Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Butler, Gregory G.: The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 (1999), 9-32 | |
| 2. | Mann, Alfred: Introduction: Bach's Orchestral Music. BachPerspectives 4 (1999), 3-8 | |
| 3. | Swack, Jeanne: Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. BachPerspectives 4 (1999), 33-53 | |
| 4. | Koster, John: The Harpsichord Culture in Bach's Environs. BachPerspectives 4 (1999), 57-77 | |
| 5. | Oleskiewicz, Mary: The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? BachPerspectives 4 (1999), 79-110 | |
| 6. | Schulenberg, David: Versions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 (1999), 111-135 | |
| 7. | Renwick, William: 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. BachPerspectives 4 (1999), 137-158 | |
| 8. | Walker, Paul: Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives 4 (1999), 159-179 | |
| 9. | Butt, John: Bach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 (1999), 181-198 | |
| 10. | Schulenberg, David (ed): The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 (1999), x, 208p | |