Bach Bibliography
Search Result - Ordered Chronologically

The keys being searched are:
Series : diss.
Year : 1998
Your search has generated the following results ...
TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Thomas, P.:   The Anglicisation of Bach. diss. (1998)
2. Fabian, Dorottya:   J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. (1998)
3. Endo, Rena:   Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. diss. (1998)
4. Takezawa, Eisuke:   J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. diss. (1998), 119p
5. Roseman, Molly Roberts:   Arthur Loesser: Pianist, teacher, critic, author. diss. (1998), 128p
6. Tan, Siok Lian:   The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. diss. (1998), 130p
7. Chien, Martin Ying-Tsai:   A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. (1998), 142p
8. Cho, Yoonju:   A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. diss. (1998), 153p
9. Guthrie, Kris L.:   The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. diss. (1998), 176p
10. Cheng, Ephraim Ho-Yin:   A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. diss. (1998), 198p
11. Borodavkin, Sergej:   Principy orkestrovogo myslenija I.S. Baha. diss. (1998), 20p
12. Kramer, Laura Elizabeth:   Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. diss. (1998), 229p
13. Vjazkova, Elena:   Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. diss. (1998), 329p
14. Davidson, Ian Bruce:   The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. diss. (1998), 365p
15. Knoll, Mark W.:   Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. diss. (1998), 382p
16. Zsok, Otto:   Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) diss. (1998), 403p
17. Diederichs, Barbara:   Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. diss. (1998), 414p
18. Wagner, Alexander:   Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. diss. (1998), 58, ix p
19. Marckx, Leslie Hirt:   French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. diss. (1998), 65p
20. Welter, Kathryn J.:   Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. diss. (1998), ix, 384 Bl
21. Beller-McKenna, Catherine Pearson:   The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. diss. (1998), v, 97p
22. Wampler, Stephen G.:   A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. diss. (1998), vi, 204p
23. Suokko-Hixson, Ulla:   Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). diss. (1998), vii, 164p
24. Kuo, Yi-Sy-Tieh:   Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. diss. (1998), xii, 111p
25. McIntyre, Dean B.:   Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. diss. (1998), xii, 362p
26. Bauer, Karen Tillotson:   A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). diss. (1998), xiv, 269p
27. McDonald, William Rudd:   A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. diss. (1998), xiv, 368p
28. Oleskiewicz, Mary A.:   Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. diss. (1998), xxxiv, 727p

Search took 1.031s cpu time (0.031s in system), 59059 records per second.

BachBib Search Engine 1c Version 1.57 (c) M. Vincent 1997.
Last revised on 2 May 2011 by Yo Tomita