Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1998

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Thomas, P.:   The Anglicisation of Bach. diss. (1998)
	2.	Fabian, Dorottya:   J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. (1998)
	3.	Endo, Rena:   Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. diss. (1998)
	4.	Takezawa, Eisuke:   J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. diss. (1998), 119p
	5.	Roseman, Molly Roberts:   Arthur Loesser: Pianist, teacher, critic, author. diss. (1998), 128p
	6.	Tan, Siok Lian:   The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. diss. (1998), 130p
	7.	Chien, Martin Ying-Tsai:   A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. (1998), 142p
	8.	Cho, Yoonju:   A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. diss. (1998), 153p
	9.	Guthrie, Kris L.:   The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. diss. (1998), 176p
	10.	Cheng, Ephraim Ho-Yin:   A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. diss. (1998), 198p
	11.	Borodavkin, Sergej:   Principy orkestrovogo myslenija I.S. Baha. diss. (1998), 20p
	12.	Kramer, Laura Elizabeth:   Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. diss. (1998), 229p
	13.	Vjazkova, Elena:   Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. diss. (1998), 329p
	14.	Davidson, Ian Bruce:   The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. diss. (1998), 365p
	15.	Knoll, Mark W.:   Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. diss. (1998), 382p
	16.	Zsok, Otto:   Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) diss. (1998), 403p
	17.	Diederichs, Barbara:   Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. diss. (1998), 414p
	18.	Wagner, Alexander:   Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. diss. (1998), 58, ix p
	19.	Marckx, Leslie Hirt:   French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. diss. (1998), 65p
	20.	Welter, Kathryn J.:   Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. diss. (1998), ix, 384 Bl
	21.	Beller-McKenna, Catherine Pearson:   The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. diss. (1998), v, 97p
	22.	Wampler, Stephen G.:   A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. diss. (1998), vi, 204p
	23.	Suokko-Hixson, Ulla:   Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). diss. (1998), vii, 164p
	24.	Kuo, Yi-Sy-Tieh:   Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. diss. (1998), xii, 111p
	25.	McIntyre, Dean B.:   Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. diss. (1998), xii, 362p
	26.	Bauer, Karen Tillotson:   A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). diss. (1998), xiv, 269p
	27.	McDonald, William Rudd:   A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. diss. (1998), xiv, 368p
	28.	Oleskiewicz, Mary A.:   Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. diss. (1998), xxxiv, 727p