Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Jerold, Beverly: Pedal Technique in Early Music. AmerOrganist(2) 34/10 (Oct 2000), 82-85. [examines Johann Samuel Petri, Anleitung zur practischen Musik (Lauban, 1767); Justin Heinrich Knecht, Vollständige Orgelschule (Leipzig, 1795); and Johann Christian Kittel, Der angehende praktische Organist (1801-1808)] | |
| 2. | Jerold, Beverly: Pitch in the Vocal Works of J. S. Bach. Bach 31/1 (2000), 74-95. | |
| 3. | Jerold, Beverly: Organ tempo at the time of J.S. Bach. AmerOrganist(2) 36/ 7 (Jul 2002), 56-60. | |
| 4. | Jerold, Beverly: Editorial Decisions for Ornaments in Bach's Works. Bach 33/2 (2002), 1-14. | |
| 5. | Jerold, Beverly: Fasch and the Beginning of Modern Artistic Choral Singing. Bach 35/1 (2004), 61-86. | |
| 6. | Jerold, Beverly: A Little More Muscle Please, Playing the Organ Before the 20th Century. AmerOrganist(2) 39/ 9 (Sep 2005), 105-108. [incl. subsection, 'Clues to the key action in the Leipzig organs during Bach's tenure'] | |
| 7. | Jerold, Beverly: Bach's Lament about Leipzig's Professional Instrumentalists. Bach 36/1 (2005), 67-96. | |
| 8. | Jerold, Beverly: [On Gertrud Schmeling Mara.] Bach 36/2 (2005), 120-122. Letter to the Editor. | |
| 9. | Jerold, Beverly: The tromba and corno in Bach's time. AdParnassum 6/12 (Oct 2008), 7-39. | |
| 10. | Jerold, Beverly: 'The 'most indispensable and most pleasing trill'' Consort 64 (2008), 90-101. | |
| 11. | Jerold, Beverly: The French Time Devices Revisited. TijdschrMtheorie 15/3 (Nov 2010), 169-189. | |
| 12. | Jerold, Beverly: The Bach-Scheibe Controversy: New Documentation. Bach 42/1 (2011), 1-45. | |
| 13. | Jerold, Beverly: The varied reprise in 18th-century instrumental music: a reappraisal. MTimes 153/1921 (Winter 2012), 45-61. | |
| 14. | Jerold, Beverly: Johann Philipp Kirnberger versus Friedrich Wilhelm Marpurg: A Reappraisal. TijdschrMtheorie 17/2 (2012), 91-108. | |
| 15. | Jerold, Beverly: Johann Philipp Kirnberger and Authorship. Notes 69/4 (Jun 2013), 688-705. | |
| 16. | Jerold, Beverly: Johann Philipp Kirnberger and the Bach Chorale Settings. Bach 45/1 (2014), 34-43. | |
| 17. | Jerold, Beverly: Notes inégales: a definitive new parameter. EarlyM 42/2 (May 2014), 273-289. Performing Matters. | |
| 18. | Jerold, Beverly: The notable significance of C and ˘ in Bach's era. MTimes 155/1927 (Summer 2014), 85-96. | |
| 19. | Jerold, Beverly: The complexities of early instrumentation: Winds and brass. Turnhout: Brepols, 2015. xiii, 160p. ISBN: 978-2-503-56479-1. | |
| 20. | Jerold, Beverly: Fingering and pedalling in the Bach era. Organ 94/371 (Feb-Apr 2015), 8-17. | |
| 21. | Jerold, Beverly: Quantz and Agricola: A Literary Collaboration. ActaMcol 88/2 (2016), 127-142. | |
| 22. | Jerold, Beverly: Bach's lament about Leipzig's professional instrumentalists. [ce]Jerold (2016), 25-42. | |
| 23. | Jerold, Beverly: Why most a cappella music could not have been sung unaccompanied. [ce]Jerold (2016), 53-62. | |
| 24. | Jerold, Beverly: Fasch and the beginning of modern artistic choral singing. [ce]Jerold (2016), 63-80. | |
| 25. | Jerold, Beverly: Intonation standards and equal temperament. [ce]Jerold (2016), 105-119. | |
| 26. | Jerold, Beverly: Eighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold (2016), 121-139. | |
| 27. | Jerold, Beverly: The tromba and corno in Bach's time. [ce]Jerold (2016), 141-164. | |
| 28. | Jerold, Beverly: The French time devices revisited. [ce]Jerold (2016), 193-214. | |
| 29. | Jerold, Beverly: The notable significance of C and ˘ in Bach's era. [ce]Jerold (2016), 215-228. | |
| 30. | Jerold, Beverly: Numbers and tempo, 1630–1800. [ce]Jerold (2016), 229-242. | |
| 31. | Jerold, Beverly: Notes inégales: A definitive new parameter. [ce]Jerold (2016), 265-286. | |
| 32. | Jerold, Beverly: Distinguishing between artificial and natural vibrato in premodern music. [ce]Jerold (2016), 287-298. | |
| 33. | Jerold, Beverly: The varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold (2016), 333-348. | |
| 34. | Jerold, Beverly: Music performance issues, 1600–1900. Hillsdale, NY: Pendragon Press, 2016. xii, 348p. ISBN: 978-1-57647-275-0. [contents] | |
| 35. | Jerold, Beverly: Performance conditions, standards and Bach's chorus. MTimes 158/1941 (Winter 2017), 55-70. | |