Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 2006
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Šter, Katarina:   Koral Philippa Nicolaija in kantata Johanna Sebastiana Bacha: Wie schön leuchtet der Morgenstern. DeMusicaDisserenda 2/1 (2006), 61-82. [Philipp Nicolai's chorale and Johann Sebastian Bach's cantata: Wie schon leuchtet der Morgenstern]
	2.	Jansen, Frans:   Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. diss. (2006), 103p. Doctoraalscriptie Muziekwetenschap, Universiteit Utrecht, Faculteit der Letteren. Augustus 2006. 103p.
	3.	Cheng, Wei:   A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. diss. (2006), 113p. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p.
	4.	Kim, Mary Byung-Ae:   A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. diss. (2006), 158p. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84]
	5.	Harju, Tommi:   Kaanonien kaatama? Johann Gottfried Waltherin elämä. diss. (2006), 161p. [Brought down by canons? The life of Johann Gottfried Walther] Lic, Jyväskylän Yliopisto, 2006. 161p.
	6.	Sidorova, Elena Viktorovna:   Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha. diss. (2006), 174p. [Principles of chorale implementation in J. S. Bach's sacred cantatas] - Kand, Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni S.V. Rahmaninova, Rostov, 2006. 174p.
	7.	Lloyd, Rebecca Joanne:   Bach among the conservatives: the quest for theological truth. diss. (2006), 199p. PhD thesis, King's College London. 199p.
	8.	Schüllerová, Silvie:   Afektová teorie a hudebnì rétorické figury. diss. (2006), 208p. [Doctrine of Affections and Musical-Rhetorical Figures] PhD thesis, Faculty of Education, Masaryk University, Brno. 2006. 208p.	Latin 2
	9.	Keen, Basil Sidney Charles:   The Bach choir, 1876-1928. diss. (2006), 281p. PhD diss., Goldsmiths College, University of London, 2006. 281 leaves.
	10.	Kempf, Davorin:   Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte. diss. (2006), 417p. Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin, 2006. 417p.
	11.	Lim, Aesook:   The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others. diss. (2006), 42p. DMA diss., University of North Texas, 2006. 42p
	12.	Rubinoff, Kailan Ruth:   The early music movement in the Netherlands: History, pedagogy and ethnography. diss. (2006), 443p. PhD diss., Music: University of Alberta, 2006. 443p.
	13.	Berkhan, Jonathan:   Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. diss. (2006), 461p. PhD diss., Victoria University of Wellington, New Zealand, 2006. 461p.
	14.	Lutterman, John Kenneth:   Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. diss. (2006), 598p. PhD diss., University of California, Davis, 2006. 598p
	15.	Fišerová, Hana:   Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina. diss. (2006), 63p. Diploma thesis, Faculty of Education, Masaryk University, Brno. 2006. 63p. [BWV 1055]	Latin 2
	16.	Mills, Ian:   A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. diss. (2006), 67p. M.A. dissertation, Musicology, Queen's University, Belfast 2006. 67p.
	17.	Kingsbury, Brett:   From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica. diss. (2006), 75p. DMA diss., University of British Columbia, 2006. 75p. - Ann Arbor, MI: University Microfilms International, 2006. ISBN: 978-0-494-30318-4. Dissertation No: NR30318. [BWV 1080/19]
	18.	Di Pasquale, Donato:   Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. diss. (2006), 94p. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Università degli Studi di Bologna, 2006. 94p.
	19.	Yoo, Esther S.:   Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'. diss. (2006), 97p. DMA diss., University of Cincinnati, 2006. 97p. - Ann Arbor, MI: University Microfilms International, 2006. ISBN: 978-0-542-87256-3. Dissertation No: 3231151
	20.	Carter, Adele Hall:   Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. diss. (2006), ii, 4p. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD]
	21.	Kim, Eun-Ho:   Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005. diss. (2006), iv, 78p. MM diss., University of Cincinnati, 2005. 78p. - Ann Arbor, Mich: UMI, 2006, iv, 78p
	22.	Florence, Dominic:   Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. diss. (2006), ix, 55p. DMA diss., Music from University of British Columbia. 2006. ix, 55p. ISBN: 978-0-494-19878-0.
	23.	McGahie, Paul D.:   The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart. diss. (2006), vi, 114p. DMA diss., Ensembles and Conducting Division of the College-Conservatory of Music, University of Cincinnati, 2006. [vi], 114p.
	24.	Fabrikant, Marina:   Bach-Busoni Chaconne. A piano transcription analysis. diss. (2006), vi, 152p. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5]
	25.	Knobel, Bradley James:   Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. diss. (2006), vii, 361p. DMA diss., College of Music, Florida State University, 2006. vii, 361p
	26.	Hughes, Indra Nicholas Martindale:   Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. diss. (2006), viii, 188p. DMA diss., University of Auckland, 2006. viii, 188p.
	27.	Luongo, Paul Gabriel:   Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival. diss. (2006), x, 96p. MA diss., College of Music, Florida State University, 2006. x, 96p
	28.	Duke, Patricia Beryl:   Foundations of early music in Melbourne: Leonard Fullard and other pioneers. diss. (2006), xii, 454p. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p
	29.	Pinkevièius, Vidas:   Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works. diss. (2006), xiii, 81p. DMA diss., The University of Nebraska - Lincoln, 2006. xiii, 81p.	Latin 2
	30.	Green, William R.:   Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass. diss. (2006), xv, 190p. DMA diss., Choral Conducting, University of Kentucky, 2006. xv, 190 p