Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Peters, Manfred: Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. diss. (2004) | |
| 2. | Bamberg, Joachim: Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. diss. (2004) | |
| 3. | Pranata, Julianto: New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. diss. (2004), 105p | |
| 4. | Roberts, Scott: Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. diss. (2004), 124p | |
| 5. | Kruse, Hermann: Die Chorwerke von Moritz Hauptmann (1792–1868). diss. (2004), 135p | |
| 6. | Bunn, J. Gregg: A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. diss. (2004), 151p | |
| 7. | Rautio, Riitta Aulikki: Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions. diss. (2004), 238p | |
| 8. | Holtan, Eric Howard: The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy. diss. (2004), 254p | |
| 9. | Bennett, Evan: The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. diss. (2004), 256p | |
| 10. | Kamatani, Pamela M.: Science, metaphysics, and the late works of J. S. Bach. diss. (2004), 305p | |
| 11. | Aspaas, Christopher Paul: A history of the Oregon Bach Festival. diss. (2004), 318p | |
| 12. | Dürre, Ronald: Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. diss. (2004), 417p | |
| 13. | Ahn, So-Yi: Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. diss. (2004), 51p | |
| 14. | Allen-Russell, Ann van: Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. diss. (2004), 608p | |
| 15. | Dommange, Thomas: Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. diss. (2004), 623p | |
| 16. | O'Leary, Alec: J. S. Bach: English suite no. 4, BWV 809 for two guitars. diss. (2004), 67p | |
| 17. | Lim, Jungmook: A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. diss. (2004), 77p | |
| 18. | Ruhl, Nicole: Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests. diss. (2004), 96p | |
| 19. | Kranenburg, Peter van: De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl. diss. (2004), 97p | |
| 20. | Lockey, Nicholas: The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres. diss. (2004), ix, 155p | |
| 21. | Bae, Jin Young: Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. diss. (2004), v, 101p | |
| 22. | Santos, Carmelo de los: Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach. diss. (2004), vii, 150p | |
| 23. | Linnartz, Elizabeth Byrum: The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach. diss. (2004), xi, 238p | |
| 24. | Matsumoto, Kanae: Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni. diss. (2004), xi, 80p | |
| 25. | Dykstra, Ruth Elaine: Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. diss. (2004), xii, 167p | |
| 26. | Bordignon, Paolo Michele: Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. diss. (2004), xii, 174p | |
| 27. | Cron, Matthew: The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. diss. (2004), xix, 830p | |
| 28. | Golomb, Uri: Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. diss. (2004), xv, 432p | |
| 29. | Lee, Joong-Oh: A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. diss. (2004), xvi, 132p | |