Bach Bibliography Search Result - Ordered Chronologically

Series : [cr]Moskva2010
Year : 2011
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Stognij, Irina Samojlovna:   O tonal'noj semantike Passionov I.S. Baha. [cr]Moskva2010 (2011), 80-89. [About tonal semantics of Passions by J.S. Bach]
	2.	Sidorova, Elena Viktorovna:   O tipologii duhovnyh kantat I.S. Baha. [cr]Moskva2010 (2011), 90-97. [On the typology of sacred cantatas by J.S. Bach]
	3.	Ûžak, Kiralina Iosifovna:   I.S. Bah i G.F. Gendel': Dve koncepcii fugi. [cr]Moskva2010 (2011), 98-113. [J.S. Bach and Händel: Two concepts of a fugue]
	4.	Prihod'ko, Igor' Mihajloviè:   Funkcii golosa v klavirnoj fuge Vysokogo barokko. [cr]Moskva2010 (2011), 114-123. [Voice function in the High Baroque fugue clavier]	Latin 2
	5.	Vâzkova, Elena Vasil'evna:   Nekotorye nablûdeniâ nad tvorèeskim processom I.S. Baha v pozdnij period tvorèestva. [cr]Moskva2010 (2011), 124-145. [Some observations on J.S. Bach's creative process in his late period]	Latin 2
	6.	Milka, Anatolij Pavloviè:   O kompozicionnyh osobennostâh èakony I.S. Baha iz Partity d-moll dlâ skripki solo BWV 1004. [cr]Moskva2010 (2011), 146-152. [On compositional features of J.S. Bach's chaconne from the partita in D minor for solo violin, BWV 1004]	Latin 2
	7.	Boèarov, Ûrij Semenoviè:   Krivoe zerkalo bahocentrizma, ili Baroènaâ sûita po-tradicionnomu. [cr]Moskva2010 (2011), 153-159. [The distorting mirror of the Bach apotheosis or the traditional Baroque suite]	Latin 2
	8.	Epišin, Aleksandr Vil'gel'moviè:   'Smešannyj vkus' v trio-sonatah I.S. Baha i G.F. Gendelâ. [cr]Moskva2010 (2011), 160-177. [Mixed taste in the trio sonatas by J.S. Bach and Händel]	Latin 2
	9.	Esakov, Vâèeslav Vâèeslavoviè:   Sonaty I.S. Baha dlâ klavira i skripki BWV 1014-1019: K voprosu o specifike ansamblevoj faktury. [cr]Moskva2010 (2011), 178-186. [J.S. Bach's sonatas for keyboard and violin, BWV 1014-1019: Specifics of the ensemble texture]	Latin 2
	10.	Husainov, Igor' S.:   Obligatnoe trëhgolosie v simfoniâh I.S. Baha. [cr]Moskva2010 (2011), 187-198. [Obligato three-part polyphony in J.S. Bach's sinfonias]
	11.	Pankratov, Sergej Petroviè:   Sonatnaâ forma u I.S. Baha. [cr]Moskva2010 (2011), 199-212. [Sonata form in J.S. Bach's compositions] [BWV 857]	Latin 2
	12.	Malinkovskaâ, Avgusta Viktorovna:   Opyt psihosemantièeskogo podhoda k voprosam vospriâtiâ Horošo temperirovannogo klavira I.S. Baha. [cr]Moskva2010 (2011), 213-227. [The psychosemantic approach to the perception of Bach's Das wohltemperirte Clavier]	Latin 2
	13.	Alkon, Elena Meerovna:   Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [cr]Moskva2010 (2011), 228-243. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo]
	14.	Caregradskaâ, Tat'âna Vladimirovna:   I.S. Bah i massovaâ kul'tura vtoroj poloviny XX veka. [cr]Moskva2010 (2011), 244-250. [J.S. Bach and the popular culture of the second half of the 20th century]
	15.	I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ. [J.S. Bach, Georg Händel, Alessandro Scarlatti: Problems of studying the creative heritage] [conference I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ, in 2010 in Moscow] - Moskva: Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, 2011. 251p. [contents]	Latin 2