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|TITLE:||Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation.|
|PUBL. DATA:||A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi'|
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