Bach Bibliography
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Author : Tatlow, Ruth
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Tatlow, Ruth Mary:   LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. (1987)
2. Tatlow, Ruth Mary:   Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 (1988), 157-180
3. Tatlow, Ruth:   J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20/3 (Fall 1989), 15-33
4. Tatlow, Ruth:   J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70/2 (Apr 1989), 191-205
5. Tatlow, Ruth:   Bach and the Riddle of the Number Alphabet. (1991), 186p
6. Tatlow, Ruth:   Towards a theory of Bach's Pre-compositional Style. [p]BS_Dortmund (Jan 1998)
7. Tatlow, Ruth Mary:   Towards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 (1999), 19-36
8. Tatlow, Ruth:   Bach: Easter Cantatas BWV 6 and 66. (2000)
9. Tatlow, Ruth:   Bach: Funeral Cantatas BWV 106, 118, 198. (2000)
10. Tatlow, Ruth:   Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. (2000)
11. Tatlow, Ruth:   Bach: Ascension Cantatas BWV 11, 128, 37, 43. (2000)
12. Tatlow, Ruth:   Bach: Whitsun Cantatas BWV 34, 59, 74, 172. (2000)
13. Tatlow, Ruth:   Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. (2000)
14. Tatlow, Ruth:   Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. (2000)
15. Tatlow, Ruth:   Bach: Advent Cantatas BWV 61, 36, 62. (2000)
16. Tatlow, Ruth:   Bach: Christmas Cantatas BWV 63, 64, 121, 133. (2000)
17. Tatlow, Ruth:   Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. (2000)
18. Tatlow, Ruth:   Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. (2000)
19. Tatlow, Ruth:   Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. (2000)
20. Tatlow, Ruth:   Bach and Numbers. BachCantataPilgrimage 2 (2000), 97-102
21. Tatlow, Ruth:   Numerical ordering in Bach's church cantatas. [p]AMS_Toronto (Nov 2000)
22. Tatlow, Ruth:   Pre-compositional ordering in Bach's B Minor Mass. [p]IS_Oxford (Dec 2000)
23. Tatlow, Ruth:   The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. [p]IS_Oxford (Dec 2001)
24. Tatlow, Ruth:   Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 (2002), 121-133
25. Tatlow, Ruth:   N is for 'Numerology'. (2005)
26. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw (Jul 2006)
27. Tatlow, Ruth:   Collections, bars and numbers: Analytical coincidence or Bach's design? [p]BNUK_Oxford (Dec 2006)
28. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 (2006), 69-85
29. Tatlow, Ruth:   When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. (2007), 203-216
30. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth:   Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5]
31. Tatlow, Ruth:   Parallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 (2007), 118-136
32. Tatlow, Ruth:   Numerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 (2007), 435-445
33. Tatlow, Ruth:   N för Numerologi. TidigMusik 3 (2007), 18-19
34. Tatlow, Ruth:   Collections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 (2007), 37-58
35. Tatlow, Ruth:   Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem (May 2008)
36. Tatlow, Ruth:   Bach's Numbers? Proportional parallelism and its implications for musicology. [p]AMS_Nashville (Nov 2008)
37. Tatlow, Ruth:   Demystifying Myths: Bach and his Use of Numbers. [p]BICB_Leeds (Jul 2008)
38. Tatlow, Ruth:   Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 (2008), 109-111
39. Tatlow, Ruth:   Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 (2009), 135-156
40. Tatlow, Ruth:   Buttstett-Mattheson dispute and its implication for Bach Studies. [p]BNUK_Oxford (Jan 2009)
41. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.:   Bach & Friends: Three Reviews of Muchael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4
42. Tatlow, Ruth:   The Goblet of Anise: A Case Study. [p]BICB_Belfast (Jul 2010)
43. [Leaver, Robin A.; Tatlow, Ruth]:   Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 (2010), 99-103
44. Tatlow, Ruth:   Bach no Ango: Kazu to Sozo no Himitsu. (2011), 311, 63p
45. Tatlow, Ruth:   Discovering New and Recovering Old Methods for Bach Studies. [p]BNUK_Edinburgh (Aug 2011)
46. Tatlow, Ruth:   Report on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 (2011), 61-65
47. Tatlow, Ruth:   Challenging Virtuality: A Personal Reflection. BachNotesABS 16 (Spring 2012), 5-6
48. Tatlow, Ruth:   Narratives of Number in the Neumeister Chorales. [p]BICB_Southampton (Jul 2012)

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