Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Queiroz, Flavio Jose Gomes de: Aprendendo contraponto atraves dos preludios corais. diss. (1996) [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. | |
| 2. | Schaap, Elizabeth Maria: Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach diss. (1996) [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. | |
| 3. | Oechsle, Siegfried: Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. diss. (1996) Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) | |
| 4. | Brischwein, O.: Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. diss. (1996), 104p. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. | |
| 5. | Dequevauviller, Vincent: Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. diss. (1996), 110p. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p | |
| 6. | Chambers, Mark: The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. diss. (1996), 115p. DMus diss. The Florida State University, 1996. 115p | |
| 7. | Chung, Erin Hae-Rang: The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. diss. (1996), 117p. DMA diss. University of Washington, 1996, 117p. DA9637917 | |
| 8. | Dequevauviller, Vincent: Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. diss. (1996), 120p. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p | |
| 9. | Gabrielse, Kenneth J.: A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. diss. (1996), 123p. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 | |
| 10. | Rosa, Patricia Bretas de Oliveira Sa: Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. diss. (1996), 220p. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p. | |
| 11. | Kim, Munsook Cho: Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. diss. (1996), 232p. DMA diss, Boston University, 1996. 232p. UMI No. DA9625330 | |
| 12. | Galloway, Robert J.: From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. diss. (1996), 340p. PhD Michigan State University, 1996. 340p - Dissertation Abstracts International, Volume: 57-05, Section: A, page: 1900. | |
| 13. | Goetz, Lois Ann: The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. diss. (1996), 66p. MMus diss., Duquesne University, 1996. 66p. | |
| 14. | Roueche, Michelle Renee: An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. diss. (1996), 69p. DMA diss., Arizona State University, 1996. 69p | |
| 15. | Tanaka, Yuko: Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. diss. (1996), 69p. DMA doc., Stanford University, 1996. 69p. UMI No. DA9611932 | |
| 16. | Jackson, Bruce Rogers: The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. diss. (1996), 711p. DA diss., Ball State U., 1996. 711p. UMI No. DA9713630. [BWV 1011] | |
| 17. | Collister, Phillip Andrew: The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. diss. (1996), 80p. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748 | |
| 18. | Hiramoto, Stephen Anthony: Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. diss. (1996), 87p. DMA diss. University of North Texas, 1996. 87p. | |
| 19. | Siemons, Jan H.: Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. diss. (1996), 96p. [The Use of Secondary Stops in Harpsichord Music before 1760] MA diss. Vakgroep Muziekwetenschap, Universiteit Utrecht, 1996, 96p | |
| 20. | Husain-Naviatti, Asif: Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. diss. (1996), ii, 98, iii, 333p. M.Litt. diss., University of Oxford, 1996. 2 vols. ii, 98; iii, 333 leaves. | |
| 21. | Kroetsch, Terence R.: A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. diss. (1996), v, 136p. MA diss., University of Western Ontario, 1996. v, 136p. | |
| 22. | Dirst, Matthew Charles: Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. diss. (1996), vii, 176p. PhD diss., Stanford University, 1996, vii, 176p | |
| 23. | Greer, Mary Jewett: The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. diss. (1996), xv, 505 Bl. PhD diss. Harvard University, 1996. xv, 505 Bl. | |