Bach Bibliography
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Series : diss.
Year : 1996
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Queiroz, Flavio Jose Gomes de:   Aprendendo contraponto atraves dos preludios corais. diss. (1996)
2. Schaap, Elizabeth Maria:   Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach diss. (1996)
3. Oechsle, Siegfried:   Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. diss. (1996)
4. Brischwein, O.:   Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. diss. (1996), 104p
5. Dequevauviller, Vincent:   Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. diss. (1996), 110p
6. Chambers, Mark:   The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. diss. (1996), 115p
7. Chung, Erin Hae-Rang:   The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. diss. (1996), 117p
8. Dequevauviller, Vincent:   Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. diss. (1996), 120p
9. Gabrielse, Kenneth J.:   A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. diss. (1996), 123p
10. Rosa, Patricia Bretas de Oliveira Sa:   Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. diss. (1996), 220p
11. Kim, Munsook Cho:   Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. diss. (1996), 232p
12. Galloway, Robert J.:   From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. diss. (1996), 340p
13. Goetz, Lois Ann:   The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. diss. (1996), 66p
14. Roueche, Michelle Renee:   An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. diss. (1996), 69p
15. Tanaka, Yuko:   Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. diss. (1996), 69p
16. Jackson, Bruce Rogers:   The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. diss. (1996), 711p
17. Collister, Phillip Andrew:   The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. diss. (1996), 80p
18. Hiramoto, Stephen Anthony:   Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. diss. (1996), 87p
19. Siemons, Jan H.:   Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. diss. (1996), 96p
20. Husain-Naviatti, Asif:   Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. diss. (1996), ii, 98, iii, 333p
21. Kroetsch, Terence R.:   A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. diss. (1996), v, 136p
22. Dirst, Matthew Charles:   Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. diss. (1996), vii, 176p
23. Greer, Mary Jewett:   The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. diss. (1996), xv, 505 Bl

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