Bach Bibliography
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1. Abdy Williams, Charles FrancisBach. 1900 xi, 223p
2. Abdy Williams, Charles FrancisReminiscences of a Pilgrimage through the Bach Country. Musician 17 9 Sep 1912 590-591
3. Abdy Williams, Charles FrancisThe Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 1892-93 73-93
4. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
5. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
6. Adams, David William'Modern' Organ Style in Karl Straube's Reger Editions. diss. 2007 xiv, 222p
7. Adams, Gwen E.Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76 7:908 Jul 1985 9-11
8. Adams, H. M.Passion Music Before 1724. MLetters 7 3 Jul 1926 258-264
9. Adams, Howard C.The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. ContributStudMDance 19 1992 5-9
10. Adamson, J. Philip I.Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. diss. 1973 150p
11. Adams, Robert MichaelDmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. diss. 1981
12. Adams, Sarah (ed.)Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. CPEBachCW 3 2 2006 xxiv, 100p
13. Adams, Sarah (ed.)Symphonies for Baron van Swieten, Wq 182/2-6 [Facsimile] CPEBachCW 3 Suppl 2015 xii, 95p
14. Armstrong, Joe (trans.)The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41 1 2010 32-96
15. Armstrong, ThomasBach and the English Choralist. MTimes 91 1289 Jul 1950 261-263
16. Arnold, Jochen; Tergau-Harms, Christine (eds.)Kleiner Gottesdienst - weiter Raum. GemeinsamGottesdGestalten 11 2009 403p
17. Bloch, Robert SamsonThe Art of the Fugue: A Humanist View. [p]AMS_PacificSouthwest Apr 1990
18. Blomstedt, HerbertBalance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140. ThomanerJ 1 2008 12-14
19. Brahms, Johannes[Brief an Clara Schumann, Jun 1877] ReclamUBib 8832 1992 135-136
20. Brahms, Johannes (arr.)Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach EdBreitkopf 6018 1927 15p
21. Brahms, Johannes (arr.)CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. 1879 15p
22. Brahms, Johannes (ed.)Choral aus der Kantate Nr. 60 'O Ewigkeit du Donnerwort' / J. S. Bach. ZsfM 100 5 Beil May 1935 1-2
23. Brahms, Johannes[Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] 1933
24. Brahms, Johannes (arr.)Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. EdBreitkopf 6019 1928 9p
25. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Erste Bearbeitung. 1879 5p
26. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Zweite Bearbeitung. 1879 5p
27. [Brahms, Johannes] (ed.)Sonate für zwei Claviere componirt von Wilh. Friedemann Bach. 1864 19p
28. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonata in F major for two pianos, four hands / W. F. Bach. 1947 20, 20p
29. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. EdPeters 4284 1933 20, 20p
30. Brahms, Johannes; Mayer-Mahr, Moritz (eds.)Studien für Klavier. EdSchott 1426 1922 41p
31. Bromse, PeterHarmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [fs]Graml70 1991 130-142
32. Clarke, J. WilliamsInterpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. diss. 1971 85p
33. Dahms, WalterJohann Sebastian Bach. Ein Bild seines Lebens. 1924 123p
34. Dahms, WalterMendelssohn. 1919 202p
35. Darmstadt, GerhartAndante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach. Symbolon 12 1995 43-104
36. Darmstadt, GerhartAuf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? NMz(Regensburg) 50 Dec-Jan 2001-02 50-51
37. Darmstadt, GerhartDie dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. [ce]ProvokationTradition 2000 347-364
38. Darmstadt, GerhartKurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert MKirche 50 3 1980 130-134
39. Darmstadt, GerhartWege zu Bachs Air: 'Gewaltfrei!' MBildung 38 4 Oct-Dec 2006 34-43
40. Darmstadt, GerhartZur Aufführungspraxis der Johannes-Passion Johann Sebastian Bachs. MKirche 53 4 1983 202-208
41. Darmstadt, GerhartZur Begleitung des Rezitativs nach deutschen Quellen des 18. Jahrhunderts: Eine Dokumentation. BaslerJbHistMpraxis 19 1995 75-158
42. Darmstadt, HansJohann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. DortmundBachF 10 2009 229p
43. Darmstadt, HansJohann Sebastian Bach: Matthäus-Passion, BWV 244. Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. DortmundBachF 12 2015 503p
44. Darmstadt, HansJohann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. DortmundBachF 11 2012 387p
45. Darmstadt, HansMeine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. MKirche 70 1 Jan-Feb 2000 46-47
46. Darmstadt, HansOrpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. MKirche 75 2 Mar-Apr 2005 106-113
47. Darmstadt, Hans'... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. MKirche 62 2 Mar-Apr 1992 79-87
48. Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.)Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999. QuellenStGesMannheimHofkapelle 8 2002 517p
49. Gingras, Bruno; McAdams, Stephen; Schubert, Peter N.The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538. [cr]Graz2008 2010 305-318
50. Grimsted, Patricia KennedyBach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. 2003
51. Grimsted, Patricia KennedyBach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. SpoilsWar 8 May 2003 67-104
52. Grimsted, Patricia KennedyBach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. 2000
53. Grimsted, Patricia KennedyBach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 Aug 2000 22-35
54. Hawthorne, Walter WilliamsJ. S. Bach's Inventions and Sinfonias: an Analysis. diss. 1980 197p
55. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. NBA 1 30 1974 156p
56. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. NBA 1 5 1976 235p
57. Helms, MarianneKantaten und Lieder aus Schemellis Gesangbuch. Bachfest 61 [Duisburg] 1986 112-127
58. Helms, MarianneKantaten und Oratorien des Bach-Festes. Bachfest 48 [Nürnberg] 1973 70-75
59. Helms, Marianne (ed.)Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. NBA 1 5 1975 xii (6p facs), 253p
60. Helms, Marianne (ed.)Kantaten zum Michaelisfest / Johann Sebastian Bach. NBA 1 30 1973 xi (5p facs), 169p
61. Helms, SiegmundJohannes Brahms und Johann Sebastian Bach. BachJb 57 1971 13-81
62. Helms, SiegmundZahlen in J. S. Bachs Matthäus-Passion. MKirche 40 1, 2 1970 18-27; 100-110
63. Helms, SiegmundZahlensymbolic in der Musik Johann Sebastian Bachs. MBildung 2 [61] 3 Mar 1970 113-116
64. Helms, Siegmund; Hopf, Helmuth (eds.)Werkanalyse in Beispielen. BosseMPaperback 27 1986 423p
65. Helms, Siegmund; Schneider, ReinhardGroße Chorwerke. Werkanalyse in Beispielen. 1994 230p
66. Helms, Siegmund; Schneider, Reinhard (eds.)Werkanalyse in Beispielen: Grosse Chorwerke. BosseMPaperback 52 1994 230p
67. Hohenemser, R.Die Pflege der Bachschen Musik in der Gegenwart. MlRundschau(München) 3 8f 1907
68. Hohenemser, RichardBrahms und die Volksmusik. DieMusik 25 8 May 1933 599-601
69. Hohenemser, RichardJ. K. F. Fischer als Klavier- und Orgelkomponist. MhMges 34 9, 10, 11 1902 154-163; 167-176; 183-189
70. Hohenemser, RichardJoseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin. DieMusik 23 9 Jun 1931 641-644
71. Hohenemser, Richard (ed.)Zwölf zwei- und dreistimmigen kleine Stücke für die Flöte oder Violine und das Klavier (1770) / Carl Philipp Emanuel Bach. 1928 18p + 2 St
72. Hurford, Peter; Williams, Peter F.Approaches to Bach Performance and Scholarship, then, now, next Nov-Dec 2000
73. Jost, Christa; Darmstadt, GerhartZu Robert Schumanns Bearbeitung der 3. Violoncello-Suite Joh. Seb. Bachs für Violoncello und Klavier. 1996 52-75
74. Krams, PeterWechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik auf den Pedalklaviaturen verschiedener Bauart, untersucht an exemplarischen Orgelkompositionen vom 16. Jahrhundert bis zur Gegenwart. 1974 viii, 199p
75. [Krapp, Edgar]; Adamski-Störmer, UrsulaEdgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. MSacra 113 1 1993 31-34
76. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach. SämtOrgComp 21 1850 18-23
77. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH. SämtOrgComp 22 1850 11p
78. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH. SämtOrgComp 31 1851 7p
79. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Präludium und Fuga [in] F-moll von Joh. Sebastian Bach. SämtOrgComp 2 c 1849 18-24
80. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Toccata et Fuga [in D-moll von] Joh. Sebastian Bach. SämtOrgComp 49 c 1850 141-152
81. Kühmstedt, Friedrich (ed.)DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6. 1842 41p
82. Kühmstedt, FriedrichGradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. 1839-1845 107p
83. Lambert, Arthur AdamsThe keyboard partitas of J. S. Bach: A study of background, text, and interpretation. diss. 1961 292p
84. Lamsa, KatharinaDie Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart. ForumBachAkad 63 Feb-May 2008 9-10
85. Lehmann-Wermser, Andreas'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. MBildung 34 4 Oct-Dec 2002 18-25
86. Lehms, Georg ChristianGottgefälliges Kirchen-Opffer. 1711 x, 85p
87. Lehms, Georg ChristianHistorische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. 1710 119p
88. Lehmstedt, Mark'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. LeipzigerBl 38 2001 68-69
89. Malmström, Bo G.Blockflöjten hos Bach och Händel. Musikrevy 40 1985 223-228
90. Mommsen, KatharinaEin Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit GoetheJb 113 1996 161-178
91. MSThe Johann Sebastian Bach Journey. Germany 18-24 April 2004. Organ 83 328 May-Jul 2004 51-53
92. [Page, Anne; Ramsey, Basil]Bach is best. ChoirOrgan 4 3 May 1996 15-16
93. Platen, Emil; Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. NBA 2 2 1982 224p
94. Platen, Emil; Helms, Marianne (eds.)Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. NBA 2 2 1978 xi (5 facs), 333p
95. Ramsey, BasilBach Motets at St. James's Piccadilly. MTimes 98 1375 Sep 1957 499
96. Ramsey, BasilLondon Bach Society. MTimes 99 1386 Aug 1958 442
97. Riemsdijk, J. C. M. vanBach en de Bachvereeniging. Fantasio en Riehl. Caecilia 28 16 15 Aug 1871 142-143
98. Riemsduk, J. C. M. vanJean Adam Reinken. TijdschrVNedMgeschied 2 1 1885 61-91
99. Rimsky-Korsakow, NicolasSix Variations sur le thème B-A-C-H ; op. 10. 1878 21p
100. Rumsey, DavidBach and Numerology: 'Dry Mathematical Stuff'? LitAesth 7 1997 143-165
101. Röder, Matthias; Adams, Sarah (eds.)The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. 2005 40p
102. Samson, J.Influence de Bach sur l'art choral liturgique contemporain en France. MLiturg(Paris) 16-17 1950 10-15
103. Samson, Jim (ed.)The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin 1992 xi, 341p
104. Samson, Jim (ed.)The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM 2002 xv, 772p
105. Simms, Bryan R. (ed.)Pro mundo-pro domo: The writings of Alban Berg. [ce]Berg 2014 xiii, 444p
106. Tergau-Harms, ChristineGottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. GemeinsamGottesdGestalten 11 2009 322-330
107. Thomsen, KnutErinnerung an Hermann Melchert. MtblNBG 65 Winter 2009-10 28
108. Thomson, AndrewThe Life and Times of Charles-Marie Widor, 1844-1937. 1987 116p
109. Thomson, Beatrice LeslieFour Musicians. Sketches of Handel, Bach, Haydn, Mozart. 1929 124p
110. Thomson, KemerAn interview with Joel Speerstra. ClavichordInternat 9 1 May 2005 2-4
111. Thomson, UlfVoraussetzungen und Artungen der österreichischen Generalbasslehre zwischen Albrechtsberger und Sechter. WienVeröffMw 8 1978 148p
112. Thomson, VirgilA shower of gold. [ce]Thomson 2014 206-207
113. Thomson, VirgilA touching occasion. [ce]Thomson 2014 481-482
114. Thomson, VirgilBach goes to church. [ce]Thomson 2014 69-70
115. Thomson, VirgilBeauty, distinction, mastery. [ce]Thomson 2014 638-639
116. Thomson, VirgilBrilliant and diffuse. [ce]Thomson 2014 642-643
117. Thomson, VirgilCostume party. [ce]Thomson 2014 356-357
118. Thomson, VirgilDefinitive renderings. [ce]Thomson 2014 359-361
119. Thomson, VirgilGloomy masterpiece. [ce]Thomson 2014 676-678
120. Thomson, VirgilGlorious organ-playing. [ce]Thomson 2014 839-840
121. Thomson, VirgilGood goods. [ce]Thomson 2014 367-368
122. Thomson, VirgilHarvard fair but no warmer. [ce]Thomson 2014 238-239
123. Thomson, VirgilHymns of tribulation and rejoicing. [ce]Thomson 2014 230-231
124. Thomson, VirgilIncomparable Chopin. [ce]Thomson 2014 341-342
125. Thomson, VirgilIntensity and brains. [ce]Thomson 2014 349-350
126. Thomson, VirgilIn the first category. [ce]Thomson 2014 340-341
127. Thomson, VirgilIn the royal style. [ce]Thomson 2014 426-427
128. Thomson, VirgilIn tune, but not with the infinite. [ce]Thomson 2014 222-223
129. Thomson, VirgilIrresistible. [ce]Thomson 2014 867-868
130. Thomson, VirgilKing of the gypsies. [ce]Thomson 2014 372-373
131. Thomson, VirgilMajestic but inefficient. [ce]Thomson 2014 424-426
132. Thomson, VirgilMaster of distortion and exaggeration. [ce]Thomson 2014 191-193
133. Thomson, VirgilModern piano playing. [ce]Thomson 2014 634-635
134. Thomson, VirgilMoney's worth. [ce]Thomson 2014 336-337
135. Thomson, VirgilMusical badminton. [ce]Thomson 2014 355-356
136. Thomson, VirgilMusic in Germany. NYHeraldTribune 4 5 14 Oct 1945
137. Thomson, VirgilNew era. [ce]Thomson 2014 370-371
138. Thomson, VirgilNew high. [ce]Thomson 2014 358-359
139. Thomson, VirgilRhythmic grandeurs. [ce]Thomson 2014 204-206
140. Thomson, VirgilSound without fury. [ce]Thomson 2014 347-348
141. Thomson, VirgilStrings bowed; strings plucked. [ce]Thomson 2014 364-365
142. Thomson, VirgilTechnique and taste. [ce]Thomson 2014 931-932
143. Thomson, VirgilThe noble style. [ce]Thomson 2014 337-338
144. Thomson, VirgilToo fast for brilliance. [ce]Thomson 2014 346-347
145. Thomson, VirgilTranscriptions. [ce]Thomson 2014 276-278
146. Thomson, VirgilViolence and virtuosity. [ce]Thomson 2014 640-641
147. Thomson, VirgilVirtuoso makes music. [ce]Thomson 2014 641-642
148. Thomson, VirgilWarm welcome. [ce]Thomson 2014 343-344
149. Thomson, VirgilWrestling and shadow boxing. [ce]Thomson 2014 324-325
150. Thomson, VirgilYoung but not romantic. [ce]Thomson 2014 351-352
151. Thomson, VirgilYoung man, why so serious? [ce]Thomson 2014 348-349
152. Umstaedt, Monica JohannaThe Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. diss. 1980 177p
153. Vaughan Williams, RalphBach and Schumann. [ce]VaughanWilliamsOnMusic 2008 129-132
154. Vaughan Williams, RalphBach cantatas. [ce]VaughanWilliamsOnMusic 2008 401-402
155. Vaughan Williams, RalphBach, St. Matthew passion. [ce]VaughanWilliamsOnMusic 2008 405-406
156. Vaughan Williams, RalphBach, the great bourgeois. MDigest 17 1950 1-6
157. Vaughan Williams, RalphBach, the Great Bourgeois. MBook 7 1952 277-282
158. Vaughan Williams, RalphBach, the Great Bourgeois. Listener 3 Aug 1950 170
159. Vaughan Williams, Ralph (arr.)Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. [ce]BachBookForCohen 10 1932 25-29
160. Vaughan Williams, Ralph (ed.)Jesus Took to Him the Twelve. 1921 12p
161. Vaughan Williams, Ralph; Foster, Arnold (arr.)THE 'GIANT' FUGUE / J. S. BACH. OxfordOrchSer 6 1925 4p
162. Volokolamsk, Metropolitan Hilarion ofIn All Music There Is Bach. TorontoJTheol 36 2 2020 235-239
163. Williams, Becket (arr.)Adagio ma non troppo ... 1953 7p
164. Williams, Becket (arr.)Concerto no. 1 for organ (1st movement) / J. S. Bach 1933 3, 3p
165. Williams, Becket (arr.)ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. 1930 8, 8p
166. Williams, Becket (arr.)Gigue: (from an Organ Trio) / J. S. Bach 1935 3, 3p
167. Williams, Becket (arr.)HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach 1931 3p
168. Williams, Becket (arr.)JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach 1932 4p
169. Williams, Becket (arr.)Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach HinrichsenEd 65 1939 8p
170. Williams, Becket (arr.)Mortify us by thy grace, from cantata no.22. c 1930
171. Williams, Becket (arr.)Suite for two pianos / Bach c 1937 11, 11p
172. Williams, Becket (arr.)Trio in C minor [from short organ trio] / J.S. Bach 1933 3, 3p
173. Williams, Becket (arr.)Trio in G (from Sonata for Gamba) / J. S. Bach 1935 5, 5p
174. Williams, BrionySharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter. [p]IS_Memphis Nov 2003
175. Williams, Canon Walter (ed.)Wie schön leuchtet der Morgenstern = How Brightly Shines yon Morning Star, two choruses for mixed voices from Cantata No. 1 ... c 1933 29p
176. Williams, ChristopherBach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style. [p]AMS_Sanfrancisco Nov 2011
177. Williams, Gerrard (arr.)A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. OxfordOrchSer 21 1926 36p
178. Williams, Gerrard (arr.)Aria from Suite in D / J.S. Bach 1922 3p + 2 St
179. Williams, Gerrard (arr.)BACH PRELUDE from 'English' Suite No.5 OxfordOrchSer 7 1925 19p
180. Williams, Gerrard (arr.)Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach 1922 6p + 2 St
181. Williams, Gerrard (arr.)Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach 1927 12p
182. Williams, Gerrard (arr.)Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach 1927 7p
183. Williams, Gerrard (arr.)Prelude and fugue in G major. Fugue / J.S. Bach 1927 9p
184. Williams, Gerrard (arr.)Sixth Organ Sonata in G. 1923
185. Williams, IsabelleMetric Complexity in Bach's Cantata No.182. [p]AMS_NewYorkState Mar 1986
186. Williams, Janet LeslieAn Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. 1969 169p
187. Williams, Meirion (arr.)Two Transcriptions / BACH. Sonatina -- Chorale 'All Glory, Praise and Majesty'. PortraitGallery 51 1939 4p
188. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. 1993 107p
189. Williamson, John (ed.)Words and Music. LiverpoolMSymposium 3 2005 viii, 258p
190. Williamson, John Finley (ed.)All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. 1931 12p
191. Williamson, John Finley (ed.)I stand beside the Manger Stall. 1931
192. Williamson, John Finley (ed.)Planets, Stars, and Airs of Space ... 1931
193. Williamson, John Finley (ed.)What can Life be but a Shadow ... [by Johann Bach] 1937 19p
194. Williamson, RosemarySterndale Bennett's Lost Piano Concerto Found. JRMA 119 1 1994 115-129
195. Williams, Patrick (arr.)Air: (better known as the Air on the G string) / J. S. Bach CramersLibOrgM 35 1950 3p
196. Williams, Patrick (arr.)'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach CramersLibOrgM 109 1973 8p
197. Williams, Patrick (arr.)Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] 1958 3p
198. Williams, Patrick (arr.)Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. CramersLibOrgM 37 1951 9p
199. Williams, Patrick (ed.)Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. CramersLibOrgM 49 1953 11p
200. Williams, Patrick (arr.)Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. CramersLibOrgM 65 1955 7p
201. Williams, Patrick (arr.)J.S. Bach's organ toccata and fugue in D minor. 1947 19, 19p
202. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1949
203. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1955 7p
204. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1951 13p
205. Williams, PeterBach: A Musical Biography. 2016 xiv, 704p
206. Williams, PeterBach and the organ. MTimes 155 1926 Spring 2014 81-94
207. Williams, PeterFrench Elements in Bach. [cr]McGill1981 1982 13-19
208. Williams, PeterOn Bach and the Organ. [p]ABS_Rochester Sep 2012
209. Williams, PeterSome remarks on organs, organ-playing and the studying of music. BIOSJ 28 2004 6-25
210. Williams, PeterThe International Organ Competition, Leipzig, July 2000. OrganistsReview 86 4: 340 Nov 2000 336-337
211. Williams, PeterTuning and Temperament. 2007
212. Williams, PeterTwo new editions of Bach's organ music: some questions arising. OrganYb 41 2012 183-212
213. Williams, PeterWhat is it to Write a Biography of J. S. Bach? Bach 45 1 2014 1-14
214. Williams, Peter F.2/4 Time and J. S. Bach. [p]AMS_Southeast Mar 1988
215. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
216. Williams, Peter F.Again: Was J.S. Bach an expert on organs? OrganYb 36 2007 86-105
217. Williams, Peter F.A New History of the Organ from the Greeks to the Present Day. 1980 233p
218. Williams, Peter F.Another book on JS Bach? MTimes 157 1934 Spring 2016 5-18
219. Williams, Peter F.Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook 2000 1-14
220. Williams, Peter F.Bach at Edinburgh. MTimes 104 1449 Nov 1963 815
221. Williams, Peter F.Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays 1985 xiv, 363p
222. Williams, Peter F.Bach Organ Music. BBCMGuides 20 1972 71p
223. Williams, Peter F.Bach Recitatives. MTimes 115 1579 Sep 1974 747
224. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
225. Williams, Peter F.Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20 6 Jun 1986 63-64
226. Williams, Peter F.Bach's Seven Fughette. MTimes 116 1589 Jul 1975 653, 655, 657
227. Williams, Peter F.Bach: The Goldberg Variations. CambridgeMHandb 2001 101p
228. Williams, Peter F.Bach Thoughts from Edinburgh. MTimes 106 1472 Oct 1965 771-772
229. Williams, Peter F.Basso continuo on the Organ. MLetters 50 1, 2 Jan; Apr 1969 136-152; 230-245
230. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337
231. Williams, Peter F.Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 2007 18-28
232. Williams, Peter F.Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 1996 85-98
233. Williams, Peter F.Decoding Bach 2: Clouds of witness. MTimes 141 1872 Autumn 2000 13-15
234. Williams, Peter F.Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126 1707-1708 May-Jun 1985 276-278; 339-343
235. Williams, Peter F.'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays 1985 327-346
236. Williams, Peter F.Figured Bass Accompaniment. 1970 117, 131p
237. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120 1636 Jun 1979 476-479
238. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120 1637 Jul 1979 571-573
239. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120 1638 Aug 1979 648-650
240. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120 1640 Oct 1979 816-818
241. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
242. Williams, Peter F.Frescobaldi's Fiori musicali and Bach. Recercare 24 1-2 2012
243. Williams, Peter F.Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 2000 75-90
244. Williams, Peter F.Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 1986-87 29-44
245. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
246. Williams, Peter F.Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 1994 67-86
247. Williams, Peter F.Johann Sebastian Bach's ideal organ. OrganistsReview 94 2 May 2008 7-13
248. Williams, Peter F.Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. 1996 441p
249. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. 1998 476p
250. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. 2000 365p
251. Williams, Peter F.Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2 4 Jun 1985 41-48
252. Williams, Peter F.J.S. Bach: A Life in Music. 2007 xi, 405p
253. Williams, Peter F.J. S. Bach and English Organ Music. MLetters 44 2 Apr 1963 140-151
254. Williams, Peter F.J. S. Bach: Ein Leben in der Musik. 2008 575p
255. Williams, Peter F.J. S. Bach: Mass in B minor. EarlyM 12 1 Feb 1984 137,139,141
256. Williams, Peter F.J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 1982 131-142
257. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
258. Williams, Peter F.J.S. Bach y el compás de 2/4. Quodlibet 5 Jun 1996 3-18
259. Williams, Peter F.J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 Oct 2000 68-84
260. Williams, Peter F. (ed.)Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 1986 xlvi, 138p
261. Williams, Peter F.Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 1995 5-41; 25-41
262. Williams, Peter F.More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 2004 139-143
263. Williams, Peter F. (ed.)Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 1986 xxxviii, 51p
264. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4
265. Williams, Peter F.New Bach? [on recently discovered chorales] MTimes 126 1710 Aug 1985 452
266. Williams, Peter F.Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 1986 123-125
267. Williams, Peter F.Orugan Kyoku. [ce]BachJiten 1996 294-298
268. Williams, Peter F.Playing and studying Bach: Where next? BIOSJ 24 2000 80-92
269. Williams, Peter F.Playing the organ works of Bach: Some case studies. 1987 128p
270. Williams, Peter F.Public Executions and the Bach Passions. BachNotesABS 2 Fall 2004 1-4
271. Williams, Peter F.Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 2001 553-572
272. Williams, Peter F.Some further Thoughts. DortmundBachF 6 2003 371-388
273. Williams, Peter F.Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen 2005 53-71
274. Williams, Peter F.Some Tercentenary Questions for the Performer. AmerOrganist(2) 19 1 Jan 1985 42-46
275. Williams, Peter F.Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 1999 185-198
276. Williams, Peter F.Stop Press: Some questions about JS Bach and his organ music. MTimes 141 1870 Spring 2000 34-40
277. Williams, Peter F.Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18 2 Feb 1984 38-39
278. Williams, Peter F.Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19 5 May 1985 74-75
279. Williams, Peter F.Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19 4 Apr 1985 82-84
280. Williams, Peter F.Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19 3 Mar 1985 118-119
281. Williams, Peter F.Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19 2 Feb 1985 56-57
282. Williams, Peter F.Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18 9 Sep 1984 44-45
283. Williams, Peter F.Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19 8 Aug 1985 38-40
284. Williams, Peter F.Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19 10 Oct 1985 117-119
285. Williams, Peter F.Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19 6 Jun 1985 44-46
286. Williams, Peter F.Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19 12 Dec 1985 60-62
287. Williams, Peter F.Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19 11 Nov 1985 91-93
288. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17 1 Jan 1983 45-47
289. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17 3 Mar 1983 50-52
290. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17 9 Sep 1983 42-47
291. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19 7 Jul 1985 56-58
292. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19 9 Sep 1985 62-64
293. Williams, Peter F.Sui generis: some fashionable uses to which Bach is put. MTimes 141 1871 Summer 2000 8, 10, 12-15
294. Williams, Peter F.The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk 1986 267-282
295. Williams, Peter F.The Chromatic Fourth. During Four Centuries of Music. 1998 272p
296. Williams, Peter F.The European Organ 1450-1850. 1966 336p
297. Williams, Peter F.The French Silbermann. MTimes 112 1535 Jan 1971 77-78
298. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
299. Williams, Peter F.The Life of Bach. 2004 viii,219p
300. Williams, Peter F.The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart 1981 259-278
301. Williams, Peter F.The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 2007 371-381
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