Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : W., S.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | W., S.: Wien (Drittes Gesellschaftsconcert -- Siebentes und achtes Concert der Philharmoniker). AllgMlZ(3) 8/16 (16 Apr 1873), 252-254 |  |
 | 2. | Miyazawa, Sosuke (ed.): Nanki ongaku toshokan shozo kamingusu bunko ni tsuite. [ce]NankiOngakuToshokan (1926), 80, 83p |  |
 | 3. | Tsugawa, Shuichi (ed.): Orugan Dokuso Kyokushu / Bach Kyoku = Orgelwerke bear. für Harmonium / J. S. Bach. (1941) | |
 | 4. | Tokawa, Seiichi: Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. OngakuGaku 2 (Jan 1960) | |
| | 5. | Tokawa, Seiichi: Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] OngakuGeijutsu 19/11 (1961) | |
| | 6. | Tokawa, Seiichi: Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. OngakuGeijutsu 20/ 2 (1962) | |
| | 7. | Tokawa, Seiichi: Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. OngakuGeijutsu 20/ 3 (1962) | |
| | 8. | Tokawa, Seiichi: J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. OngakuGeijutsu 20/ 4 (1962) | |
| | 9. | Tokawa, Seiichi: Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. OngakuGaku 8 (Feb 1963) | |
| | 10. | Tokawa, Seiichi: Atarashii Bach Zo towa nani ka? OngakuGeijutsu 21/10 (1963), 6-13 | |
| | 11. | Tokawa, Seiichi: Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. OngakuGeijutsu 22/ 3 (1964), 10-13 | |
| | 12. | Tokawa, Seiichi: Ongakushi-jo no Bach. RekodoGeijutsu 16/13 (1967), 244-247 | |
| | 13. | Lowe, Steven: Bach Collegium and Kantorei Stuttgart. HiFiMAmer 19/ 1 (Jan 1969), 11f |  |
| | 14. | Tokawa, Seiichi: Shin Bach Zenshu ni tsuite. TokyoGakugeiDaigakuKiyo 2/24 (Feb 1973), 35-45 | |
| | 15. | Tokawa, Seiichi: Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. BulMusashinoAcadM 10 (1976), 27-63 | |
| | 16. | Town, Stephen: Sechs Lieder von Christian Fürchtegott Gellert (1715-1769) as set by Carl Philipp Emanuel Bach and Ludwig van Beethoven: a comparative analysis. NATSBul 36/5 (1980), 30-36 | |
| | 17. | Tokawa, Seiichi: Bach Kenkyu Noto. Sakkyoku Nendai o megutte. (1981), 222p | |
| | 18. | Ishikawa, Shoji: Invention to Sinfonia. Gakushu e no Tebiki / Bach. (1982), 121p | |
| | 19. | Tokawa, Seiichi: 'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 BachAkadJapan (1984), 56-61 | |
| | 20. | Tokawa, Seiichi: 'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. BachAkadJapan (1984), 64-70 | |
| | 21. | Tokawa, Seiichi: Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. BachAkadJapan (1984), 86-89 | |
| | 22. | Sumikura, Ichiro; Tokawa, Seiichi: Bach no Shogai. BessatsuTaiyo (1984), 50-55, 58-61, 64-67, 70-73 | |
| | 23. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi: Bach o yomu. [ce]Bach_no_subete (1985), 116-129 | |
| | 24. | Higuchi, Ryuichi; Ichikawa, Shin'ichiro (eds.): Bach no subete. Johann Sebastian Bach, Werk und Wirkung. [ce]Bach_no_subete (1985), 174p | |
| | 25. | Tokawa, Seiichi: Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. OngakuGeijutsu 43/ 4 (1985), 90-99 | |
| | 26. | Ichikawa, Shin'ichiro: Gendai no Bach Kenkyu -10- Bach Enso no Chihei to Tenbo. OngakuGeijutsu 43/12 (1985), 79-86 | |
| | 27. | Town, Stephen: Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. JMcolResearch 6/4 (1986), 311-351 | |
| | 28. | Ichikawa, Shin'ichiro: Bach to Vivaldi. BCJ 2 (Jul 1992) | |
| | 29. | Town, Stephen: Mendelssohn's Lobgesang: A fusion of forms and textures. ChoralJ 33/4 (Nov 1992), 19-26 | |
| | 30. | Sunagawa, Shigehisa: Noboritsumetara Dai-Bach. (1993), 149p | |
| | 31. | Ichikawa, Shin'ichiro: Bach o torimaku Kenbangakki. BachZenshu 11 (Jul 1996), 101-108 | |
| | 32. | Tokawa, Seiichi: Bach to 'Heikinritsu'. BachZenshu 12 (Jul 1998), 28-49 | |
| | 33. | Chentowa, Sofia: Bach und Schostakowitsch. MgesMittOstEurop 5 (1999), 85-98 | |
| | 34. | Brown, Sebastian: Well-Tempered Integrations: A new approach to prelude-fugue relationship. PianoJ 20/58 (Spring 1999), 10-12 | |
| | 35. | Tokawa, Seiichi: Kogaku no Onritsu. (2001), 288p | |
| | 36. | Tokawa, Seiichi: Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. (2003), 252p | |
| | 37. | Itō, Seiko; Koiwa, Shinji: Aspekte der Bach-Rezeption in Japan. [ce]BeitrBReception1945-2005 (2007), 35-58 | |
| | 38. | Tokawa, Seiichi: Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. (2008), 256p | |
| | 39. | Tokawa, Seiichi: Senpo-ron. Gakuri no Kenkyu. (2010), 174p | |
 | 40. | Marlowe, Sarah Rose: Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. diss. (2013), xiv, 199p | |
| | 41. | Marlowe, Sarah: A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. Bach 49/2 (2018), 365-387 | |