Bach Bibliography
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Author : Chafe, Eric
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Chafe, Eric T.:   Agricola's Score of Bach's St. Matthew Passion. [p]AMS_Allegheny (Dec 1979) A paper read at the Allegheny Chapter meeting of the AMS on 8 December 1979 at Columbia University.
2. Chafe, Eric T.:   Key Structure and Tonal Allegory in J.S. Bach's St. Matthew Passion. [p]AMS_Denver (Nov 1980) A paper read at the CMS / AMS / SMT Denver Annual Meetings, November 6-9, 1980.
3. Chafe, Eric T.:   Key structure and tonal allegory in the Passions of J. S. Bach: an introduction. CurMcol 31 (1981), 39-54.
4. Chafe, Eric T.:   J. S. Bach's 'St. Matthew Passion': Aspects of Planning, Structure, and Chronology. JAMSoc 35/1 (Spring 1982), 49-114.
5. Chafe, Eric T.:   Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons. JMcol 3/4 (Autumn 1984), 340-362. [BWV 1078 (1087/11) and 1087/8]
6. Chafe, Eric T.:   Luther's 'Analogy of Faith' in Bach's Church Music. Dialog 24/2 (Spring 1985), 96-101.
7. Chafe, Eric T.:   Schweig, Taumelnde Vernunft: Faith Contra Reason in the Bach Cantatas. [p]AMS_NewEngland (Apr 1986) A paper read at the New England Chapter meeting of the AMS on 12 April 1986 at the University of Hartford.
8. Chafe, Eric T.:   The St John Passion: theology and musical structure. BachStud 1 (1989), 75-112.
9. Chafe, Eric T.:   Tonal Allegory in the Vocal Music of J. S. Bach. Berkeley: Univ. California Press, 1991. x, 449p. ISBN: 0-520-05856-9.
10. Chafe, Eric T.:   Bach's First Two Leipzig Cantatas: A Message for the Community. [fs]Scheide (1993), 71-86.
11. Chafe, Eric T.:   'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives 1 (1995), 103-134.
12. Chafe, Eric T.:   The Phrygian Mode in the Chorale Cantatas. [p]IATB_Chicago (Sep 1997) 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.'
13. Chafe, Eric T.:   Bach's bassetchen compositions: a theological interpretation. [p]IATB_Logumkloster (Oct 1999) Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark.
14. Chafe, Eric T.:   Analyzing Bach Cantatas. New York: Oxford University Press, 2000, xvii, 286p. ISBN: 0-19-512099-X.
15. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory. BCJ 48 (May 2001), 33-39. [Musical Allegory in Bach's vocal works: Chapter 1: Theological and Musical Allegory in Bach's music.] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.1-10.
16. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory (tsuzuki.) BCJ 49 (Jun 2001), 39-47. [Musical Allegory in Bach's vocal works: Chapter 1: Theological and Musical Allegory in Bach's music (cont.)] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.10-19.
17. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory (tsuzuki.) BCJ 51 (Feb 2002), 46-51. [Musical Allegory in Bach's vocal works: Chapter 1: Theological and Musical Allegory in Bach's music (cont.)] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.19-25.
18. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: Bach-Goblet: Kaishakugaku-teki Approach. BCJ 53 (Apr 2002), 41-54. [Musical Allegory in Bach's vocal works: Chapter 2: Bach-Goblet: Interpretative Approach] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.27-42.
19. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: B-A-C-H: Namae no uchi ni himerareta mono (tsuzuki). BCJ 56 (Sep 2002), 39-47. [Musical Allegory in Bach's vocal works: Chapter 2: B-A-C-H: hidden in the name (cont.)] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.43-51.
20. Chafe, Eric:   Pasija po Mateju Johana Sebastijana Baha: Aspekti planiranja, strukture i hronologije. MTalas 9/30-31 (2002), 90-118. [Matthäuspassion by Johann Sebastian Bach: Aspects of planning, structure and chronology]
21. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: B-A-C-H: Namae no uchi ni himerareta mono (tsuzuki). BCJ 57 (Feb 2003), 28-41. [Musical Allegory in Bach's vocal works: Chapter 2: B-A-C-H: hidden in the name (cont.)] Trans. Kazuhiro Fujiwara from The Tonal Allegory in the Vocal Music of J. S. Bach, pp.51-63.
22. Chafe, Eric T.:   Bach and Hypocrisy: Appearance and Truth in Cantatas 136 and 179. [p]CWolff_Harvard (Sep 2005) A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University.
23. Chafe, Eric T.:   Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. HarvardPubM 22 (2008), 121-143.
24. Chafe, Eric:   Bach's Ascension Oratorio: God's Kingdoms and Their Representation. BachPerspectives 8 (2011), 122-145.
25. Chafe, Eric:   J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. New York: Oxford University Press, 2014. 656p. ISBN 978-0-19-977334-3.
26. Chafe, Eric:   Tears into Wine: J. S. Bach's Cantata 21 in its Musical and Theological Contexts. New York: Oxford University Press, 2015. x, 603p. ISBN 978-0-19-021729-7.
27. Chafe, Eric:   Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). ContextBachStud 8 (2018), 23-50.

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