Bach Bibliography
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Author : Tatlow, Ruth
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Tatlow, Ruth Mary:   LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. (1987) PhD diss., London U., King's Col. 1987.
2. Tatlow, Ruth Mary:   Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 (1988), 157-180.
3. Tatlow, Ruth:   J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20/3 (Fall 1989), 15-33. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205.
4. Tatlow, Ruth:   J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70/2 (Apr 1989), 191-205.
5. Tatlow, Ruth:   Bach and the Riddle of the Number Alphabet. Cambridge University Press, 1991. 186p
6. Tatlow, Ruth:   Towards a theory of Bach's Pre-compositional Style. [p]BS_Dortmund (Jan 1998) Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.
7. Tatlow, Ruth Mary:   Towards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 (1999), 19-36.
8. Tatlow, Ruth:   Bach: Easter Cantatas BWV 6 and 66. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 580-2(3) (February 2000).
9. Tatlow, Ruth:   Bach: Funeral Cantatas BWV 106, 118, 198. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 581-2(2) (March 2000)
10. Tatlow, Ruth:   Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 582-2(2) (April 2000)
11. Tatlow, Ruth:   Bach: Ascension Cantatas BWV 11, 128, 37, 43. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 583-2(0) (May 2000)
12. Tatlow, Ruth:   Bach: Whitsun Cantatas BWV 34, 59, 74, 172. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 584-2(9) (June 2000)
13. Tatlow, Ruth:   Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 585-2(8) (July 2000)
14. Tatlow, Ruth:   Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 586-2(7) (September 2000)
15. Tatlow, Ruth:   Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 587-2(6) (September 2000)
16. Tatlow, Ruth:   Bach: Advent Cantatas BWV 61, 36, 62. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 588-2(5) (October 2000)
17. Tatlow, Ruth:   Bach: Christmas Cantatas BWV 63, 64, 121, 133. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 589-2(4) (October 2000)
18. Tatlow, Ruth:   Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 590-2. (November 2000)
19. Tatlow, Ruth:   Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 591-2(9) (November 2000)
20. Tatlow, Ruth:   Bach and Numbers. BachCantataPilgrimage 2 (2000), 97-102.
21. Tatlow, Ruth:   Numerical ordering in Bach's church cantatas. [p]AMS_Toronto (Nov 2000) Papers read at 'Musical Intersections': American Musicological Society at University of Toronto on 3 November 2000.
22. Tatlow, Ruth:   Pre-compositional ordering in Bach's B Minor Mass. [p]IS_Oxford (Dec 2000) a paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in the Holywell Music Room, Oxford, 19 December 2000
23. Tatlow, Ruth:   The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. [p]IS_Oxford (Dec 2001) A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University.
24. Tatlow, Ruth:   Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 (2002), 121-133.
25. Tatlow, Ruth:   N is for 'Numerology'. http://www.bbc.co.uk/radio3/bach/bachatozn.shtml
26. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw (Jul 2006) A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.
27. Tatlow, Ruth:   Collections, bars and numbers: Analytical coincidence or Bach's design? [p]BNUK_Oxford (Dec 2006) A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006.
28. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 (2006), 69-85. http://www.bachnetwork.co.uk/ub1/tatlow.pdf
29. Tatlow, Ruth:   When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. In: What kind of theory is music theory? Epistemological Exercises in Music Theory and Analysis. (= Acta Universitatis Stockholmiensis. Stockholm; Studies in Musicology, 1). Stockholm: Stockholm University, 2007, pp.203-216.
30. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth:   Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5].
31. Tatlow, Ruth:   Parallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 (2007), 118-136.
32. Tatlow, Ruth:   Numerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 (2007), 435-445. Unpublished and revised paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in Oxford on 19 December 2000, with author's postscript.
33. Tatlow, Ruth:   N för Numerologi. TidigMusik 3 (2007), 18-19.
34. Tatlow, Ruth:   Collections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 (2007), 37-58. http://www.bachnetwork.co.uk/ub2/tatlow.pdf
35. Tatlow, Ruth:   Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem (May 2008) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania
36. Tatlow, Ruth:   Bach's Numbers? Proportional parallelism and its implications for musicology. [p]AMS_Nashville (Nov 2008) A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008.
37. Tatlow, Ruth:   Demystifying Myths: Bach and his Use of Numbers. [p]BICB_Leeds (Jul 2008) A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008.
38. Tatlow, Ruth:   Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 (2008), 109-111. http://www.bachnetwork.co.uk/ub3/DIALOGUE REPORT.pdf
39. Tatlow, Ruth:   Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 (2009), 135-155.
40. Tatlow, Ruth:   Buttstett-Mattheson dispute and its implication for Bach Studies. [p]BNUK_Oxford (Jan 2009) A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009.
41. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.:   Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf
42. Tatlow, Ruth:   The Goblet of Anise: A Case Study. [p]BICB_Belfast (Jul 2010) A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.
43. [Leaver, Robin A.; Tatlow, Ruth]:   Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 (2010), 99-103. http://www.bachnetwork.co.uk/ub5/report.pdf
44. Tatlow, Ruth:   Bach no Ango: Kazu to Sozo no Himitsu. [Bach's Secret Codes: Secret of Number and Creation] Trans. (of 'Bach and the Riddle of the Number Alphabet') by Natsuki Mori. - Tokyo: Seidosha, 2011. 311, 63p. ISBN 978-4-7917-6587-4.
45. Tatlow, Ruth:   Discovering New and Recovering Old Methods for Bach Studies. [p]BNUK_Edinburgh (Aug 2011) A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011.
46. Tatlow, Ruth:   Report on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 (2011), 61-65. Reports. http://www.bachnetwork.co.uk/ub6/DM5-Report%20UB6.pdf
47. Tatlow, Ruth:   Challenging Virtuality: A Personal Reflection. BachNotesABS 16 (Spring 2012), 5-6. http://www.americanbachsociety.org/Newsletters/BachNotes16.6.pdf
48. Tatlow, Ruth:   Narratives of Number in the Neumeister Chorales. [p]BICB_Southampton (Jul 2012) A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.
49. Tatlow, Ruth:   Challenging Virtuality: A Personal Reflection. UnderstandingBach 7 (2012), 57-60. Current Concerns. [Repr. of BachNotesABS 16, 2012, with footnotes] http://www.bachnetwork.co.uk/ub7/UB7_Tatlow.pdf
50. Tatlow, Ruth:   Bach's Numbers: Sources, Exegesis, Illustrations. Session presented with Joel Speerstra at GoART, Gothenburg, 21 March 2013.
51. Tatlow, Ruth:   Parallel proportions, numerical structures and Harmonie in Bach's autograph score. [ce]ExploringBMM (2013), 142-162. Part II: structure and proportion.
52. Tatlow, Ruth:   Bach's Numbers: Sources, Exegesis, Illustrations. [p]BNUK_Warsaw (Jul 2013) A dialogue session presented at the Six J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. Moderated by Michael Marissen.
53. Tatlow, Ruth:   Theoretical Hope: A Vision for the Application of Historically Informed Theory. UnderstandingBach 8 (2013), 33-60. http://www.bachnetwork.co.uk/ub8/UB8_Tatlow.pdf
54. Tatlow, Ruth:   Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. [p]BICB_Salzburg (Jul 2014) A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014.
55. Tatlow, Ruth:   Bach's numbers: compositional proportion and significance. New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3.
56. Tatlow, Ruth:   A Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 (2015), 141-157. Current Concerns. http://bachnetwork.co.uk/ub10/ub10-tatlow-wbmb.pdf
57. Tatlow, Ruth:   Ten Years of Bach Network UK. UnderstandingBach 10 (2015), 175-177. Reports. [Repr. from 18cM 12/1 (2014) 121-148] http://bachnetwork.co.uk/ub10/ub10-tatlow-10y.pdf
58. Tatlow, Ruth:   A Lutheran Theology of Proportions and Bach's Response. [p]ABS_SouthBend (Apr 2016) A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.
59. Tatlow, Ruth:   Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138.
60. Tatlow, Ruth:   A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 (2016), 149-152. Reports. http://bachnetwork.co.uk/ub11/ub11-tatlow_dr.pdf
61. Tatlow, Ruth:   Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. [cr]Warsaw2017 (2019), 51-81. Abstract: pp.82-83 (pl), 84-85 (en).

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