Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1994

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Greenbaum, Sarah:   Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. diss. (1994)
	2.	Orgass, Stefan:   Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). diss. (1994)
	3.	Sandberger, Wolfgang:   Das Bach-Bild Philipp Spittas. diss. (1994)
	4.	Gross, Steven Lee:   The Evolution and Nomenclature of Bach's Horn Parts. diss. (1994), 143p
	5.	Polevoi, Randall Mark:   The Controversy over Bach's Trills: Towards a Reconsiliation. diss. (1994), 166p
	6.	Sandler, Vadim:   Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. diss. (1994), 16p
	7.	Wells, Mark:   The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study. diss. (1994), 176p
	8.	Häußler, Rita:   Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236. diss. (1994), 181p
	9.	Mulvey, Margaret Neal:   The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. diss. (1994), 194p
	10.	Bell, Michael Stephen:   The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. diss. (1994), 204p
	11.	Weber, Rudolf:   Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik. diss. (1994), 280p
	12.	Hill, David S.:   The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. diss. (1994), 302p
	13.	Yearsley, David Gaynor:   Ideologies of learned counterpoint in the northern German Baroque. diss. (1994), 376p
	14.	Boursy, Richard:   Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. diss. (1994), 412p
	15.	Dauer, Robin Lee:   Three works for voice and French horn with accompaniment. diss. (1994), 72p
	16.	Qureshi, Rifat Javed:   The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' diss. (1994), 72p
	17.	Snustad, Nancy:   The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison. diss. (1994), 91p
	18.	Kaplan, Harriet Marlene:   An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. diss. (1994), 98p
	19.	Huang, Fung-yin:   Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. diss. (1994), ix, 120p
	20.	Stewart, John D.:   The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues. diss. (1994), vi, 231 Bl
	21.	Yoon, Soomee:   Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. diss. (1994), xi, 67p
	22.	Arshagouni, Michael Hrair:   Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. diss. (1994), xv, 422p
	23.	Cooper, John Michael:   Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. diss. (1994), xv, 455p