Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 2004
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Peters, Manfred:   Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. diss. (2004) PhD, Technische Universität Dresden, 2004.
	2.	Bamberg, Joachim:   Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. diss. (2004) Doctoral thesis. Eberhard Karls Universität Tübingen, 2004.
	3.	Pranata, Julianto:   New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. diss. (2004), 105p. DMA diss., University of Memphis, 2004. 105p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-74611-1.
	4.	Roberts, Scott:   Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. diss. (2004), 124p. PhD. diss., The Florida State University, 2004. 124p.
	5.	Kruse, Hermann:   Die Chorwerke von Moritz Hauptmann (1792–1868). diss. (2004), 135p. PhD diss., Universität Dortmund, 2004. 135p.
	6.	Bunn, J. Gregg:   A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. diss. (2004), 151p. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7.
	7.	Rautio, Riitta Aulikki:   Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions. diss. (2004), 238p. DPhil diss., Jyvaskylan Yliopisto, 2004. 238p.
	8.	Holtan, Eric Howard:   The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy. diss. (2004), 254p. DMA diss., The University of Arizona, 2004. 254p.
	9.	Bennett, Evan:   The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. diss. (2004), 256p. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414.
	10.	Kamatani, Pamela M.:   Science, metaphysics, and the late works of J. S. Bach. diss. (2004), 305p. PhD. diss., University of California, Berkeley, 2004. 305p.
	11.	Aspaas, Christopher Paul:   A history of the Oregon Bach Festival. diss. (2004), 318p. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542.
	12.	Dürre, Ronald:   Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. diss. (2004), 417p. PhD diss. Otto-von-Gueriche-Universität Magdeburg, 2004.
	13.	Ahn, So-Yi:   Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. diss. (2004), 51p. DMA diss., Arizona State University, 2004. 51p.
	14.	Allen-Russell, Ann van:   Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. diss. (2004), 608p. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p
	15.	Dommange, Thomas:   Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. diss. (2004), 623p. Paris, Univ., Diss., 2004. 623p.
	16.	O'Leary, Alec:   J. S. Bach: English suite no. 4, BWV 809 for two guitars. diss. (2004), 67p. MMus, diss. in Performance. Dublin Institute of Technology/Institiúid Teicneolaíochta Bhaile Átha Cliath, 2004. 67p.
	17.	Lim, Jungmook:   A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. diss. (2004), 77p. DMA diss., University of Cincinnati, 2004. 77p. - Ann Arbor, MI: University Microfilms International, 2004. 79p. ISBN: 0-496-92945-3. UMI No. 3159799. [BWV 1011]
	18.	Ruhl, Nicole:   Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests. diss. (2004), 96p. Leipzig, Univ., Magisterarbeit, 2004. 96 Bl.
	19.	Kranenburg, Peter van:   De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl. diss. (2004), 97p. MA Diss. Utrecht University, 2004. 97p. http://www.lodebar.nl/pvk/downloads/pvankranenburg_scriptie-1.0.3.pdf
	20.	Lockey, Nicholas:   The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres. diss. (2004), ix, 155p. Master of Arts in Musicology, University of Victoria (Canada), 2004, ix, 155pp, app.
	21.	Bae, Jin Young:   Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. diss. (2004), v, 101p. DMA diss., University of Washington, 2004. v, 101p.
	22.	Santos, Carmelo de los:   Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach. diss. (2004), vii, 150p. DMA diss, The University of Georgia, Athens. 2004. vii, 150p
	23.	Linnartz, Elizabeth Byrum:   The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach. diss. (2004), xi, 238p. DMA diss., Vocal Performance, University of North Carolina at Greensboro, 2004. xi, 238p
	24.	Matsumoto, Kanae:   Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni. diss. (2004), xi, 80p. DMA diss., University of California, Los Angeles, 2004. xi, 80p. [BWV 1001-1006]
	25.	Dykstra, Ruth Elaine:   Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. diss. (2004), xii, 167p. DMA diss., The University of Texas at Austin, 2004. xii, 167p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-76120-X.
	26.	Bordignon, Paolo Michele:   Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. diss. (2004), xii, 174p. DMA diss., Performance, Juilliard School, 2004. xii, 174p.
	27.	Cron, Matthew:   The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. diss. (2004), xix, 830p. PhD diss., Brandeis University, 2004. xix, 830p. - Ann Arbor, MI: University Microfilms International. ISBN: 0-496-83086-4. Dissertation No: 3135883.
	28.	Golomb, Uri:   Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. diss. (2004), xv, 432p. PhD diss., University of Cambridge, 2004. xv, 432p. Available online at http://edocs.ub.uni-frankfurt.de/volltexte/2005/3077/
	29.	Lee, Joong-Oh:   A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. diss. (2004), xvi, 132p. DMA diss., University of Miami, 2004. xvi, 132p. - Ann Arbor, MI: University Microfilms International (UMI), ISBN: 0-496-72664-1.