Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Stognij, Irina Samojlovna: O tonal'noj semantike Passionov I.S. Baha. [cr]Moskva2010 (2011), 80-89. [About tonal semantics of Passions by J.S. Bach] | |
| 2. | Sidorova, Elena Viktorovna: O tipologii duhovnyh kantat I.S. Baha. [cr]Moskva2010 (2011), 90-97. [On the typology of sacred cantatas by J.S. Bach] | |
| 3. | Ûžak, Kiralina Iosifovna: I.S. Bah i G.F. Gendel': Dve koncepcii fugi. [cr]Moskva2010 (2011), 98-113. [J.S. Bach and Händel: Two concepts of a fugue] | |
| 4. | Prihod'ko, Igor' Mihajloviè: Funkcii golosa v klavirnoj fuge Vysokogo barokko. [cr]Moskva2010 (2011), 114-123. [Voice function in the High Baroque fugue clavier] | Latin 2
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| 5. | Vâzkova, Elena Vasil'evna: Nekotorye nablûdeniâ nad tvorèeskim processom I.S. Baha v pozdnij period tvorèestva. [cr]Moskva2010 (2011), 124-145. [Some observations on J.S. Bach's creative process in his late period] | Latin 2
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| 6. | Milka, Anatolij Pavloviè: O kompozicionnyh osobennostâh èakony I.S. Baha iz Partity d-moll dlâ skripki solo BWV 1004. [cr]Moskva2010 (2011), 146-152. [On compositional features of J.S. Bach's chaconne from the partita in D minor for solo violin, BWV 1004] | Latin 2
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| 7. | Boèarov, Ûrij Semenoviè: Krivoe zerkalo bahocentrizma, ili Baroènaâ sûita po-tradicionnomu. [cr]Moskva2010 (2011), 153-159. [The distorting mirror of the Bach apotheosis or the traditional Baroque suite] | Latin 2
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| 8. | Epišin, Aleksandr Vil'gel'moviè: 'Smešannyj vkus' v trio-sonatah I.S. Baha i G.F. Gendelâ. [cr]Moskva2010 (2011), 160-177. [Mixed taste in the trio sonatas by J.S. Bach and Händel] | Latin 2
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| 9. | Esakov, Vâèeslav Vâèeslavoviè: Sonaty I.S. Baha dlâ klavira i skripki BWV 1014-1019: K voprosu o specifike ansamblevoj faktury. [cr]Moskva2010 (2011), 178-186. [J.S. Bach's sonatas for keyboard and violin, BWV 1014-1019: Specifics of the ensemble texture] | Latin 2
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| 10. | Husainov, Igor' S.: Obligatnoe trëhgolosie v simfoniâh I.S. Baha. [cr]Moskva2010 (2011), 187-198. [Obligato three-part polyphony in J.S. Bach's sinfonias] | |
| 11. | Pankratov, Sergej Petroviè: Sonatnaâ forma u I.S. Baha. [cr]Moskva2010 (2011), 199-212. [Sonata form in J.S. Bach's compositions] [BWV 857] | Latin 2
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| 12. | Malinkovskaâ, Avgusta Viktorovna: Opyt psihosemantièeskogo podhoda k voprosam vospriâtiâ Horošo temperirovannogo klavira I.S. Baha. [cr]Moskva2010 (2011), 213-227. [The psychosemantic approach to the perception of Bach's Das wohltemperirte Clavier] | Latin 2
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| 13. | Alkon, Elena Meerovna: Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [cr]Moskva2010 (2011), 228-243. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo] | |
| 14. | Caregradskaâ, Tat'âna Vladimirovna: I.S. Bah i massovaâ kul'tura vtoroj poloviny XX veka. [cr]Moskva2010 (2011), 244-250. [J.S. Bach and the popular culture of the second half of the 20th century] | |
| 15. | I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ. [J.S. Bach, Georg Händel, Alessandro Scarlatti: Problems of studying the creative heritage] [conference I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ, in 2010 in Moscow] - Moskva: Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, 2011. 251p. [contents] | Latin 2
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