Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1998
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Thomas, P.:   The Anglicisation of Bach. diss. (1998) MA diss., University of Wales at Cardiff, 1998.
	2.	Fabian, Dorottya:   J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. (1998) PhD diss., The University of New South Wales, 1998.
	3.	Endo, Rena:   Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. diss. (1998) [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998.
	4.	Takezawa, Eisuke:   J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. diss. (1998), 119p. [The use of flute and the issue of authenticity in J. S. Bach's works], PhD diss., Tokyo National University of Fine Arts and Music, 1998. 119 leaves.
	5.	Roseman, Molly Roberts:   Arthur Loesser: Pianist, teacher, critic, author. diss. (1998), 128p. DM diss., Florida State University, 1998. 128p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-09802-3, Dissertation No: 9911448.
	6.	Tan, Siok Lian:   The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. diss. (1998), 130p. DMA diss, University of Cincinnati, 1998. 130p (See DissAbstracts 59/05-A, 1395)
	7.	Chien, Martin Ying-Tsai:   A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. (1998), 142p. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis.
	8.	Cho, Yoonju:   A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. diss. (1998), 153p. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.)
	9.	Guthrie, Kris L.:   The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. diss. (1998), 176p. DMA Rice University, 1998. 176p. Advisor: Anne Schnoebelen.
	10.	Cheng, Ephraim Ho-Yin:   A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. diss. (1998), 198p. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst.
	11.	Borodavkin, Sergej:   Principy orkestrovogo myslenija I.S. Baha. diss. (1998), 20p. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p.
	12.	Kramer, Laura Elizabeth:   Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. diss. (1998), 229p. DMA diss. Cornell University, 1998, 229p. (See DissAbstracts 59/04-A, 1002)
	13.	Vjazkova, Elena:   Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. diss. (1998), 329p. [Process of musical creation: Comparative textual analysis] PhD, Gosudarstvennaja Konservatorija imeni P.I. Cajkovskogo, Moskva, 1998. 45p; 329p.
	14.	Davidson, Ian Bruce:   The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. diss. (1998), 365p. DMA diss., The University of Texas at Austin, 1998, 365p. DissAbstracts 59/02-A. UMI AAI9824844
	15.	Knoll, Mark W.:   Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. diss. (1998), 382p. PhD diss., University of Michigan, 1998. 382p. Advisor: David Crawford and Steven Whiting. ISBN: 9780591772449
	16.	Zsok, Otto:   Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) diss. (1998), 403p. PhD diss., Hochschule für Philosophie, München, 1998. St. Ottilien: Erzabtei St. Ottilien, 1998. 403p. ISBN: 3-88096-927-2.
	17.	Diederichs, Barbara:   Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. diss. (1998), 414p. PhD diss., Justus-Liebig-Universität Gießen, 1998. 414p
	18.	Wagner, Alexander:   Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. diss. (1998), 58, ix p. Dipl.-arb., Hochschule für Technik, Wirtschaft und Kultur Leipzig. Leipzig, 1998. 58, ix, p.
	19.	Marckx, Leslie Hirt:   French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. diss. (1998), 65p. DMA diss, University of Washington, 1998. 65p
	20.	Welter, Kathryn J.:   Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. diss. (1998), ix, 384 Bl. PhD diss., Harvard University, 1998. ix, 384 Bl.
	21.	Beller-McKenna, Catherine Pearson:   The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. diss. (1998), v, 97p. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384)
	22.	Wampler, Stephen G.:   A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. diss. (1998), vi, 204p. DMA, Performance, University of Washington, 1998. vi, 204 p.
	23.	Suokko-Hixson, Ulla:   Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). diss. (1998), vii, 164p. DMA diss., Performance, Juilliard School, 1998. vii, 164p
	24.	Kuo, Yi-Sy-Tieh:   Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. diss. (1998), xii, 111p. MA diss., San Jose State University, 1998. xii, 111p.
	25.	McIntyre, Dean B.:   Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. diss. (1998), xii, 362p. PhD, Texas Tech University, December 1998. xii, 362p
	26.	Bauer, Karen Tillotson:   A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). diss. (1998), xiv, 269p. DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495.
	27.	McDonald, William Rudd:   A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. diss. (1998), xiv, 368p. PhD diss., University of Kansas, 1998. xiv, 368p. - Ann Arbor: University Microfilms International, 1999. ISBN: 0-599-31933-X. Dissertation No: 9931933. [BWV 1009]
	28.	Oleskiewicz, Mary A.:   Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. diss. (1998), xxxiv, 727p. PhD diss., Performance Practice, Duke University. 1998, xxxiv, 727p