Bach Bibliography
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Series : diss.
Year : 1996
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Queiroz, Flavio Jose Gomes de:   Aprendendo contraponto atraves dos preludios corais. diss. (1996) [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996.
2. Schaap, Elizabeth Maria:   Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach diss. (1996) [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996.
3. Oechsle, Siegfried:   Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. diss. (1996) Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.)
4. Brischwein, O.:   Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. diss. (1996), 104p. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001.
5. Dequevauviller, Vincent:   Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. diss. (1996), 110p. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p
6. Chambers, Mark:   The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. diss. (1996), 115p. DMus diss. The Florida State University, 1996. 115p
7. Chung, Erin Hae-Rang:   The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. diss. (1996), 117p. DMA diss. University of Washington, 1996, 117p. DA9637917
8. Dequevauviller, Vincent:   Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. diss. (1996), 120p. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p
9. Gabrielse, Kenneth J.:   A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. diss. (1996), 123p. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215
10. Rosa, Patricia Bretas de Oliveira Sa:   Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. diss. (1996), 220p. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p.
11. Kim, Munsook Cho:   Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. diss. (1996), 232p. DMA diss, Boston University, 1996. 232p. UMI No. DA9625330
12. Galloway, Robert J.:   From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. diss. (1996), 340p. PhD Michigan State University, 1996. 340p - Dissertation Abstracts International, Volume: 57-05, Section: A, page: 1900.
13. Goetz, Lois Ann:   The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. diss. (1996), 66p. MMus diss., Duquesne University, 1996. 66p.
14. Roueche, Michelle Renee:   An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. diss. (1996), 69p. DMA diss., Arizona State University, 1996. 69p
15. Tanaka, Yuko:   Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. diss. (1996), 69p. DMA doc., Stanford University, 1996. 69p. UMI No. DA9611932
16. Jackson, Bruce Rogers:   The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. diss. (1996), 711p. DA diss., Ball State U., 1996. 711p. UMI No. DA9713630. [BWV 1011]
17. Collister, Phillip Andrew:   The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. diss. (1996), 80p. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748
18. Hiramoto, Stephen Anthony:   Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. diss. (1996), 87p. DMA diss. University of North Texas, 1996. 87p.
19. Siemons, Jan H.:   Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. diss. (1996), 96p. [The Use of Secondary Stops in Harpsichord Music before 1760] MA diss. Vakgroep Muziekwetenschap, Universiteit Utrecht, 1996, 96p
20. Husain-Naviatti, Asif:   Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. diss. (1996), ii, 98, iii, 333p. M.Litt. diss., University of Oxford, 1996. 2 vols. ii, 98; iii, 333 leaves.
21. Kroetsch, Terence R.:   A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. diss. (1996), v, 136p. MA diss., University of Western Ontario, 1996. v, 136p.
22. Dirst, Matthew Charles:   Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. diss. (1996), vii, 176p. PhD diss., Stanford University, 1996, vii, 176p
23. Greer, Mary Jewett:   The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. diss. (1996), xv, 505 Bl. PhD diss. Harvard University, 1996. xv, 505 Bl.

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