Bach Bibliography Search Result - Ordered Chronologically

Author : wr.
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Swr.:   Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. AllgDBib 67/2 (1786), 450-454. Kurze Nachrichten. 5. Schöne Künste. Musik.
	2.	Kuwratil, Karl:   Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. MsTheaterM 11/49 (9 Dec 1865), 769-772. [Klaviermusik von Bach, Beethoven, Schubert, Mendelssohn, Schumann, Liszt und Brahms]
	3.	Gräbner, Augustus Lawrence:   Johann Sebastian Bach. Milwaukee, Wis.: Leo Brumder, 1885. 160p.
	4.	Owrid, Oswald Clayton:   Bach Concordance and Cyclopaedia. [Unpublished manuscript notes on the work of J.S. Bach, compiled sometime in the early 1900s by Oswald Clayton Owrid, organist of St. Andrew's Church, Sharrow, Sheffield].
	5.	Haward, Lawrence:   Bach's Last Fugues. MTimes 55/853 (Mar 1914), 161-164.
	6.	wr.:   Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. LeipzigerNNachrichten (15 Jun 1935), 1p.
	7.	Field, Lawrence Nathaniel:   Johann Sebastian Bach. Minneapolis: Augsburg Publishing House, 1943, xxiv, 166p
	8.	Munier-Wroblewski, Mia:   Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. Heilbronn u. Stuttgart: Eugen Salzer, 1949, 77p. 1970, 78p. (= Salzers Großdruck-Bibl.) [BWV 106]
	9.	Locklair, Wriston:   Philadelphia Orchestra Presents Bach Oratorio. MAmer 80/ 1 (1 Jan 1960), 40-41. Orchestras in New York.
	10.	Locklair, Wriston:   Harpsichord Society in All-Bach Program. MAmer 80/ 5 (Apr 1960), 23. Orchestras.
	11.	Lawrence, H. R. G.:   Bach's Organ Works: Plea for New Recording. MTimes 101/1408 (Jun 1960), 383. Correspondence.
	12.	Lowrie, Donald A.:   Bach's American Organ. MJournal 20/8 (Nov-Dec 1962), 14, 92.
	13.	Wright, Denis (arr.):   My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach arranged by Denis Wright. - London: Ascherberg, Hopwood & Crew, [1965] 8p. Pl.-Nr.: A.H. & C. Ltd. 12834; P.S. 635. (= Mortimer series of part-songs, 635) [BWV 68/2]
	14.	Wroñski, Tadeusz:   Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. Kraków: Polskie Wydawnictwo Muzyczne 1970. 123p. [J. S. Bachs Sonaten und Partiten für Violine solo. Das Studium von Ausgabe und Ausführung.]	Latin 2
	15.	Wright, Craig:   Rare music manuscripts at Harvard. CurMcol 10 (1970), 25-33.
	16.	Gulick, Walter Lawrence:   Hearing: Physiology and Psychophysics. New York; London: Oxford University Press, 1971. xi, 258p. ISBN: 0195012992.
	17.	Lowrie, Donald A:   Bach's Miracle at Cöthen. MJournal 31/10 (Dec 1973), 17.
	18.	Sears, Lawrence:   Bethlehem / USA. Amerikanisches Bachfest. Musica 27/4 (Jul-Aug 1973), 373-374. Berichte. Übers.: Richard K. Watt
	19.	Wright, Peter:   English Bach Festival. Bach. MMusicians 24/11: 287 (Jul 1976), 45-47. Concerts
	20.	Wright, Josephine R. B.:   George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66/1 (Jan 1980), 65-82.
	21.	Wright, Barbara David:   Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. diss. (1983), viii, 458p. PhD diss., University of Michigan, 1983. viii, 458p [DA 84-02407] - Dissertation Abstracts International, 44-10A, p. 2924, AAF8402407
	22.	Lowry, Palmer D.:   A Comprehensive Index of J. S. Bach Books in English. Organ 63/247 (Jan 1984), 36-45.
	23.	Lawrence, Arthur:   Bach in 1985. AmerOrganist(2) 19/ 3 (Mar 1985), 65-67.
	24.	Lawrence, Arthur:   Bach's Choral Music: An Overview. AmerOrganist(2) 19/ 3 (Mar 1985), 130-133.
	25.	Wright, Barbara D.:   Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. [p]AMS_Allegheny (Apr 1985) A paper read at the Allegheny Chapter meeting of the AMS on 20 April 1985 at the University of Pittsburgh.
	26.	Archbold, Lawrence:   Style and Structure in the Praeludia of Dietrich Buxtehude. Ann Arbor, Mich.: UMI Research Press, 1985. vi, 349p. ISBN: 0-8357-1646-5. (= Studies in musicology, 82) [contents]
	27.	Schenbeck, Lawrence:   Tempo and Rhythm in Bach's Cantata Ouvertures. Bach 17/1 (Jan 1986), 3-17.
	28.	Archbold, Lawrence:   Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. StudM(AnnArbor) 107 (1990), 87-106. In: Church, stage, and studio: music and its contexts in seventeenth-century Germany / edited by Paul Walker; with a foreword by Lynn Edwards. Ann Arbor, Mich; London: UMI Research Press, 1990. x, 396p. (= Studies in music (Ann Arbor, Mich), 107) ISBN: 0-8357-1938-3. pp. 87-106.
	29.	Nawroth, Ute:   Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek. JbPreussKulturbesitz 28 (1991), 329-338.
	30.	Kramer, Lawrence:   Felix culpa: Goethe and the image of Mendelssohn. [ce]MendelssohnStudies (1992), 64-79.
	31.	Wright, Craig:   The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas (Nov 1999) A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin.
	32.	Wright, Craig:   Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. BachJb 86 (2000), 51-65.
	33.	Wright, Craig:   The Maze and the Warrior: Symbols in Architecture, Theology, and Music. Cambridge, MA: Harvard University Press, 2001. ix, 351p. ISBN: 0-674-00503-1.
	34.	Wroñski, Tadeusz (ed.):   Sei solo a violino / Johann Sebastian Bach. Krakow: Polskie Wydawnictwo Muzyczne, 2001. x, 103p. ISBN: 83-224-1770-5. [BWV 1001-1006]	Latin 2
	35.	Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.):   20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. [Verantw. für Programm und Inhalt Hans Georg Schäfer] Köthener Bach GmbH. - Köthen: Druckhaus Köthen, 2004. 132p; Beilage 19p. [contents]
	36.	Wraight, Denzil:   Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. Concerto 22/201 (Apr-May 2005), 25-29.
	37.	Wainwright, Jonathan; Holman, Peter:   From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. Proceedings of the national early music association conference held, in association with the department of music, University of York and the York Early Music Festival, at the University College of Ripon and York St John, York, 2-4 Juli 1999. Aldershot: Ashgate, 2005. xx, 321p. ISBN: 0 7546 0403 9; ISBN-13 978-0-7546-0403-7. [contents]
	38.	Wraight, Denzil:   Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? JbStaatInstMf 2004 (2005), 123-135.
	39.	Bernstein, Lawrence F.:   Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. [p]AMS_Washington (Oct 2005) A paper read at the American Musicological Society Washington DC, 27-30 October 2005, Annual meeting.
	40.	Golan, Lawrence (ed.):   Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. Includes the Performance Practice essay: Performing Bach. Scholarly Performing Edition. Pacific, MO: Mel Bay Publications, 2006. 91p. ISBN: 0-7866-7333-8. [BWV 1001-1006]
	41.	Wraight, Denzil:   Recent approaches in understanding Cristofori's fortepiano. EarlyM 34/4 (Nov 2006), 635-644.
	42.	Bernstein, Lawrence F.:   'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23/1 (Winter 2006), 3-61.
	43.	Skowron, Zbigniew (ed.):   Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. Kraków: Musica Iagellonica, 2007. 686p. ISBN: 978-83-7099-148-7. [contents]	Latin 2
	44.	Anson-Cartwright, Mark:   Elision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26/3 (Oct 2007), 267-288.
	45.	Wright, Craig:   Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. [The maze and the warrior: Symbols in architecture, theology, and music] trans. Michaela Ponocná - Praha: Vysehrad, 2008. 340p. ISBN: 978-80-7021-923-2	Latin 2
	46.	Bernstein, Lawrence F.:   Ockeghem as 'The Bach of his day'. [fs]Blackburn (2009), 577-592.
	47.	Johnson, Lawrence B.:   Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. BCJ 94 (Jul 2011), 33. A night for Bach, Japan and the human spirit. [Review of concert of B-minor Mass performed at University of Michigan on 24 March 2011, published in The Detroit News, 25 March 2011; trans. Hiroko Nakamura]
	48.	Wright, Lesley A.:   Camille Saint-Saëns. [ce]19cChoralM (2012), 274-283. [Oratorio de Noël, op. 12 being modelled from Bach's Christmas Oratorio, Part 2]
	49.	Molinaro, Lawrence:   Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton (Jul 2012) A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.
	50.	Anson-Cartwright, Mark:   Subdominant Returns in the Vocal Music of J.S. Bach. 18cM 10/2 (Sep 2013), 253-276.
	51.	Anson-Cartwright, Mark:   The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58/1 (Spring 2014), 1-24.
	52.	Anson-Cartwright, Mark:   The opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 (2016), 12-25.
	53.	Molinaro, Lawrence:   Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 107-108.
	54.	Anson-Cartwright, Mark:   Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49/2 (2018), 266-280. Roundtable: Bach in the Music Theory Classroom
	55.	Bania, Maria; Skowroneck, Tilman:   Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48/2 (2020), 193-203.