Bach Bibliography
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Author : Yearsley, David
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Yearsley, David Gaynor:   Ideologies of learned counterpoint in the northern German Baroque. diss. (1994), 376p. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769]
2. Yearsley, David:   The organ music of J. S. Bach. [ce]CambridgeCompanion_Organ (1998), 236-249.
3. Yearsley, David:   Alchemy and Counterpoint in an Age of Reason JAMSoc 51/2 (Summer 1998), 201-243.
4. Yearsley, David:   Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. MLetters 80/2 (May 1999), 183-206.
5. Yearsley, David:   Bach and the Meanings of Counterpoint. Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5.
6. Yearsley, David:   Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. 18cM 2/2 (Sep 2005), 231-249.
7. Yearsley, David:   The concerto in northern Europe to c.1770. [ce]CambridgeCompanion_Concerto (2005), 53-69. [BWV 1046-1051]
8. Yearsley, David:   C. P. E. Bach and the living traditions of learned counterpoint. [ce]CPEBachStud (2006), 173-201.
9. Yearsley, David:   In Buxtehude's footsteps. EarlyM 35/3 (Aug 2007), 339-353.
10. Yearsley, David:   Women at the organ: a fragment. [fs]Williams70 (2007), 119-141. [BWV 573]
11. Richards, Annette; Yearsley, David (eds.):   Organ Works / Carl Philipp Emanuel Bach. Edited by Annette Richards and David Yearsley. - Los Altos, CA: Packard Humanities Institute, 2008. xxvi, 123p (Critical report pp. 91-119). ISBN: 978-1-933280-33-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 9) [Sonata in g minor, Wq 70/6. Sonata in D major, Wq 70/5. Sonata in F major, Wq 70/3. Sonata in a minor, Wq 70/4. Sonata in B-flat major, Wq 70/2. Prelude in D major, Wq 70/7. Fantasia and fugue in c minor, Wq 119/7. Fugue in d minor, Wq 119/2. Fugue in F major, Wq 119/3. Fugue in A major, Wq 119/4. Fugue in g minor, Wq 119/5. Fugue in E-flat major, Wq 119/6. O Gott, du frommer Gott, H 336/1. Ich bin ja, Herr, in deiner Macht, H 336/2. Jesus, meine Zuversicht, H 336/3. Wer nur den lieben Gott läßt walten, H 336/4. Komm, heiliger Geist, Herre Gott, H 336/5. Chorale prelude on "Aus der Tiefen rufe ich", BWV 745. Chorale prelude on "Ich ruf zu dir, Herr Jesu Christ", BWV Anh. II 73. Adagio in d minor, [Wq n.v.66] H 352. Appendix: Pedal Exercitium, BWV 598] [BWV 745, Anh. II 73; Wq 70/2-7 (H 134, 84, 85, 86, 87, 107), Wq 119/2-7 (H 99, 100, 101, 101.5, 102, 75.5), H 336/1-5, H 352; BWV 598 (Anh. II)]
12. Yearsley, David (ed.):   Princes of War and Peace and their Most Humble, Most Obedient Court Composer. Konturen(Oregon) 1 (2009), 1-33. http://konturen.uoregon.edu/vol1_Yearsley.html
13. Yearsley, David:   What is a Sängerin? [p]Women_Yale (Oct 2009) A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009.
14. Yearsley, David:   Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. 18cM 7/2 (Sep 2010), 326-329.
15. Yearsley, David:   Bernhard the German and the invention of the pedals. OrganYb 39 (2010), 7-25.
16. Yearsley, David:   Bach's Feet: the Organ Pedals in European Culture. Cambridge University Press, 2011. xiv, 298p. ISBN:9780521199018. (= Musical Performance and Reception) - Paperback edn. 2017.
17. Yearsley, David:   Exorcising Completeness in the Pedal Exercitium. AmerOrganist(2) 46/10 (Oct 2012), 62-69.
18. Yearsley, David:   Hoopskirts, coffee, and the changing musical prospects of the Bach women. WomenM 17 (2013), 27-58.
19. Yearsley, David:   'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach. BachNotesABS 26 (Spring 2017), 1-3.
20. Yearsley, David:   Keyboard Music. [ce]RoutledgeResearchCompanion (2017), 295-316. [Chapter 12] Part IV: Genres and Forms. [main headings: Hierarchies; Source Studies; Influences and Contemporaries; Hermeneutics; The Toccata and Fugue in D Minor]
21. Yearsley, David; Marshall, Kimberly:   Interlude: Recollecting the Westfield Center Bach Organ Tour of 1989. KeyboardPerspectives 10 (2017), 113-118.
22. Yearsley, David:   Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. Chicago and London: The University of Chicago Press, 2019. 336p. (= New Material Histories of Music)

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