Bach Bibliography Search Result - Ordered Chronologically

Series : [ce]Jerold
Year : 2016

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Jerold, Beverly:   Bach's lament about Leipzig's professional instrumentalists. [ce]Jerold (2016), 25-42
	2.	Jerold, Beverly:   Why most a cappella music could not have been sung unaccompanied. [ce]Jerold (2016), 53-62
	3.	Jerold, Beverly:   Fasch and the beginning of modern artistic choral singing. [ce]Jerold (2016), 63-80
	4.	Jerold, Beverly:   Intonation standards and equal temperament. [ce]Jerold (2016), 105-119
	5.	Jerold, Beverly:   Eighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold (2016), 121-139
	6.	Jerold, Beverly:   The tromba and corno in Bach's time. [ce]Jerold (2016), 141-164
	7.	Jerold, Beverly:   The French time devices revisited. [ce]Jerold (2016), 193-214
	8.	Jerold, Beverly:   The notable significance of C and ¢ in Bach's era. [ce]Jerold (2016), 215-228
	9.	Jerold, Beverly:   Numbers and tempo, 1630–1800. [ce]Jerold (2016), 229-242
	10.	Jerold, Beverly:   Notes inégales: A definitive new parameter. [ce]Jerold (2016), 265-286
	11.	Jerold, Beverly:   Distinguishing between artificial and natural vibrato in premodern music. [ce]Jerold (2016), 287-298
	12.	Jerold, Beverly:   The varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold (2016), 333-348
	13.	Jerold, Beverly:   Music performance issues, 1600–1900. [ce]Jerold (2016), xii, 348p