Bach Bibliography
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1. Lehms, Georg ChristianHistorische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. 1710 119p
2. Lehms, Georg ChristianGottgefälliges Kirchen-Opffer. 1711 x, 85p
3. Kühmstedt, FriedrichGradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. 1839-1845 107p
4. Kühmstedt, Friedrich (ed.)DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6. 1842 41p
5. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Präludium und Fuga [in] F-moll von Joh. Sebastian Bach. SämtOrgComp 2 c 1849 18-24
6. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach. SämtOrgComp 21 1850 18-23
7. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH. SämtOrgComp 22 1850 11p
8. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Toccata et Fuga [in D-moll von] Joh. Sebastian Bach. SämtOrgComp 49 c 1850 141-152
9. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH. SämtOrgComp 31 1851 7p
10. [Brahms, Johannes] (ed.)Sonate für zwei Claviere componirt von Wilh. Friedemann Bach. 1864 19p
11. Riemsdijk, J. C. M. vanBach en de Bachvereeniging. Fantasio en Riehl. Caecilia 28 16 15 Aug 1871 142-143
12. Rimsky-Korsakow, NicolasSix Variations sur le thème B-A-C-H ; op. 10. 1878 21p
13. Brahms, Johannes (arr.)CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. 1879 15p
14. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Erste Bearbeitung. 1879 5p
15. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Zweite Bearbeitung. 1879 5p
16. Riemsduk, J. C. M. vanJean Adam Reinken. TijdschrVNedMgeschied 2 1 1885 61-91
17. Ziemssen, LudwigJohann Sebastian Bach: ein Lebensbild für Deutschlands Jugend. 1889 128p
18. Abdy Williams, Charles FrancisThe Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 1892-93 73-93
19. Wurmser, Lucien (ed.)Fantasia II pour piano par Ph. E. Bach. 1900 7p
20. Abdy Williams, Charles FrancisBach. 1900 xi, 223p
21. Hohenemser, RichardJ. K. F. Fischer als Klavier- und Orgelkomponist. MhMges 34 9, 10, 11 1902 154-163; 167-176; 183-189
22. Ziemssen, LudwigJohann Sebastian Bach. 1905 133p
23. Hohenemser, R.Die Pflege der Bachschen Musik in der Gegenwart. MlRundschau(München) 3 8f 1907
24. Abdy Williams, Charles FrancisReminiscences of a Pilgrimage through the Bach Country. Musician 17 9 Sep 1912 590-591
25. Dahms, WalterMendelssohn. 1919 202p
26. Vaughan Williams, Ralph (ed.)Jesus Took to Him the Twelve. 1921 12p
27. Williams, Gerrard (arr.)Aria from Suite in D / J.S. Bach 1922 3p + 2 St
28. Williams, Gerrard (arr.)Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach 1922 6p + 2 St
29. Brahms, Johannes; Mayer-Mahr, Moritz (eds.)Studien für Klavier. EdSchott 1426 1922 41p
30. Williams, Gerrard (arr.)Sixth Organ Sonata in G. 1923
31. Dahms, WalterJohann Sebastian Bach. Ein Bild seines Lebens. 1924 123p
32. Williams, P. F.A Bach Course. MTimes 65 977 Jul 1924 641
33. Vaughan Williams, Ralph; Foster, Arnold (arr.)THE 'GIANT' FUGUE / J. S. BACH. OxfordOrchSer 6 1925 4p
34. Williams, Gerrard (arr.)BACH PRELUDE from 'English' Suite No.5 OxfordOrchSer 7 1925 19p
35. Adams, H. M.Passion Music Before 1724. MLetters 7 3 Jul 1926 258-264
36. Williams, Gerrard (arr.)A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. OxfordOrchSer 21 1926 36p
37. Williams, Gerrard (arr.)Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach 1927 12p
38. Williams, Gerrard (arr.)Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach 1927 7p
39. Williams, Gerrard (arr.)Prelude and fugue in G major. Fugue / J.S. Bach 1927 9p
40. Brahms, Johannes (arr.)Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach EdBreitkopf 6018 1927 15p
41. Hohenemser, Richard (ed.)Zwölf zwei- und dreistimmigen kleine Stücke für die Flöte oder Violine und das Klavier (1770) / Carl Philipp Emanuel Bach. 1928 18p + 2 St
42. Brahms, Johannes (arr.)Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. EdBreitkopf 6019 1928 9p
43. Thomson, Beatrice LeslieFour Musicians. Sketches of Handel, Bach, Haydn, Mozart. 1929 124p
44. Williams, Becket (arr.)Mortify us by thy grace, from cantata no.22. c 1930
45. Williams, Becket (arr.)ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. 1930 8, 8p
46. Williamson, John Finley (ed.)Planets, Stars, and Airs of Space ... 1931
47. Williamson, John Finley (ed.)I stand beside the Manger Stall. 1931
48. Williamson, John Finley (ed.)All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. 1931 12p
49. Williams, Becket (arr.)HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach 1931 3p
50. Hohenemser, RichardJoseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin. DieMusik 23 9 Jun 1931 641-644
51. Williams, Becket (arr.)JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach 1932 4p
52. Vaughan Williams, Ralph (arr.)Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. [ce]BachBookForCohen 10 1932 25-29
53. Brahms, Johannes[Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] 1933
54. Williams, Canon Walter (ed.)Wie schön leuchtet der Morgenstern = How Brightly Shines yon Morning Star, two choruses for mixed voices from Cantata No. 1 ... c 1933 29p
55. Williams, Becket (arr.)Trio in C minor [from short organ trio] / J.S. Bach 1933 3, 3p
56. Williams, Becket (arr.)Concerto no. 1 for organ (1st movement) / J. S. Bach 1933 3, 3p
57. Hohenemser, RichardBrahms und die Volksmusik. DieMusik 25 8 May 1933 599-601
58. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. EdPeters 4284 1933 20, 20p
59. Williams, Becket (arr.)Gigue: (from an Organ Trio) / J. S. Bach 1935 3, 3p
60. Williams, Becket (arr.)Trio in G (from Sonata for Gamba) / J. S. Bach 1935 5, 5p
61. Brahms, Johannes (ed.)Choral aus der Kantate Nr. 60 'O Ewigkeit du Donnerwort' / J. S. Bach. ZsfM 100 5 Beil May 1935 1-2
62. Williams, Becket (arr.)Suite for two pianos / Bach c 1937 11, 11p
63. Williamson, John Finley (ed.)What can Life be but a Shadow ... [by Johann Bach] 1937 19p
64. Williams, Walter (ed.)Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38. c 1938 18p
65. Williams, Becket (arr.)Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach HinrichsenEd 65 1939 8p
66. Williams, Meirion (arr.)Two Transcriptions / BACH. Sonatina -- Chorale 'All Glory, Praise and Majesty'. PortraitGallery 51 1939 4p
67. Thomson, VirgilMusic in Germany. NYHeraldTribune 4 5 14 Oct 1945
68. Williams, Patrick (arr.)J.S. Bach's organ toccata and fugue in D minor. 1947 19, 19p
69. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonata in F major for two pianos, four hands / W. F. Bach. 1947 20, 20p
70. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1949
71. Williams, W. S. Gwynn (ed.)Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach. 1949 7p
72. Williams, Patrick (arr.)Air: (better known as the Air on the G string) / J. S. Bach CramersLibOrgM 35 1950 3p
73. Vaughan Williams, RalphBach, the Great Bourgeois. Listener 3 Aug 1950 170
74. Vaughan Williams, RalphBach, the great bourgeois. MDigest 17 1950 1-6
75. Samson, J.Influence de Bach sur l'art choral liturgique contemporain en France. MLiturg(Paris) 16-17 1950 10-15
76. Armstrong, ThomasBach and the English Choralist. MTimes 91 1289 Jul 1950 261-263
77. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1951 13p
78. Williams, Patrick (arr.)Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. CramersLibOrgM 37 1951 9p
79. Vaughan Williams, RalphBach, the Great Bourgeois. MBook 7 1952 277-282
80. Williams, Becket (arr.)Adagio ma non troppo ... 1953 7p
81. Williams, Patrick (ed.)Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. CramersLibOrgM 49 1953 11p
82. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1955 7p
83. Williams, Patrick (arr.)Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. CramersLibOrgM 65 1955 7p
84. Ramsey, BasilBach Motets at St. James's Piccadilly. MTimes 98 1375 Sep 1957 499
85. Williams, Patrick (arr.)Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] 1958 3p
86. Ramsey, BasilLondon Bach Society. MTimes 99 1386 Aug 1958 442
87. Williams, W. S. Gwynn (ed.)Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach. 1959 4p
88. Lambert, Arthur AdamsThe keyboard partitas of J. S. Bach: A study of background, text, and interpretation. diss. 1961 292p
89. Williams, Peter F.J. S. Bach and English Organ Music. MLetters 44 2 Apr 1963 140-151
90. Williams, Peter F.Bach at Edinburgh. MTimes 104 1449 Nov 1963 815
91. Williams, Peter F.Bach Thoughts from Edinburgh. MTimes 106 1472 Oct 1965 771-772
92. Williams, Peter F.The European Organ 1450-1850. 1966 336p
93. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
94. Williams, Janet LeslieAn Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. 1969 169p
95. Williams, Peter F.Basso continuo on the Organ. MLetters 50 1, 2 Jan; Apr 1969 136-152; 230-245
96. Williams, Peter F.Figured Bass Accompaniment. 1970 117, 131p
97. Helms, SiegmundZahlensymbolic in der Musik Johann Sebastian Bachs. MBildung 2 [61] 3 Mar 1970 113-116
98. Helms, SiegmundZahlen in J. S. Bachs Matthäus-Passion. MKirche 40 1, 2 1970 18-27; 100-110
99. Williams, Peter F.The Organs of Saxony. MTimes 111 1533 Nov 1970 1141-1143
100. Helms, SiegmundJohannes Brahms und Johann Sebastian Bach. BachJb 57 1971 13-81
101. Clarke, J. WilliamsInterpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. diss. 1971 85p
102. Williams, Peter F.The French Silbermann. MTimes 112 1535 Jan 1971 77-78
103. Williams, Peter F.Bach Organ Music. BBCMGuides 20 1972 71p
104. Helms, MarianneKantaten und Oratorien des Bach-Festes. Bachfest 48 [Nürnberg] 1973 70-75
105. Williams, Patrick (arr.)'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach CramersLibOrgM 109 1973 8p
106. Adamson, J. Philip I.Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. diss. 1973 150p
107. Helms, Marianne (ed.)Kantaten zum Michaelisfest / Johann Sebastian Bach. NBA 1 30 1973 xi (5p facs), 169p
108. Krams, PeterWechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik auf den Pedalklaviaturen verschiedener Bauart, untersucht an exemplarischen Orgelkompositionen vom 16. Jahrhundert bis zur Gegenwart. 1974 viii, 199p
109. Williams, Peter F.Bach Recitatives. MTimes 115 1579 Sep 1974 747
110. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. NBA 1 30 1974 156p
111. Williams, Peter F.Bach's Seven Fughette. MTimes 116 1589 Jul 1975 653, 655, 657
112. Helms, Marianne (ed.)Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. NBA 1 5 1975 xii (6p facs), 253p
113. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. NBA 1 5 1976 235p
114. Williams, Peter J.The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. diss. 1977
115. Williams, Peter F.Why do we need a new book on Bach's Organ Music? MReview 38 4 1977 249-257
116. Platen, Emil; Helms, Marianne (eds.)Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. NBA 2 2 1978 xi (5 facs), 333p
117. Thomson, UlfVoraussetzungen und Artungen der österreichischen Generalbasslehre zwischen Albrechtsberger und Sechter. WienVeröffMw 8 1978 148p
118. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120 1636 Jun 1979 476-479
119. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120 1637 Jul 1979 571-573
120. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120 1638 Aug 1979 648-650
121. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120 1640 Oct 1979 816-818
122. Williams, Peter F.A New History of the Organ from the Greeks to the Present Day. 1980 233p
123. Williams, Peter F.The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) 1980 357p
124. Williams, Peter F.The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 1980 365p
125. Umstaedt, Monica JohannaThe Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. diss. 1980 177p
126. Hawthorne, Walter WilliamsJ. S. Bach's Inventions and Sinfonias: an Analysis. diss. 1980 197p
127. Darmstadt, GerhartKurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert MKirche 50 3 1980 130-134
128. Adams, Robert MichaelDmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. diss. 1981
129. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337
130. Williams, Peter F.The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart 1981 259-278
131. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
132. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
133. Williams, Peter F.J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 1982 131-142
134. Williams, PeterFrench Elements in Bach. [cr]McGill1981 1982 13-19
135. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4
136. Platen, Emil; Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. NBA 2 2 1982 224p
137. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17 1 Jan 1983 45-47
138. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17 3 Mar 1983 50-52
139. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17 9 Sep 1983 42-47
140. Williams, Peter F.The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] 1983 230-240
141. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
142. Darmstadt, GerhartZur Aufführungspraxis der Johannes-Passion Johann Sebastian Bachs. MKirche 53 4 1983 202-208
143. Williams, Peter F.The Organ Music of J. S. Bach. III: A Background. 3 1984 309p
144. Williams, Peter F.Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18 2 Feb 1984 38-39
145. Williams, Peter F.Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18 9 Sep 1984 44-45
146. Williams, Peter F.J. S. Bach: Mass in B minor. EarlyM 12 1 Feb 1984 137,139,141
147. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
148. Williams, Peter F.Some Tercentenary Questions for the Performer. AmerOrganist(2) 19 1 Jan 1985 42-46
149. Williams, Peter F.Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19 2 Feb 1985 56-57
150. Williams, Peter F.Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19 3 Mar 1985 118-119
151. Williams, Peter F.Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19 4 Apr 1985 82-84
152. Williams, Peter F.Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19 5 May 1985 74-75
153. Williams, Peter F.Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19 6 Jun 1985 44-46
154. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19 7 Jul 1985 56-58
155. Williams, Peter F.Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19 8 Aug 1985 38-40
156. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19 9 Sep 1985 62-64
157. Williams, Peter F.Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19 10 Oct 1985 117-119
158. Williams, Peter F.Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19 11 Nov 1985 91-93
159. Williams, Peter F.Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19 12 Dec 1985 60-62
160. Williams, Peter F.'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays 1985 327-346
161. Williams, Peter F.Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays 1985 xiv, 363p
162. Williams, Peter F.Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2 4 Jun 1985 41-48
163. Adams, Gwen E.Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76 7:908 Jul 1985 9-11
164. Williams, Peter F.Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 1985 38-54
165. Williams, Peter F.Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126 1707-1708 May-Jun 1985 276-278; 339-343
166. Williams, Peter F.New Bach? [on recently discovered chorales] MTimes 126 1710 Aug 1985 452
167. Malmström, Bo G.Blockflöjten hos Bach och Händel. Musikrevy 40 1985 223-228
168. Williams, Peter F.Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20 6 Jun 1986 63-64
169. Helms, MarianneKantaten und Lieder aus Schemellis Gesangbuch. Bachfest 61 [Duisburg] 1986 112-127
170. Williams, Peter F.Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 1986 123-125
171. Helms, Siegmund; Hopf, Helmuth (eds.)Werkanalyse in Beispielen. BosseMPaperback 27 1986 423p
172. Williams, Peter F.The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist 1986 274-294
173. Williams, Peter F. (ed.)Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 1986 xxxviii, 51p
174. Williams, Peter F. (ed.)Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 1986 xlvi, 138p
175. Williams, Peter F.The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk 1986 267-282
176. Williams, IsabelleMetric Complexity in Bach's Cantata No.182. [p]AMS_NewYorkState Mar 1986
177. Williams, Peter F.Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 1986-87 29-44
178. Thomson, AndrewThe Life and Times of Charles-Marie Widor, 1844-1937. 1987 116p
179. Williams, Peter F.Playing the organ works of Bach: Some case studies. 1987 128p
180. Williams, Peter F.; Owen, BarbaraThe Organ. 1988 438p
181. Williams, Peter F.2/4 Time and J. S. Bach. [p]AMS_Southeast Mar 1988
182. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
183. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
184. Bloch, Robert SamsonThe Art of the Fugue: A Humanist View. [p]AMS_PacificSouthwest Apr 1990
185. Bromse, PeterHarmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [fs]Graml70 1991 130-142
186. Samson, Jim (ed.)The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin 1992 xi, 341p
187. Adams, Howard C.The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. ContributStudMDance 19 1992 5-9
188. Darmstadt, Hans'... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. MKirche 62 2 Mar-Apr 1992 79-87
189. Williams, SimonSome Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). OrganistsReview 78 3 1992 209-211
190. Brahms, Johannes[Brief an Clara Schumann, Jun 1877] ReclamUBib 8832 1992 135-136
191. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. 1993 107p
192. Williams, Peter F.Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21 4 Nov 1993 613-622
193. [Krapp, Edgar]; Adamski-Störmer, UrsulaEdgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. MSacra 113 1 1993 31-34
194. Helms, Siegmund; Schneider, ReinhardGroße Chorwerke. Werkanalyse in Beispielen. 1994 230p
195. Williams, Peter F.Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 1994 67-86
196. Helms, Siegmund; Schneider, Reinhard (eds.)Werkanalyse in Beispielen: Grosse Chorwerke. BosseMPaperback 52 1994 230p
197. Williams, Peter F.Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22 1 Feb 1994 101-113
198. Williams, Peter F.Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 1994 143-156
199. Williamson, RosemarySterndale Bennett's Lost Piano Concerto Found. JRMA 119 1 1994 115-129
200. Williams, Peter F.Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 1995 5-41; 25-41
201. Darmstadt, GerhartZur Begleitung des Rezitativs nach deutschen Quellen des 18. Jahrhunderts: Eine Dokumentation. BaslerJbHistMpraxis 19 1995 75-158
202. Darmstadt, GerhartAndante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach. Symbolon 12 1995 43-104
203. Williams, Peter F.Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. 1996 441p
204. Jost, Christa; Darmstadt, GerhartZu Robert Schumanns Bearbeitung der 3. Violoncello-Suite Joh. Seb. Bachs für Violoncello und Klavier. 1996 52-75
205. Williams, Peter F.Orugan Kyoku. [ce]BachJiten 1996 294-298
206. [Page, Anne; Ramsey, Basil]Bach is best. ChoirOrgan 4 3 May 1996 15-16
207. Williams, Peter F.Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 1996 85-98
208. Mommsen, KatharinaEin Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit GoetheJb 113 1996 161-178
209. Williams, Peter F.J.S. Bach y el compás de 2/4. Quodlibet 5 Jun 1996 3-18
210. Rumsey, DavidBach and Numerology: 'Dry Mathematical Stuff'? LitAesth 7 1997 143-165
211. Williams, Peter F.The Chromatic Fourth. During Four Centuries of Music. 1998 272p
212. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. 1998 476p
213. Williams, Peter F.Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 1999 185-198
214. Hurford, Peter; Williams, Peter F.Approaches to Bach Performance and Scholarship, then, now, next Nov-Dec 2000
215. Grimsted, Patricia KennedyBach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. 2000
216. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. 2000 365p
217. Williams, Peter F.Playing and studying Bach: Where next? BIOSJ 24 2000 80-92
218. Williams, Peter F.Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook 2000 1-14
219. Darmstadt, GerhartDie dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. [ce]ProvokationTradition 2000 347-364
220. Darmstadt, HansMeine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. MKirche 70 1 Jan-Feb 2000 46-47
221. Williams, Peter F.Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84 4 Winter 2000 756-775
222. Williams, Peter F.Stop Press: Some questions about JS Bach and his organ music. MTimes 141 1870 Spring 2000 34-40
223. Williams, Peter F.Sui generis: some fashionable uses to which Bach is put. MTimes 141 1871 Summer 2000 8, 10, 12-15
224. Williams, Peter F.Decoding Bach 2: Clouds of witness. MTimes 141 1872 Autumn 2000 13-15
225. Williams, PeterThe International Organ Competition, Leipzig, July 2000. OrganistsReview 86 4: 340 Nov 2000 336-337
226. Williams, Peter F.Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 2000 75-90
227. Williams, Peter F.J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 Oct 2000 68-84
228. Grimsted, Patricia KennedyBach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 Aug 2000 22-35
229. Williams, Peter F.Bach: The Goldberg Variations. CambridgeMHandb 2001 101p
230. Williams, Peter F.Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 2001 553-572
231. Lehmstedt, Mark'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. LeipzigerBl 38 2001 68-69
232. Darmstadt, GerhartAuf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? NMz(Regensburg) 50 Dec-Jan 2001-02 50-51
233. Samson, Jim (ed.)The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM 2002 xv, 772p
234. Lehmann-Wermser, Andreas'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. MBildung 34 4 Oct-Dec 2002 18-25
235. Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.)Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999. QuellenStGesMannheimHofkapelle 8 2002 517p
236. Grimsted, Patricia KennedyBach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. 2003
237. Williams, Peter F.The Organ Music of J. S. Bach. Second Edition. 2003 x, 624p
238. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
239. Williams, Peter F.Some further Thoughts. DortmundBachF 6 2003 371-388
240. Williams, BrionySharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter. [p]IS_Memphis Nov 2003
241. Grimsted, Patricia KennedyBach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. SpoilsWar 8 May 2003 67-104
242. Williams, Peter F.The Life of Bach. 2004 viii,219p
243. Williams, Peter F.Public Executions and the Bach Passions. BachNotesABS 2 Fall 2004 1-4
244. Williams, PeterSome remarks on organs, organ-playing and the studying of music. BIOSJ 28 2004 6-25
245. MSThe Johann Sebastian Bach Journey. Germany 18-24 April 2004. Organ 83 328 May-Jul 2004 51-53
246. Williams, Peter F.More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 2004 139-143
247. Röder, Matthias; Adams, Sarah (eds.)The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. 2005 40p
248. Thomson, KemerAn interview with Joel Speerstra. ClavichordInternat 9 1 May 2005 2-4
249. Williams, Peter F.Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen 2005 53-71
250. Williamson, John (ed.)Words and Music. LiverpoolMSymposium 3 2005 viii, 258p
251. Darmstadt, HansOrpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. MKirche 75 2 Mar-Apr 2005 106-113
252. Adams, Sarah (ed.)Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. CPEBachCW 3 2 2006 xxiv, 100p
253. Darmstadt, GerhartWege zu Bachs Air: 'Gewaltfrei!' MBildung 38 4 Oct-Dec 2006 34-43
254. Williams, PeterTuning and Temperament. 2007
255. Williams, Peter F.J.S. Bach: A Life in Music. 2007 xi, 405p
256. Adams, David William'Modern' Organ Style in Karl Straube's Reger Editions. diss. 2007 xiv, 222p
257. Williams, Peter F.The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 2007 371-381
258. Williams, Peter F.Again: Was J.S. Bach an expert on organs? OrganYb 36 2007 86-105
259. Williams, Peter F.Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 2007 18-28
260. Williams, Peter F.J. S. Bach: Ein Leben in der Musik. 2008 575p
261. Williams, Peter FWas J. S. Bach an expert on organs? BibDeputStoriaUmbria 6 2008
262. Vaughan Williams, RalphBach and Schumann. [ce]VaughanWilliamsOnMusic 2008 129-132
263. Vaughan Williams, RalphBach cantatas. [ce]VaughanWilliamsOnMusic 2008 401-402
264. Vaughan Williams, RalphBach, St. Matthew passion. [ce]VaughanWilliamsOnMusic 2008 405-406
265. Lamsa, KatharinaDie Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart. ForumBachAkad 63 Feb-May 2008 9-10
266. Williams, Peter F.Johann Sebastian Bach's ideal organ. OrganistsReview 94 2 May 2008 7-13
267. Blomstedt, HerbertBalance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140. ThomanerJ 1 2008 12-14
268. Williams, SimonLeipzig: The Cradle of German Acting. [ce]AstonMagnaAcademy 2009 191-206
269. Darmstadt, HansJohann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. DortmundBachF 10 2009 229p
270. Tergau-Harms, ChristineGottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. GemeinsamGottesdGestalten 11 2009 322-330
271. Arnold, Jochen; Tergau-Harms, Christine (eds.)Kleiner Gottesdienst - weiter Raum. GemeinsamGottesdGestalten 11 2009 403p
272. Thomsen, KnutErinnerung an Hermann Melchert. MtblNBG 65 Winter 2009-10 28
273. Armstrong, Joe (trans.)The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41 1 2010 32-96
274. Williams, SimonA New (Bach?) Organ for St George's, Hanover Square in London. BachNotesLBS Spring 2010 [5]
275. Gingras, Bruno; McAdams, Stephen; Schubert, Peter N.The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538. [cr]Graz2008 2010 305-318
276. Williams, ChristopherBach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style. [p]AMS_Sanfrancisco Nov 2011
277. Darmstadt, HansJohann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. DortmundBachF 11 2012 387p
278. Williams, PeterTwo new editions of Bach's organ music: some questions arising. OrganYb 41 2012 183-212
279. Williams, PeterOn Bach and the Organ. [p]ABS_Rochester Sep 2012
280. Williams, Peter F.Frescobaldi's Fiori musicali and Bach. Recercare 24 1-2 2012
281. Williams, PeterWhat is it to Write a Biography of J. S. Bach? Bach 45 1 2014 1-14
282. Simms, Bryan R. (ed.)Pro mundo-pro domo: The writings of Alban Berg. [ce]Berg 2014 xiii, 444p
283. Thomson, VirgilMaster of distortion and exaggeration. [ce]Thomson 2014 191-193
284. Thomson, VirgilRhythmic grandeurs. [ce]Thomson 2014 204-206
285. Thomson, VirgilA shower of gold. [ce]Thomson 2014 206-207
286. Thomson, VirgilIn tune, but not with the infinite. [ce]Thomson 2014 222-223
287. Thomson, VirgilHymns of tribulation and rejoicing. [ce]Thomson 2014 230-231
288. Thomson, VirgilHarvard fair but no warmer. [ce]Thomson 2014 238-239
289. Thomson, VirgilTranscriptions. [ce]Thomson 2014 276-278
290. Thomson, VirgilWrestling and shadow boxing. [ce]Thomson 2014 324-325
291. Thomson, VirgilMoney's worth. [ce]Thomson 2014 336-337
292. Thomson, VirgilThe noble style. [ce]Thomson 2014 337-338
293. Thomson, VirgilIn the first category. [ce]Thomson 2014 340-341
294. Thomson, VirgilIncomparable Chopin. [ce]Thomson 2014 341-342
295. Thomson, VirgilWarm welcome. [ce]Thomson 2014 343-344
296. Thomson, VirgilToo fast for brilliance. [ce]Thomson 2014 346-347
297. Thomson, VirgilSound without fury. [ce]Thomson 2014 347-348
298. Thomson, VirgilYoung man, why so serious? [ce]Thomson 2014 348-349
299. Thomson, VirgilIntensity and brains. [ce]Thomson 2014 349-350
300. Thomson, VirgilYoung but not romantic. [ce]Thomson 2014 351-352
301. Thomson, VirgilMusical badminton. [ce]Thomson 2014 355-356
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