Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Swr.: Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. AllgDBib 67/2 (1786), 450-454 | |
| 2. | Kuwratil, Karl: Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. MsTheaterM 11/49 (9 Dec 1865), 769-772 | |
| 3. | Gräbner, Augustus Lawrence: Johann Sebastian Bach. (1885), 160p | |
| 4. | Owrid, Oswald Clayton: Bach Concordance and Cyclopaedia. (c 1900) | |
| 5. | Haward, Lawrence: Bach's Last Fugues. MTimes 55/853 (Mar 1914), 161-164 | |
| 6. | wr.: Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. LeipzigerNNachrichten (15 Jun 1935), 1p | |
| 7. | Field, Lawrence Nathaniel: Johann Sebastian Bach. (1943), xxiv, 166p | |
| 8. | Munier-Wroblewski, Mia: Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. (1949), 77p | |
| 9. | Locklair, Wriston: Philadelphia Orchestra Presents Bach Oratorio. MAmer 80/ 1 (1 Jan 1960), 40-41 | |
| 10. | Locklair, Wriston: Harpsichord Society in All-Bach Program. MAmer 80/ 5 (Apr 1960), 23 | |
| 11. | Lawrence, H. R. G.: Bach's Organ Works: Plea for New Recording. MTimes 101/1408 (Jun 1960), 383 | |
| 12. | Lowrie, Donald A.: Bach's American Organ. MJournal 20/8 (Nov-Dec 1962), 14, 92 | |
| 13. | Wright, Denis (arr.): My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach (1965), 8p | |
| 14. | Wroñski, Tadeusz: Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. (1970), 123p | Latin 2
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| 15. | Wright, Craig: Rare music manuscripts at Harvard. CurMcol 10 (1970), 25-33 | |
| 16. | Gulick, Walter Lawrence: Hearing: Physiology and Psychophysics. (1971), xi, 258p | |
| 17. | Lowrie, Donald A: Bach's Miracle at Cöthen. MJournal 31/10 (Dec 1973), 17 | |
| 18. | Sears, Lawrence: Bethlehem / USA. Amerikanisches Bachfest. Musica 27/4 (Jul-Aug 1973), 373-374 | |
| 19. | Wright, Peter: English Bach Festival. Bach. MMusicians 24/11: 287 (Jul 1976), 45-47 | |
| 20. | Wright, Josephine R. B.: George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66/1 (Jan 1980), 65-82 | |
| 21. | Wright, Barbara David: Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. diss. (1983), viii, 458p | |
| 22. | Lowry, Palmer D.: A Comprehensive Index of J. S. Bach Books in English. Organ 63/247 (Jan 1984), 36-45 | |
| 23. | Lawrence, Arthur: Bach in 1985. AmerOrganist(2) 19/ 3 (Mar 1985), 65-67 | |
| 24. | Lawrence, Arthur: Bach's Choral Music: An Overview. AmerOrganist(2) 19/ 3 (Mar 1985), 130-133 | |
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| 26. | Archbold, Lawrence: Style and Structure in the Praeludia of Dietrich Buxtehude. StudMcol 82 (1985), vi, 349p | |
| 27. | Schenbeck, Lawrence: Tempo and Rhythm in Bach's Cantata Ouvertures. Bach 17/1 (Jan 1986), 3-17 | |
| 28. | Archbold, Lawrence: Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. StudM(AnnArbor) 107 (1990), 87-106 | |
| 29. | Nawroth, Ute: Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek. JbPreussKulturbesitz 28 (1991), 329-338 | |
| 30. | Kramer, Lawrence: Felix culpa: Goethe and the image of Mendelssohn. [ce]MendelssohnStudies (1992), 64-79 | |
| 31. | Wright, Craig: The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas (Nov 1999) | |
| 32. | Wright, Craig: Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. BachJb 86 (2000), 51-65 | |
| 33. | Wright, Craig: The Maze and the Warrior: Symbols in Architecture, Theology, and Music. (2001), ix, 351p | |
| 34. | Wroñski, Tadeusz (ed.): Sei solo a violino / Johann Sebastian Bach. (2001), x, 103p | Latin 2
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| 35. | Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.): 20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. BachFesttage_Köthen 20 (2004), 132p | |
| 36. | Wraight, Denzil: Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. Concerto 22/201 (Apr-May 2005), 25-29 | |
| 37. | Wainwright, Jonathan; Holman, Peter: From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 (2005), xx, 321p | |
| 38. | Wraight, Denzil: Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? JbStaatInstMf 2004 (2005), 123-135 | |
| 39. | Bernstein, Lawrence F.: Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. [p]AMS_Washington (Oct 2005) | |
| 40. | Golan, Lawrence (ed.): Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. (2006), 91p | |
| 41. | Wraight, Denzil: Recent approaches in understanding Cristofori's fortepiano. EarlyM 34/4 (Nov 2006), 635-644 | |
| 42. | Bernstein, Lawrence F.: 'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23/1 (Winter 2006), 3-61 | |
| 43. | Skowron, Zbigniew (ed.): Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. [fs]Helman70 (2007), 686p | Latin 2
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| 44. | Anson-Cartwright, Mark: Elision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26/3 (Oct 2007), 267-288 | |
| 45. | Wright, Craig: Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. (2008), 340p | Latin 2
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| 46. | Bernstein, Lawrence F.: Ockeghem as 'The Bach of his day'. [fs]Blackburn (2009), 577-592 | |
| 47. | Johnson, Lawrence B.: Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. BCJ 94 (Jul 2011), 33 | |
| 48. | Wright, Lesley A.: Camille Saint-Saëns. [ce]19cChoralM (2012), 274-283 | |
| 49. | Molinaro, Lawrence: Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton (Jul 2012) | |
| 50. | Anson-Cartwright, Mark: Subdominant Returns in the Vocal Music of J.S. Bach. 18cM 10/2 (Sep 2013), 253-276 | |
| 51. | Anson-Cartwright, Mark: The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58/1 (Spring 2014), 1-24 | |
| 52. | Anson-Cartwright, Mark: The opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 (2016), 12-25 | |
| 53. | Molinaro, Lawrence: Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury (Jul 2016) | |
| 54. | Anson-Cartwright, Mark: Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49/2 (2018), 266-280 | |
| 55. | Bania, Maria; Skowroneck, Tilman: Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48/2 (2020), 193-203 | |