Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 2007
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Morota, Daisuke:   Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. diss. (2007) [Dresden Flautists and J. S. Bach: on the background of the use of flute in his 1724 Cantatas] PhD diss., Tokyo National University of Fine Arts and Music, 2007.
	2.	Nic Athlaoich, Róisín:   Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. diss. (2007) MA diss., Musicology. Dublin: St. Patricks College, Dublin City University, 2007.
	3.	Chiang, Shih-yi:   Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. diss. (2007), 139p. DMA, City University of New York, Graduate Center, 2007. 139p.
	4.	Mahlberg, Daniel Sakari:   The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. diss. (2007), 144p. MA diss., California State University, Dominguez Hills, 2007. 144p.
	5.	Burdick, Adam David:   The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. diss. (2007), 159p. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851.
	6.	Fleury, W. Leigh:   Motivic structure in the chorale-based organ works of Sir Charles Hubert Parry: An analytical survey. diss. (2007), 180p. DMA diss., University of Cincinnati, 2007. 180p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3262539.
	7.	Metzler, Patrizia:   Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. diss. (2007), 194p. DMA diss., University of Illinois, Urbana-Champaign, 2007. 194p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-09694-8. Dissertation No: 3269978.
	8.	Milne, Jennifer Denise:   The rhythm of form: Compositional processes in the music of Sofia Gubaidulina. diss. (2007), 195p. PhD diss., University of Washington, 2007. 195p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-34285-4. Dissertation No: 3290571
	9.	Kattnig, Hildegard:   Untersuchungen zur musikalischen Sprache J.S. Bachs Motetten, dargestellt an ausgewählten Beispielen. diss. (2007), 300p. PhD diss., Universität für Musik und Darstellende Kunst, Graz. 2007. 300p. [BWV 226, 228, 229]
	10.	Zahvatkin, Andrej Nikolaevic:   Klavirnaâ skola K.F.È. Baha v istoriceskoj perspektive. diss. (2007), 307p. [The clavier tradition of Carl Philipp Emanuel Bach in historical perspective] Kand (Iskusstvovedenie), Gosudarstvennaâ Konservatoriâ imeni M.I. Glinki, Niznij Novgorod, 2007. 307p.
	11.	Choi, Jeeyoon:   A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. diss. (2007), 315p. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813.
	12.	Komm, Thomas Alexander:   Die Klaviersonaten von Georg Anton Benda: Geschichtlicher Stellenwert und formale Strukturen. diss. (2007), 320p. PhD diss., (Musicology), Universität Mozarteum Salzburg, 2007. 320p.
	13.	Rhyne, David Ernest:   A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. diss. (2007), 326p. DMA diss., University of Miami, 2007. 326p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-06448-0. Dissertation No: 3267723.
	14.	Franck, Peter Jocelyn:   The role of invertible counterpoint within Schenkerian theory. diss. (2007), 333p. PhD diss., University of Rochester, Eastman School of Music, 2007. 333p. - Ann Arbor, MI: University Microfilms International, UMI Number: 3282709. ISBN: 978-0-549-24727-2.
	15.	Lindsberger, Herbert:   Flüchtigkeit oder beabsichtigte Variation. Die Sechs Suiten für Violoncello solo von Johann Sebastian Bach (BWV 1007-1012) in der Abschrift Anna Magdalena Bachs und deren Übertragung für Viola. diss. (2007), 344p. PhD diss., Musicology: Universität Mozarteum Salzburg, 2007. 344p.
	16.	Flint de Médicis, Catrina:   The Schola Cantorum, early music and French political culture, from 1894 to 1914. diss. (2007), 365p. PhD diss., McGill University. 2007. 365p.
	17.	Jarvis, Martin W. B.:   Did Johann Sebastian Bach Write the Six Cello Suites? diss. (2007), 430p. PhD diss., Faculty of Law Business & Arts, Charles Darwin University, 2007. xxxi, 430p
	18.	Nero, Jonathan Leonard:   The a cappella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music. diss. (2007), 46p. DMA diss., North Dakota State University, 2007. 46p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-52321-5. Dissertation No: 3305695. [BWV 4, 21]
	19.	Todd, Richard:   The sarabandes from J.S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist. diss. (2007), 67p. DMA diss., University of North Texas, 2007. 67p. - Ann Arbor, MI: University Microfilms International, UMI Number: 3276473. ISBN: 978-0-549-18635-9.
	20.	Hampson, Christopher Martin:   Pausing for Reflection: Re-evaluating Bach's Use of the Fermata. diss. (2007), 87p. MMus diss., University of Glasow, 2007. 87p.
	21.	Boyd, Megan:   The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. diss. (2007), ii, 147p. MA diss., School of Music, Queen's University Belfast, 2007. ii, 147p
	22.	Spierings, Benedikt:   Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving. diss. (2007), v, 95p. [The third partita for solo violin of Bach in a historical, analytical, and interpretative perspective: A description of progress] Lic (Musicology), Katholieke Universiteit Leuven, 2007. v, 95p. [BWV 1006]
	23.	Borthwick, Mary Christine:   'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. diss. (2007), x, 527p. PhD diss., Durham University, 2007. x, 527p + ill.
	24.	Black, David Ian:   Mozart and the Practice of Sacred Music, 1781-91. diss. (2007), xi, 455p. DPhil diss, Harvard University, 2007. xi, 455p.
	25.	Cruz, Jennifer:   The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. diss. (2007), xi, 63p. DMA diss., University of Cincinnati, 2007. xi, 63p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-21880-7. Dissertation No: 3280091.
	26.	Adams, David William:   'Modern' Organ Style in Karl Straube's Reger Editions. diss. (2007), xiv, 222p. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p.