Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Šter, Katarina: Koral Philippa Nicolaija in kantata Johanna Sebastiana Bacha: Wie schön leuchtet der Morgenstern. DeMusicaDisserenda 2/1 (2006), 61-82 | |
| 2. | Jansen, Frans: Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. diss. (2006), 103p | |
| 3. | Cheng, Wei: A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. diss. (2006), 113p | |
| 4. | Kim, Mary Byung-Ae: A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. diss. (2006), 158p | |
| 5. | Harju, Tommi: Kaanonien kaatama? Johann Gottfried Waltherin elämä. diss. (2006), 161p | |
| 6. | Sidorova, Elena Viktorovna: Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha. diss. (2006), 174p | |
| 7. | Lloyd, Rebecca Joanne: Bach among the conservatives: the quest for theological truth. diss. (2006), 199p | |
| 8. | Schüllerová, Silvie: Afektová teorie a hudebně rétorické figury. diss. (2006), 208p | Latin 2
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| 9. | Keen, Basil Sidney Charles: The Bach choir, 1876-1928. diss. (2006), 281p | |
| 10. | Kempf, Davorin: Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte. diss. (2006), 417p | |
| 11. | Lim, Aesook: The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others. diss. (2006), 42p | |
| 12. | Rubinoff, Kailan Ruth: The early music movement in the Netherlands: History, pedagogy and ethnography. diss. (2006), 443p | |
| 13. | Berkhan, Jonathan: Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. diss. (2006), 461p | |
| 14. | Lutterman, John Kenneth: Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. diss. (2006), 598p | |
| 15. | Fišerová, Hana: Raný vývoj klavíru a klavírní pedagogiky a komparace interpretačních přístupů ve vybraných skladbách J. S. Bacha a F. Chopina. diss. (2006), 63p | Latin 2
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| 16. | Mills, Ian: A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. diss. (2006), 67p | |
| 17. | Kingsbury, Brett: From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica. diss. (2006), 75p | |
| 18. | Di Pasquale, Donato: Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. diss. (2006), 94p | |
| 19. | Yoo, Esther S.: Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'. diss. (2006), 97p | |
| 20. | Carter, Adele Hall: Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. diss. (2006), ii, 4p | |
| 21. | Kim, Eun-Ho: Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005. diss. (2006), iv, 78p | |
| 22. | Florence, Dominic: Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. diss. (2006), ix, 55p | |
| 23. | McGahie, Paul D.: The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart. diss. (2006), vi, 114p | |
| 24. | Fabrikant, Marina: Bach-Busoni Chaconne. A piano transcription analysis. diss. (2006), vi, 152p | |
| 25. | Knobel, Bradley James: Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. diss. (2006), vii, 361p | |
| 26. | Hughes, Indra Nicholas Martindale: Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. diss. (2006), viii, 188p | |
| 27. | Luongo, Paul Gabriel: Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival. diss. (2006), x, 96p | |
| 28. | Duke, Patricia Beryl: Foundations of early music in Melbourne: Leonard Fullard and other pioneers. diss. (2006), xii, 454p | |
| 29. | Pinkevičius, Vidas: Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works. diss. (2006), xiii, 81p | Latin 2
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| 30. | Green, William R.: Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass. diss. (2006), xv, 190p | |