Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Mills, Ian: The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. diss. (2016) | |
| 2. | Alevizos, Konstantinos: Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. diss. (2016) | |
| 3. | Szabó, Zoltán: Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites by J. S. Bach. diss. (2016), 272p | |
| 4. | Markovska, Nadya: Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity. diss. (2016), 275p | |
| 5. | Guðmundsdóttir, Guðbjörg Hlín: Reanimating Bach: connecting visuals and musical interpretation. diss. (2016), 42p | |
| 6. | Barton, Pamela Sage: Gender roles in the violin music of Bach. diss. (2016), iii, 26p | |
| 7. | Wessel, Jens: J. S. Bach und die italienische Oper: Drammi per musica für das kurfürstlich-sächsische und polnische Königshaus zwischen 1733 und 1736. diss. (2016), v, 239p | |
| 8. | Lahan, Charles B. Jr.: Musical Mannerism: a Recurring Stylistic Phenomenon in Keyboard Variations by J. S. Bach, Beethoven, and Liszt. diss. (2016), vii, 115p | |