Bach Bibliography
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Series : diss.
Year : 2003
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Marinho Silva Carvalho, Helena Paula:   J.C. Bach's London keyboard sonatas: Style and context. diss. (2003)
2. Hong, J. L.:   Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. diss. (2003)
3. Yang, Junfeng:   Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. diss. (2003)
4. Kac, Juliet:   The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. diss. (2003)
5. Sawatani, Natsuki:   J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei diss. (2003), 103p
6. Nüdling, Thomas:   Untersuchungen zu Johann Michael Bach. Leben und Werk. diss. (2003), 104p
7. Lee, Ming-Shung:   A selected study of three variations by Bach, Beethoven, and Brahms. diss. (2003), 116p
8. Bubar, Cheryl Ann:   Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. diss. (2003), 133p
9. Morozov, Serhii:   The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. diss. (2003), 14p
10. Elferen, Isabella van:   Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. diss. (2003), 286p
11. Reade, Cyril:   Mendelssohn to Mendelsohn; visual case studies of Jewish life in Berlin. diss. (2003), 326p
12. Jerkert, Jesper:   Measurements and models of musical articulation. diss. (2003), 32p
13. Arkad'ev, Mihail Aleksandroviè:   Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. diss. (2003), 360p Latin 2
14. Müller, Jan Henning:   Der Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart. diss. (2003), 448p
15. Dequevauviller, Vincent:   Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. diss. (2003), 659p
16. Ham, Jimin:   A comparative analysis of J. S. Bach's three partitas for solo violin. diss. (2003), 72p
17. Lammens, S.:   De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert. diss. (2003), 82p
18. Kaminska, Iwona:   J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. diss. (2003), ix, 113p
19. Scooler, Evan Daniel:   J. S. Bach's Changing Conception of the 'Great Eighteen' Chorales. diss. (2003), ix, 343p
20. Stone, Kerstin Barger:   Teaching the Preludes of The WellßTempered Clavier. diss. (2003), vii, 85p
21. Talle, Andrew James:   J. S. Bach's Keyboard Partitas and Their Early Audience. diss. (2003), viii, 307 Bl
22. Seo, Yun-Jin:   Three cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. Slonimsky. diss. (2003), xiii, 105p
23. Peters, Mark A.:   Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. diss. (2003), xv, 384p
24. Zirkle, Thomas Allen:   Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach. diss. (2003), xxiv, 148p

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