Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Saint-Saëns, Camille: On the execution of music, and principally of ancient music. [ce]BaroqueMusic (2011), 3-25. Trans. Henry P. Bowie. | |
| 2. | Koster, John: The harpsichord culture in Bach's environs. [ce]BaroqueMusic (2011), 41-62. | |
| 3. | Powell, Ardal; Lasocki, David: Bach and the flute: The players, the instruments, the music. [ce]BaroqueMusic (2011), 63-80. | |
| 4. | Barnes, John: Bach's keyboard temperament: Internal evidence from the Well-tempered clavier. [ce]BaroqueMusic (2011), 129-146. | |
| 5. | Haynes, Bruce: Beyond temperament: Non-keyboard intonation in the 17th and 18th centuries. [ce]BaroqueMusic (2011), 147-171. | |
| 6. | Dirst, Matthew: Bach's French overtures and the politics of overdotting. [ce]BaroqueMusic (2011), 391-400. [BWV 831a] | |
| 7. | Rifkin, Joshua: Bach's chorus: A preliminary report. [ce]BaroqueMusic (2011), 477-485. | |
| 8. | Adorno, Theodor W.: Bach defended against his devotees. [ce]BaroqueMusic (2011), 487-498. Trans. Samuel Weber and Shierry Weber. | |
| 9. | Dreyfus, Laurence: Early music defended against its devotees: A theory of historical performance in the twentieth century. [ce]BaroqueMusic (2011), 499-527. | |
| 10. | Kuijken, Sigiswald: A Bach odyssey. [ce]BaroqueMusic (2011), 529-538. | |
| 11. | Walls, Peter (ed.): Baroque music. Farnham: Ashgate, 2011. xxxiv, 553p. ISBN: 0-7546-2882-5; 978-0-7546-2882-8. (= Library of essays on music performance practice; No. 3) [contents] | |