Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Markstrom, Kurt | Easter 1724 and Bach's Chorale Cantata Cycle. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Baroque Passions: The Cantata and Oratorio' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 2. | Tomita, Yo | Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 3. | Koska, Bernd | Identifying 'Anonymus 402': New thoughts on the transmission of Bach's works in Berlin. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 4. | Maul, Michael | Lost Musical manuscripts rediscovered at unexpected places - another chapter. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 5. | Enßlin, Wolfram | Prospects of Research on Scribes: The Heritage Yoshitake Kobayashi. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 6. | Kato, Takumi | Reinhard Keiser's Passion Oratorios: Examining the Originality and Ingenuity of the Vanguard in German Sacred Oratorio. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Baroque Passions: The Cantata and Oratorio' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 7. | Szabó, Zoltán | 'The Bare Original in Its Primitive State': Friedrich Grützmacher's Concert Version of the Bach Cello Suites. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 8. | Blanken, Christine | The path towards a new Bach-Werke-Verzeichnis ('BWV3'): The struggle to establish an authentic corpus of organ chorales by J. S. Bach. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 9. | Cressy, Thomas | The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Music Pioneers in Modern Japan' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 10. | Tomita, Yo; Blanken, Christine; Rettinghaus, Klaus; Ebata, Nobuaki | Towards the Development of the Next Generation of Online Resources for Bach Scholarship. A Study Session presented at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. |
[p]IMS_Tokyo |
| | Mar 2017 |
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