Bach Bibliography Search Result - Ordered Chronologically

Series : [ce]BaroqueMusic
Year : 2011
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Saint-Saëns, Camille:   On the execution of music, and principally of ancient music. [ce]BaroqueMusic (2011), 3-25. Trans. Henry P. Bowie.
	2.	Koster, John:   The harpsichord culture in Bach's environs. [ce]BaroqueMusic (2011), 41-62.
	3.	Powell, Ardal; Lasocki, David:   Bach and the flute: The players, the instruments, the music. [ce]BaroqueMusic (2011), 63-80.
	4.	Barnes, John:   Bach's keyboard temperament: Internal evidence from the Well-tempered clavier. [ce]BaroqueMusic (2011), 129-146.
	5.	Haynes, Bruce:   Beyond temperament: Non-keyboard intonation in the 17th and 18th centuries. [ce]BaroqueMusic (2011), 147-171.
	6.	Dirst, Matthew:   Bach's French overtures and the politics of overdotting. [ce]BaroqueMusic (2011), 391-400. [BWV 831a]
	7.	Rifkin, Joshua:   Bach's chorus: A preliminary report. [ce]BaroqueMusic (2011), 477-485.
	8.	Adorno, Theodor W.:   Bach defended against his devotees. [ce]BaroqueMusic (2011), 487-498. Trans. Samuel Weber and Shierry Weber.
	9.	Dreyfus, Laurence:   Early music defended against its devotees: A theory of historical performance in the twentieth century. [ce]BaroqueMusic (2011), 499-527.
	10.	Kuijken, Sigiswald:   A Bach odyssey. [ce]BaroqueMusic (2011), 529-538.
	11.	Walls, Peter (ed.):   Baroque music. Farnham: Ashgate, 2011. xxxiv, 553p. ISBN: 0-7546-2882-5; 978-0-7546-2882-8. (= Library of essays on music performance practice; No. 3) [contents]