Type | List | Author: Title , Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Marinho Silva Carvalho, Helena Paula: J.C. Bach's London keyboard sonatas: Style and context. diss. (2003) |  |
| 2. | Hong, J. L.: Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. diss. (2003) |  |
| 3. | Yang, Junfeng: Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. diss. (2003) |  |
| 4. | Kac, Juliet: The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. diss. (2003) |  |
| 5. | Sawatani, Natsuki: J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei diss. (2003), 103p |  |
| 6. | Nüdling, Thomas: Untersuchungen zu Johann Michael Bach. Leben und Werk. diss. (2003), 104p |  |
| 7. | Lee, Ming-Shung: A selected study of three variations by Bach, Beethoven, and Brahms. diss. (2003), 116p |  |
| 8. | Bubar, Cheryl Ann: Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. diss. (2003), 133p |  |
| 9. | Morozov, Serhii: The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. diss. (2003), 14p |  |
| 10. | Elferen, Isabella van: Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. diss. (2003), 286p |  |
| 11. | Reade, Cyril: Mendelssohn to Mendelsohn; visual case studies of Jewish life in Berlin. diss. (2003), 326p |  |
| 12. | Jerkert, Jesper: Measurements and models of musical articulation. diss. (2003), 32p |  |
| 13. | Arkad'ev, Mihail Aleksandroviè: Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. diss. (2003), 360p | Latin 2
 |
| 14. | Müller, Jan Henning: Der Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart. diss. (2003), 448p |  |
| 15. | Dequevauviller, Vincent: Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. diss. (2003), 659p |  |
| 16. | Ham, Jimin: A comparative analysis of J. S. Bach's three partitas for solo violin. diss. (2003), 72p |  |
| 17. | Lammens, S.: De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert. diss. (2003), 82p |  |
| 18. | Kaminska, Iwona: J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. diss. (2003), ix, 113p |  |
| 19. | Scooler, Evan Daniel: J. S. Bach's Changing Conception of the 'Great Eighteen' Chorales. diss. (2003), ix, 343p |  |
| 20. | Stone, Kerstin Barger: Teaching the Preludes of The WellßTempered Clavier. diss. (2003), vii, 85p |  |
| 21. | Talle, Andrew James: J. S. Bach's Keyboard Partitas and Their Early Audience. diss. (2003), viii, 307 Bl |  |
| 22. | Seo, Yun-Jin: Three cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. Slonimsky. diss. (2003), xiii, 105p |  |
| 23. | Peters, Mark A.: Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. diss. (2003), xv, 384p |  |
| 24. | Zirkle, Thomas Allen: Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach. diss. (2003), xxiv, 148p |  |