Bach Bibliography
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Author : wr.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Swr.:   Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. AllgDBib 67/2 (1786), 450-454
2. Kuwratil, Karl:   Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. MsTheaterM 11/49 (9 Dec 1865), 769-772
3. Gräbner, Augustus Lawrence:   Johann Sebastian Bach. (1885), 160p
4. Owrid, Oswald Clayton:   Bach Concordance and Cyclopaedia. (c 1900)
5. Haward, Lawrence:   Bach's Last Fugues. MTimes 55/853 (Mar 1914), 161-164
6. wr.:   Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. LeipzigerNNachrichten (15 Jun 1935), 1p
7. Field, Lawrence Nathaniel:   Johann Sebastian Bach. (1943), xxiv, 166p
8. Munier-Wroblewski, Mia:   Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. (1949), 77p
9. Locklair, Wriston:   Philadelphia Orchestra Presents Bach Oratorio. MAmer 80/ 1 (1 Jan 1960), 40-41
10. Locklair, Wriston:   Harpsichord Society in All-Bach Program. MAmer 80/ 5 (Apr 1960), 23
11. Lawrence, H. R. G.:   Bach's Organ Works: Plea for New Recording. MTimes 101/1408 (Jun 1960), 383
12. Lowrie, Donald A.:   Bach's American Organ. MJournal 20/8 (Nov-Dec 1962), 14, 92
13. Wright, Denis (arr.):   My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach (1965), 8p
14. Wroñski, Tadeusz:   Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. (1970), 123p Latin 2
15. Wright, Craig:   Rare music manuscripts at Harvard. CurMcol 10 (1970), 25-33
16. Gulick, Walter Lawrence:   Hearing: Physiology and Psychophysics. (1971), xi, 258p
17. Lowrie, Donald A:   Bach's Miracle at Cöthen. MJournal 31/10 (Dec 1973), 17
18. Sears, Lawrence:   Bethlehem / USA. Amerikanisches Bachfest. Musica 27/4 (Jul-Aug 1973), 373-374
19. Wright, Peter:   English Bach Festival. Bach. MMusicians 24/11: 287 (Jul 1976), 45-47
20. Wright, Josephine R. B.:   George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66/1 (Jan 1980), 65-82
21. Wright, Barbara David:   Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. diss. (1983), viii, 458p
22. Lowry, Palmer D.:   A Comprehensive Index of J. S. Bach Books in English. Organ 63/247 (Jan 1984), 36-45
23. Lawrence, Arthur:   Bach in 1985. AmerOrganist(2) 19/ 3 (Mar 1985), 65-67
24. Lawrence, Arthur:   Bach's Choral Music: An Overview. AmerOrganist(2) 19/ 3 (Mar 1985), 130-133
25. Wright, Barbara D.:   Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. [p]AMS_Allegheny (Apr 1985)
26. Archbold, Lawrence:   Style and Structure in the Praeludia of Dietrich Buxtehude. StudMcol 82 (1985), vi, 349p
27. Schenbeck, Lawrence:   Tempo and Rhythm in Bach's Cantata Ouvertures. Bach 17/1 (Jan 1986), 3-17
28. Archbold, Lawrence:   Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. StudM(AnnArbor) 107 (1990), 87-106
29. Nawroth, Ute:   Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek. JbPreussKulturbesitz 28 (1991), 329-338
30. Kramer, Lawrence:   Felix culpa: Goethe and the image of Mendelssohn. [ce]MendelssohnStudies (1992), 64-79
31. Wright, Craig:   The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas (Nov 1999)
32. Wright, Craig:   Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. BachJb 86 (2000), 51-65
33. Wright, Craig:   The Maze and the Warrior: Symbols in Architecture, Theology, and Music. (2001), ix, 351p
34. Wroñski, Tadeusz (ed.):   Sei solo a violino / Johann Sebastian Bach. (2001), x, 103p Latin 2
35. Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.):   20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. BachFesttage_Köthen 20 (2004), 132p
36. Wraight, Denzil:   Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. Concerto 22/201 (Apr-May 2005), 25-29
37. Wainwright, Jonathan; Holman, Peter:   From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 (2005), xx, 321p
38. Wraight, Denzil:   Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? JbStaatInstMf 2004 (2005), 123-135
39. Bernstein, Lawrence F.:   Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. [p]AMS_Washington (Oct 2005)
40. Golan, Lawrence (ed.):   Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. (2006), 91p
41. Wraight, Denzil:   Recent approaches in understanding Cristofori's fortepiano. EarlyM 34/4 (Nov 2006), 635-644
42. Bernstein, Lawrence F.:   'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23/1 (Winter 2006), 3-61
43. Skowron, Zbigniew (ed.):   Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. [fs]Helman70 (2007), 686p Latin 2
44. Anson-Cartwright, Mark:   Elision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26/3 (Oct 2007), 267-288
45. Wright, Craig:   Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. (2008), 340p Latin 2
46. Bernstein, Lawrence F.:   Ockeghem as 'The Bach of his day'. [fs]Blackburn (2009), 577-592
47. Johnson, Lawrence B.:   Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. BCJ 94 (Jul 2011), 33
48. Wright, Lesley A.:   Camille Saint-Saëns. [ce]19cChoralM (2012), 274-283
49. Molinaro, Lawrence:   Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton (Jul 2012)
50. Anson-Cartwright, Mark:   Subdominant Returns in the Vocal Music of J.S. Bach. 18cM 10/2 (Sep 2013), 253-276
51. Anson-Cartwright, Mark:   The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58/1 (Spring 2014), 1-24
52. Anson-Cartwright, Mark:   The opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 (2016), 12-25
53. Molinaro, Lawrence:   Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury (Jul 2016)
54. Anson-Cartwright, Mark:   Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49/2 (2018), 266-280
55. Bania, Maria; Skowroneck, Tilman:   Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48/2 (2020), 193-203

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