Bach Bibliography
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Series : diss.
Year : 2016
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Mills, Ian:   The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. diss. (2016) PhD diss., Queen's University Belfast, 2016.
2. Alevizos, Konstantinos:   Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. diss. (2016) PhD diss., Université Paris 4 Sorbonne, 2016.
3. Szabó, Zoltán:   Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites by J. S. Bach. diss. (2016), 272p. PhD diss., Sydney Conservatorium of Music, The University of Sydney, 2016. 272p
4. Markovska, Nadya:   Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity. diss. (2016), 275p. PhD diss., University of Southampton, 2016. 275p.
5. Guðmundsdóttir, Guðbjörg Hlín:   Reanimating Bach: connecting visuals and musical interpretation. diss. (2016), 42p. Lokaskýrslur (M.Mus.), Iceland Academy of the Arts, 2016. 42p
6. Barton, Pamela Sage:   Gender roles in the violin music of Bach. diss. (2016), iii, 26p. MMus diss., California State University, Long Beach, May 2016. iii, 26p.
7. Wessel, Jens:   J. S. Bach und die italienische Oper: Drammi per musica für das kurfürstlich-sächsische und polnische Königshaus zwischen 1733 und 1736. diss. (2016), v, 239p. vorgelegt von: Jens Wessel. DScMus diss, Hochschule für Musik und Theater Hamburg, 2016. v, 239p.
8. Lahan, Charles B. Jr.:   Musical Mannerism: a Recurring Stylistic Phenomenon in Keyboard Variations by J. S. Bach, Beethoven, and Liszt. diss. (2016), vii, 115p. DMA diss., University of Oklahoma, 2016. vii, 115p. [BWV 12, 988]

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