Bach Bibliography
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Author : Butt, John
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Huray, Peter Le; Butt, John:   In Search of Bach the Organist. [ce]BHSTercentenaryEssays (1985), 185-206.
2. Butt, John Anthony:   The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. diss. (1987), 336, 79, 31p. PhD diss., Cambridge Univ., 1987. 336, 79, 31p.
3. Butt, John:   Bach's organ sonatas BWV 525-530: Compilation and Recomposition. OrganYb 19 (1988), 80-90.
4. Butt, John:   Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p.
5. Butt, John:   Bach: 'Mass in B Minor'. Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks) [contents]
6. Butt, John:   Bach's Mass in B Minor: Considerations of its Early Performance and Use. JMcol 9/1 (Winter 1991), 109-123.
7. Butt, John:   Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. JRMA 116/1 (1991), 41-62.
8. Butt, John:   Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? [p]AMS_NorthernCalifornia (Fall 1992) A paper read at the Northern California Chapter of the American Musicological Society in Fall 1992 at University of California, Davis.
9. Butt, John:   Music education and the art of performance in the German Baroque. Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs) [contents]
10. Butt, John:   Bach the heretic? [p]BCB_Edinburgh (Jul 1994) A paper read at the Sixth Biennial Conference on Baroque Music, University of Edinburgh, Scotland, 7-10 July 1994.
11. Butt, John:   J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. BachStud 2 (1995), 47-61.
12. Butt, John:   Perfectly infinite. BBCMMag (1997), 38-40. In: BBC music magazine special issue 1997 p. 38-40. ISSN: 0966-7180
13. Butt, John:   Bach's metaphysics of music. [ce]CambridgeCompanion_Bach (1997), 46-59.
14. Butt, John:   'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. [ce]CambridgeCompanion_Bach (1997), 60-71.
15. Butt, John (ed.):   The Cambridge Companion to Bach. Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music) [contents]
16. Butt, John:   Historical Perspective & Introduction. [ce]SacredChoralMusicJSB (1997), 1-4.
17. Butt, John:   Ornamentation. [ce]SacredChoralMusicJSB (1997), 48-54.
18. Butt, John (ed.):   The Sacred Choral Music of J. S. Bach: A Handbook. Brewster, Mass.: Paraclete Press, 1997. 66p. ISBN: 1-55725-197-5. [contents]
19. Butt, John:   Bach's vocal scoring: what can it mean? EarlyM 26/1 (Feb 1998), 99-107.
20. Butt, John:   Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Quodlibet 11 (Jun 1998), 3-15. Trans. by Ramon Silles.
21. Butt, John:   Bach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 (1999), 181-198.
22. Butt, John:   Vida de Bach. [Bach's Life] Trad. María Condor. Madrid: Cambridge University Press, 2000. 384p. - Madrid: Akal Cambridge, 2003. 324p
23. Butt, John:   The historical performance movement; Bach and the organ in 2000. [ce]IAOMillenniumBook (2000), 15-19.
24. Butt, John:   Bach in the 21st Century: Re-evaluating him from the perspective of performance. [p]BCB_Dublin (Jul 2000) A Keynote Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.
25. Butt, John:   Performer's View: Bach and the Performance of Meaning. AmerBachSocNL (Fall 2001), 5, 10.
26. Butt, John:   Bach, the Postmodern Mindset and Scholarship Today. [p]IS_Oxford (Dec 2001) A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University.
27. Butt, John:   Playing with History: The Historical Approach to Musical Performance. Cambridge: Cambridge University Press, 2002. xv, 265p. ISBN: 0-521-81352-2 (hardback); 0-521-01358-5 (paperback); 0-511-03020-7 (eBook).
28. Butt, John:   Choral music. [ce]CambridgeHist19cM (2002), 213-236.
29. Butt, John:   Choral culture and the regeneration of the organ. [ce]CambridgeHist19cM (2002), 522-543.
30. Butt, John:   Towards a genealogy of the keyboard concerto. [ce]KeyboardInBaroqueEurope (2003), 93-110.
31. Butt, John:   Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). 18cM 1/1 (Mar 2004), 109-111. Cantus Cölln / Concerto Paladino / Konrad Junghänel. Harmonia Mundi HMC901783/84, 2003; two disks, 2' 33''.
32. Butt, John:   Bach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 (2004), 191-204.
33. Butt, John:   Bach in the twenty-first century: re-evaluating him from the perspective of performance. BachNachwelt 4 (2005), 169-181. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 191-204 (= Irish Musical Studies 8)]
34. Butt, John:   Figuring out Bach. [fs]Elliott (2005), 211-219.
35. Butt, John:   The universal musician. Guardian (12 Dec 2005), 16-19. Bach has been borrowed by innumerable causes, from religion to modernism. John Butt examines a life with many meanings.
36. Butt, John:   Bach Passions and the Concepts of Time. [p]CWolff_Harvard (Sep 2005) A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University.
37. Butt, John:   Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. [p]MendelssohnL19C_Dublin (Jul 2005) A key-note paper read at conference 'Mendelssohn in the Long Nineteenth Century' held at Trinity College Dublin, 15-17 July 2005.
38. Butt, John:   Bach: cantatas and a passion. EarlyM 34/1 (Feb 2006), 168-171. Recording Reviews.
39. Butt, John:   Historical instruments and the embodiment of music. PubSchweizerischMfG 46 (2006), 9-16.
40. Butt, John:   The Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 (2006), 9-18.
41. Butt, John:   Choralpartiten. BachHandb 4/1 (2007), 494-510. [BWV 758, 767-768, 770, Anh. 77, 78]
42. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth:   Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5].
43. Butt, John:   Clavier Übung III. BachHandb 4/2 (2008), 906-929. Quellen, Hintergründe und Intentionen; Praeludium Es-Dur BWV 552/1; Musik für die Messe; Musik für den Katechismus; Fuga Es-Dur BWV 552/2.
44. Butt, John:   Canonische Veränderungen über Vom Himmel hoch. BachHandb 4/2 (2008), 949-961. [BWV 769 (769a)]
45. Butt, John:   Die 'Schübler-Choräle'. BachHandb 4/2 (2008), 996-1006. [BWV 645-650]
46. Butt, John:   Bach's Passions and the Textures of Time. HarvardPubM 22 (2008), 111-120.
47. Butt, John:   Between rhetoric and dialectic - Bach's inventive stance in the Passions. [p]SMA_Glasgow (Apr 2009) A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.
48. Butt, John:   Bach's Dialogue with Modernity: Perspectives on the Passions. Cambridge: Cambridge University Press, 2010. 336p. ISBN-13: 978-0521883566. - Paperback edn. 2012. ISBN 978-1107404601.
49. Butt, John:   Emotion in the German Lutheran Baroque and the development of subjective time consciousness. MAnalysis 29/1-3 (Mar-Oct 2010), 19-36. [BWV 32/1]
50. Butt, John:   Who is speaking in the Bach passions? [cr]Weimar2004 2 (2012), 428-433.
51. Butt, John:   Organs and universities—A universal association? [cr]Harvard2012 (2013), 1-10.
52. Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina:   Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge (Jul 2015) A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.
53. Butt, John:   Leonhardt's Role in the Invention of Historically Informed Performance. Bach 48/2 and 49/1 (2018), 9-12.
54. Butt, John:   Bach and the dance of humankind. [ce]MusicologyDance (2020), 19-48.

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