxv/4 (1984) 391-393 (Peter F. Williams) Soundings xii (Winter 1984-85) 71-75 (Robin A. Leaver) AmerOrganist(2) xix (1985) 14 (Vernon Gotwals) MReview xlvi/1 (1985) 56 (H.T.E. Miles) Muzyka xxxi/1 (1986) 103-105 (Magdalena Kwiatkowska) Notes lviii/1 (2001) 59-62 (David Schulenberg) AmerOrganist(2) xlii/3 (Mar 2008) 92 (Arthur Lawrence) | |
| | 268. | Humphreys, David: The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p Cardiff Univ. Press, 1983, ix, 99p.
MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams) EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe) MAnalysis iv/3 (1985) 303-308 (Alan Street) | |
| | 269. | Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. ** [Vol. 2] Lipsia e le opere della maturità (1723-1750). (1983), xiii, 972p Trino: Edizione di Torino 1983. xiii, 972p. ISBN: 88-7063-028-5. (= Biblioteca di cultura musicale: Autori e opere)
OMzs xl/2-3 (1985) 131-132 (Gerhard Croll) MLetters lxvi/2 (Apr 1985) 129-130 (Eleanor Selfridge-Field) EarlyM xiii/2 (May 1985) 277,279 (Stephen Daw) | |
| | 270. | Rastall, Richard: The Notation of Western Music. (1983), xiv, 306p New York: St. Martin's Press, 1982. xiv, 306p. ISBN: 0312579632; London: Dent, 1983. xiv, 306p. ISBN: 046004205X; ISBN: 9780460042055. - 2nd rev. edn. Leeds: Leeds University Press, 1998. xiv, 309p. ISBN: 0853161801.
Composer lxxxi (1984) 26-27 (Hugo Cole) MLetters lxvi/2 (1985) 133-135 (Susan Rankin) | |
| | 271. | Buelow, George J.; Marx, Hans Joachim (eds.): New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p.
NZsfM(2) cxlv/6 (1984) 44-45 (Peter Cahn) MQ lxxi/1 (1985) 98-101 (Georgia Cowart) Notes xli/3 (1985) 506-508 (Roger L. Lustig) MLetters lxvii/1 (1986) 74-76 (Susan Wollenberg) | |
| | 272. | Grant, Kerry Scott: Dr. Burney as critic and historian of music. StudMcol 62 (1983), xiv, 381p [based on PhD diss., Berkeley, Univ. of California, 1977] Ann Arbor, Mich.: UMI Research press, 1983. xiv, 381p. ISBN: 083571375X. (= Studies in musicology, 62)
MLetters lxv/4 (Oct 1984) 360-361 (Peter Le Huray) MReview xlvi/3 (Aug 1985) 217-220 (Malcolm Boyd) | |
| | 273. | Kirkpatrick, Ralph: Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. (1984), 132p New Haven; London: Yale Univ. Press, 1984, xvii, 132p.
MReview xlvi/1 (1985) 56-58 (Gregory S. Johnson) NZsfM(2) cxlvi/6 (1985) 54-55 (Gerhard Schuhmacher) EarlyKeyboardJ v (1986-87) 70-76 (Sally Fortino) | |
| | 274. | Klotz, Hans: Die Ornamentik der Klavier- und Orgelwerke von Johann Sebastian Bach. (1984), 219p Bedeutung der Zeichen Möglichkeiten der Ausführung. Kassel [u.a.]: Bärenreiter, 1984. xlviii, 219p.
Musica xxxix/5 (1985) 487-489 (Alfred Dürr) MKirche lv/3 (1985) 140-141 (Wolfgang Stockmeier) OMzs xl/2-3 (1985) 136-138 (Ingomar Rainer) MBildung xvii [lxxvi]/12 (1985) 899 (Rudolf Walter) MLetters lxvi/4 (Oct 1985) 402-403 (Peter Williams) Mf xxxix/3 (1986) 275-276 (Günther Wagner) ZsMpädag xi/34 (1986) 70-71 (Martin Blindow) LitMFineArts xix (1986) 51-52 (Heinz Bernhard Orlinskí) BachJb lxxv (1989) 237 (Christoph Wolff) | |
| | 275. | Dürr, Alfred (ed.): Die sechs französischen Suiten BWV 812-817 / Johann Sebastian Bach. (1984), x, 126p The six French suites ; ältere Fassung (A) und jüngere Fassung (B) mit Verzierungen. Hrsg. von Alfred Dürr. - Leipzig: Dt. Verl. für Musik ; Kassel: Bärenreiter, 1984. x, 126p. Best.-Nr. DVfM 8074.
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| | 276. | Ruhnke, Martin (ed.): Georg Philipp Telemann. Thematisch-systematisches Verzeichnis seiner Werke: Telemann- Werkverzeichnis (TWV); Instrumentalwerke. Band 1. (1984), xi, 246p Hrsg. von Martin Ruhnke. - Kassel [u.a.]: Bärenreiter, 1984. xi, 246p. ISBN: 3-7618-0655-8. ISBN: 978-3761821893 (3 vol set) (= Musikalische Werke/Georg Philipp Telemann: Suppl.)
MLetters lxvi/3 (1985) 40 (Fiona Smart) Tibia xi/4 (1986) 287, 289 (Christian Schneider) AmerRecorder xxix/2 (1988) 66 (Dale Higbee) | |
| | 277. | Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p Univ. press Cambridge 1984, 309p.
EarlyM xiii/2 (May 1985) 279-280,283 (John Butt) Mf xxxix/2 (1986) 166 (Raimund W. Sterl) BachJb lxxii (1986) 140-143 (George B. Stauffer) RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall) MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe) | |
| | 278. | Finson, Jon W.; Todd, R. Larry (eds.): Mendelssohn and Schumann: essays on their music and its context. [ce]MendelssohnSchumann (1984), 189p ed. by Jon W. Finson and R. Larry Todd. - Durham, NC: Duke Univ.Press, 1984. 189p. ISBN: 0-8223-0569-0.
MQ lxxii/1 (1986) 138-147 (Leon Botstein) MLetters lxvii/2 (Apr 1986) 179-180 (Clive Brown) | |
| | 279. | Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.): Gesellschaft für Musikforschung. Bericht über den musikwissenschaftlichen Kongress Bayreuth 1981. [cr]Bayreuth1981 (1984), xvi, 642p Hrsg. von Christoph-Hellmut Mahling und Sigrid Wiesmann. - Kassel [u.a.]: Bärenreiter, 1984. xvi, 642p. ISBN: 3-7618-0750-3.
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung) | |
| | 280. | Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.): Bericht über den Internationalen Musikwissenschaftlichen Kongreß, Bayreuth 1981. [cr]Beyreuth1981 (1984), xvi, 642p Gesellschaft für Musikforschung. Hrsg. von Christoph-Hellmut Mahling u. Sigrid Wiesmann. Kassel [u.a.] Bärenreiter-Verlag, 1984. xvi, 642p.
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung) | |
| | 281. | Collins, Michael; Kirk, Elise K. (eds.): Opera & Vivaldi. [cr]Dallas1980 (1984), 170-178 Papers read at the 1980 symposium held in conjunction with the Dallas Opera production of Vivaldi's 'Orlando'. Austin: Univ. of Texas, 1984. 398p.
OperaQ iii/2 (1985) 171-173 (Jan Krzywicki) Notes xlii/1 (1985) 41-44 (James Parsons) | |
| | 282. | Elvers, Rudolf (ed.): Festschrift Albi Rosenthal. [fs]Rosenthal (1984), 319p Tutzing: H. Schneider, 1984. 319p. ISBN: 3795204321.
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| | 283. | Eggebrecht, Hans Heinrich: Die Mehrstimmigkeitslehre von ihren Aufängen bis zum 12. Jahrnndert. GesMtheorie(Zaminer) 5 (1984)
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| | 284. | Gallo, F. Alberto: Die Nationslehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
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| | 285. | Haas, Max: Die Musiklehre von Johannes de Garlandia bis Franco. GesMtheorie(Zaminer) 5 (1984)
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| | 286. | Sachs, Klaus-Jürgen: Die Contrapunktus-Lehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
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| | 287. | Zaminer, Frieder; Eggebrecht, Hans Heinrich (ed.et.al.): Die Mittelalterliche Lehre von der Mehrstimmigkeit. GesMtheorie(Zaminer) 5 (1984), xi, 388 Darmstadt: Wissenschaftliche Buchgesellschaft, 1984. ISBN: 3-534-01205-4.
Jahrbuch für Opernforschung ii (1986) 191-195 (Rudolf Flotzinger) LitMFineArts xix (1986) 60-62 (Erhard Karkoschka) JMtheory xxxii/1 (1988) 133-147 (Lee Allen Rothfarb) MLetters lxix/1 (1988) 57-60 (Mark Everist) MKirche lxiii/1 (1993) 29, 32 (Wolfgang Stockmeier) | |
| | 288. | Eppstein, Hans (ed.): Drei Sonaten für Viola da Gamba und Cembalo. BWV 1027-1029 / Johann Sebastian Bach. NBA 6/4 (1984), xi (6), 52p Hrsg. von Hans Eppstein. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1984. xi, 52p. Ed.-Nr.: BA 5063. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie VI: Kammermusikwerke. Band 4) [BWV 1027-1029]
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| | 289. | Riethmüller, Albrecht: Ferruccio Busonis Poetik. NStMw 4 (1984), 212p Habilitationsschrift: Univ. Freiburg im Breisgau, 1984. - Mainz: Schott, 1988. 212p. ISBN: 3-7957-1723-X. (= Neue Studien zur Musikwissenschaft, 4) [BWV 517]
LitMFineArts xxiii/1 (1990) 55-56 (Hellmut Federhofer) Mtheorie v/3 (1990) 281-283 (Thomas Kabisch) Musica xlv/4 (1991) 258 (Reinhard Ermen) | |
| | 290. | Sauveur, Joseph: Collected writings on Musical Acoustics (Paris 1700-1713). TuningTemperLib 2 (1984), 279p Commentary (62p) by Rudolf Rasch. Utrecht: Diapason Press, 1984, 279p. ISBN: 90-70907-07-0. (= Tuning and Temperament Library, 2)
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| | 291. | Newman, Anthony: Bach and the Baroque. A Performing Guide to Baroque Music with Special Emphasis on the Music of J. S. Bach. (1985), vi, 212p New York: Pendragon Press 1985. vi, 212p.
MTimes cxxvii/1723 (Oct 1986) 561-562 (Alexander Silbiger: 'Playing Bach') EarlyKeyboardJ v (1986-87) 80-87 (Barton Hudson) AmerOrganist(2) xxi (1987) 40-43 (Frederick Neumann) repr. in StudMcol cviii (1989) 235-241 | |
| | 292. | Schulze, Hans-Joachim; Wolff, Christoph: Bach Compendium. Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs. (BC). Band I. Teil 1. Vokalwerke I. BC 1/1 (1985), 426p Frankfurt; Leipzig: Edition Peters, 1985, 426p.
MTimes cxxviii/1735 (Sep 1987) 495 (John Butt) MGesellschaft xxxvii (1987) 550-551 (Ingeborg Allihn) OrganYb xviii (1987) 122 (Peter Williams) Musica xli/6 (1987) 554-556 (Alfred Dürr) Mf xli/1 (1988) 175-176 (Lothar Hoffmann-Erbrecht) MLetters lxix/2 (Apr 1988) 254-255 (Stephen Daw) EarlyM xvii/1 (1989) 79-88 (Joshua Rifkin) Notes xlvii/2 (Dec 1990) 361-368 (John Butt) OMzs xlv/12 (1990) 740-741 (Andrea Lindmayr) BachJb lxxvii (1991) 207-214 (Robert L. Marshall) Brio xxviii/2 (1991) 92-95 (Clifford Bartlett) LitMFineArts xxiv/1-2 (1991) 90-91 (Ulrich Konrad) Musica xlvi/1 (1992) 47-48 (Georg von Dadelsen) Mf xlvii/4 (1994) 317-318 (Reinmar Emans) AmerBachSocNL (Fall 1997) 5-7 (Robert Marshall) | |
| | 293. | Prinz, Ulrich (ed.): 300 Jahre Johann Sebastian Bach. Sein Werk in Handschriften und Dokumenten; Musikinstrumente seiner Zeit; seine Zeitgenossen. [ce]300JJSB (1985), 419p Eine Ausstellung der Internationalen Bachakademie in der Staatsgalerie Stuttgart. Tutzing: Schneider 1985. 419p. ISBN: 3-7952-04959-3. (Kartoniert); 3-7952-0460-7 (Ganzleinen).
MLetters lxviii/2 (Apr 1987) 176-177 (George J. Buelow) MKirche lviii/1 (1988) 38-39 (Gerhard Schuhmacher) | |
| | 294. | Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p Cambridge: Cambridge Univ. Press 1985. xiv, 363p.
MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow) MQ lxxii/2 (1986) 272-282 (George B. Stauffer) AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field) Mf xl/4 (1987) 364-366 (Hellmut Federhofer) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze) | |
| | 295. | Klotz, Hans: Studien zu Bachs Registrierkunst. JgIBGSchaffhausen 1983-84 (1985), 115p Wiesbaden: Breitkopf & Härtel, 1985. 115p. (= Jahresgabe 1983/1984 Internationalen Bachgesellschaft Schaffhausen)
ZsfMpädag xii/40 (1987) 68 (Martin Blindow) | |
| | 296. | Suchalla, Ernst (ed.): Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel. MainzStMw 19 (1985), 605p Tutzing: Schneider, 1985. 605p, 19 plates. (= Mainzer Studien zur Musikwissenschaft, 19)
JMcolResearch vii/2-3 (1987) 294-301 (Hans Lenneberg) MLetters lxix/1 (Jan 1988) 78-80 (Susan Wollenberg) Concerto vi/44 (1988) 5-6 (Reinhard Goebel) BachJb lxxv (1989) 240-250 (Stephen L. Clark) BachJb lxxvii (1991) 223 (Stephen L. Clark) | |
| | 297. | Wolff, Christoph (ed.): Orgelchoräle der Neumeister-Sammlung. Organ Chorales from the Neumeister Collection. (Yale University Manuscript LM 4708) / Johann Sebastian Bach. [NBA] [4] [9] (1985), x, 70p Erstausgabe / first edition. Hrsg von / Edited by Christoph Wolff. - New Haven, London: Yale University Press and Kassel [u.a.]: Bärenreiter, 1985. x, 70p. Ed.-Nr.: BA 5181 (Pre-print of Neue Ausgabe sämtlicher Werke IV/9) [BWV 714, 719, 742, 957, 1090-1120]
OrganYb xvii (1986) 123-124 (Peter Williams) MGesellschaft xxxvi/5 (1986) 273-274 (Dietmar Hiller) MGottesd xl (1986) 66-67 (Andreas Marti) Orgelvriend xxviii/7 (1986) (Jan W. van Spronsen) MLetters lxviii/2 (Apr 1987) 195-196 (James Dalton) MTimes cxxviii/1730 (Apr 1987)_ 188 (Philip K. Norman) JAMSoc xl/2 (Summer 1987) 352-361 (Russell Stinson) Notes xliii/4 (Jun 1987) 919-921 (Karl Geiringer) Mf xlii/2 (1990) 193 (Klaus-Jürgen Sachs) | |
| | 298. | Mac Intyre, Bruce Campbell: The Viennese Concerted Mass of the Early Classic Period. (1986), xxiv, 764p [PhD Dissertation, The City University of New York, 1984.] - Ann Arbor and London: U.M.I. Research Press, 1986. xxiv, 764p.
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| | 299. | Birtel, Wolfgang; Mahling, Christoph-Hellmut: Aufklärungen: Studien zur deutsch- französischen Musikgeschichte im 18. Jahrhundert - Einflüsse und Wirkungen. II. AnnalesUnivSaraviensis 20 (1986), 243p Heidelberg: Winter 1986, 243p. ISBN: 3-533-03773-8 ; 3-533-03774-6. (= Annales Universitatis Saraviensis: Reihe Philosophische Fakultät, 20)
Mf xliv/3 (1991) 288-290 (Peter Rummenhöller) | |
| | 300. | Zenck, Martin: Die Bach-Rezeption des späten Beethoven zum Verhältnis von Musikhistoriographie und Rezenptionsgeschichtsschreibung der 'klassik'. BeihAfMw 24 (1986), 315p Habilitationsschrift. Berlin: Freie Universität, 1980. - Stuttgart: Franz Steiner, 1986. 315p. ISBN: 3-515-03312-0. (= Beihefte zum Archiv für Musikwissenschaft, 24)
MLetters lxiv/2 (Apr 1988) 263-264 (Barry Cooper) NZsfM(2) cxlix/10 (1988) 54-55 (Andreas Ballstaedt) BeitrMw xxxi/1 (1989) 70-71 (Dietmar Hiller) BachJb lxxvi (1990) 90-91 (Christoph Wolff) | |
| | 301. | Stauffer, George B.; May, Ernest (eds.): J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p London: B. T. Batsford Ltd., 1986, 308p. - Repr. edn. Indiana University Press, 2000. xi, 308p. ISBN: 0-253-21386-X
HetOrgel lxxxii/11 (1986) 423 (Ewald Kooiman) EarlyKeyboardJ iv (1985-86) 68-74 (Robert Parkins) ArsOrgani xxxv/1 (1987) (Hermann J. Busch) Mf xl/3 (1987) 272 (Günther Wagner) CurMcol xliii (1987) 71-76 (Russell Stinson) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze) MLetters lxix/4 (Oct 1988) 515-516 (James Dalton) Orgelvriend xxxi/3 (1989) (Jan W. van Spronsen) PerformPractReview iii/1 (Spring 1990) 86-89 (Kimberley Marshall) AmerOrganist(2) xxxv/3 (1 Mar 2001) 65-66 (Frank Morana) | |
| | 302. | Baselt, Bernd (ed.): Händel-Handbuch, III. Thematisch-systematisch Verzeichnis: Instrumentalmuik; Pasticci und Fragmente. [HWV] HändelHandb 3 (1986), 442p Leipzig: DVfM; Kassel [u.a.]: Bärenreiter (Gemeinschaftsausg), 1986. 442p. ISBN: 3-7618-0716-3.
LitMFineArts xx (1987) 147-148 (Annelise Liebe) WürttembergBlKm liv/3 (1987) 104 (Helmut Völkl) NZsfM(2) cxlviii/1 (1987) 58 (Egon Voss) OrganYb xviii (1987) 121-122 (Peter F. Williams) MLetters lxix/1 (1988) 66-67 (Terence Best) Mf xliii/3 (1990) 279-280 (Herbert Schneider) | |
| | 303. | Harrán, Don: Word-Tone Relations in Musical Thought: from Antiquity to the Seventeenth Century. McolStudDoc 40 (1986), xviii, 517p American Institute of Musicology; Stuttgart: Hänssler, 1986. xviii, 517p. ISBN: 3-7751-1070-4 (= Musicological studies & documents, 40)
EarlyM xv/3 (1987) 403-404 (David Fallows) JMTheory xxxii/2 (1988) 357-366 (Maria Rika Maniates) JAMSoc xlii/1 (1989) 161-172 (Bonnie J. Blackburn) MLetters lxx/1 (1989) 78-79 (John Stevens) NRivistaMItali xxiii/4 (1989) 600-602 (Enrico Fubini) Muzyka xxxvii/1 (1992) 90-98 (Ryszard J. Wieczorek) | |
| | 304. | Huygens, Christiaan: Le Cycle harmonique (Rotterdam 1691), Novus cyclus harmonicus (Leiden 1724). TuningTemperLib 6 (1986), 179p Edited by Rudolf Rasch. Utrecht: Diapason Press, 1986. 179p. ISBN: 90-70907-09-7. (= Tuning and Temperament Library, 6)
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| | 305. | Thomson, Andrew: The Life and Times of Charles-Marie Widor, 1844-1937. (1987), 116p Oxford: Oxford University Press, 1987. 116p.
OrganYb xx (1989) 131-132 (Cynthia Turner) MLetters lxx/1 (1989) 120 (William J. Gatens) | |
| | 306. | Houle, George L.: Meter in Music, 1600-1800: Performance, Perception, and Notation. (1987), 174p Bloomington: Indiana Univ. Press. 1987. 174p. ISBN: 0-25-333792-5. (= Music: Scholarship and performance)
Earlym xvi/3 (1988) 423-427 (Robert Donington) MLetters lxx/1 (1989) 93-94 (Erich Schwandt) PerformPractReview ii/1 (Spring 1989) 89-92 (Alexander Silbiger) Tibia xiv/3 (1989) 356 (Nikolaus Delius) JMTheory xxxiii/1 (spring 1989) 222-227 (Eva Linfield) | |
| | 307. | Boomgaarden, Donald R.: Musical thought in Britain and Germany during the early eighteenth century. (1987), 240p Frankfurt am Main: Peter Lang, 1987. 240p. ISBN: 0-82-040391-1.
Mf xlii/3 (1989) 281-282 (Gundhild Lenz-Mulligan) | |
| | 308. | Klinda, Ferdinand: Orgelregistrierung. Klanggestaltung der Orgelmusik. (1987), 268p Leipzig: Breitkopf & Härtel, 1987. 268p. ISBN: 3-7651-0212-1; 2., verb. Aufl. Wiesbaden [u.a.]: Breitkopf, 1995. 268p. ISBN: 3-7651-0212-1.
MKirche lviii/4 (1988) 208-209 (Manfred Schwartz) MBayern 38 (1989) 155-157 (Hans Schmidt-Mannheim) MLetters lxx/3 (1989) 400-404 (John Butt) BIOS xiii (1989) 116-118 (Stuart Campbell) WürttembergBlKm lvii/1 (1990) 20-21 (Ulrich Stierle) | |
| | 309. | Grave, Floyd K.; Grave, Margaret G.: In Praise of Harmony: The Teachings of Abbé Georg Joseph Vogler. (1987), 338p Lincoln: University of Nebraska Press, 1987. 338p
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| | 310. | Erdely, Beatrice (ed.): J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. (1987), 4 vols London: Novello (Presser), 1987. Vol. 1: Intro., 7p; method, 13p; Studies 1-25, 16p.; vol.2: Studies 26-52, 30p.; vol. 3: Studies 53-75, 31p.; vol. 4: Studies 76-100, 37p.
MLetters lxx/3 (Aug 1989) 443-444 (Howard Ferguson) | |
| | 311. | Smither, Howard E.: A History of the oratorio. Vol.3: The oratorio in the classical era. (1987), 784p Oxford: Clarendon, 1987. 784p. ISBN: 0193152576; 9780193152571.
JRMA cxiii/2 (1988) 347-350 (Malcolm Boyd) MLetters lxix/4 (1988) 522-524 (Julian Rushton) Mf xlii/2 (1989) 184-185 (Helmut Loos) NRivistaMItali xxiii/1-2 (1989) 152-155 (Lino Bianchi) | |
| | 312. | Citron, Marcia J. (ed, trans.): The letters of Fanny Hensel to Felix Mendelssohn. (1987), lvii, 687p collected, edited, and translated with introductory essays and notes by Marcia J. Citron. - [Stuyvesant, NY]: Pendragon Press, 1987. lvii, 687p. ISBN: 0-918728-52-5. - Prefatory matter in English; letters in German with English translation.
JAmerLisztSoc xxiii (Jan-Jun 1988) 120-121 (Janet L. Patterson) NZsfM(2) cl/9 (1989) 50 (Anselm Gerhard) NRivistaMItali xxiii/1-2 (Jan-Jun 1989) 155-157 (Marco Mauceri) 19cM xiii/1 (Summer 1989) 67-72 (Nancy B. Reich) MLetters lxx/4 (1989) 554-556 (R. Larry Todd) Mf xliii/1 (1990) 93-95 (Joachim Draheim) Notes xlvii/3 (Mar 1991) 751 (Marian Wilson) | |
| | 313. | Denis, Jean: Treatise on Harpsichord Tuning. (1987), viii, 128 Trandlated and edited by Vincent J. Panetta Jr. - Cambridge Univ.Press. 1987, viii, 128p. ISBN: 0-521-30628-0; 0-521-31402-X.
Notes xliv/3 (1988) 467-469 (Thomas Nelson McGeary) EarlyKeyboardJ vi-vii (1988-1989) 214-218 (Edward Leon Kottick) GalpinSocJ xlii (1989) 173-174 (John Raymond) Theoria iv (1989) 123-129 (Paul A. Laprade) EarlyKeyboardJ viii (1990) (Edward Leon Kottick) | |
| | 314. | Ottenberg, Hans-Günter: C. P. E. Bach. (1987), xi, 280p Trans. by Philip J. Whitmore. Oxford, New York: Oxford University Press, 1987. xi, 280p. ISBN: 0-19-315246-0.
JRMA cxiv/1 (1989) 121-123 (Stephen Roe) MLetters lxx/1 (Feb 1989) 98-99 (Jane R. Stevens) EarlyM xvii/2 (May 1989) 248-251 (John Deathridge) OrganYb xxi (1990) 135-136 (Peter Williams) JMcolResearch xiii/1-2 (1993) 135-142 (Darrell M. Berg) | |
| | 315. | Troeger, Richard: Technique and Interpretation on the Harpsichord and Clavichord. (1987), xvi, 252p Indiana Univ.Press, Bllomington & Indianapolis 1987, xvi, 252p.
EarlyKeyboardJ 6-7 (1988-1989) 201-204 (George H. Lucktenberg) Notes xlvii/2 (1990) 394-395 (Laurette Goldberg) | |
| | 316. | Snyder, Kerala J.: Dietrich Buxtehude: Organist in Lübeck. (1987), xxiii, 551p New York: Schirmer; London: Macmillan, 1987, xxiii, 551p. ISBN: 0-02-873080-1.
MKirche lviii/4 (1988) 202-205 (Georg Karstädt) Notes xliv/4 (1988) 711-713 (Douglas Salokar) JAMSoc xlii/3 (1989) 657-658 (George B. Stauffer) EarlyM xvii/1 (1989) 94-99 (Julie Anne Sadie) MLetters lxx/3 (1989) 398-400 (Keith Elcombe) OruganKenkyu xxxv (2007) 52-56 (Tsuguo Hirono) | |
| | 317. | Wolff, Christoph (ed.): Die Kunst der Fuge / Johann Sebastian Bach. EdPeters 8586a (1987), 61, 73p Hrsg. von Christoph Wolff. Bd. 1: Frühere Fassung der autographen Partitur; Bd. 2: Spätere Fassung des Originaldrucks. - Frankfurt [u.a.]: Peters, 1987. 61p, 73p. Best.-Nr. Ed. Peters 8586a; 8586b. Pl.-Nr. 31562; 31563. (= Edition Peters, 8586a, b) [BWV 1080]
MLetters lxix/2 (Apr 1988) 300-302 (Richard Jones) | |
| | 318. | Osthoff, Wolfgang; Wiesend, Reinhard: Bach und die italienische Musik. Bach e la musica italiana. QuadCentroTedescoStudiVeneziani 36 (1987), 218p Venezia: Centro Tedesco di Studi Veneziani, 1987. 218p. (= Centro Tedesco di Studi Veneziani. Quaderni, 36)
MLetters lxxii/3 (1991) 441-442 (Malcolm Boyd) | |
| | 319. | Pecker-Berio, Talia (ed.): La trascrizione: Bach e Busoni: atti del convegno internazionale (Empoli-Firenze 23-26 ottobre 1985). QuadRivistaItaliMcol 18 (1987), ix, 246p Florence: L. S. Olschki, 1987. ix, 246p. (= Quaderni della Rivista italiana di musicologia, 18)
MLetters lxx/1 (Feb 1989) 122-124 (Antony Beaumont) | |
| | 320. | Dreyfus, Laurence: Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3)
Concerto vi/44 (1988) 5-6 (Reinhard Goebel) EarlyM xvi/4 (Nov 1988) 563,565,567 (Keith Elcombe) OrganYb xix (1988) 144-145 (Peter F. Williams) Concerto vi/42 (1989) 35-36 (Thomas Synofzik) BachJb lxxv (1989) 238-239 (Christoph Wolff) JAmerMInstrSoc xl (1989) 125-127 (Gordon Sandford) ARecorder xxxii/2 (1991) 21-22 (Howart Schott) IDoubleReedSoc xiv/3 (1991) 67-68 (Daryl Durran) MLetters lxxiii/1 (Feb 1992) 104-105 (David Ledbetter) PerformPractReview v/1 (Spring 1992) 109-112 (Patrick J Rogers) | |
| | 321. | Brandenburg, Sieghard; Loos, Helmut (eds.): Beiträge zu Beethovens Kammermusik: Symposion, Bonn 1984. VeröffBeethovenHausBonn 4/10 (1987), 352p [Beethoven-Woche (1984, Bonn)] München: Henle, 1987. 352p. ISBN: 3-87328-048-5. (= Veröffentlichungen des Beethovenhauses in Bonn, 4: 10)
Mf xlii/3 (1989) 273-275 (Wolfgang Rathert) MLetters lxx/1 (1989) 107-109 (Barry Cooper) NZsfM(2) cl/5 (1989) 51-52 (Andreas Ballstaedt) | |
| | 322. | Harnoncourt, Nikolaus: Baroque Music Today: Music as Speech. Ways to a New Understanding of Music. (1988), 205p translated by Mary O'Neill; Reinhard G. Pauly, general editor. London: Christopher Helm, 1988. 205p. ISBN: 0747014116; Portland, Oregon: Amadeus Press, 1995. 210p. ISBN: 0931340918.
Notes xlvii/4 (Jun 1991) 1120 (Pamela L. Poulin) | |
| | 323. | Godwin, Joscelyn: Harmonies of Heaven and Earth. The spiritual dimension of music from antiquity to the avant-grade. (1988), 208p Rochester,VT: Inner Traditions, 1987. 208p. ISBN: 0-500-01403-5; 0-89281-167-6; 0892811676.
MLetters lxxiii/3 (1989) 392-394 (Bojan Bujic) | |
| | 324. | Haskell, Harry: The Early Music Revival; A History. (1988), 232p London: Thames and Hudson, 1988. 232p. - Repr. ed. Mineola, NY: Dover, 1996. 232p. ISBN: 0-486-29162-6.
EarlyM xvii/3 (1989) 415-419 (Denis Stevens) MLetters lxx/3 (1989) 382-384 (Elizabeth Roche) MReview li/2 (1990) 145-147 (Judith H. Blezzard) Tibia xv/2 (1990) 145-147 (Hermann Moeck) BBCMMag v/10 (1997) 20 (Bayan Northcott) | |
| | 325. | Moens-Haenen, Greta: Das Vibrato in der Musik des Barock: Ein Handbuch zur Aufführungspraxis für Vokalisten und Instrumentalisten. (1988), 315p Graz: Akademische Druck - und Verlagsanstalt, 1988. 315p. ISBN: 3-201-01398-6
EarlyM xvi/4 (1988) 571-573 (Robert Donington) Tibia xiv/1 (1989) 371-372 (Nikolaus Delius) Orchester(Mainz) xxxvii/2 (1989) 211 (Alfred Planyavsky) NZsfM(2) cl/7-8 (1989) 75-76 (Jürgen Blume) Musica xliii/3 (1989) 259 (Peter Reidemeister) MLetters lxxi/2 (1990) 241-242 (Robin Stowell) Mf xliv/1 (1991) 79 (Dieter Gutknecht) EarlyMReview 109 (2005) 32 (Clifford Bartlett) | |
| | 326. | Clark, Stephen L. (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (1988), xv, 346p Oxford: Clarendon Press, 1988. xv, 346p
MLetters lxx/4 (Nov 1989) 537-540 (Bernard Harrison) NZsfM(2) cl/3 (1989) 53-54 (Peter Niklas Wilson) EarlyM xvii/2 (May 1989) 248-251 (John Deathridge) BachJb lxxvi (1990) 97-99 (Hans-Günter Ottenberg) AmerMTeacher xxxix/6 (1990) 55-56 (David Zakeri Kushner) Notes xlvii/3 (1991) 743-747 (Leta E. Miller) | |
| | 327. | Dürr, Alfred: Im Mittelpunkt Bach: Ausgewählte Aufsätze und Vorträge. [ce]Dürr (1988), viii, 288p Hrsg. vom Kollegium des Johann-Sebastian-Bach-Instituts Göttingen. Kassel [u.a.]: Bärenreiter, 1988. viii, 288p. ISBN: 3-7618-0904-2.
WürttembergBlKm lvi/4 (1989) 139 MGottesd xliii/3 (1989) 153 (A. M.) BachJb lxxvi (1990) 84-89 (Hans-Joachim Schulze) MLetters lxxi/1 (Feb 1990) 87-88 (Richard D Jones) Mtheorie v/3 (1990) 275-278 (Erich Reimer) | |
| | 328. | Degrada, Francesco (ed.): Studi pergolesiani / Pergolesi studies. II. [ce]PergolesiStud 2 (1988), 238p Firenze: Nuova Italia, 1988, 238p. ISBN: 88-221-0443-9.
Notes xlviii/3 (1992) 871-874 (Stephen Mark Shearon) | |
| | 329. | Danuser, Hermann; La Motte-Hasber, Helga de; et al (eds.): Das musikalische Kunstwerk: Geschichte - Ästhetik - Theorie. Festschrift Carl Dahlhaus zum 60. Geburtstag. [fs]Dahlhaus60 (1988), 826p Hrsg von Hermann Danuser, Helga de la Motte-Haber, Silke Leopold, und Norbert Miller. - Laaber: Laaber Verlag, 1988. xii, 826p. ISBN: 3-89007-144-9.
MLetters lxxi/3 (1990) 374-377 (Bojan Bujic) | |
| | 330. | Pape, Matthias: Mendelssohns Leipziger Orgelkonzert 1840: Ein Beitrag zur Bach-Pflege im 19. Jahrhundert. JgIBGSchaffhausen 1987 (1988), 52p Wiesbaden: Breitkopf & Härtel, 1988. 52p. (= Jahresgabe der Internationalen Bach-Gesellschaft Schaffhausen, 1987)
MLetters lxx/3 (Aug 1989) 414 (William J. Gatens) BIOS xv (1991) 139 (Stuart Campbell) WürttembergBlKm lix/1 (1992) 43 (Herbert von Hintzenstern) MKirche lxii/5 (1992) 281-282 (Gerhard Schuhmacher) | |
| | 331. | Mahling, Christoph-Hellmut (ed.): 'Florilegium musicologicum': Hellmut Federhofer zum 75. Geburtstag. MainzStMw 21 (1988), 521p Tutzing: Schneider, 1988. 521p. ISBN: 3-7952-0554-9. (= Mainzer Studien zur Musikwissenschaft, 21)
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| | 332. | Fanna, Antonio; Morelli, Giovanni (eds.): Nuovi Studi Vivaldiani. Edizione e cronologia critica delle opere. StudiMVenetaQuadVivaldi 4 (1988), vii, 867, xvi p 2 vols. Firenze: Olschki, 1988. vii, 867, xvi p. ISBN: 88-222-3625-4; 978-88-222-3625-8. (= Studi di musica veneta. Quaderni vivaldiani, 4)
NRivistaMItali xxv/1 (1991) 119-121 (Cesare Casellato) | |
| | 333. | Stinson, Russell: The Bach Manuscripts of Johann Peter Kellner and His Circle. A Case Study in Reception History. (1989), xvi, 184p Durham, London: Duke Univ. Press, 1989. xvi, 184p. ISBN: 0-8223-1006-6.
Notes xlviii/1 (Sep 1991) 65-69 (John Butt) MKirche lxi/2 (1991) 94-95 (Albert Clement) MTimes cxxxii/1778 (Apr 1991) 196 (Stephen Daw) MLetters lxxii/3 (Aug 1991) 440-441 (Richard D. Jones) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) JMcolResearch xii/3 [supplement] (1992) 53-59 (Stephen A. Crist) EarlyM xxi/1 (1993) 115-117 (David Ledbetter) BachJb lxxxii (1996) 166-170 (Rolf Dietrich Claus) | |
| | 334. | Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. [H] (1989), xxvii, 271p New Haven: Yale University Press, 1989. xxvii, 271p. ISBN: 0-300-02654-4.
NZsfM(2) cli/7-8 (1990) 89 (Anselm Gerhard) MLetters lxxi/4 (Nov 1990) 564-566 (Susan Wollenberg) BachJb lxxvii (1991) 215-221 (Peter Wollny) Notes xlvii/3 (Mar 1991) 743-747 (Leta E Miller) MReview lii/1 (1991) 79-80 (Gregory S. Johnston) EarlyKeyboardJ ix (1991) 163-175 (Darrell M. Berg) FontesArtisM xxxi (1991) 78-79 (Horst Leuchtmann) JMcolResearch xii (1992) 46-49 (Bruce Gustavson) Mf xlv/3 (1992) 317 (Hans-Günter Ottenberg) | |
| | 335. | Franklin, Don O. (ed.): Bach Studies. [1] BachStud 1 (1989), 362p Cambridge University Press, 1989. 362p. ISBN: 0532 341051. - Paperback edn. 2008, 380p. ISBN-13: 978-0521088329.
MQ lxxiv/3 (1990) 451-455 (David Hush) Notes xlvii/2 (Dec 1990) 361-368 (John Butt) JRMA cxv/2 (1990) 261-265 (John Butt) MLetters lxxi/3 (Aug 1990) 387-391 (Richard Jones) Mf xlvi/2 (1993) 209-210 (Krummacher) | |
| | 336. | Marshall, Robert L.: The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall (1989), xxiii, 375p New York: Schirmer Books, 1989. xxiii, 375p.
MQ lxxiv/3 (1990) 451-453 (David Hush) OrganYb xxi (1990) 135 (Peter Williams) MLetters lxxi/4 (Nov 1990) 451-453 (Richard D Jones) Diapason lxxxii/7:980 (Jul 1991) 8 (James B. Hartmann) EarlyKeyboardJ ix (1991) (Leslie Ellen Brown) | |
| | 337. | Conti, Giovanni (ed.): Celebrando J.S. Bach: Atti delle celebrazioni in onore di J.S. Bach nel 300° anniversario della nascita (Como 20.12.1985-19.1.1986). [cr]Como1985-1986 (1989), 73p [In celebration of J.S. Bach: Proceedings of the celebration of the 300th anniversary of his birth (Como, 20 December 1985-19 January 1986)] Como: Centro Studi e Ricerche Musicali, 1989. 73p.
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| | 338. | Rapson, Penelope: A Technique for Identifying Textual Errors and its Application to the Sources of Music by Thomas Tallis. diss. (1989), x, 368; vi, 219p 2 vols. pp. x, 368, vi, 219p. Exx., Computer Programs. Garland, New York & London, 1989 [1990], ISBN: 0-8240-2023-5. (= Outstanding Dissertations in Music from British Universities)
MLetters lxxiv/1 (1993) 134-136 (Stanley Boorman) | |
| | 339. | Brusniak, Friedhelm; Leuchtmann, Horst (eds.): Quaestiones in musica: Festschrift für Franz Krautwurst zum 65. Geburtstag. [fs]Krautwurst65 (1989), 783p Tutzing: Hans Schneider, 1989. 783p. ISBN: 3-7952-0585-9.
MKirche lxi/3 (1991) 169-170 (Peter Ackermann) JbVolksliedF xxxvi (1991) 152 (Ulrich Schmitt) MLetters lxxii/1 (1991) 98-99 (Susan Wollenberg) | |
| | 340. | Just, Martin; Wiesend, Reinhard (eds.): Liedstudien: Wolfgang Osthoff zum 60. Geburtstag. [fs]Osthoff60 (1989), 538p Tutzing: Schneider, 1989. viii, 538p. ISBN: 3-7952-0613-8.
MBayern 42 (1991) 159-164 (Bernhold Schmid) | |
| | 341. | Kobayashi, Yoshitake: Die Notenschrift Johann Sebastian Bachs. Dokumentation ihrer Entwicklung. NBA 9/2 (1989), 224p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. 224p. [Ed.-Nr.: BVK 945] ISBN: 3-7618-0945-X; 978-3-370-00342-0. (= Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke. IX: Addenda, 2)
MGottesd xliv/2 (1990) 93 (A. M.) MLetters lxxi/4 (1990) 557-559 (Richard Douglas Jones) WürttembergBlKm lvii/2 (1990) 68 (Gottfried Simpfendörfer) LitMFineArts xxiii/2 (1990) 179-180 (Ulrich Konrad) Kmusiker xliii (1992) 37-38 (Joachim Dorfmüller) Mf xlvi/2 (1993) 208 (Paul Kast) | |
| | 342. | Butler, Gregory G.: Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. (1990), 139p Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0.
MLetters lxxii/3 (Aug 1991) 65-70 (Richard D. Jones) Diapason lxxxii/5:978 (May 1991) 8 (James B. Hartmann) Organ lxx/277 (1991) 148 JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) MTimes cxxxii/1778 (Apr 1992) 196 (Stephen Daw) MKirche lxiii (1993) 163-166 (Albert Clement) EarlyM xxi/1 (Feb 1993) 115-116 (David Ledbetter) CurMcol lvi (1994) 125-137 (George Stauffer) OruganKenkyu xxv (1997) 43-45 (Yukiko Hayakawa) | |
| | 343. | Badura-Skoda, Paul: Bach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. (1990), 528p Laaber-Verlag, 1990. 528p.
Concerto viii/64 (1991) 9 (Carsten Dürer) Dissonanz 30 (1991) 43-45 (Christoph Keller) MUnterricht ii/9 (1991) 54-55 (Dietrich Kämper) Mtheorie vii/1 (1992) 85-88 (Andreas Briner) Notes xlix/1 (Sep 1992) 95-97 (Peter Williams) Orchester(Mainz) xl/2 (1992) 185-186 (Klaus Miehling) Mf xlvi/3 (1993) 326-327 (Günther Wagner) Diapason lxxxv/11:1020 (Nov 1994) 7-8 (James B. Hartmann) MLetters lxxv (1994) 605-609. (David Schulenberg) Piano&Keyboards No.175 (1995) 63-65; 70-71 (John Butt) | |
| | 344. | Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. (1990), xiii, 278p Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p.
MLetters lxxii/3 (Aug 1991) 435-437 (Peter F. Williams) MTimes cxxxiii/1788 (Feb 1992) 78 (Ton Koopman) Notes xlviii/4 (Jun 1992) 1255-1256 (Jeanne Swack) PerformPractReview v/2 (Fall 1992) 199-202 (Kimberly Marshall) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) Notes xlviii/4 (1992) 1255-1256 (Jeanne Swack) | |
| | 345. | Siegel, Hedi (ed.): Schenker Studies. [ce]SchenkerStud (1990), xii, 206p New York: Cambridge University Press, 1990. xii, 206p. ISBN: 0-521-36038-2.
MTheorySpec xiii/2 (1991) 265-273 (Matthew Gordon Brown) MLetters lxxii/1 (1991) 141-144 (Nicholas Marston) Mf xlv/2 (1992) 177-178 (Hellmut Federhofer) MQ lxxvi/2 (1992) 242-263 (Timothy L. Jackson) Notes xlix/3 (1993) 1048-1053 (Allan R. Keiler) TheoryPractice xix (1994) 121-152 (Walter Everett) RevueMcol lxxxii/2 (1996) 374-375 (Serge Gut) | |
| | 346. | Emans, Reinmar; Wendt, Matthias (eds.): Beiträge zur Geschichte des Konzerts. Festschrift für Siegfried Kross zum 60. Geburtstag. [fs]Kross60 (1990), 460p Bonn: Schröder, 1990. 460p. ISBN: 3-926196-14-9.
Musica xlvi/1 (1992) 50 (Hanns-Werner Heister) Notes xlix/2 (1992) 555-556 (Claudia Macdonald) MLetters lxxiv/1 (1993) 77-81 (Susan Wollenberg) Mf xlvi/2 (1993) 200-201 (Thomas Seedorf) Mtheorie viii/3 (1993) 285-87 (Giselher Schubert) | |
| | 347. | Marx, Hans Joachim (ed.): Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts. Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September - 2. Oktober 1988. VeröffJoachimJungiusGWiss 62 (1990), 565p Göttingen: Vandenhoeck & Ruprecht, 1990. 565p (= Veröffentlichung der Joachim Jungius-Gesellschaft der Wissenschaften (Hamburg), 62)
BachJb lviii (1992) 137-138 (Hans-Joachim Schulze) Lessing yearbook, xxiv (1992; Detroit, 1993) 210-212 (Wilhelm Schulte) Mtheorie viii/1 (1993) 88-89 (Thomas Seedorf) | |
| | 348. | Tatlow, Ruth: Bach and the Riddle of the Number Alphabet. (1991), 186p Cambridge University Press, 1991. 186p
TimesHigherEducSuppl (22 Mar 1991) (Basil Smallman) EarlyMNews cli (Apr 1991) 13 (Clifford Bartlett) TimesLiterarySuppl (19 Jul 1991) (Malcolm Boyd) SvenskaDagbladet (7 Nov 1991) (Carl-Gunnar Åhlén) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) MLetters lxxiii/1 (Feb 1992) 105-107 (John Butt) Notes xlix/1 (Sep 1992) 97-99 (Jeanne Swack) BachJb lviii (1992) 139-140 (Christoph Wolff) MTimes cxxxiii/1787 (Jan 1992) 26 (Stephen Daw) Journal of English and Germanic Philology xciii/1 (1994) 88-91 (John Neubauer) | |
| | 349. | Little, Meredith; Jenne, Natalie: Dance and the Music of J. S. Bach. (1991), x, 249p Bloomington: Indiana Univ. Press, 1991. x, 249p. ISBN: 0253335140. - Paperback edn. 1998. ISBN: 0253212111. - Revised and expanded edn. Indiana Univ. Press, 2001. 288p. ISBN: 0-253-33936-7.
MLetters lxxiv/4 (Nov 1993) 585-587 (Peter Williams) AmerMTeacher xlii/5 (1993) 74-76 (Ruth Jane Holmes) JMcolResearch xiii/3-4 (1993) 257-272 (George B. Stauffer); xiv/3-4 (1995) 223f. (J. Rifkin) Notes l/1 (Sep 1993) 129-130 (Dianne M. McMullen) Musick xxi/1 (Jul 1999) 22 (Ruth Enns) Yo Tomita, 'On-line Book Review' J17cM viii/1 (2002) (Bruce Gustafson) | |
| | 350. | Chafe, Eric T.: Tonal Allegory in the Vocal Music of J. S. Bach. (1991), x, 449p Berkeley: Univ. California Press, 1991. x, 449p. ISBN: 0-520-05856-9.
MLetters lxxiv/2 (May 1993) 289-294 (John Butt) Notes l/3 (Mar 1994) 951-954 (Kerala J. Snyder) | |
| | 351. | Bennwitz, Hanspeter (ed.): Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben. Kolloquium Mainz 1988, Bericht. Akademie der Wissenschaften und der Literatur, Mainz. AbhandlungGeistSozWissKlasse(Mainz) 1991/11 (1991), 355p Im Auftr. des Ausschusses für Musikwissenschaftliche Editionen der Konferenz der Akademien der Wissenschaften in der Bundesrepublik Deutschland. Stuttgart: Steiner, 1991. 355p. ISBN: 3-515-05996-2. (= Akademie der Wissenschaften und der Literatur (Mainz) / Geistes- und Sozialwissenschaftliche Klasse: Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jg. 1991, Nr. 11)
Mf xlvi/4 (1993) 423-424 (Christian Berger) NMz(Regensburg) xlii/1 (1993) 56 (Horst Leuchtmann) Notes xlix/4 (1993) 1435-1437 (A. Peter Brown) MLetters lxxv/2 (1994) 270-272 (Bernard Harrison) | |
| | 352. | Butt, John: Bach: 'Mass in B Minor'. CambridgeMHandb (1991), 126p Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks)
MTimes cxxxiii/1792 (Jun 1992) 298, 300 (Stephen Daw) ChoralJournal xxxii/9 (1992) 47-49 (John Devorick) ColMSocNL (1993) 2 (James Parakilas) Organists' Review lxxiv (1993) 260 (Paul Hale) Fanfare xvii/4 (1994) 472-473 (Bernard D. Sherman) JMcolResearch xiii/3-4 (1993) 257-272 (George Boyer Stauffer) JMcolResearch xiv/3-4 (1995) 223-234 (Joshua Rifkin) Notes li/4 (Jun 1995) 1321-1323 (Peter Wollny) BachNotesLBS (Sep 2004) [4] (Margaret Steinitz) | |
| | 353. | Todd, R. Larry (ed.): Mendelssohn and His World. [ce]MendelssohnHisWorld (1991), 401p Princeton: Princeton Univ. Press, 1991. xiii, 401p. ISBN: 0-691-09143-9; 0-691-02715-3. - Part 1: Essays (p.5ff), Part 2: Memoirs (p.187ff), Part 3: Letters (p.275ff), Part 4: Criticism and Reception (p.341ff).
CurMcol lii (1992) 100-109 (Douglass Seaton) Notes xlix/3 (1993) 1001-1005 (Gregory John Vitercik) MLetters lxxiv/1 (1993) 97-99 (Peter Ward Jones) | |
| | 354. | Wolff, Christoph: Bach. Essays on His Life and Music. [ce]Wolff (1991), 461p Cambridge, Mass.; London: Harvard Univ. Press, 1991. 461p. ISBN: 0-674-05925-5 (hardback) -- paperback edn. 1993. ISBN: 0-674-05926-3.
AmerMTeacher xlii/1 (1992) 40 (Jack Guerry) Diapason lxxxiii (1992) 7-8 (James B. Hartmann) MLetters lxxiii/3 (Aug 1992) 446-447 (Malcolm Boyd) Ongakugeijutsu xxxviii (May 1992) 62-65 (Ryuichi Higuchi) ChoralJ xxxiv/2 (1993) 52-54 (Jeffrey B. Baxter) OrganYb xxiii (1992-93) 224-226 (Peter Williams) Notes xlix/2 (Dec 1992) 508-510 (Alfred Dürr) Fanfare xvii/4 (1994) 473-475 (Bernard D. Sherman) BachPerspectives i (1995) 183-204 (Stephen A. Crist) | |
| | 355. | Schulenberg, David: The Keyboard Music of J. S. Bach. (1992), 473p New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4.
ContemporaryReview cclxiii (1993) 273-274 (Bruce Pattison) MTimes cxxxiv/1804 (Jun 1993) 333 (Howard Schott) Organists' Review lxxix (1993) 362 (Ivor Keys) Piano&Keyboard No.166 (1994) 82-83 (John Butt) EarlyKeyboardJ xii (1994) 132-136 (Richard Troeger) Fanfare xvii/6 (1994) 355-356 (Bernard D. Sherman) MLetters lxxv/2 (May 1994) 268-270 (Peter Williams) EarlyM xxii/1 (Feb 1994) 137-139 (David Ledbetter) Diapason lxxxv/5:1014 (May 1994) 5-6 (James B. Hartmann) Alison Dunlop, 'On-line Book Review' | |
| | 356. | Goehr, Lydia: The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. (1992), x, 314p Oxford: Clarendon Press, 1992. x, 314p. ISBN 0-19-823541-0. - rev edn. New York: Oxford University Press, 2007, lii, 314p. ISBN: 978-0-19-532478-5
BritishJAesth xxxiii/3 (Jul 1993) 292-295 (Robert A. Sharpe) Notes l/2 (Dec 1993) 604-605 (Ruth A. Solie) SaggiatoreM i/1 (1994) 219-226 (Maurizio Giani) FontesArtisM xli/1 (Jan-Mar 1994) 136-138 (David Hunter) PhilQ xliv/177 (Oct 1994) 503-518 (Roger Scruton) ActaMcol lxx/2 (Jul-Dec 1998) 109-115 (Willem Erauw) CurMcol 97 (Spring 2014) 81-112 | |
| | 357. | Ritchie, George; Stauffer, George B.: Organ Technique: Modern and Early. (1992), xv, 382p Englewood Cliffs: Prentice Hall, 1992, xv, 382p. - Oxford University Press, 2000. xv, 382p. ISBN: 0-19-513745-0.
Notes li/1 (1994) 175-179 (John Butt) MLetters lxxxii/3 (2001) 449-452 (Lawrence Archbold) OrganYb xxxi (2002) 177-179 (Peter Williams) | |
| | 358. | Beißwenger, Kirsten: Johann Sebastian Bachs Notenbibliothek. CatM 13 (1992), 451p Kassel [u.a.]: Bärenreiter, 1992, 451p. ISBN: 3-7618-1036-9. (= Catalogus Musicus, 13)
BachJb lxxix (1993) 239-242 (Karen Lehmann) TijdschrOudeM viii/1 (1993) 31 (Albert Clement) Concerto x/80 (Feb 1993) 33 (Thomas Synofzik) Mf xlvii/1 (1994) 96-97 (Günther Wagner) Kmusiker xlv (1994) 198 (Andreas Rockstroh) Notes l/4 (1994) 1388-1390 (George B. Stauffer) OrganYb xxiv (1994) 162-163 (Peter Williams) | |
| | 359. | Samson, Jim (ed.): The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin (1992), xi, 341p Cambridge: Cambridge University Press, 1992. xi, 341p. ISBN: 0-521-40490-8.
Notes li/1 (1994) 135-138 (Victor Kofi Agawu) MLetters lxxv/3 (1994) 466-470 (Michael Russ) JMcolResearch xiv/3-4 (1995) 251-257 (James Parakilas) RevueBelgeMcol xlix (1995) 273-275 (F. Longrée) Mf xlix/2 (1996) 210-211 (Marcin Majchrowski) | |
| | 360. | White, Harry M. (ed.): Johann Joseph Fux and the music of the Austro-Italian Baroque. [ce]JJFuxMAIBaroque (1992), 350p Aldershot: Scolar, 1992. 350p. ISBN: 0-85967-832-6.
MLetters lxxiv/3 (Aug 1993) 432-434 (Susan Wollenberg) | |
| | 361. | Todd, R. Larry (ed.): Mendelssohn studies. [ce]MendelssohnStudies (1992), xiii, 261p Cambridge: Cambridge Univ. Press, 1992. xiii, 261p. ISBN: 0-521-41776-7; 2006(paper). ISBN: 0-521-02889-2.
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| | 362. | Judd, Robert (ed.): Aspects of Keyboard Music. Essays in Honour of Susi Jeans on the Occasion of her Seventy-fifth Birthday. [fs]Jeans75 (1992), 190p Oxford: Positif Press, 1992. 190p. ISBN: 0-906894-21-2.
ChoirOrgan i/2 (1993) 40 (Ann Bond) BIOS xvii (1993) 148-151 (Philip Sawyer) MLetters lxxvi/3 (1995) 425-426 (Keith Elcombe) Diapason lxxxvi/1 (1995) 6-7 (James B. Hartmann) Notes lii/2 (1995) 463 (Nicholas Temperley) | |
| | 363. | Stinson, Russell (ed.): Keyboard Transcriptions from the Bach Circle. RecentResearchMBaroq 69 (1992), xviii, 131p Edited by Russell Stinson. - Madison: A-R Editions, 1992. xviii, 131p. ISBN: 0-89579-269-9; 978-0-89579-269-3. (= Recent researches in the music of the baroque era, B 69)
Notes l/1 (Sep 1993) 376-378 (Peter Wollny) Mf xlvi/3 (1993) 344 (Annette Otterstedt) MLetters lxxiv/4 (Nov 1993) 650-651 (Richard D. P. Jones) OrganYb xxiv (1994) 143 (Peter Williams) NRivistaMItali xxviii/1 (1994) 125-127 (Giorgio Cerasoli) | |
| | 364. | Wood, Diana (ed.): The Church and the Arts: Papers Read at the 1990 Summer Meeting and the 1991 Winter Meeting of the Ecclesiastical History Society. StudChurchHist 28 (1992), 585p Oxford: Blackwell, 1992. 585p. ISBN: 0631180435. (= Studies in church history, 28)
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| | 365. | Gilbert, Kenneth (ed.): Pièce d'orgue BWV 572: Version originale d'après le manuscrit de J.G. Walther / Johann Sebastian Bach. (1993), 10p Monte Carlo: Oiseau-Lyre, 1993. 10p. Pl.-Nr.: O.L. 283 (= Le Grand Clavier,, Collection dirigée par Davitt Moroney, 13) [BWV 572]
OrganYb xxix (2000) 172-173 (Peter Williams) | |
| | 366. | Hefling, Stephen E.: Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music. Notes Inegales and Overdotting. (1993), 232p New York: Schirmer, 1993. xvi, 232p. ISBN: 0-02-871035-5
MLetters lxxv/3 (1994) 444-446 (Steven Zohn) HistPerformance vii/1 (1994) 13-26 (Frederick Neumann) Notes l/4 (1994) 1387-1388 (Michael Collins) | |
| | 367. | Deppert, Heinrich: Kadenz und Klausel in der Musik von J. S. Bach: Studien zu Harmonie und Tonart. (1993), 316p Tutzing: Hans Schneider, 1993. 316p. ISBN: 3-7952-0757-6.
Notes li/1 (Jun 1995) 1317-1321 (David Schulenberg) | |
| | 368. | Pfeiffer, Theodor: The piano master classes of Hans von Bulow: two participants' accounts. (1993), ix, 180p translated and edited by Richard Louis Zimdars. Bloomington: Indiana University Press, c1993. ix, 180p. ISBN: 0-253-36869-3.
Notes li/2 (1994) 606-607 (Paul Orgel) | |
| | 369. | Boyd, Malcolm: Bach: The Brandenburg Concertos. (1993), x, 111p Cambridge Univ. Press, 1993, x, 111p.
HistBrassSocJ vi (1994) 374-377 (Thomas Hiebert) MusicaAntiqua xi/1 (1994) 42 (Hermann Beaten) Choice. Current Review for Academic Books xxxii (1994) 122-123 (P. G. Swing) MLetters lxxvi/3 (Aug 1995) 436-437 (John Butt) Brio xxxii/1 (1995) 42-43 (Clifford Bartlett) Fanfare xix/2 (1995) 542 (Bernard D. Sherman) | |
| | 370. | Badura-Skoda, Paul: Interpreting Bach at the Keyboard. (1993), xvi, 573p Trans. by Alfred Clayton. Oxford: Clarendon Press; New York: Oxford Univ. Press, 1993. xvi, 573p. ISBN: 0-19-816155-7.
Choice. Current Review for Academic Books xxxi (1994) 1589 (J. P. Ambrose) MTimes cxxxvi/1826 (Apr 1995) 192-193 (Ton Koopman) MTeacher lxxv/4 (1996) 31 (Michael Round) NRivistaMItali xxxii/1-4 (1998) 464-465. | |
| | 371. | Jaenecke, Joachim (ed.): Georg Philipp Telemann. Autographe und Abschriften. Katalog. KatMAbteilungSBB 7 (1993), 453p bearbeitet von Joachim Jaenecke. - München: Henle, 1993. 453p. ISBN: 3-87328-069-8. (= Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Kataloge der Musikabteilung, i/7)
RevueMcol lxxx/2 (1994) 334-335 (Marielle Popin) BachJb lxxxi (1995) 215-219 (Peter Wollny) FontesArtisM xlii/2 (1995) 193-194 (Diane Steinhaus Pettit) MLetters lxxvi/1 (1995) 96-98 (Steven Zohn) Mf xlix/2 (1996) 193-95 (Klaus Hofmann)\ Musica l/2 (1996) 129-130 (Georg von Dadelsen) Mtheorie xii/3 (1997) 286-287 (Peter Ackermann) | |
| | 372. | Buelow, George J. (ed.): The late Baroque era: from the 1680s to 1740. ManM 4 (1993), xii, 521p Basingstoke: Macmillan, 1993; Englewood Cliffs, N.J.: Prentice Hall, 1994. xii, 521p. ISBN: 0-333-51603-6; 0-13-104340-4; 0-13-529983-7. (= Man & Music, 4)
MLetters lxxvi/1 (1995) 95-96 (Michael Talbot) | |
| | 373. | Suchalla, Ernst (ed.): Carl Philipp Emanuel Bach im Spiegel seiner Zeit. Die Dokumentensammlung Johann Jacob Heinrich Westphals. StMaterMw 8 (1993), 325p Hrsg. und kommentiert von Ernst Suchalla. - Hildesheim [u.a.]: Olms, 1993, 325p. ISBN: 3-487-09703-6. (= Studien und Materialien zur Musikwissenschaft, 8). - Orig.-Ausg. u.d.T.: Gesammlete Nachrichten von dem Leben und den Werken des Herrn Carl Philipp Emanuel Bach.
Concerto xi/94 (1994) 17 (Thomas Synofzik) MLetters lxxv/4 (Nov 1994) 608-610 (Susan Wollenberg) HändelJb 42-43 (1997) 249-250 (Günter Fleischhauer) Mtheorie xiii/1 (1998) 82-85 (Thomas Seedorf) | |
| | 374. | Hudson, Richard: Stolen time: The history of tempo rubato. (1994), 473p Oxford: Clarendon, 1994, 473p.
MLetters lxxvii/2 (May 1996) 257-262 (John Donald Cullington) Tibia xxi/3 (1996) 211-212 (Thomas Seedorf) PerformPractReview ix/2 (Fall 1996) 194-200 (Barton Hudson) EarlyMReview 30 (May 1997) 7 (Clifford Bartlett) BBCMMag v/10 (Jun 1997) 20 (Kenneth van Barthold) | |
| | 375. | Bent, Ian (ed.): Music analysis in the Nineteenth Century. Volume I: Fugue, Form and Style. [ce]MAnalysis19C 1 (1994), xxi, 368p New York: Cambridge Univ. Press, 1994. xxi, 368p. ISBN: 0-521-25969-X. (= Cambridge readings in the literature of music, 6)
SaggiatoreM iv/1 (1997) 202-208 (Maurizio Giani) MLetters lxxix/1 (Feb 1998) 120-126 (Ian Biddle) | |
| | 376. | Blackburn, Bonnie J.; Fubini, Enrico (ed.): Music and culture in eighteenth-century Europe: A source book. [ce]MCulture18CEurope (1994), x, 421p Chicago: U. of Chicago, 1994. x, 421p. ISBN: ISBN: 0-226-26731-8; 0-226-26732-6.
MusicaEduc viii/2 (1995) 155 (Ubaldo Pérez) BritishJMEduc xii/2 (1995) 177-178 (Robin Stowell) OperaQ xi/4 (1995) 119-121 (G. Cook Kimball) | |
| | 377. | Poulin, Pamela L. (trans.): J. S. Bach's Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts. Leipzig, 1738. EarlyMSer 16 (1994), 140p Trans. with facsimile, introduction and explanatory notes. Preface by Christoph Wolff. - Oxford: Clarendon Press, 1994. xxvii, 112p. ISBN: 0-19-81625-1. (= Early Music Series, 16)
EarlyMToday iii (1995) 22 MTimes cxxxvi/1831 (Sep 1995) 486-487 (Richard Langham Smith) EarlyM xxiv/1 (Feb 1996) 159 (Malcolm Boyd) Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson) MLetters lxxvii/2 (May 1996) 271-272 (John Butt) Brio xxxiii/1 (1996) 63-64 (Katharine Hogg) Diapason lxxxviii/3:1048 (Mar 1997) 9-10 (Dietrich Bartel) | |
| | 378. | Snyder, Kerala J. (ed.): The Organist as Scholar: Essays in Memory of Russell Saunders. FestschriftSer 12 (1994), xiii, 297p Stuyvesant, NY: Pendragon Press, 1994. xiii, 297p. ISBN: 0-945193-44-0. (= Festschrift Series, 12)
MLetters lxxix/1 (1998) 99-100 (Keith Elcombe) | |
| | 379. | Parker, Mary Ann (ed.): Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann. FestschriftSer 13 (1994), x, 337p NY, Stuyvesant: Pendragon Press, 1994. x, 337p. ISBN: 0-945193-11-4. (= Festschrift Series, 13)
Yo Tomita, 'On-line Book Review' Notes liii/2 (1996) 462-463 (David Ross Hurley) | |
| | 380. | Marissen, Michael: The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. (1995), 160p Princeton Univ. Press, 1995. 160p. - 2/1999. 150p. ISBN: 0-691-00686-5.
Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson) MLetters lxxvii/3 (Aug 1996) 466-469 (Michael Talbot) EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter) HistBrassSocJ viii (1996) 127-128 (Andrew Parrott) ChurchHist lxv/4 (Dec 1996) 717-718 (Paul Westermeyer) JRMA cxxii/1 (1997) 127-130 (David Humphreys) MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita) | |
| | 381. | Melamed, Daniel R.: J. S. Bach and the German Motet. (1995), xv, 229p Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9.
MLetters lxxvii/3 (Aug 1996) 469-470 (Malcolm Boyd) Brio xxxiii/1 (1996) 61 (Katharine Hogg) CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) JAMSoc l/1 (Spring 1997) 211-217 (John Butt) ChoralJ xxxvii/7 (1997) 44-45 (Edward Lundergan) JMcolResearch xvii/3-4 (1998) 261-269 HNetReviews (Oct 2006) (Janette Tilley) | |
| | 382. | Stinson, Russell (ed.): Bach Perspectives I. BachPerspectives 1 (1995), xii, 226p Edited by Russell Stinson. - Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p.
MLetters lxxvii/4 (Nov 1996) 611-612 (Malcolm Boyd) AmerOrganist(2) xxx/5 (1996) 73-74 (James L Wallmann) CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt) BachJb lxxxii (1996) 163-165 (Hans-Joachim Schulze) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) JRMA cxxii/1 (1997) 130-132 (David Humphreys) JMcolResearch xvii/3-4 (1998) 261f Notes lvi/4 (2000) 939-940 (Eunice Schroeder) | |
| | 383. | Melamed, Daniel R. (ed.): Bach Studies 2. BachStud 2 (1995), xiv, 238p Cambridge Univ. Press, 1995, xiv, 238p.
OrganYb xxvi (1996) 182 (Peter Williams) EarlyMReview 18 (Mar 1996) 5-6 (Clifford Bartlett) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) BachJb lxxxii (1996) 163-165 (Hans-Joachim Schulze) MLetters lxxviii/2 (May 1997) 268-269 (Lionel Pike) RevueBelgeMcol liii (1999) 254-255 (Walter Corten) | |
| | 384. | Mathiesen, Thomas J.; Rivera, Benito V. (eds.): Festa Musicologica: Essays in Honor of George J. Buelow. FestschriftSer 14 (1995), x, 528p Stuyvesant, NY: Pendragon Press, 1995. x, 528p. ISBN: 0-945193-70-X. (= Festschrift series, 14)
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| | 385. | Renwick, William: Analyzing Fugue: A Schenkerian Approach. HarmonolSer 8 (1995), 229p Stuyvesant, N.Y.: Pendragon, 1995. 229p. ISBN: 0-945193-52-1. (= Harmonologia series, 8)
MLetters lxxvii/1 (1996) 116-119 (Lionel Pike) Notes liii/1 (1996) 93-94 (Heather Anne Platt) Intégral 9 (1995) 99-115 (Robert Gauldin) MAnalysis xvi/2 (1997) 270-281 (Charles Burkhart) | |
| | 386. | Burns, Lori Anne: Bach's Modal Chorales. HarmonolSer 9 (1995), x, 249p New York, Stuyvesant: Pendragon, 1995. x, 249p. (= Harmonologia Series, 9)
Yo Tomita, 'On-line Book Review' NRivistaMItali xxxii/1-4 (1998) 462-463 (Bruno Zanolini) Analisi viii/23 (1997) 38 (Paola Dato) | |
| | 387. | Gutknecht, Dieter (ed.): Telemanniana et alia Musicologica. Festschrift für Günter Fleischhauer zum 65. Geburtstag / Institut für Aufführungspraxis Michaelstein. MichaelsteinFBeitr 17 (1995), 274p Oschersleben: Ziethen, 1995. 274p. ISBN: 3-928703-67-6. (= Michaelsteiner Forschungsbeiträge, 17)
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| | 388. | Webber, Geoffrey: North German church music in the age of Buxtehude. (1996), xii, 236p Oxford: Clarendon Press, 1996. xii, 236p. ISBN: 0-19-816212-X.
EarlyMReview 21 (1996) 2 (Clifford Bartlett) SacredM cxxiii/2 (1996) 27 (Richard J. Schuler) MLetters lxxviii/3 (1997) 421-422 (Gregory S. Johnston) Mf l/3 (1997) 360 (Christoph Albrecht) EarlyMHist xvi (1997) 302-309 (John Butt) MAntiqua xiv/3 (1997) 135-136 (Greta Haenen) J17cM v/1 (1999) (David Yearsley) | |
| | 389. | Stinson, Russell: Bach: The Orgelbüchlein. (1996), xv, 208p New York: Schirmer Books 1996. 208p. (A volume in the Monuments of Western Music series. 1st edition) - Oxford and New York: Oxford University Press, 1999. xv, 208p
Diapason lxxxix/3:1060 (1998) 8-10 Yo Tomita, 'On-line Book Review' AmerOrganist(2) xxxiv/10 (2000) 94 (Marie J Kramer) EarlyMReview 60 (2000) 3 (Clifford Bartlett) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) MLetters lxxxii/3 (Aug 2001) 452-454 (Stephen Rose) EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys) EarlyKeyboardJ xxi (2003) 103-113 (David Yearsley) | |
| | 390. | Unger, Melvin P.: Handbook to Bach's Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions. (1996), xvi, 777p Lanham, Md. and London: Scarecrow Press, 1996. xvi, 777p. ISBN: 0-8108-2979-7.
CanadianUnivMReview xvii/2 (1997) 104-107 (David Hill) MLetters lxxix/1 (Feb 1998) 114-118 (Daniel R. Melamed) FontesArtisM xlvi/1-2 (1999) 190-193 (Thomas F. Heck) Yo Tomita, 'On-line Book Review' | |
| | 391. | Stauffer, George B. (ed.): J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. BachPerspectives 2 (1996), xv, 219p Edited by George B. Stauffer. - Lincoln, Neb.: Univ. of Nebraska Press, 1996. xv, 219p. (= Bach Perspectives, 2)
BachJb lxxxiii (1997) 207-210 (Ulrich Leisinger) Mf li/3 (Jul-Sep 1998) 351-352 (Axel Beer) MLetters lxxix/1 (Feb 1998) 118-119 (Peter Ward Jones) Diapason lxxxix/2:1059 (Feb 1998) 10-12 (James B. Hartman) Notes liv/4 (Jun 1998) 917 (D. W. Krummel) | |
| | 392. | Devine, Patrick F.; White, Harry (eds.): The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. IrishMStud 4 (1996), 444p Dublin: Four Courts Press, 1996. 444p. (= Irish Musical Studies, 4)
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| | 393. | Devine, Patrick F.; White, Harry (eds.): The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. IrishMStud 5 (1996), 409p Dublin: Four Courts Press, 1996. 409p (= Irish Musical Studies, 5)
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| | 394. | Lustig, Monika (ed.): Zur Geschichte des Hammerklaviers. -- 14. Musikinstrumentenbau-Symposium in Michaelstein am 12. u. 13. November 1993. MichaelsteinKonfBer 50 (1996), 176p Hrsg. im Auftr. des Instituts für Aufführungspraxis Michaelstein von Monika Lustig. - Michaelstein/Blankenburg: Kultur- und Forschungsstätte Michaelstein Institut für Aufführungspraxis der Musik des 18. Jahrhunderts, 1996. 176p. ISBN: 3-89512-098-7. (= Michaelsteiner Konferenzberichte, 50)
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| | 395. | Clark, Stephen L. (ed.): The Letters of C. P. E. Bach. (1997), xlii, 308p Oxford: Clarendon Press; New York: Oxford University Press, 1997. xlii, 308p. ISBN: 0-19-816238-3.
OrganYb xxvii (1997) 166-167 (Peter F. Williams) MTimes cxxxix/1860 (1998) 34-35 (Robert Anderson) BachJb lxxxiv (1998) 201-202 (Christoph Wolff) MLetters lxxx/3 (Aug.1999) 441-443 (Susan Wollenberg) | |
| | 396. | Hilton, Wendy: Dance and Music of Court and Theater: Selected Writings of Wendy Hilton. (1997), xv, 455p Hillsdale, NY: Pendragon press, 1997. xv, 455p. ISBN: 0-945193-98-X. (= Dance and music series, 10)
| |
| | 397. | Sandberger, Wolfgang: Das Bach-Bild Philipp Spittas. Ein Beitrag zur Geschichte der Bach-Rezeption im 19. Jahrhundert. BeihAfMw 39 (1997), 323p Stuttgart: Franz Steiner, 1997. 323p. ISBN: 3-515-07008-7. (= Beihefte zum Archiv für Musikwissenschaft, 39)
Mf li/3 (1998) 366-367 (Herbert Lölkes) Mtheorie xiii/1 (1998) 88-90 (Andreas Eichhorn) MLetters lxxx/1 (Feb 1999) 133-134 (Peter Ward Jones) Notes lv/4 (Jun 1999) 894-896 (George Stauffer) LitBayern 60 (2000) 18 (Dietz-Rüdiger Moser) | |
| | 398. | Butt, John (ed.): The Cambridge Companion to Bach. [ce]CambridgeCompanion_Bach (1997), xv, 326p Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music)
MLetters lxxix/2 (May 1998) 277-278 (Peter Williams) TimesLiterarySuppl 4990 (1998) 11-12 (Peter Williams) OMzs liii/11 (1998) 83-84 (Markus Grassl) MTimes cxxxix/1860 (Feb 1998) 26-28 (Wilfrid Mellers) MusicaAntiqua xvii/3 (2000) 138 (Verstraete, Diederik) | |
| | 399. | Musketa, Konstanze; Reul, Barbara M. (eds.): Johann Friedrich Fasch und sein Wirken für Zerbst. Bericht über die Internationale Wissenschaftliche Konferenz am 18. und 19. April 1997 im Rahmen der 5. Internationalen Fasch-Festtage in Zerbst. FaschSt 6 (1997), 414p Ed. Internationale Fasch-Gesellschaft e.V. Zerbst. Dessau: Anhaltische Verlags-Gesellschaft, 1997. 414p. ISBN: 3-910192-62-9. (= Fasch-Studien, 6)
MLetters lxxxi/1 (2000) 98-99 (Susan Wollenberg) | |
| | 400. | Fleischhauer, Günter; Ruf, Wolfgang; Zschoch, Frieder; Siegmund, Bert (eds.): Zur Entwicklung, Verbreitung und Ausführung vokaler Kammermusik im 18. Jahrhundert. -- XXII. Internationale Wissenschaftliche Arbeitstagung zu Fragen der Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, Michaelstein, 10. bis 12. Juni 1994. MichaelsteinKonfBer 51 (1997), 152p Im Auftr. der Stiftung Kloster Michaelstein hrsg. von Günter Fleischhauer ... - Blankenburg: Stiftung Kloster Michaelstein, 1997. 152p. ISBN: 3-89512-100-2. (= Michaelsteiner Konferenzberichte, 51)
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| | 401. | Fleischhauer, Günter; Lustig, Monika; Ruf, Wolfgang; Zschoch, Frieder (eds.): Stimmungen im 17. und 18. Jahrhundert. Vielfalt oder Konfusion? 15. Musikinstrumentenbau-Symposium in Michaelstein am 11. und 12. November 1994. MichaelsteinKonfBer 52 (1997), 159p hrsg. im Auftr. der Stiftung Kloster Michaelstein von Günter Fleischhauer ... - Michaelstein/Blankenburg: Kultur- und Forschungsstätte Michaelstein Institut für Aufführungspraxis der Musik des 18. Jahrhunderts, 1997. 159p. ISBN: 3-89512-101-0. (= Michaelsteiner Konferenzberichte, 52)
MLetters lxxix/4 (1998) 593-596 (Michael Talbot) OMzs liv/9 (1999) 92-93 (Hartmut Krones) | |
| | 402. | Sedak, Eva (ed.): Krsto Odak: život i djelo; radovi s Meðunaodnog Muzikološkog Skupa održanog u Zagrebu, Hrvatska, 20-22. listopada 1988. SerijaMuzikolZornici 4 (1997), 282p [Krsto Odak: life and opus.] Urednica Eva Sedak. Hrvatsko Muzikološko Društvo. - Zagreb, 1997. 282p. ISBN: 953-609003-1. (= Serija Muzikološki zbornici ; 4) [Proceedings of the International Musicological Symposium Held in Zagreb, Croatia, am October 20-22, 1988]
| Latin 2, [cr]KrstoOdak
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| | 403. | Meyer, Ulrich: Biblical quotation and allusion in the cantata libretti of Johann Sebastian Bach. StudLiturgMcol 5 (1997), vii, 223p Lanham, Md. and London: Scarecrow Press, 1997. vii, 223p. ISBN: 0-8108-3329-8. (= Studies in liturgical musicology, 5)
FontesArtisM xlvi/1-2 (Jan-Jun 1999) 190-193 (Thomas F. Heck) AmerBachSocNL (Fall 1999) 4-5 (Stephen A. Crist) | |
| | 404. | Marissen, Michael: Lutheranism, Anti-Judaism, and Bach's St. John Passion. (1998), 127p With an annotated literal translation of the libretto. New York: Oxford University Press, 1998. 127p.
Notes lvi/1 (Sep 1999) 135/137 (Matthew Dirst) MLetters lxxxi/1 (2000) 94-96 (Geoffrey Weber) Yo Tomita, 'On-line Book Review' | |
| | 405. | Williams, Peter F.: The Chromatic Fourth. During Four Centuries of Music. (1998), 272p New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3.
MLetters lxxix/4 (1998) 586-588 (Lionel Pike) TimesLiterarySuppl 4976 (1998) 20 (Colin Matthews) MagyarZene xxxvii/2 (1999) 197-207 (Katalin Komlós) EarlyM xxvii/3 (1999) 485-486 (Fabrice Fitch) Mf liii/3 (2000) 353 (Diether de la Motte) ZsfGMtheorie iv/1-2 (2007) (Ariane Jeßulat) | |
| | 406. | Cantoni, Angelo: La référence à Bach dans les œuvres néo-classiques de Stravinsky. (1998), iv, 358p [Zugl.: Tours, Univ., Diss., 1994] Hidesheim [u.a.]: Georg Olms Verlag. 1998, iv, 358p. ISBN: 3-487-10598-5. (= Musikwissenschaftliche Publikationen, 8)
| |
| | 407. | David, Hans T.; Mendel, Arthur; Wolff, Christoph (eds.): The New Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents. (1998), liv, 511p Edited by Hans T. David and Arthur Mendel, revised and enlarged by Christoph Wolff. - New York: W. W. Norton, 1998. liv, 511p. ISBN: 0-393-04558-7.
MTimes cxxix/139 (Winter 1998) 66-67 (Yo Tomita) Brio xxxv/2 (Fall-Winter 1998) 114-115 (Ruth Tatlow) TimesLiterarySuppl 4990 (20 Nov 1998) 3 (Peter Williams) AmerOrganist(2) xxxii/11 (1998) 85 (Frank Morana) EarlyM xxvii/1 (Feb 1999) 126-127 (David Ledbetter) BBCMMag (Feb 1999) 83 (Bryan Northcott) MLetters lxxx/2 (May 1999) 283-286 (John Butt) Notes lv/4 (Jun 1999) 893-894 (Edward McIrvine) Yo Tomita, 'On-line Book Review' | |
| | 408. | Melamed, Daniel R.; Marissen, Michael: An introduction to Bach Studies. (1998), xi, 189p New York and Oxford: Oxford University Press, 1998. xi, 189p.
Notes lv/4 (Jun 1999) 890-892 (John Butt) MLetters lxxxi/3 (Aug 2000) 444-446 (Matthew Dirst) | |
| | 409. | Dürr, Alfred; Kobayashi, Yoshitake; Beißwenger, Kirsten (eds.): Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV2a). (1998), xxvii, 490p Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe, hrsg. von Alfred Dürr und Yoshitake Kobayashi unter Mitarbeit von Kirsten Beißwenger. - Breitkopf & Härtel, 1998. xxvii, 490p. ISBN: 3-7651-0249-0.
MTimes cxxix/139 (Winter 1998) 66-68 (Yo Tomita) Brio xxxv/2 (Fall-Winter 1998) 114-115 (Ruth Tatlow) Concerto xv/138 (Nov 1998) 10 (Bernd Heyder) MGottesd liii/2 (1999) 68-69 (Matthias Hochhuth) Notes lv/4 (Jun 1999) 890-892 (John Butt) AmerOrganist(2) xxxiii/7 (Jul 1999) 70-71 (Frank Morana) MAntiqua xvi/2 (May 1999) 89 (Karolien Selhorst) MLetters lxxx/3 (Aug 1999) 440-441 (Richard D. P. Jones) OrganYb xxix (2000) 195-196 (Peter F. Williams) OMzs xxxiii/4 (2000) 40 (Hans-Joachim Hinrichsen) Mf liv/1 (Jan-Mar 2001) 74-76 (Walter Werbeck) | |
| | 410. | Marissen, Michael (ed.): Creative Responses to Bach from Mozart to Hindemith. BachPerspectives 3 (1998), ix, 160p Edited by Michael Marissen. - Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. (= Bach Perspectives, 3)
Notes lv/4 (Jun 1999) 896-897 (Edward McIrvine) MLetters lxxxi/1 (2000) 96-98 (Matthew Dirst) | |
| | 411. | Thistlethwaite, Nicholas; Webber, Geoffrey (eds.): Cambridge Companion to the Organ. [ce]CambridgeCompanion_Organ (1998), xiv, 340p Cambridge Univ. Press, 1998. xiv, 340p. ISBN: 0-521-57309-2; 0-521-57584-2.
BIOS xxiii (1999) 194-196 (Peter F. Williams) MTimes cxl/1867 (1999) 77 (Ann Bond) JAmerMInstrSoc xxvi (2000) 228-231 (Arthur Lawrence) Notes lvi/3 (2000) 693-694 (Peter V. Picerno) CanadianUnivMReview xx/2 (2000) 105-113 (Lynn Cavanagh) MLetters lxxxi/3 (2000) 441-442 (Keith Elcombe) EarlyKeyboardJ xix (2001) 202-205 (Ardyth J. Lohuis) | |
| | 412. | Rowland, David (ed.): The Cambridge companion to the piano. [ce]CambridgeCompanion_Piano (1998), xiv, 244p Cambridge University Press, 1998. xiv, 244p. ISBN: 0-521-47470-1; 0-521-47986-X.
McolAustralia xxii (1999) 72-73 (Deborah Crisp) BritishJMEduc xvi/2 (1999) (Richard Crozier) JAmerMInstrSoc xxvi (2000) 221-224 (Stephen Siek) JMusicolResearch xx/1 (2000) 93-96 (Candace Bailey) MLetters lxxxii/2 (2001) 303-307 (Elizabeth Norman McKay) | |
| | 413. | Lester, Joel: Bach's Works for Solo Violin: Style, Structure, Performance. (1999), x, 186p New York: Oxford University Press, 1999. x, 186p. ISBN: 0-19-517144-6. - repr. edn. 2003.
TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 57 (Feb 2000) 6 (Clifford Bartlett) Notes lvii/1 (Sep 2000) 127-131 (David Schulenberg) TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig) MLetters lxxxii/1 (Feb 2001) 106-108 (Peter Walls) TijdschrMtheorie ix/1 (Feb 2004) 67-70 (Clemens Kemme; Johannes Leertouwer) MOpinion (Jul 2005) (David Hazel) | |
| | 414. | Ledsham, Ian: Catalogue of the Shaw-Hellier Collection, A, in the Music Library, Barber Institute of Fine Arts, The University of Birmingham. (1999), xxx, 385p Aldershot: Ashgate, 1999. xxx, 385p. ISBN: 1-85928-386-1.
MLetters lxxxii/2 (May 2001) 312-314 (Peter Ward Jones) Notes lvii/3 (2001) 610-611 (David Hunter) | |
| | 415. | Schulenberg, David (ed): The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 (1999), x, 208p Edited by David Schulenberg. - Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p. (= Bach Perspectives, 4)
OrganYb xxix (2000) 202-204 (Peter F. Williams) MLetters lxxxii/4 (Nov 2001) 626-627 (Stephen Rose) | |
| | 416. | Moroney, Davitt: Bach: an extraordinary life. (2000), vi, 122p The Associated Board of the Royal Schools of Music, 2000. vi, 122p. ISBN: 1-86096-190-8.
MTimes cxli (Spring 2000) 61-63 (Ivan Hewett) EarlyMReview 63 (Sep 2000) 5-6 (Clifford Bartlett) MLetters lxxxii/2 (May 2001) 302-303 (Stephen Rose) Goldberg xv (2001) 12 (Eric van Tassel) ClassicalGuitar xix/12 (Aug 2001) 35-36 (Colin Cooper) ClassicalGuitar xx/9 (May 2002) 33 (Colin Cooper) Stringendo xxv/1 (2003) 24 (Martin Jarvis) | |
| | 417. | Parrott, Andrew: The Essential Bach Choir. (2000), xi, 223p Woodbridge: the Boydell Press, 2000. xi, 223p. ISBN: 0-85115-786-6
MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita) EarlyM xxviii/3 (Aug 2000) 480-482 (Keith Elcombe) EarlyMReview 60 (2000) 4 (Clifford Bartlett) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) SlovenskaHudba xxvi/4 (2000) 542-549 (Vladimír Godár) MLetters lxxxii/1 (2001) (Geoffrey Webber) AmerChoralReview xliii/1 (Winter-Spring 2001) AmerBachSocNL (Spring 2002) 5 (Frank Morana) AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana) Mf lvi/4 (Oct-Dec 2003) 424-425 (Martin Geck) | |
| | 418. | Chafe, Eric T.: Analyzing Bach Cantatas. (2000), xvii, 286p New York: Oxford University Press, 2000, xvii, 286p. ISBN: 0-19-512099-X.
EarlyMReview 65 (Nov 2000) 5 (Clifford Bartlett) MTimes cxli/1872 (Fall 2000) 13-15 (Peter Williams) CurMcol lxx (Fall 2000) 141-158 (John Ito) EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys) EarlyMHist xxi/1 (2002) 259-290 (John Butt) JAMSoc lv/3 (Fall 2002) 538-547 (Mary J. Greer) MLetters lxxxiv/1 (Feb 2003) 95-97 (Matthew Dirst) Notes lx/4 (Jun 2004) 961-963 (Calvin Stapert) | |
| | 419. | Wolff, Christoph: Johann Sebastian Bach: The Learned Musician. (2000), xvii, 599p New York: W. W. Norton; Oxford: Oxford University Press, 2000. xvii, 599p. ISBN: 0-19-816534-X (Oxford); 0-393-04825-X (Norton). - paperback edn. 2002. ISBN: 0-19-924884-2 (Oxford); 0-393-32256-4 (Norton). - upd edn. New York [u.a.]: Norton, 2013. xxxv, 599p. ISBN: 978-0-393-32256-9.
New York Times Book Review (9 Apr 2000) 26-27 (Edward Rothstein) NYReviewBooks, xlvii/10 (Jun 15 2000) 47-51 (Robert Marshall) The New Republic (10 & 17 Jul 2000) 33-38 (John Butt) MTimes cxli/1872 (2000) 13-15 (Peter Williams) AmerOrganist(2) xxxiv/12 (2000) 50-51 (Frank Morana) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 61 (Jun 2000) 5 (Clifford Bartlett) EarlyM xxix/1 (Feb 2001) 128-129 (David Ledbetter) London Review of Books, xxiii/14 (19 Jul 2001) 11-13 Notes lviii/1 (Sep 2001) 59-62 (David Schulenberg) MLetters lxxxii/4 (Nov 2001) 622-625 (Michael Talbot) JAMSoc liv/2 (Summer 2001) 374-382 (David Yearsley) Tracker xlvi/4 (2002) 19 (John Ogasapian) AmerChoralReview xliv/2 (2002) 6-7 | |
| | 420. | Smither, Howard E.: A History of the oratorio. Vol.4: The oratorio in the nineteenth and twentieth centuries. (2000), xxiv, 829p Chapel Hill, N.C.; London: University of North Carolina Press, c2000. xxiv, 829p. ISBN: 0807825115.
MTimes cxlii/1875 (2001) 78-80 (Michael Fuller) MLetters lxxxiii/3 (2002) 480-482 Mf lvi/1 (2003) 88-89 (Martin Loeser) | |
| | 421. | Fauquet, Joël-Marie; Hennion, Antoine: La Grandeur de Bach: L'amour de la musique en France au XIXe siècle. CheminsMusique (2000), 246p Paris: Librairie Arthème Fayard, 2000. 246p. ISBN: 2-213-60667-6. (= Les Chemins de la musique)
Dissonance, no.68 (Apr 2001) 39-40 (Jacqueline Waeber) AnalyseM, no.39 (May 2001) 87-89 (Jean-Philippe Guyé) MLetters lxxxiii/3 (Aug 2002) 467-469 (Katharine Ellis) RevueBelgeMcol lvi (2002) 314-318 (Robert Wangermée) SamedisEntretemps 4 (26 Jan 2002) François Nicolas 'Aimer ou vouloir Bach?' | |
| | 422. | Walker, Paul Mark: Theories of Fugue from the Age of Josquin to the Age of Bach. EastmanStudM 13 (2000), 485p Rochester Univ. Press, 2000. 485p. ISBN: 1-580-46029-1. (= Eastman Studies in Music, 13)
MTimes cxlii/1876 (Autumn 2001) 67-68 (Peter Williams) OrganYb xxx (2001) 232-233 (Peter Williams) Notes lviii/2 (Dec 2001) 332-334 (David Yearsley) MLetters lxxxii/4 (Nov 2001) 613 (Lionel Pike) TimesLiterarySuppl 5131 (2001) 28 AmerOrganist(2) xxxvi/11 (Jan 2002) 105-106 (John Ogasapian) AmerRecorder xliv/1 (Jan 2003) 17 (Scott Paterson) | |
| | 423. | Wiermann, Barbara (ed.): Carl Philipp Emanuel Bach: Dokumente zu Leben und Wirken aus der zeitgenössischen hamburgischen Presse (1767-1790). LeipzigerBeitrBachF 4 (2000), 634p Hildesheim: Georg Olms Verlag. 2000, 634p. ISBN: 3-487-11075-X. (= Leipziger Beiträge zur Bachforschung, 4)
MLetters lxxxiii/2 (May 2002) 290-291 (Susan Wollenberg) Mf liv/4 (Oct-Dec 2002) 467-468 (Hans-Günter Ottenberg) | |
| | 424. | Türk, Daniel Gottlob: Daniel Gottlob Turk on the role of the organist in worship (1787). StudLiturgMcol 9 (2000), xxv, 171p Translated and edited by Margot Ann Greenlimb Woolard. - Lanham, Md.; London: Scarecrow Press, 2000. xxv, 171p. ISBN: 0-8108-3704-8. (= Studies in liturgical musicology, 9)
MLetters lxxxii/4 (2001) 631-632 (Gwilym E. Beechey) AmerOrganist(2) xxxvi/9 (2002), 81-82 (Jane Schatkin Herrick) | |
| | 425. | Rowland, David: Early keyboard instruments: A practical guide. (2001), xi, 154p New York: Cambridge Univ. Press, 2001. xi, 154p. ISBN: 0-521-64366-X.
AmerOrganist(2) xxxv/9 (2001) 82-88 (John K. Ogasapian) Notes lix/1 (2002) 94-97 (Tom Beghin) Consort lviii (2002) 83-84 (Gerald Gifford) EarlykeyboardJ xx (2002) 209-212 (Max H. Yount) EarlyM xxx/2 (2002) 285 (John Kitchen) MLetters lxxxiv/1 (Feb 2003) 89-91 (Dorothy De Val) | |
| | 426. | Stinson, Russell: J. S. Bach's Great Eighteen Organ Chorales. (2001), xii, 171p Oxford & New York: Oxford Univ. Press, 2001. xii, 171p. ISBN: 0-19-511666-6.
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys) MLetters lxxxiii/2 (May 2002) 286-287 (Stephen Rose) OrganYb xxxi (2002) 185-186 (Peter F. Williams) AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana) EarlyKeyboardJ xxi (2003) 103-113 (David Yearsley) | |
| | 427. | Schulenberg, David: Music of the Baroque. (2001), xiv, 349p New York: Oxford Univ. Press, 2001. xiv, 349p. ISBN: 0195122321. - 2nd edn. New York; Oxford: Oxford University Press, c2008. xiv, 370p. ISBN: 9780195331066.
Notes lviii/3 (2002) 565-567 (Michael Talbot) MLetters lxxxiii/3 (2002) 447-448 (Steven Saunders) | |
| | 428. | Renwick, William: The Langloz Manuscript: Fugal Improvisation through Figured Bass. (2001), xvii, 190p Oxford; New York: Oxford University Press, 2001. xvii, 190p. ISBN: 0-19-816729-6.
EarlyM xxix/3 (Aug 2001) 452-453 (David Yearsley) Tracker xlvi/4 (2002) 3-4 (Frank Morana) MLetters lxxxiii/2 (May 2002) 287-289 (Glen Wilson) AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana) Diapason xcvii/12 (Dec 2006) 16 (Lynn Cavanagh) | |
| | 429. | Ringhandt, Ute: Sunt lacrimae rerum: Untersuchungen zur Darstellung des Weinens in der Musik. BerlinerMSt 24 (2001), 244p [Zugl. PhD., Hochschule der Künste, Berlin, 2001] Sinzig: Studio, 2000. 244p. ISBN: 3-89564-077-8. (= Berliner Musik-Studien, 24)
Mf lxi/4 (Oct-Dec 2006) 429-430 (Thomas Schipperges) | |
| | 430. | Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks)
Yo Tomita, 'On-line Book Review' Notes lix/2 (Dec 2002) 346-348 (Matthew Dirst) TimesLiterarySuppl 5163 (15 Mar 2002) 21 (Martin J. Smith) EarlyKeyboardJ xxi (2003) 113-118 (William Cowdery) MLetters lxxxiv/1 (Feb 2003) 95-97 (Stephen Rose) 18cM i/2 (Sep 2004) 318-319 (Denis Collins) | |
| | 431. | Beicken, Suzanne J. (ed.): Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller. CambridgeMlTextsMonographs (2001), 199p Translated and edited by Suzanne J. Beicken. Cambridge: Cambridge University Press, 2001. 199p. ISBN: 0-521-35354-8 (hardback); 0-511-03718-X (eBook) (= Cambridge musical texts and monographs)
EarlyM xxx/1 (Feb 2002) 120-121 (Emma Kirkby) MLetters lxxxiv/2 (May 2003) 294-297 (John Potter) | |
| | 432. | Tilmouth, Michael; Kimbell, David; Savage, Roger (eds.): The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. [ce]Tovey (2001), li, 821p New York: Oxford Univ. Press, 2001. li, 821p. ISBN: 0-19-816214-6; 978-0-19-816214-8.
TimesLiterarySuppl 5155 (18 Jan 2002) 25 (Charles Rosen) BMSNews 93 (Mar 2002) 252-253 (Peter Shore) AdParnassum i/1 (Apr 2003) 169-174 (William M. Drabkin) MLetters lxxxiv/3 (Aug 2003) 500-502 (William M. Drabkin) | |
| | 433. | Marx, Hans Joachim (ed.): Beiträge zur Musikgeschichte Hamburgs vom Mittelalter bis in die Neuzeit. HamburgJbMw 18 (2001), 480p Frankfurt am Main; Berlin; Bern; Wien [u.a.]: Lang, 2001. 480p. ISBN: 3-631-38433-5. (= Hamburger Jahrbuch für Musikwissenschaft, 18)
Mf lvii/4 (2004) 448-449 (Wolfgang Marx) | |
| | 434. | Schader, Luitgard: Ernst Kurths 'Grundlagen des linearen Kontrapunkts': Ursprung und Wirkung eines musikpsychologischen Standardwerkes. MPSchRWissF (2001), ix, 353p [Zugl.: Frankfurt/Main, Univ., Diss., 2000] Stuttgart; Weimar: J. B. Metzler, 2001. ix, 353p ISBN: 3-476-45260-3; 978-3-476-45260-3. (= M-&-P-Schriftenreihe für Wissenschaft und Forschung)
MLetters lxxxiii/3 (2002) 492-493 (William M. Drabkin) | |
| | 435. | Ristow, Nicole; Sandberger, Wolfgang; Schröder, Dorothea (eds.): 'Critica musica'. Studien zum 17. und 18. Jahrhundert. Festschrift Hans Joachim Marx zum 65. Geburtstag. MPSchRWissF (2001), viii, 313p Stuttgart-Weimar, Metzler, 2001. viii, 313p. ISBN: 3-476-45261-1. (= M-&-P-Schriftenreihe für Wissenschaft und Forschung)
| |
| | 436. | Appel, Bernhard R.; Geck, Karl W.; Schneider, Herbert (eds.): Musik und Szene: Festschrift für Werner Braun zum 75. Geburtstag. SaarbrückStMw NF9 (2001), 705p herausgegeben von Bernhard R. Appel, Karl W. Geck, und Herbert Schneider. - Saarbrücken: Saarbrucker Druckerei und Verlag, 2001. 705p. ISBN: 3-930843-66-8. (= Saarbrücker Studien zur Musikwissenschaft, Neue Folge, 9)
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| | 437. | Pitarresi, Gaetano (ed.): Giacomo Francesco Milano e il ruolo dell'aristocrazia nel patrocinio delle attività musicali nel secolo XVIII. SopplimentiM 1/4 (2001), 619p [Giacomo Francesco Milano and the role of the aristocracy in the patronage of 18th-century musical activities] [conference Polistena; 12-14 Oct 1999] - Reggio Calabria: Laruffa, 2001. 619p. ISBN: 88-7221-158-1 (= Sopplimenti musicali. I: Documenti e studi musicologici, 4)
MLetters lxxxiv/1 (Feb 2003) 99-100 (Michael Talbot) ArteOrganariaOrganistica xiii/2 (Apr-Jun 2006) 55 (Francesco Tasini) | |
| | 438. | Hochreither, Karl: Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach. (2002), xiii, 217p Trans. by Melvin Unger. Lenham: Scarecrow Press, 2002. xiii, 217p. ISBN: 0-8108-4258-0.
AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) Diapason xciv/4:1121 (Apr 2003) 7-8 (James B. Hartman) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) 18cM i/1 (Mar 2004) 92-93 (Yo Tomita) MLetters lxxxv/4 (Nov 2004) 629-631 (Andrew Parrott) | |
| | 439. | Garratt, James: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. (2002), xiv, 318p Cambridge: Cambridge University Press, 2002. xiv, 318p. ISBN: 0-511-02917-9 (e-book); 0-521-80737-9 (hardback) (= Musical Performance and Reception)
MTimes cxliv (Fall-Winter 2003) 64 (Peter Phillips) JAMSoc lviii/2 (Summer 2005) 458-467 (David Gramit) Notes lx/3 (Mar 2004) 666-668 (Richard Boursy) MLetters lxxxvi/1 (Feb 2005) 139-142 19cMReview i/1 (2005) 176-179 (Stefano Mengozzi) | |
| | 440. | Ledbetter, David: Bach's Well-tempered Clavier: The 48 Preludes and Fugues. (2002), xvi, 414p New Haven and London: Yale University Press, 2002. xvi, 414p. ISBN: 0-300-09707-7.
EarlyMReview 87 (Feb 2003) 3-4 (Clifford Bartlett) AmerBachSocNL (Spring 2003) 4 (Matthew Dirst) AmerMTeacher lii/6 (Jun 2003) 98 (Andrew Hisey) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) MLetters lxxxv/2 (2004) 278-280 (Stephen Rose) EarlyKeyboardJ xx (2004) 104-108 (David Yearsley) ZsfLateinamerWien lxxxv/2 (May 2004) 278-280 (Stephen Rose) | |
| | 441. | Applegate, Celia; Potter, Pamela Maxine (ed.): Music and German national identity. [ce]MGermanNatIdentity (2002), x, 319p Chicago, IL: University of Chicago Press, 2002. x, 319p. ISBN: 0-226-02130-0; 0-226-02131-9.
LiedPopuläreKultur xlviii (2003) 343-346 (Elmar Juchem) MTimes cxliv (Fall 2003) 62-63 (Arnold Whittall) 19cMReview ii/2 (2005) 163-165 (T.J. Hochstrasser) JAMSoc lviii/2 (Summer 2005) 467-472 (Sebastian Klotz) RevueMcol xc/1 (2004) 159-161 (Esteban Buch) Canadian Journal of History xxxix/1 (Apr 2004) 143-145 (David Monod) Kurt Weill newsletter, xxi/2 (Fall 2003) 17-18 (Jürgen Thym) | |
| | 442. | Mai, Paul (ed.): Im Dienst der Quellen zur Musik: Festschrift Gertraut Haberkamp zum 65. Geburtstag. [fs]Haberkamp65 (2002), xvi, 633p hrsg. von der Bischöflichen Zentralbibliothek Regensburg durch Paul Mai. - Tutzing: Hans Schneider, 2002. xvi, 633p. ISBN: 3-7952-1069-0.
MLetters lxxxiv/4 (Nov 2003) 661 (Peter Ward Jones) FontesArtisM li/1 (Jan-Mar 2004) 139-140 (Chris Walton) | |
| | 443. | Kassler, Michael: Charles Edward Horn's Memoirs of his Father and Himself. (2003), ix, 131p Aldershot: Ashgate, 2003. ix, 131p. ISBN: 0-7546-3174-5.
McolAustralia xxvii (2004-2005) 133-134 (Maria McHale) MLetters lxxxvi/2 (May 2005) 297-298 (Nicholas Temperley) | |
| | 444. | Crist, Stephen A. (ed.): Bach in America. BachPerspectives 5 (2003), xiv, 227p Edited by Stephen A. Crist. - Urbana and Chicago: University of Illinois Press, 2003. xiv, 227p. (= Bach perspectives, 5)
OrganYb xxxii (2003) 206-207 (Peter Williams) MLetters lxxxv/2 (2004) 280-281 (J. Bunker Clark) ZsLateinamerWien lxxxv/2 (May 2004) 280-281 (J. Bunker Clark) | |
| | 445. | Hogwood, Christopher (ed.): The Keyboard in Baroque Europe. [ce]KeyboardInBaroqueEurope (2003), xviii, 245p [Festschrift for Gustav Leonhardt on his 75th birthday 30 May 2003] - Cambridge: Cambridge University Press, 2003. xviii, 245p. ISBN: 0-521-81055-8. (= Musical Performance and Reception)
EarlyMReview 97 (Feb 2004) 8-9 (Clifford Bartlett) EarlyMAmer x/2 (Summer 2004) 48 (Joyce Lindorff) EarlyKeyboardJ xxii (2004) 96-99 (Joyce Lindorff) ColMSymposium xliv (2004) (Jane Solose) Notes lx/4 (Jun 2004) 933-935 (Candace Bailey) MLetters lxxxvi/3 (Aug 2005) 471-473 (Kimberly Marshall) | |
| | 446. | Latham, Alison; Anderson, Julian (eds.): Sing, Ariel: Essays and thoughts for Alexander Goehr's seventieth birthday. [fs]Goehr70 (2003), xxii, 369p Aldershot: Ashgate, 2003. xxii, 369p. ISBN: 0-7546-3497-3; 978-0-7546-3497-3.
Tempo lviii/228 (Apr 2004) 42-44 (Edward Venn) 20cM iii/1 (Mar 2006) 150-154 (David Beard) The Delian (Oct 2006) 28-29 (Bill Marsh) MLetters lxxxix/2 (May 2008) 287-290 (Christopher Mark) | |
| | 447. | Bossuyt, Ignace: Johann Sebastian Bach: Christmas Oratorio. BWV 248. (2004), 185p Translated (from Dutch) by Stratton Bull. Leuven University Press, 2004. 185p. ISBN: 90-5867-421-5. (= Ancorae, 19)
Bach xxxvii/1 (2006) 78-81 (Kerry McCarthy) MLetters lxxxvii/4 (Nov 2006) 654-656 (John Butt) | |
| | 448. | Maunder, Richard: The scoring of Baroque concertos. (2004), vii, 287p Woodbridge: Boydell & Brewer, 2004. vii, 287p. ISBN: 1-8438-3071-X.
MTimes cxlv/1889 (winter 2004) 85-89 (Peter Williams) MLetters lxxxvi/2 (May 2005) 287-290 (Michael Talbot) EarlyM xxxiii/3 (Aug 2005) 506-508 (Andrew Manze) | |
| | 449. | Horton, Peter: Samuel Sebastian Wesley: A Life. (2004), xx, 385p Oxford: Oxford University Press, 2004. xx, 385p. ISBN: 0-19-816146-8.
Brio xli/2 (Fall-Winter 2004) 63-64 (Timothy Storey) MLetters lxxxvi/2 (May 2005) 298-299 (Michael Hurd) Diapason xcvi/2 (Feb 2005) 16 (John K. Ogasapian) | |
| | 450. | Kassler, Michael (ed.): The English Bach Awakening. Knowledge of J. S. Bach and his Music in England 1750-1830. [ce]EnglishBachAwakening (2004), xxi, 455p Aldershot: Ashgate Publishing, 2004. xxi, 455p. ISBN: 1-84014-666-4. (= Music in 19th-Century Britain)
Organ no.331 (2005) 50 (David Baker) EarlyMReview 107 (Jun 2005) 30 (Clifford Bartlett) BachNotesLBS (Sep 2005) [4] (Margaret Steinitz) MTimes cxlvi/1892 (Autumn 2005) 98-100 (Peter Williams) BachJb xci (2005) 311-315 (Anselm Hartinger) Mf lviii/4 (Oct-Dec 2005) 445-446 (Jürgen Schaarwächter) Brio xlii/2 (Autumn/Winter 2005) 39 (Katherine Hogg) McolAustralia xxviii (2005-6) 127-130 (Dorottya Fabian) MLetters lxxxvii/2 (May 2006) 321-322 (Nicholas Temperley) OrganYb xxxv (2006) 166-167 (Peter Williams) 18cStud xl/2 (2007) 330-334 (Matthew Dirst) | |
| | 451. | Waczkat, Andreas (ed.): Beiträge vom Symposium 'Suiten und Partiten im Werk Johann Sebastian Bachs und seiner Zeitgenossen' am 8. November 2003 im Rahmen des 4. 'Köthener Herbstes'. CöthenerBachH 12 (2004), 124p Wissenschaftliche Leitung des Symposiums: Werner Breig. [Red.: Andreas Waczkat]. - Köthen: Druckhaus Köthen, 2004. ISBN: 3-910017-08-8; 978-3-910017-08-5. (= Cöthener Bach-Hefte, 12; Veröffentlichungen der Bach-Gedenkstätte Schloss Köthen, Historisches Museum für Mittelanhalt; 29)
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| | 452. | Reininghaus, Frieder; Schneider, Katja (eds.): Experimentelles Musik- und Tanztheater. HandbM20Jh 7 (2004), 391p Frieder Reininghaus; Katja Schneider (Hrsg.). In Verbindung mit Sabine Sanio. Unter Mitarb. von Barbara Barthelmes ... - Laaber: Laaber-Verlag, 2004. 391p. ISBN: 3-89007-427-8. (= Handbuch der Musik im 20. Jahrhundert / wiss. Beirat: Elmar Budde ..., Bd. 7)
NZsfM(2) clxvi/3 (May-Jun 2005) 83-84 (Peter Becker) Tonkunst v/5 (2005) (Stephanie Schroedter) OMzs lx/8 (Aug 2005) 83-84 (Katrin Stöck) Positionen 64 (Aug 2005) 51 (Julia Schröder) MLetters lxxxvii/1 (Jan 2006) 72-81 (Björn Heile) | |
| | 453. | Lehmann, Karen: Die Anfänge einer Bach-Gesamtausgabe: Editionen der Klavierwerke durch Hoffmeister und Kühnel (Bureau de Musique) und C. F. Peters in Leipzig 1801–1865: Ein Beitrag zur Wirkungsgeschichte J. S. Bachs. LeipzigerBeitrBachF 6 (2004), 560p [PhD diss., Technische Universität Dresden, 2004] - Hildesheim: Georg Olms Verlag. 2004. 560p. ISBN: 3-487-12577-3. (= Leipziger Beiträge zur Bachforschung, 6)
ForumMbib xxv/4 (2004) 499-501 (Frank Hilberg) MLetters lxxxvi/4 (Nov 2005) 642-644 (James Garratt) | |
| | 454. | Melamed, Daniel R.: Hearing Bach's Passions. (2005), vii, 178p New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6. - rev. edn, 2016. xxiii, 178p. ISBN: 978-0-19-049012-6
EarlyMReview 108 (Aug 2005) 34-35 (Clifford Bartlett) Diapason xcvi/10 (Oct 2005) 16 (James B. Hartman) EarlyMPerformer 16 (Nov 2005) 20-21 (Bryan White) ColMSymposium xlvi (2006) 136-142 (Matthew C. Harden) Notes lxii/3 (Mar 2006) 724-727 (Daniel F. Boomhower) BachNotesABS 5 (2006) 14-15 (Jason B. Grant) EarlyM xxxiv/2 (May 2006) 296-298 (John Butt) Goldberg 42 (Oct 2006) 20-21 (Uri Golomb) HNetReviews (Oct 2006) (Janette Tilley) MLetters lxxxviii/1 (Feb 2007) 141-144 (Alan Howard) 18cM iv/1 (Mar 2007) 147-149 (Robin A. Leaver) ChoralJ xlviii/6 (Dec 2007) 85-86 (Steven Grives) BritishJ18cStud xxxi/1 (Mar 2008) 168-169 (Rebecca Lloyd) | |
| | 455. | Applegate, Celia: Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the 'St. Matthew Passion'. (2005), xii, 288p Ithaca and London: Cornell University Press, 2005. xii, 288p. ISBN: 080144389X.
American historial review. Class I. cxi/5 (2006) 1616-1617 (Pamela M. Potter) Sehepunkte vi/11 (2006) Nations and Nationalism xiii/2 (2007) 355-356 (Mark-Daniel Schmid) Central European History xl/2 (2007) 345-347 (Robert Benzucha) Ian Mills, 'On-line Book Review' BachNotesABS 7 (2007) 12 (Matthew Dirst) MLetters lxxxviii/2 (May 2007) 364-367 (James Garratt) ZsfGesWiss lv/7 (2007) 681 (Hansjakob Ziemer) TimesLiterarySuppl 5423 (Mar 2007) 18 (Richard Coles) JRMA cxxxiii/2 (2008) 334-352 (Ryan Minor) GermHist xxvi/2 (Apr 2008) 319-320 (Matthew Jeffries) | |
| | 456. | Collins, Paul: The Stylus Phantasticus and Free Keyboard Music of the North German Baroque. (2005), xvi, 229p Ashgate, Aldershot and Burlington, Vt., 2005. xvi, 229p. ISBN: 0-7546-3416-7.
AmerOrganist(2) xl/6 (2006) 86 (Bynum Petty) OrganYb xxxv (2006) 172-173 (Peter F. Williams) Notes lxiii/2 (Dec 2006) 342-345 (Leon W. Couch III) JSMI ii (2006-2007) 51-53 (Charles E. Brewer) MLetters lxxxviii/3 (2007) 487-489 (Geoffrey Webber) J18cStud xxxi/1 (Mar 2008) 186-189 (Bettina Varwig) Diapason xcix/8 (2008) 17-18 (John Collins) | |
| | 457. | Dürr, Alfred: The Cantatas of J. S. Bach. With their Librettos in German-English Parallel Text. (2005), xvi, 967p Revised and translated by Richard Jones. Oxford: Oxford University Press, 2005. xvi, 967p. ISBN: 0-19-816707-5.
EarlyMReview 108 (Aug 2005) 35-36 (Clifford Bartlett) EarlyMPerformer 18 (May 2006) 44-45 (Peter Holman) Goldberg 39 (Apr 2006) 14-16 (Brian Robins) EarlyM xxxv/1 (Feb 2007) 118-120 (Stephen Rose) MLetters lxxxix/4 (2008) 620-622 (Matthew Dirst) | |
| | 458. | Kerman, Joseph: The Art of Fugue. Bach Fugues for Keyboard, 1715-1750. (2005), xxiii, 173p Includes a CD with New Recordings by Davitt Moroney and Karen Rosenak. - Berkeley, Los Angeles, London: University of California Press, 2005. xxiii, 173p. ISBN: 0-520-24358-7. - paperback edn. 2008. ISBN: 0-520-25389-2.
McolAustralia xxviii (2005-6) 143-146 (Denis Collins) EarlyM xxxiv/3 (Aug 2006) 489-492 (David Yearsley) London review of books xxviii/18 (21 Sep 2006) 27-29 (David Matthews) MResearchForum xxi (2006) 71-76 (Kristy Swift) SaggiatoreM xiv/2 (2007) 413-425 (Mario Carrozzo) MLetters lxxxviii/3 (Aug 2007) 505-507 (Paul Walker) J18cStud xxxi/1 (Mar 2008) 186-189 (Bettina Varwig) | |
| | 459. | Keefe, Simon P. (ed.): The Cambridge companion to the concerto. [ce]CambridgeCompanion_Concerto (2005), xxv, 309p Cambridge: Cambridge University Press, 2005. xxv, 309p. ISBN: 0-521-83483-X; 0-521-54257-X.
MLetters lxxxviii/3 (Aug 2007) 523-528 (David A. Grayson) | |
| | 460. | Hinrichsen, Hans-Joachim; Lütteken, Laurenz (eds.): Zwischen Bekenntnis und Verweigerung: Schostakowitsch und die Symphonie im 20. Jahrhundert SchweizerBeitrMf 3 (2005), 128p [Conference in Zürich, 2002] Kassel [u.a.]: Bärenreiter, 2005. 128p. ISBN: 3-7618-1830-0; 978-3-7618-1830-5. (= Schweizer Beiträge zur Musikforschung, 3)
OMzs lxii/2 (Feb 2007) 69-71 (Dorothea Redepenning) | |
| | 461. | Stinson, Russell: The Reception of Bach's Organ Works from Mendelssohn to Brahms. (2006), viii, 232p New York: Oxford University Press, 2006. viii, 232p. ISBN-10: 0-19-517109-8; ISBN-13: 978-0-19-517109-9; paperback, 2010. ISBN-10: 0199747032; ISBN-13: 978-0199747030.
AmerOrganist(2) xli/1 (Jan 2007) 102 (Arthur Lawrence) FontesArtisM liv/1 (Jan-Mar 2007) 150-151 (Bryan Proksch) Diapason xcviii/7 (Jul 2007) 1516 (James B. Hartman) MLetters lxxxix/3 (Aug 2008) 419-421 (James Garratt) BachNotesABS 12 (Winter 2010) (Matthew Dirst) OrganYb xl (2011) 191-193 (Peter Williams) | |
| | 462. | Frisch, Walter: German modernism: Music and the arts. (2006), x, 322p Berkeley, CA: University of California Press, 2005. x, 322p.ISBN: 0-520-243-01-3. (= California studies in 20th-century music, 3) [Chapter 4: Bach, Regeneration, and Historicist Modernism: Bach as Healthy, Bach as Healer; Bach Reception around 1900; Bach and Music Theory; Reger’s Historicist Modernism; Reger’s Organ Suite, op. 16; Reger’s Bach Variations, op. 81; Reger’s Piano Concerto, op. 114; Busoni’s Bach; Toward Irony: Mahler and Bachian Counterpoint]
MTimes cxlvii/1894 (Spring 2006) 102-103 (Arnold Whittall) MLetters lxxxvii/4 (Nov 2006) 658-663 (Nick Chadwick) DrammaturgiaM iii (Spring 2007) 109-112 (Angela Fodale) Mf lx/4 (Oct-Dec 2007) 404-406 (Markus Böggemann) | |
| | 463. | Sposato, Jeffrey S.: The price of assimilation: Felix Mendelssohn and the nineteenth- century anti-Semitic tradition. (2006), xi, 228p Oxford [u.a.]: Oxford Univ. Press, 2006. xi, 228p. ISBN: 0-19-514974-2. - Revised verson of the author's PhD diss., 'The price of assimilation: The oratorios of Felix Mendelssohn and the nineteenth-century anti-Semitic tradition' (PhD: Brandeis University, 2000. 977p.)
Notes lxiv/2 (Dec 2007) 275-278 (John Michael Cooper) SaggiatoreM xv/1 (2008) 122-129 (Maria Teresa Arfini) JRMA cxxxiii/2 (2008) 334-352 (Ryan Minor) JAMSoc lxii/3 (Fall 2009) 737-742 (Daniel Beller-McKenna) | |
| | 464. | Hudson, Richard: Jumping to conclusions: The falling-third cadences in chant, polyphony, and recitative. (2006), xii, 205p Aldershot: Ashgate, 2006. xii, 205p. ISBN: 0-7546-5407-9.
Organ lxxxv/337 (2006) 53 MLetters lxxxviii/4 (2007) 667-670 (Emma C. Hornby) | |
| | 465. | Bozarth, George S. (ed.): On Brahms and his circle: Essays and documentary studies. DetroitMMcol 49 (2006), xxviii, 418p Sterling Heights, MI: Harmonie Park, 2006. xxviii, 418p. ISBN: 0-89990-136-0; 978-0-89990-136-7. (= Detroit monographs in musicology/Studies in music, 49)
| |
| | 466. | Burstein, L. Poundie; Gagne, David (eds.): Structure and meaning in tonal music: Festschrift in honor of Carl Schachter. HarmonolSer 12 (2006), 290p Hillsdale, NY: Pendragon Press, 2006. 290p. ISBN: 1-57647-112-8. (= Harmonologia series, 12)
MLetters lxxxix/2 (2008) 252-255 (William M. Drabkin) | |
| | 467. | Wolitz, Stefan: Fanny Hensels Chorwerke. WienVeröffMw 42 (2006), 292p [Teilw. zugl.: Wien, Univ., Diss., 2006] Tutzing: Schneider, 2007. 292p. ISBN: 978-3-7952-1252-0. (= Wiener Veröffentlichungen zur Musikwissenschaft, 42)
ForumMbib xxix/4 (2008) 351-352 (Peter Sühring) | |
| | 468. | Tatlow, Ruth: When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. (2007), 203-216 In: What kind of theory is music theory? Epistemological Exercises in Music Theory and Analysis. (= Acta Universitatis Stockholmiensis. Stockholm; Studies in Musicology, 1). Stockholm: Stockholm University, 2007, pp.203-216.
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| | 469. | Gjerdingen, Robert O.: Music in the galant style. (2007), ix, 514p Being an essay on various schemata characteristic of eighteenth-century music for courtly chambers, chapels, and theaters, including tasteful passages of music drawn from most excellent chapel masters in the employ of noble and noteworthy personages, said music all collected for the reader's delectation on the World Wide Web. - New York, NY: Oxford University Press, 2007, ix, 514p. ISBN: 0-19-531371-2; 978-0-19-531371-0.
TijdschrMtheorie xiii/2 (May 2008) 175-177 (Hans Aerts) JSMI iv (2008) 101-105 (Martin Adams) MLetters xc/3 (Aug 2009) 468-473 (W. Dean Sutcliffe) EarlyM xxxvii/4 (Nov 2009) 669-671 (Matthew Pritchard) JMcolResearch xxix/1 (Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) TheoryPractice xxxvi (2011) 225-235 (Paul Moravitz Sherrill) JAMSoc lxiv/1 (Spring 2011) 244-253 (Mary Sue Morrow) | |
| | 470. | Williams, Peter F.: J.S. Bach: A Life in Music. (2007), xi, 405p Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6.
BachNotesLBS (Sep 2007) [2] (Margaret Steinitz) MTimes cxlviii/1901 (Winter 2007) 108-109 (Patricia Howard) FontesArtisM lv/1 (2008) 88-89 (Kathryn Lowerre) MLetters lxxxix/4 (2008) 622-625 (John Butt) JAMSoc lxii/2 (Summer 2009) 475-482 (Matthew Dirst) OrganistsReview xcix/1 (Mar 2013) 64 (Paul Hale) | |
| | 471. | Jones, Richard D. P.: The Creative Development of Johann Sebastian Bach. Volume 1: 1695-1717. Music to Delight the Spirit. (2007), xiv, 335p Oxford: Oxford University Press, 2007. xiv, 335p. ISBN13: 978-0-19-816440-1; ISBN10: 0-19-816440-8.
BachNotesLBS (Sep 2007) [3] (Yo Tomita) MTimes cxlviii/1900 (Fall 2007) 97-99 (Peter Williams) EarlyM xxxv/4 (Nov 2007) 634-635 (David Ledbetter): 'Early Bach' MLetters lxxxix/4 (Nov 2008) 618-620 (Stephen Rose) BachNotesABS 12 (Winter 2010) (Matthew Dirst) | |
| | 472. | Butler, Gregory G.: J. S. Bach's Concerted Ensemble Music, The Ouverture. BachPerspectives 6 (2007), xi, 163p Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6)
EarlyMHist xxvi (2007) 271-282 (John Butt) MLetters lxxxix/2 (May 2008) 248-252 (Michael Talbot) EarlyMReview 118 (Apr 2007) 31-32 (Clifford Bartlett) EarlyM xxxv/4 (Nov 2007) 635-637 (Bettina Varwig) | |
| | 473. | Perrey, Beate (ed.): The Cambridge companion to Schumann. [ce]CambridgeCompanion_Schumann (2007), xx, 302p Ed. Beate Perrey. - Cambridge: Cambridge University Press, 2007. xx, 302p. ISBN: 0-521-78341-0; 978-0-521783-41-5; 0-521-78950-8; 978-0-521-78950-9.
Intersections xxviii/2 (2008) 128-137 (Glen Carruthers) MTimes cxlix/1902 (Spring 2008) 99-104 (Leo Black) AdParnassum vi/11 (Apr 2008) 103-109 (Claudia Macdonald) Notes lxv/1 (Sep 2008) 64-67 (John Michael Cooper) MLetters xc/3 (Aug 2009) 491-492 (James Garratt) | |
| | 474. | Cowgill, Rachel; Rushton, Julian (eds.): Europe, empire, and spectacle in nineteenth-century British music. [ce]M19cBritain (2007), xv, 299p Aldershot: Ashgate, 2007. xv, 299p. ISBN: 0-7546-5208-4; 978-0-7546-5208-3. (= Music in nineteenth-century Britain)
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| | 475. | McClary, Susan: Reading music: Selected essays. [ce]McClary (2007), xxiv, 352p Aldershot: Ashgate, 2007. xxiv, 352p. ISBN: 0-7546-2672-5; 978-0-7546-2672-5.
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| | 476. | Zager, Daniel (ed.): Music and Theology: Essays in Honor of Robin A. Leaver. [fs]Leaver65 (2007), vii, 281p Lanham, Maryland: Scarecrow Press, 2007. vii, 281p. ISBN: 0-8108-5414-7; 978-0-8108-5414-7.
BachNotesABS 8 (Fall 2007) 14-15 (Mark A. Peters) MLetters lxxxix/4 (Nov 2008) 614-618 (David Yearsley) McolAustralia xxx (2008) 126-130 (Stephanie Rocke) Music reference services quarterly, xi/3-4 (2008) 255-259 (Brian Doherty) | |
| | 477. | Peters, Mark A.: A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. (2008), xviii, 192p Aldershot, England; Burlington, VT: Ashgate Publishing, 2008. xviii, 192p. ISBN: 978-7546-5810-8.
Tanja Kovacevic, 'On-line Book Review' MTimes cl/1906 (2009) 104-106 (Patricia Howard) Consort lv (summer 2009) 100-101 (Tom Cooper) MLetters xci/1 (Feb 2010) 100-102 (Bettina Varwig) J18cStud xxxiv/1 (2011) 130-131 (Tanja Kovacevic) | |
| | 478. | O'Loghlin, Michael: Frederick the Great and his musicians: the viola da gamba music of the Berlin School. (2008), xviii, 253p Aldershot: Ashgate, 2008. xviii, 253p. ISBN: 0-7546-5885-6; 978-0-7546-5885-6.
Context 34 (2009) 124-125 (Ruth Wilkinson and John Stinson) EarlyMReview 129 (Feb 2009) 20-21 (Clifford Bartlett) 18cM vii/1 (Mar 2010) 124-126 (Lucy Robinson) Concerto xxvii/232 (Jun-Jul 2010) 20-21 (Annette Otterstedt) McolAustralia xxxii/1 (Jul 2010) 138-140 (Jason Stoessel) MLetters xci/3 (Aug 2010) 424-426 (Charles Medlam) | |
| | 479. | Butler, Gregory G. (ed.): J. S. Bach's Concerted Ensemble Music, The Concerto. BachPerspectives 7 (2008), xi, 121p Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7)
EarlyMHist vi (2007) 271-282 (John Butt) OrganYb xxxvii (2008) 216-217 (Peter Williams) MLetters lxxxix/2 (2008) 248 (Michael Talbot) EarlyM xxxvi/4 (2008) 632-633 (Bettina Varwig): 'Bach's ouvertures' MLetters xc/2 (May 2009) 280-283 (David Yearsley) | |
| | 480. | Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.): About Bach. [ce]AboutBach (2008), xi, 216p [Dedicated with affection to Christoph Wolff, Scholar; Mentor; Friend.] Urbana and Chicago: University of Illinois Press, 2008. xi, 216p. ISBN: 13: 978-0-252-03344-5; 10-0-252-03344-2.
Jennifer Kleeman Dieffenbach, 'On-line Book Review' BachJb xcv (2009) 243-246 (Peter Wollny) Notes lxvi/2 (Dec 2009) 297-300 (Matthew Dirst) | |
| | 481. | Myers, Robin; Mandelbrote, Giles; Harris, Michael (eds.): Music and the book trade from the sixteenth to the twentieth century. [cr]London2007 (2008), xv, 218p [29th annual conference on book trade history (2007): London] - London: British Library, 2008. xv, 218p. ISBN: 0-7123-5030-6; 1-58456-245-5; 978-0-7123-5030-3; 978-1-58456245-0. (= Publishing pathways)
Notes lxvi/4 (Jun 2010) 801-803 (Sarah J. Adams) MLetters xcii/1 (Feb 2011) 118-120 (Peter Ward Jones) | |
| | 482. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.): Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58)
FontesArtisM lviii/2 (Apr-Jun 2011) 191-192 (Barry J. Zaslow) | |
| | 483. | Ledbetter, David: Unaccompanied Bach. Performing the Solo Works. (2009), xii, 348p New Haven and London: Yale University Press, 2009. xii, 348p. ISBN: 0-300-978-141511.
MTimes cli/1912 (Autumn 2010) 115-116 (Peter Williams) MLetters xciii/2 (2012) 234-236 (John Butt) | |
| | 484. | Hellaby, Julian: Reading musical interpretation: Case studies in solo piano performance. (2009), xiv, 199p Farnham: Ashgate, 2009. xiv, 199p. ISBN: 0-7546-6667-0; 978-0-7546-6667-7. [BWV 912]
MLetters xcii/1 (Feb 2011) 163-165 (Elaine King) | |
| | 485. | Keefe, Simon P. (ed.): The Cambridge history of eighteenth-century music. [ce]CambridgeHist18cM (2009), xvii, 798p Cambridge: Cambridge University Press, 2009. xvii, 798p. ISBN: 0-521-66319-9; 978-0-521-66319-9.
18cStud xliv/3 (Spring 2011) 419-421 (W. Dean Sutcliffe) MLetters xciii/1 (Feb 2012) 132-136 (Harry White) | |
| | 486. | Butt, John: Bach's Dialogue with Modernity: Perspectives on the Passions. (2010), 336p Cambridge: Cambridge University Press, 2010. 336p. ISBN-13: 978-0521883566. - Paperback edn. 2012. ISBN 978-1107404601.
MLetters xcii/4 (Nov 2011) 649-650 (Robin A. Leaver) SvenskTidskrMf xciii (2011) 90-92 (Jonas Lundblad) BachNotesABS 16 (Spring 2012) [1]-4 (Mark A. Peters) Bach xliii/1 (2012) 84-89 (William R. Everdell) J18cStud xxxv/2 (Jun 2012) 273-274 (Bettina Varwig) | |
| | 487. | Mazullo, Mark: Shostakovich's preludes and fugues: Contexts, style, performance. (2010), xviii, 286p New Haven, CT: Yale University Press, 2010. xviii, 286p. ISBN: 0-300-14943-3; 978-0-300-14943-2.
MLetters xciii/2 (May 2012) 267-269 (Sarah Reichardt Ellis) | |
| | 488. | Cathé, Philippe; Douche, Sylvie; Duchesneau, Michel; Benoit-Otis, Marie-Hélène (eds.): Charles Koechlin: Compositeur et humaniste [ce]CharlesKoechlin (2010), 609p sous la direction de Philippe Cathé, Sylvie Douche et Michel Duchesneau ; édité par Marie-Hélène Benoit-Otis. - Paris, France: J. Vrin, 2010. 609p. ISBN: 2-7116-2316-5; 978-2-7116-2316-7.
FontesArtisM lix/2 (Apr-Jun 2012) 233-235 (Beat A. Föllmi) Notes lxix/1 (Sep 2012) 76-78 (Elinor Olin) MLetters xciii/4 (Nov 2012) 615-617 (Deborah Mawer) | |
| | 489. | Fontijn, Claire; Parisi, Susan (eds.): Fiori musicali: Liber amicorum Alexander Silbiger. DetroitMMcol 55 (2010), xv, 595p edited by Claire Fontijn and Susan Parisi. - Sterling Heights, MI: Harmonie Park Press, 2010. xv, 595p. ISBN:978-0-89990-144-2.
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| | 490. | Lange, Carsten; Reipsch, Brit (eds.): Telemann, der musikalische Maler - Telemann-Kompositionen im Notenarchiv der Sing-Akademie zu Berlin: Bericht über die internationale wissenschaftliche Konferenz, Magdeburg, 10. bis 12. März 2004, anlässlich der 17. Magdeburger Telemann-Festtage. TelemannKonfBer 15 (2010), 487p Hildesheim: Georg Olms, 2010. 487p. ISBN: 978-3-487-14336-1. (= Telemann-Konferenzberichte, 15)
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| | 491. | Felbick, Lutz: Lorenz Christoph Mizler de Kolof: Schüler Bachs und pythagoreischer 'Apostel der Wolffischen Philosophie'. (2011), 720p [Zugl. Diss., Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, 2011] - Hildesheim: G. Olms, 2011. 720p. ISBN: 978-3-487-14675-1. (= Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig - Schriften, 5)
ForumMbib xxxiv/1 (2013) 77-79 (Manuel Bärwald) Mf lxviii/1 (2015) 79-80 (Birger Petersen) | |
| | 492. | Melamed, Daniel R. (ed.): J. S. Bach and the Oratorio Tradition. BachPerspectives 8 (2011), ix, 153p Edited by Daniel R. Melamed. - Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. (= Bach Perspectives, 8)
MLetters xciii/2 (May 2012) 236-238 (John Butt) Soc18cMNL 25 (Spring 2015) 7-8 (Mark Nabholz) | |
| | 493. | Kassler, Michael (ed.): The music trade in Georgian England. [ce]MTradeGeorgianEngland (2011), xviii, 560p Farnham: Ashgate, 2011. xviii, 560p. ISBN: 0-7546-6065-6; 978-0-7546-6065-1.
EarlyMReview 144 (Oct 2011) 11-12(Clifford Bartlett) EarlyMAmer xvii/4 (Winter 2011) 52 (Mark Kroll) Soc18cMNL 18 (Oct 2011) 14-15 FontesArtisM lix/1 (Jan-Mar 2012) 67-69 (Karen E. McAulay) MBox 25(6 (Summer, 2012) 233-234 (Evans, David (Great Britain), Evans, Lesley) EarlyM xl/3 (Aug 2012) 505-506 (Michael Gale) MLetters xciii/4 (Nov 2012) 605-607 (Susan Wollenberg) McolAustralia xxxiv/2 (Dec 2012) 307-315 (Derek Miller) | |
| | 494. | Tatlow, Ruth: Bach's numbers: compositional proportion and significance. (2015), xviii, 411p New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3.
Zoltán Szabó, 'On-line Book Review' Bach xlvii/1 (2016) 70-74 (Zoltán Szabó) EarlyM xliv/2 (May 2016) 341-343 (David Ledbetter) MLetters xcvii/3 (Aug 2016) 504-506 (Yo Tomita) MAnalysis xxxvi/2 (Jul 2017) 268-281 (Robert Wells) | |
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