Bach Bibliography
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1. Williams, Peter F.2/4 Time and J. S. Bach. A paper read at the Southeast Chapter meeting of the American Musicological Society on 19 March 1988 at Duke University. [p]AMS_Southeast Mar 1988
2. Williams, P. F.A Bach Course. MTimes 65 977 Jul 1924 641
3. Williams, Gerrard (arr.)A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. Selected and arranged by Gerrard Williams. - London: Oxford University Press, c1926. 36p. (= Oxford orchestral series, 21) [BWV 808/1, 813/1, 809/4, 816/4, BWV 812/5, BWV 807/5-6, BWV 816/7] OxfordOrchSer 21 1926 36p
4. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
5. Williams, Becket (arr.)Adagio ma non troppo ... Arranged for two pianofortes, four hands, by Becket Williams. - London: Bosworth & Co, [1953] 7p. [BWV 1051/2] 1953 7p
6. Williams, Peter F.Again: Was J.S. Bach an expert on organs? OrganYb 36 2007 86-105
7. Williams, Patrick (arr.)Air: (better known as the Air on the G string) / J. S. Bach arranged for organ by Patrick Williams. - London: J. B. Cramer & Co., c1950. 3p. Pl.-Nr.: J.B.C. & Co. 15714. (= Cramer's library of organ music by British & foreign composers, no. 35) [BWV 1068/2] CramersLibOrgM 35 1950 3p
8. Williams, Patrick (arr.)'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co, c1973. 8p. Pl.-Nr.: J.B.C. & Co. Ltd. 16329. (= Cramer's Library of Organ Music by British & foreign Composers, no. 109) [BWV 68/2 in F] CramersLibOrgM 109 1973 8p
9. Williamson, John Finley (ed.)All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. For Four-part Chorus of Mixed Voices ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. 12p. (= G.S. 8vo Choruses, No. 7407. Westminster Choir series, No.1) [BWV 225] 1931 12p
10. Lehmann-Wermser, Andreas'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. MBildung 34 4 Oct-Dec 2002 18-25
11. Williams, Janet LeslieAn Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. MM diss., Duquesne University, 1969. 169p diss. 1969 169p
12. Darmstadt, GerhartAndante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach. Symbolon 12 1995 43-104
13. Williams, SimonA New (Bach?) Organ for St George's, Hanover Square in London. BachNotesLBS Spring 2010 [5]
14. Williams, Peter F.A New History of the Organ from the Greeks to the Present Day. London: Faber & Faber; Bloomington, Indiana, 1980. 233p 1980 233p
15. Thomson, KemerAn interview with Joel Speerstra. ClavichordInternat 9 1 May 2005 2-4
16. Williams, Peter F.Another book on JS Bach? MTimes 157 1934 Spring 2016 5-18
17. Hurford, Peter; Williams, Peter F.Approaches to Bach Performance and Scholarship, then, now, next Lecture given at 'Bach Artist Craftsman Harmonist': An International Celebration of the Music of J. S. Bach 1685-1750, London & St Albans 26 November - 2 December 2000 Nov-Dec 2000
18. Williams, Peter F.Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook 2000 1-14
19. Williams, Gerrard (arr.)Aria from Suite in D / J.S. Bach arranged by Gerrard Williams. - London: Metzler, c1922. 3p + 2 St. Pl.-Nr.: M. 670. (= Metzler's trio series for pianoforte, violin and violoncello, No. 25) [BWV 1068/2] 1922 3p + 2 St
20. Thomson, VirgilA shower of gold. [Review of a recital by Wanda Landowska, harpsichordist, on 21 October 1942 at Town Hall, New York City, performing Jean-Philippe Rameau's suite in E minor, Johan Jakob Froberger's Lament composed in London to dispel melancholy, and three works by J.S. Bach, including the partita in B-flat major. The review appeared in the New York herald tribune on 22 October 1942] [ce]Thomson 2014 206-207
21. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p diss. 1993 107p
22. Thomson, VirgilA touching occasion. [Review of a concert by the Baltimore Symphony Orchestra, Reginald Stewart, conductor, on 5 February 1947, at Carnegie Hall, performing Bach's fugue in C major and 'Kom süsser Tod', etc. The review appeared in the New York herald tribune on 6 February 1947.] [ce]Thomson 2014 481-482
23. Darmstadt, GerhartAuf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? NMz(Regensburg) 50 Dec-Jan 2001-02 50-51
24. Abdy Williams, Charles FrancisBach. With Illustration and Portraits. - London: J. M. Dent; N.Y.: E. P. Dutton, 1900. xi, 223p. 2/1903, 3/1906, 4/1921. (= The Master Musicians. ed. by Frederick J. Crowest) - Newly revised and edited by Eric Blom, 1934. xiii, 239p. (= The Master Musicians. New Series) 1900 xi, 223p
25. Williams, PeterBach: A Musical Biography. Cambridge: Cambridge University Press, 2016. xiv, 704p. ISBN 978-1-107-13925-1. 2016 xiv, 704p
26. Rumsey, DavidBach and Numerology: 'Dry Mathematical Stuff'? LitAesth 7 1997 143-165
27. Vaughan Williams, RalphBach and Schumann. [Originally published in The vocalist 1/3 (1902), this essay discusses Schumann's statement about the influence of J.S. Bach and Jean Paul on his music.] [ce]VaughanWilliamsOnMusic 2008 129-132
28. Armstrong, ThomasBach and the English Choralist. MTimes 91 1289 Jul 1950 261-263
29. Williams, PeterBach and the organ. MTimes 155 1926 Spring 2014 81-94
30. Williams, Peter F.Bach at Edinburgh. MTimes 104 1449 Nov 1963 815
31. Vaughan Williams, RalphBach cantatas. [Program note for a performance of three Bach cantatas by the Bach Choir, conducted by Vaughan Williams, at Central Hall, Westminster, on 14 December 1921.] [ce]VaughanWilliamsOnMusic 2008 401-402
32. Riemsdijk, J. C. M. vanBach en de Bachvereeniging. Fantasio en Riehl. [Met citaten uit Riehl's 'Sebastian Bachs Clavierwerke in der Gegenwart', wordt Fantasio's standpunt aangevallen] Caecilia 28 16 15 Aug 1871 142-143
33. Thomson, VirgilBach goes to church. [Review of a concert by the Cantata Singers, Arthur Mendel, conductor, with Ralph Kirkpatrick, harpsichord, and Heinz Arnold, organ, on 30 December 1940 at the Unitarian Church of All Souls, New York, performing J.S. Bach's Weinachtsoratorium, with soloists Rose Dirman (soprano), Jean Bryan (contralto), Donald Dame (tenor), and Paul Seymour Matthen (bass)] [ce]Thomson 2014 69-70
34. Williams, Peter F.Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985. xiv, 363p. [ce]BHSTercentenaryEssays 1985 xiv, 363p
35. Williams, ChristopherBach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style. A paper read at the Annual meeting of American Musicological Society in San Francisco, 10-13 November 2011. [p]AMS_Sanfrancisco Nov 2011 AbstractsPapersAMSoc pp.152-3
36. Grimsted, Patricia KennedyBach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. http://www.huri.harvard.edu/pdf/Grimsted_Bach_Back.pdf 2003
37. Grimsted, Patricia KennedyBach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. Archival Reports. SpoilsWar 8 May 2003 67-104
38. [Page, Anne; Ramsey, Basil]Bach is best. Anne Page follows this precept. In conversation with Basil Ramsey she discusses teaching and learning. ChoirOrgan 4 3 May 1996 15-16
39. Ramsey, BasilBach Motets at St. James's Piccadilly. MTimes 98 1375 Sep 1957 499
40. Williams, Peter F.Bach Organ Music. London: British Broadcasting Corporation, 1972. R/1974. 71p. ISBN: 0563103485. - Seattle: University of Washington Press, [1972]. ISBN: 0295951990. (= BBC music guide, 20) BBCMGuides 20 1972 71p
41. Williams, Gerrard (arr.)BACH PRELUDE from 'English' Suite No.5 arranged [for small orchestra] by Gerrard Williams. - London: Oxford University Press, 1925. 19p. (= Oxford orchestral series, no. O7) [BWV 810/1] OxfordOrchSer 7 1925 19p
42. Williams, Peter F.Bach Recitatives. Letters to the Editor. MTimes 115 1579 Sep 1974 747
43. Adams, Gwen E.Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76 7:908 Jul 1985 9-11
44. Grimsted, Patricia KennedyBach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. http://www.huri.harvard.edu/workpaper/grimsted/SingAka.html 2000
45. Grimsted, Patricia KennedyBach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 Aug 2000 22-35
46. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
47. Williams, Peter F.Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20 6 Jun 1986 63-64
48. Williams, Peter F.Bach's Seven Fughette. The Organists' Repertory - 19. MTimes 116 1589 Jul 1975 653, 655, 657
49. Vaughan Williams, RalphBach, St. Matthew passion. [Program note for a performance by the Bach Choir and the London Symphony Orchestra, conducted by Vaughan Williams, at Queen's Hall, London, on 7 March 1923.] [ce]VaughanWilliamsOnMusic 2008 405-406
50. Williams, Peter F.Bach: The Goldberg Variations. Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks) CambridgeMHandb 2001 101p
51. Vaughan Williams, RalphBach, the great bourgeois. MDigest 17 1950 1-6
52. Vaughan Williams, RalphBach, the Great Bourgeois. MBook 7 1952 277-282
53. Vaughan Williams, RalphBach, the Great Bourgeois. Listener 3 Aug 1950 170
54. Williams, Peter F.Bach Thoughts from Edinburgh. MTimes 106 1472 Oct 1965 771-772
55. Blomstedt, HerbertBalance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140. Motette/Kantate. ThomanerJ 1 2008 12-14
56. Williams, Peter F.Basso continuo on the Organ. MLetters 50 1, 2 Jan; Apr 1969 136-152; 230-245
57. Thomson, VirgilBeauty, distinction, mastery. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 17 November 1947, at Carnegie Hall, performing, among other works, Anton Stamitz's Adagio and Rondo, Bach's partita in D minor, etc. The review appeared in the New York herald tribune on 18 November 1947] [ce]Thomson 2014 638-639
58. Williams, Patrick (arr.)Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] Simple arrangement for piano by Patrick Williams. - London: Bosworth & Co, [1958] 3p. 1958 3p
59. Malmström, Bo G.Blockflöjten hos Bach och Händel. [The recorder in Bach and Handel.] Musikrevy 40 1985 223-228
60. Hohenemser, RichardBrahms und die Volksmusik. DieMusik 25 8 May 1933 599-601
61. Williams, Gerrard (arr.)Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach arranged by Gerrard Williams. - London: Metzler, c1922. 6p + 2 St. Pl.-Nr.: M. 670 [or 668?]. (= Metzler's trio series for pianoforte, violin and violoncello, No. 23) [BWV 1048/1] 1922 6p + 2 St
62. Brahms, Johannes[Brief an Clara Schumann, Jun 1877] Nachdr. aus: Clara Schumann / Johannes Brahms: Briefe aus den Jahren 1853-1896. Hrsg. von Berthold Litzmann. Bd. 2: 1872-1896. Leipzig: Breitkopf & Härgel, 1927. p.111 ReclamUBib 8832 1992 135-136
63. Thomson, VirgilBrilliant and diffuse. [Review of a recital by Gregor Piatigorsky (cello) and Ralph Berkowitz (piano) on 19 March 1948, at Carnegie Hall, performing Boccherini's sonata in C major, Bach's prelude and fugue in C minor (from the cello suite no. 5 'Discordable'), etc. The review appeared in the New York herald tribune on 20 March 1948] [ce]Thomson 2014 642-643
64. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337
65. Williams, Peter F.Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 2007 18-28
66. Brahms, Johannes (arr.)Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach für die linke Hand allein bearbeitet von Johannes Brahms. (veröffentlicht 1879). - Wiesbaden: Breitkopf & Härtel [1927, R/1980] [2]-15p. Best.-Nr.: J. B. 72. (= Edition Breitkopf, 6018) [BWV 1004/5] EdBreitkopf 6018 1927 15p
67. Brahms, Johannes (arr.)CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-15p. Pl.-Nr.: 1395. (= Studien für das Pianoforte von Johannes Brahms, No. V) - repr. Berlin: Simrock. Pl.-Nr. 1394; later edn. Pl.-Nr. 21395. [BWV 1004/5] 1879 15p
68. Vaughan Williams, Ralph (arr.)Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. For Harriet Cohen. Freely arranged for Pianoforte by R. Vaughan Williams. [BWV 649] [ce]BachBookForCohen 10 1932 25-29
69. Brahms, Johannes (ed.)Choral aus der Kantate Nr. 60 'O Ewigkeit du Donnerwort' / J. S. Bach. Konzerteinrichtung von Joh. Brahms. Nach Brahms' Handschrift im Besitze der Gesellschaft der Musikfreunde in Wien, erstmalig veröffentlicht von Dr. Karl Geiringer. - Regensburg: Gustav Bosse Verlag - Verlag der 'Zeitschrift für Musik', 1933, S. 1-2. [BWV 60/5] ZsfM 100 5 Beil May 1935 1-2
70. Williams, Patrick (arr.)Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co., c1951. 9p. Pl.-Nr.: J.B.C. & Co. 15741. (= Cramer's library of organ music by British & foreign composers, no. 37) [BWV 140/4] CramersLibOrgM 37 1951 9p
71. Williams, Patrick (ed.)Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. Edited by Patrick Williams. - London: J. B. Cramer, c1953. 11p. Pl.-Nr.: J.B.C. & Co Ltd 15881. CramersLibOrgM 49 1953 11p
72. Williams, Becket (arr.)Concerto no. 1 for organ (1st movement) / J. S. Bach arranged for two pianofortes four hands by Becket Williams. - London: Bosworth & Co, 1933. 3, 3p. Pl.-Nr.: B.& Co. 18794. (= Two pieces, 1) [BWV 592/1] 1933 3, 3p
73. Williams, Peter F.Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [Reflections on the emergence of the 2/4 meter in the early 18th century] [cr]Metz1994 1996 85-98
74. Thomson, VirgilCostume party. [Review of a recital by Pierre Luboshutz and Genia Nemenoff, piano duo, on 26 January 1945, at Town Hall, New York City, performing works by Bach, Brahms, Schubert, Mendelssohn-Bartholdy, Boris Koutzen, Rossini, Grecaninov, and Wallingford Riegger. The review appeared in the New York herald tribune on 27 January 1945] [ce]Thomson 2014 356-357
75. Williams, Peter F.Decoding Bach 2: Clouds of witness. MTimes 141 1872 Autumn 2000 13-15
76. Thomson, VirgilDefinitive renderings. [Review of a recital by harpsichordist Wanda Landowska on 19 November 1944, at Town Hall, New York City, performing Couperin's Passacaille, Rameau's Gavotte and doubles in A major, Bach's French suite in E major, Mozart's sonata in D major (played on piano), the Vivaldi-Bach concerto in D major, and Bach's Italian concerto in F major. The review appeared in the New York herald tribune on 20 November 1944] [ce]Thomson 2014 359-361
77. Darmstadt, GerhartDie dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. [ce]ProvokationTradition 2000 347-364
78. Kühmstedt, Friedrich (ed.)DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6. componirt und angehenden Componisten und Organisten gewidmet von FRIED. KÜHMSTEDT, Musikdirektor in Eisenach. 1ter Theil. - Mainz, Antwerpen und Brüssel: B. Schott's Söhnen. [1842] 1 ('Vorerinnerung', mit 'Eisenach im April 1842'), 2-41p. Preis: 1 fl. 48 Fr. Best.-Nr./Pl.-Nr.: 6789. 1842 41p
79. Hohenemser, R.Die Pflege der Bachschen Musik in der Gegenwart. MlRundschau(München) 3 8f 1907
80. Lamsa, KatharinaDie Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart. [Ein Interview mit Masaaki Suzuki] ForumBachAkad 63 Feb-May 2008 9-10
81. Adams, Robert MichaelDmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. diss. 1981
82. Williams, W. S. Gwynn (ed.)Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach. [Vocal score] edited and translated by W. S. Gwynn Williams. - Llangollen: Gwynn Pub.Co., c.1949. Pl.-Nr.: 3041 G.P.C. [BWV 232/25] 1949 7p
83. [Krapp, Edgar]; Adamski-Störmer, UrsulaEdgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. MSacra 113 1 1993 31-34
84. Mommsen, KatharinaEin Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit GoetheJb 113 1996 161-178
85. Williams, Peter F.Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126 1707-1708 May-Jun 1985 276-278; 339-343
86. Thomsen, KnutErinnerung an Hermann Melchert. Personalia. MtblNBG 65 Winter 2009-10 28
87. Williams, Becket (arr.)ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. Arranged for Two Pianos by BECKET WILLIAMS. -. London: Oxford University Press, 1930. 8, 8p. [BWV 22/5] 1930 8, 8p
88. Lehmstedt, Mark'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. LeipzigerBl 38 2001 68-69
89. Wurmser, Lucien (ed.)Fantasia II pour piano par Ph. E. Bach. Edition nouvelle Revue, doigtée et nuancée par Lucien WURMSER. - Paris: Philipp, 1900. 7p. Pl.-Nr.: P.2042. (= Éditions de concours) 1900 7p
90. Williams, Peter F.'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays 1985 327-346
91. Williams, Peter F.Figured Bass Accompaniment. Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4 1970 117, 131p
92. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120 1636 Jun 1979 476-479
93. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120 1637 Jul 1979 571-573
94. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120 1638 Aug 1979 648-650
95. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120 1640 Oct 1979 816-818
96. Williams, Patrick (arr.)Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. Arranged for organ by Patrick Williams. - London: J. B. Cramer & Co, c1955. 2-7p. Pl.-Nr.: 15971. (= Cramer's Library of Organ Music by British & foreign Composers, no. 65) [BWV 244/68] CramersLibOrgM 65 1955 7p
97. Thomson, Beatrice LeslieFour Musicians. Sketches of Handel, Bach, Haydn, Mozart. London: Sheldon Press, 1929. 124p. 1929 124p
98. Williams, PeterFrench Elements in Bach. [cr]McGill1981 1982 13-19
99. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
100. Williams, Peter F.Frescobaldi's Fiori musicali and Bach. Recercare 24 1-2 2012
101. Williams, Gerrard (arr.)Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach Arranged for unaccompanied Double Chorus, S. S. A. T. B., by G. Williams. - London: W. Paxton & Co, 1927. 12p. [BWV 849/2] 1927 12p
102. Williams, Peter F.Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 2000 75-90
103. Williams, Becket (arr.)Gigue: (from an Organ Trio) / J. S. Bach Arrange for 2 pianos by Becket Williams. - London: Bosworth & Co., c1935. 2-3, 2-3p. Pl.-Nr.: B. & Co. 18878. (= Four pieces, 3) [BWV 597/2 (Anh. II)] 1935 3, 3p
104. Thomson, VirgilGloomy masterpiece. [Review of a concert by the Philharmonic-Symphony Orchestra, Dimitri Mitropoulos, conductor, on 15 December 1949, at Carnegie Hall, performing Weber's overture to Der Freischütz, Bach's violin concerto in G minor, etc. The soloist was Joseph Szigeti (violin). The review appeared in the New York herald tribune on 16 December 1949] [ce]Thomson 2014 676-678
105. Thomson, VirgilGlorious organ-playing. [Review of a recital by organist Jeanne Demessieux on 22 March 1953, at Central Presbyterian Church, New York City, performing two of her own compositions and works by Bach, Händel, Liszt, and Dupré. The review appeared in the New York herald tribune on 23 March 1953] [ce]Thomson 2014 839-840
106. Thomson, VirgilGood goods. [Review of a recital by Zino Francescatti, violinist, and Artur Balsam, piano, on 8 April 1947, at Carnegie Hall, performing Fauré's sonata in A major, Ravel's Berceuse and Tzigane, Bach's Chaconne, Stravinsky's Duo concertant, and three pieces by Fritz Kreisler. The review appeared in the New York herald tribune on 9 April 1947] [ce]Thomson 2014 367-368
107. Tergau-Harms, ChristineGottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. GemeinsamGottesdGestalten 11 2009 322-330
108. Lehms, Georg ChristianGottgefälliges Kirchen-Opffer. In einem gantzen Jahr-Gange Andächtiger Betrachtungen über die gewohnlichen Sonn- und ... - Darmstadt: Bachmann, 1711. x, 85p. 1711 x, 85p
109. Kühmstedt, FriedrichGradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. componirt ... von Fr. Kühmstedt. - Mainz: B. Schott's Söhnen. [1839-1845]. 1-4 Lieferungen. Pl.-Nr. 5557 (pp.2-13), 5651.2 (pp.14-25), 5715.3 (pp.26-39), 6020.4 (pp.40-51), 6583.5 (pp.52-65), 7140.6 (pp.66-79), 7862.7 (pp.80-93), 8727.8 (pp.94-107). - repr. c.1875. 1839-1845 107p
110. Helms, Siegmund; Schneider, ReinhardGroße Chorwerke. Werkanalyse in Beispielen. Bosse, 1994, 230p. 1994 230p
111. Bromse, PeterHarmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [Harmonic analysis as a heuristic device for understanding form and content.] - [BWV 232 Credo] [fs]Graml70 1991 130-142
112. Thomson, VirgilHarvard fair but no warmer. [Review of a concert by the Harvard Glee Club and Radcliffe Choral Society, G. Wallace Woodworth, conductor, on 30 March 1941, at Town Hall, New York City, performing, among other works, Gustav Holst's Dirge for two veterans, Thomas Tallis's Lamentations of Jeremiah, William Byrd's 'Juustorum animae,' 'Dona nobis pacem' from the Mass in B minor by J.S. Bach, Constant Lambert's Rio Grande, the opening scene of Verdi's Otello, and choruses from Johann Strauss's La reine indigo. William W. Austin was the features soloist (piano). The review appeared in the New York herald tribune on 31 March 1941] [ce]Thomson 2014 238-239
113. Williams, Peter F.Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 1986-87 29-44
114. Lehms, Georg ChristianHistorische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. Leipzig: Gleditsch; Weidmann, 1710. [2] Bl., 119, [1]p, [2] Bl.: 2 Ill. 1710 119p
115. Williams, Becket (arr.)HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach Arranged for Organ by Becket Williams. - London: Oxford University Press, c1931. [1]-3p. [BWV 22/5 in B-flat] 1931 3p
116. Thomson, VirgilHymns of tribulation and rejoicing. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with the Moravian Trombone Choir, and members of the Philadelphia Orchestra, on 16 May 1942, as part of a two-day Bach Festival, at Packer Memorial Chapel, Lehigh University, Bethlehem, Pennsylvania. The concert included performances of Bach cantatas no. 19 (Es erhub sich ein Streit), 146 (Wir müssen durch viel Trübsal), and 180 (Schmücke dich, o liebe Seele), the motet, 'Komm, Jesu, komm' (BWV 229), the Magnificat, BWV 243, and part 4 of the Weihnachtsoratorium. Performers included T. Edgar Shields (organist), Gretchen Newhart Iobst (pianist), Ruth Diehl (soprano), Saida Knox (contralto), Hardesty Johnson (tenor), and Mack Harrell (baritone). The review appeared in the New York herald tribune on 16 May 1942] [ce]Thomson 2014 230-231
117. Volokolamsk, Metropolitan Hilarion ofIn All Music There Is Bach. TorontoJTheol 36 2 2020 235-239
118. Thomson, VirgilIncomparable Chopin. [Review of a recital by pianist Guiomar Novaes on 26 October 1946, at Carnegie Hall, performing Chopin's sonata in B-flat minor and works by Bach, Scarlatti, Beethoven, Albéniz, Camargo Guarnieri, and Isador Philipp. The review appeared in the New York herald tribune on 27 October 1946] [ce]Thomson 2014 341-342
119. Samson, J.Influence de Bach sur l'art choral liturgique contemporain en France. MLiturg(Paris) 16-17 1950 10-15
120. Thomson, VirgilIntensity and brains. [Review of a recital by pianist, Rosalyn Tureck on 12 November 1945, at Town Hall, New York City, performing preludes and fugues from Bach's Well-tempered clavier, Mozart's sonata in C major, Beethoven's sonata no. 23, op. 57 ('Appassionata'), the Copland piano sonata, and Brahms's Variations and fugue on a theme by Handel. The review appeared in the New York herald tribune on 13 November 1945] [ce]Thomson 2014 349-350
121. Clarke, J. WilliamsInterpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. University of Washington 1971. 85 gez. Bl. diss. 1971 85p
122. Thomson, VirgilIn the first category. [Review of a recital by pianist Maryla Jonas on 7 December 1946, at Carnegie Hall, performing Handel's Passacaglia, Michelangelo Rossi's Andantino in G major, Haydn's Variations in F minor, W.F. Bach's Capriccio, Mozart's Rondo in D, Schubert's sonata no. 3 and impromptu no. 3, and six works by Chopin. The review appeared in the New York herald tribune on 8 December 1946] [ce]Thomson 2014 340-341
123. Thomson, VirgilIn the royal style. [Review of a concert by the Collegiate Chorale, Robert Shaw, conductor, with a chamber orchestra and Ernest White, organist, on 28 January 1947, at Hunter College Auditorium, performing Bach's Mass in B minor, with soloists Anne McKnight and June Gardner (sopranos), Lydia Summers (contralto), Lucius Metz (tenor), and Paul Seymour Matthen (baritone). The review appeared in the New York herald tribune on 29 January 1947] [ce]Thomson 2014 426-427
124. Thomson, VirgilIn tune, but not with the infinite. [Review of a recital by Isaac Stern, violin, and Alexander Zakin, piano, on 11 January 1944 at Carnegie Hall, performing, among other works, Beethoven's sonata no. 7 (op. 30, no. 2), Bach's partita in D minor, Vieuxtemps' concerto no. 5, and Debussy's sonata in G minor. The review appeared in the New York herald tribune on 12 January 1944] [ce]Thomson 2014 222-223
125. Thomson, VirgilIrresistible. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 14 December 1953, at Carnegie Hall, performing Bach's sonata in A minor, etc. The review appeared in the New York herald tribune on 15 December 1953] [ce]Thomson 2014 867-868
126. Williamson, John Finley (ed.)I stand beside the Manger Stall. [Ich steh' an deiner Krippen hier] For Four-part Chorus of Mixed Voices ... English version by F. H. Martens ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. [BWV 469] 1931
127. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
128. Riemsduk, J. C. M. vanJean Adam Reinken. TijdschrVNedMgeschied 2 1 1885 61-91
129. Williams, Becket (arr.)JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach Arranged for organ by Becket Williams. - [London]: Oxford University Press, c1932. [1]-4p [BWV 227/9 'Gute Nacht, o Wesen'] 1932 4p
130. Vaughan Williams, Ralph (ed.)Jesus Took to Him the Twelve. English translation by J. Steuart Wilson, edited for the Bach Choir by R. Vaughan Williams. - London: Goodwin and Tabb, c1921. 12p. [Two choruses: 1. But They Understood Not; 2. O Loose Us from Our Bondage. - BWV 22/1+5] 1921 12p
131. Hohenemser, RichardJ. K. F. Fischer als Klavier- und Orgelkomponist. MhMges 34 9, 10, 11 1902 154-163; 167-176; 183-189
132. Helms, SiegmundJohannes Brahms und Johann Sebastian Bach. BachJb 57 1971 13-81
133. Ziemssen, LudwigJohann Sebastian Bach. Translated from German of Ludwig Ziemssen by George P. Upton. - Chicago: A.C. McClurg & co., 1905. 133p. (= Life stories for young people.) 1905 133p
134. Williams, Peter F.Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 1994 67-86
135. Dahms, WalterJohann Sebastian Bach. Ein Bild seines Lebens. zusammengestellt von Walter Dahms. München: Musarion Verlag, 1924. 123p. 1924 123p
136. Ziemssen, LudwigJohann Sebastian Bach: ein Lebensbild für Deutschlands Jugend. 2. Aufl. - Glogau: Flemming, [1889]. 128p. (= Carl Flemming's vaterländische Jugendschriften, 11) 1889 128p
137. Darmstadt, HansJohann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben Musikverlag, 2009. 229p. ISBN: 978-3-932676-16-1 (= Dortmunder Bach-Forschungen, 10) DortmundBachF 10 2009 229p
138. Darmstadt, HansJohann Sebastian Bach: Matthäus-Passion, BWV 244. Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben Musikverlag, 2015. 503p. ISBN 978-3-932676-18-5. DortmundBachF 12 2015 503p
139. Darmstadt, HansJohann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben-Musikverlag, 2012. 387p. ISBN: 978-3-932676-17-8. (= Dortmunder Bach-Forschungen, 11) DortmundBachF 11 2012 387p
140. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 156p. [Ed.-Nr.: BA 5036-41] NBA 1 30 1974 156p
141. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1976. 235p. [Ed.-Nr.: BA 5043-41] NBA 1 5 1976 235p
142. Platen, Emil; Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. Kassel [u.a.]: Bärenreiter; Leipzig: VEB Deutscher Verlag für Musik, 1982. 224p. [Ed.-Nr.: BA 5050-41] NBA 2 2 1982 224p
143. Williams, Peter F.Johann Sebastian Bach's ideal organ. OrganistsReview 94 2 May 2008 7-13
144. Williams, Peter F.Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1996. 441p. 1996 441p
145. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1998. 476p. ISBN: 3-7957-1854-6 1998 476p
146. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. Aus dem Englischen von Caroline Schneider-Kliemt. - Mainz: Schott, 2000. 365p. ISBN: 3-7957-1855-4. 2000 365p
147. Williams, Peter F.Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2 4 Jun 1985 41-48
148. Hohenemser, RichardJoseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin. DieMusik 23 9 Jun 1931 641-644
149. Williams, Peter F.J.S. Bach: A Life in Music. Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6. 2007 xi, 405p
150. Williams, Peter F.J. S. Bach and English Organ Music. MLetters 44 2 Apr 1963 140-151
151. Williams, Peter F.J. S. Bach: Ein Leben in der Musik. Aus dem Engl. von Clemens Brunn. - Berlin: Osburg Verlag, 2008. 575p. ISBN-10: 3-940731-08-0; ISBN-13: 978-3-940731-08-1. 2008 575p
152. Williams, Peter F.J. S. Bach: Mass in B minor. Recordings. EarlyM 12 1 Feb 1984 137,139,141
153. Williams, Peter F.J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Summary in English (p.174), French (p.176), Russian (p.178) and Czech (p.180). BachJb 68 1982 131-142
154. Hawthorne, Walter WilliamsJ. S. Bach's Inventions and Sinfonias: an Analysis. PhD diss., Univ. of Cincinnati, 1980. 197p. diss. 1980 197p
155. Williams, Patrick (arr.)J.S. Bach's organ toccata and fugue in D minor. arranged for two pianos, four hands / by Patrick Williams. - London: Bosworth, c1947. 19, 19p. Pl.-Nr.: 21021. [BWV 565] 1947 19, 19p
156. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
157. Williams, Peter F.J.S. Bach y el compás de 2/4. [J.S. Bach and the 2/4 time signature] Trans. by Gago, Luis Carlos Quodlibet 5 Jun 1996 3-18
158. Williams, Peter F.J. S. Bach y la distribución entre las manos derecha e izquierda. [J.S. Bach and left-hand--right-hand distribution] Trans. by Paul S. McLaney. Quodlibet 18 Oct 2000 68-84
159. Helms, MarianneKantaten und Lieder aus Schemellis Gesangbuch. Bachfest 61 [Duisburg] 1986 112-127
160. Helms, MarianneKantaten und Oratorien des Bach-Festes. Bachfest 48 [Nürnberg] 1973 70-75
161. Helms, Marianne (ed.)Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. Kantaten zum Epiphaniasfest: Sie werden aus Saba alle kommen, BWV 65; Liebster Immanuel, Herzog der Frommen, BWV 123. Kantaten zum 1. Sonntag nach Epiphanias: Mein liebster Jesus ist verloren, BWV 154; Meinen Jesum laß ich nicht, BWV 124; Liebster Jesu, mein Verlangen, BWV 32. Kantaten zum 2. Sonntag nach Epiphanias: Mein Gott, wie lang, ach lange, BWV 155; Ach Gott, wie manches Herzeleid, BWV 3; Meine Seufzer, mine Tränen, BWV 13. Hrsg. von Marianne Helms. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1975. xii, 253p. Ed.-Nr.: BA 5043. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 5) NBA 1 5 1975 xii (6p facs), 253p
162. Helms, Marianne (ed.)Kantaten zum Michaelisfest / Johann Sebastian Bach. Herr Gott, dich loben alle wir, BWV 130. Es erhub sich ein Streit, BWV 19; Man singet mit Freuden vom Sieg, BWV 149; Nun ist das Heil und die Kraft, BWV 50 (Fragment). Hrsg. von Marianne Helms. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1973. xi, 169p. Ed.-Nr.: BA 5036. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 30) NBA 1 30 1973 xi (5p facs), 169p
163. Thomson, VirgilKing of the gypsies. [Review of a recital by Tossy Spivakovsky, violinist, and Frank Glazer, piano, on 11 December 1946, at Carnegie Hall, performing Giovanni Battista Viotti's Adagio in E major, Beethoven's sonata no. 9, op. 47 ('Kreutzer'), Bartók's Four Rumanian folk dances, Copland's Ukulele serenade, Paganini's La campanella, three Chopin études in the violinist's own transcriptions, and two works by Bach. The review appeared in the New York herald tribune on 12 December 1946] [ce]Thomson 2014 372-373
164. Williams, Becket (arr.)Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach [Heading title (p.2): Organ Fugue in G minor / Johann Sebastian Bach ; arranged by Christopher à Becket Williams]. - London: Hinrichsen Edition, c1939, R/1950. 2-8p. Best.-Nr. 65. Pl.-Nr. 65. (= Hinrichsen Edition 65) [BWV 578] HinrichsenEd 65 1939 8p
165. Arnold, Jochen; Tergau-Harms, Christine (eds.)Kleiner Gottesdienst - weiter Raum. Hannover: LVH, Lutherisches Verlagshaus, 2009. 403p. ISBN: 978-3-7859-0990-4. (= Gemeinsam Gottesdienst gestalten, 11) GemeinsamGottesdGestalten 11 2009 403p
166. Williams, Peter F. (ed.)Kunst der Fuge / Johann Sebastian Bach. Ed. by Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xlvi, 138p. Best.-Nr. Ed. Eulenburg 1391. Pl.-Nr. EE 6755. [BWV 1080] EdEulenburg 1391 1986 xlvi, 138p
167. Darmstadt, GerhartKurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert MKirche 50 3 1980 130-134
168. Williams, Peter F.Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. [Zwei Fallstudien über Aufführungspraxis und Notation. Übers. aus dem Engl. Katalin Komlós] BachTanulmanyok 4 1995 5-41; 25-41 Latin 2
169. Williams, SimonLeipzig: The Cradle of German Acting. Chapter 5. [ce]AstonMagnaAcademy 2009 191-206
170. Ramsey, BasilLondon Bach Society. MTimes 99 1386 Aug 1958 442
171. Platen, Emil; Helms, Marianne (eds.)Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. Missa A-Dur BWV 234; Missa G-Dur BWV 236; Missa g-Moll BWV 235; Missa F-Dur BWV 233; Kyrie-Christe, du Lamm Gottes F-Dur BWV 233a; Kyrie c-Moll (Fremde Komposition) aus der Missa BWV Anh. 26 mit Christe g-Moll BWV 242; Sanctus C-Dur BWV 237; Sanctus D-Dur BWV 238. Hrsg. von Emil Platen (BWV 234, 235, 235, 233) und Marianne Helms (BWV 233a, 242, 237, 238). - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1978. xi, 333p. Ed.-Nr.: BA 5050. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 2) NBA 2 2 1978 xi (5 facs), 333p
172. Thomson, VirgilMajestic but inefficient. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with members of the Philadelphia Orchestra and E. Power Biggs, organist, on 18 February 1946, at Carnegie Hall, performing Bach's Mass in B minor, with soloists Ruth Diehl (soprano), Lilian Knowles (contralto), Lucius Metz (tenor), Calvin Marsh and Edwin Steffe (basses)] [ce]Thomson 2014 424-426
173. Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.)Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999. Frankfurt am Main: Peter Lang, 2002. 517p. ISBN: 3-631-37735-5. (= Quellen und Studien zur Geschichte der Mannheimer Hofkapelle, 8) QuellenStGesMannheimHofkapelle 8 2002 517p [cr]Mannheim1999
174. Thomson, VirgilMaster of distortion and exaggeration. [Review of a recital by Vladimir Horowitz, pianist, on 6 March 1942 at Carnegie Hall, performing J.S. Bach's toccata in C major, two Bach chorales, etc. The review appeared in the New York herald tribune on 7 March 1942] [ce]Thomson 2014 191-193
175. Darmstadt, HansMeine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. für meine Lübecker Kirchenmusik-Student/innen. MKirche 70 1 Jan-Feb 2000 46-47
176. Dahms, WalterMendelssohn. Berlin: Schuster & Loeffler, [1919]. 202p. 1919 202p
177. Williams, IsabelleMetric Complexity in Bach's Cantata No.182. A paper read at the New York State--St. Lawrence Chapter meeting of the AMS on 15-16 March 1986 at McGill University. [p]AMS_NewYorkState Mar 1986
178. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical minuets / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1949. 7p. Pl.-Nr.: L.G. & B. 10066. 1949
179. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical dances: for piano / with optional second piano part composed by Patrick Williams. - London: Bosworth & Co., c1955. 7p. Pl.-Nr.: B. & Co. Ltd. 21625. 1955 7p
180. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical minuets. Set 2 / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1951. 13p. Pl.-Nr.: L.G. & B. 10111. 1951 13p
181. Adams, David William'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p. diss. 2007 xiv, 222p
182. Thomson, VirgilModern piano playing. [Review of a recital by pianist Yvonne Léfébure, on 14 November 1948, at Town Hall, New York City, performing Mozart's fantasy in D minor, the Bach-Liszt prelude and fugue in A minor, etc. The review appeared in the New York herald tribune on 15 November 1948] [ce]Thomson 2014 634-635
183. Thomson, VirgilMoney's worth. [Review of a recital by pianist Alexander Brailowsky, on 5 December 1945, at Carnegie Hall, performing the Bach-Busoni toccata and fugue in D minor, Hummel's Rondo favori, Liszt's sonata in B minor, Brahms's intermezzo in B-flat minor, the Mendelssohn-Rachmaninoff scherzo from A midsummer night's dream, Debussy's Reflets dans l'eau, Ravel's Toccata, and seven works by Chopin. The review appeared in the New York herald tribune on 6 December 1945] [ce]Thomson 2014 336-337
184. Williams, Peter F.More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 2004 139-143
185. Williams, Becket (arr.)Mortify us by thy grace, from cantata no.22. arranged for 2 pianos. - London: Oxford University Press, [s.a.] [BWV 22/5] c 1930
186. Thomson, VirgilMusical badminton. [Review of a recital on 8 November 1944, at Town Hall, New York City, by Vera Appleton and Michael Field, piano duo, performing works by Mozart, W.F. Bach, Bartók, Debussy, Anis Fuleihan, Khachaturian, Strauss, and Liszt. The review appeared in the New York herald tribune on 9 November 1944] [ce]Thomson 2014 355-356
187. Williams, Peter F. (ed.)Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. Hrsg. v. Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xxxviii, 51p. Best.-Nr. Ed. Eulenburg 1390. Pl.-Nr. EE 6756. ISMN: M-2002-1111-5. [BWV 1079] EdEulenburg 1390 1986 xxxviii, 51p
188. Thomson, VirgilMusic in Germany. NYHeraldTribune 4 5 14 Oct 1945
189. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4
190. Williams, Peter F.New Bach? [on recently discovered chorales] Letters to the Editor. MTimes 126 1710 Aug 1985 452
191. Thomson, VirgilNew era. [Review of a recital by Roman Totenberg, violinist, on 18 November 1944, at Carnegie Hall, performing Bach's sonata in E minor, Mozart's concerto in G major, Debussy's violin sonata, three new pieces by Lukas Foss ('Early song,' 'Dedication,' and 'Composer's holiday'), the Szymanowski-Kochanski Chanson polonaise, Paganini's Caprice no. 17, and two pieces by Pablo de Sarasate. Artur Balsam and Lukas Foss were accompanists for the recital. The review appeared in the New York herald tribune on 19 November 1944] [ce]Thomson 2014 370-371
192. Thomson, VirgilNew high. [Review of a recital by Arthur Gold and Robert Fizdale, piano duo, on 15 February 1946, at Town Hall, New York City, performing J.C. Bach's Duetto in F major, Satie's Trois morceaux en forme de poire, the piano sonatas of Paul Bowles, Igor Stravinsky, and Alexei Haieff, Virgil Thomson's Five inventions, one of John Cage's Three dances for prepared piano, and three waltzes from Vittorio Rieti's Second Avenue waltzes. The review appeared in the New York herald tribune on 16 February 1946] [ce]Thomson 2014 358-359
193. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach. Erfurt u. Leipzig: Körner, [1850] pp.18-23. Pl.-Nr.: 21.II. (= Sämmtliche Orgel-Compositionen / von Joh. Sebastian Bach, 21) [BWV 545] SämtOrgComp 21 1850 18-23
194. Williams, Peter F.Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Kleine Beiträge. BachJb 72 1986 123-125
195. Brahms, Johannes[Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] 1933
196. Williams, PeterOn Bach and the Organ. A keynote paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012. [p]ABS_Rochester Sep 2012
197. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
198. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
199. Darmstadt, HansOrpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. MKirche 75 2 Mar-Apr 2005 106-113
200. Williams, Peter F.Orugan Kyoku. [Organ Music] [ce]BachJiten 1996 294-298
201. Williams, Walter (ed.)Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38. English version by Catherine Winkworth, edited, and the organ part arranged,.by the Rev. Walter Williams. - Boston: E. C. Schirmer [c.1938]. 18p Pl.-Nr.: E.C.S.N°. 692. (= St. Dunstan's Edition, No. 1246) [BWV 38] c 1938 18p
202. Adams, H. M.Passion Music Before 1724. MLetters 7 3 Jul 1926 258-264
203. Williamson, John Finley (ed.)Planets, Stars, and Airs of Space ... [Ihr Gestirn', ihr hohen Lüfte] For Four-part Chorus of Mixed Voices ... English version by F. H. Martens ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. [BWV 476] 1931
204. Williams, Peter F.Playing and studying Bach: Where next? BIOSJ 24 2000 80-92
205. Williams, Peter F.Playing the organ works of Bach: Some case studies. New York: American Guild of Organists, 1987. 128p. [collection of essays first appeared in The American Organist during 1983-85] 1987 128p
206. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH. Erfurt u. Leipzig: Körner, [1850] 11p. Pl.-Nr.: 114. (= Sämmtliche Orgel-Compositionen / von Joh. Sebastian Bach, 22) [BWV 546] SämtOrgComp 22 1850 11p
207. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH. Preis: 7 1/2 Sgr. - Erfurt u. Leipzig: Körner, [1851] 7p. Pl.-Nr.: 71. (= Sämmtliche Orgel-Compositionen / von Joh. Sebastian Bach, 31) [BWV 898 (Anh. II)] SämtOrgComp 31 1851 7p
208. Williams, Gerrard (arr.)Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach arranged for piano, four hands, by Gerrard Williams. - London: Oxford University Press, c1927. 7p. (= Oxford piano series, P89 Grade E) [BWV 541/1] 1927 7p
209. Williams, Gerrard (arr.)Prelude and fugue in G major. Fugue / J.S. Bach arranged for piano, four hands, by Gerrard Williams. - London: Oxford University Press, c1927. 9p. (= Oxford piano series, P90 Grade E) 1927 9p
210. Brahms, Johannes (arr.)Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. Leipzig: Breitkopf & Härtel, [1928]. 9p. (20-27p). Best.-Nr.: Edition Breitkopf Nr. 6019. [BWV 1001/4, arr.] EdBreitkopf 6019 1928 9p
211. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Erste Bearbeitung. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-5p. Best.-Nr.: Pl.-Nr.: 1393. (= Studien für das Pianoforte von Johannes Brahms, No. III) [BWV 1001/4, arr.] 1879 5p
212. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Zweite Bearbeitung. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-5p. Pl.-Nr: 1394. (= Studien für das Pianoforte von Johannes Brahms, No. IV) [BWV 1001/4, arr.] 1879 5p
213. Adamson, J. Philip I.Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p diss. 1973 150p
214. Simms, Bryan R. (ed.)Pro mundo-pro domo: The writings of Alban Berg. New York, NY: Oxford University Press, 2014. xiii, 444p. ISBN: 978-0-19-976406-8; 0-19-976406-9. [ce]Berg 2014 xiii, 444p
215. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Präludium und Fuga [in] F-moll von Joh. Sebastian Bach. Erfurt u. Leipzig: Körner, [c.1849]. pp.18-24. Pl.-Nr.: 26.II. (= Sämmtliche Orgel-Compositionen / von Joh. Sebastian Bach, 2) [BWV 534] SämtOrgComp 2 c 1849 18-24
216. Williams, Peter F.Public Executions and the Bach Passions. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf BachNotesABS 2 Fall 2004 1-4
217. Williams, Peter F.Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 2001 553-572
218. Abdy Williams, Charles FrancisReminiscences of a Pilgrimage through the Bach Country. Musician 17 9 Sep 1912 590-591
219. Thomson, VirgilRhythmic grandeurs. [Review of a recital by Wanda Landowska, harpsichordist, on 21 February 1942 at Carnegie Hall, performing Bach's 'Goldberg' variations] [ce]Thomson 2014 204-206
220. Williams, BrionySharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter. Paper read at an International Symposium held at Rhodes College, 6-7 November 2003: The Composers And Compositions Of The Berlin Sing-Akademie [p]IS_Memphis Nov 2003
221. Adams, Sarah (ed.)Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. Edited by Sarah Adams. - Los Altos, CA: Packard Humanities Institute, 2006. xxiv, 100p. ISBN: 1-933280-05-0; 978-1-933280-05-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 2) [Wq 182/1-6 - H 657, 658, 659, 660, 661, 662] CPEBachCW 3 2 2006 xxiv, 100p
222. Williams, Gerrard (arr.)Sixth Organ Sonata in G. Transcribed for violin and piano by Gerrard Williams. - London: Schott & Co, 1923. [BWV 530] 1923
223. Rimsky-Korsakow, NicolasSix Variations sur le thème B-A-C-H ; op. 10. par Nicolas Rimsky-Korsakow 1878. [To Anatoly Konstantinovich Lyadov] - Leipzig: M. P. Belaieff, 1878. 21p. Pl.-Nr. 224. (= Valse, Intermezzo, Scherzo, Nocturne, Prelude et Fugue); later edn. Moscow: Muzgiz, 1959. Pl.-Nr. M. 27401; new edn. Moscow: Muzyka, 1988, pp.212-233. Pl.-Nr. 13901. (= Russkaia fortepiannaia muzyka, 4) 1878 21p
224. Darmstadt, Hans'... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. MKirche 62 2 Mar-Apr 1992 79-87
225. Williams, SimonSome Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). OrganistsReview 78 3 1992 209-211
226. Williams, Peter F.Some further Thoughts. DortmundBachF 6 2003 371-388
227. Williams, Peter F.Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen 2005 53-71
228. Williams, PeterSome remarks on organs, organ-playing and the studying of music. [Headings in the article: A Bach testimonial [of Altnickol and Krebs]; Some early English attitudes; Some comparisons: England and Baroque France; A further comparison: Baroque Germany; Some general remarks on curricula] BIOSJ 28 2004 6-25
229. Williams, Peter F.Some Tercentenary Questions for the Performer. AmerOrganist(2) 19 1 Jan 1985 42-46
230. Williams, Peter F.Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 1999 185-198
231. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonata in F major for two pianos, four hands / W. F. Bach. Ed. by J. Brahms. Newly rev. by C. A. Martienssen. [Partitur] - New York City, NY: International Music Company, 1947. 20, 20p. Best.-Nr. 884. Pl.-Nr. 884. [Fk 10 - BR WFB A 12] 1947 20, 20p
232. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. Hrsg. von Johannes Brahms. Auf Grund des Autogr. neu rev. von C. A. Martienssen. [Partitur] - Leipzig: Peters, 1833. R/[19]54. 20, 20p. Best.-Nr. Ed. Peters 4284. Pl.-Nr. 11176. [Fk 10 - BR WFB A 12] EdPeters 4284 1933 20, 20p
233. [Brahms, Johannes] (ed.)Sonate für zwei Claviere componirt von Wilh. Friedemann Bach. [hrsg. von Johannes Brahms]. Preis LThlr. 20 Ngr. - Leipzig u. Wintherthur. J. Rieter-Biedermann [1864]. 2-19p. Best.-Nr.: 340. Pl.-Nr. 340,a. [Fk 10 = BWV Anh. 188] 1864 19p
234. Thomson, VirgilSound without fury. [Review of a recital by pianist Aleksandr Yuninskij on 17 January 1945, at Carnegie Hall, performing Schumann's Carnaval, six pieces by Chopin, and works by Scarlatti, Bach, Debussy, and Stravinsky. The review appeared in the New York herald tribune on 18 January 1945] [ce]Thomson 2014 347-348
235. Williamson, RosemarySterndale Bennett's Lost Piano Concerto Found. JRMA 119 1 1994 115-129
236. Williams, Peter F.Stop Press: Some questions about JS Bach and his organ music. Peter Williams addresses some basic assumptions underlying our understanding of a canonical corpus. MTimes 141 1870 Spring 2000 34-40
237. Thomson, VirgilStrings bowed; strings plucked. [Review of a joint recital on 1 November 1944 at Kaufmann Auditorium of the 92nd Street YMHA, New York, by violinist Alexander Schneider and harpsichordist Ralph Kirkpatrick, performing two sonatas by Bach and three by Mozart. The review appeared in the New York herald tribune on 2 November 1944] [ce]Thomson 2014 364-365
238. Brahms, Johannes; Mayer-Mahr, Moritz (eds.)Studien für Klavier. Neuausg. von M. Mayer-Mahr. - Mainz [u.a.]: Schott, c1922. 41p. Best.-Nr. Ed. Schott 1426. Pl.-Nr.: 32050. [Enth. u.a.: Presto nach J. S. Bach (1. und 2. Bearbeitung [BWV 1001/4, arr.]. Chaconne von J. S. Bach (Für die linke Hand allein bearbeitet) [BWV 1004/5, arr.] EdSchott 1426 1922 41p
239. Williams, Peter F.Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18 2 Feb 1984 38-39
240. Williams, Peter F.Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19 5 May 1985 74-75
241. Williams, Peter F.Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19 4 Apr 1985 82-84
242. Williams, Peter F.Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19 3 Mar 1985 118-119
243. Williams, Peter F.Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19 2 Feb 1985 56-57
244. Williams, Peter F.Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18 9 Sep 1984 44-45
245. Williams, Peter F.Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19 8 Aug 1985 38-40
246. Williams, Peter F.Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19 10 Oct 1985 117-119
247. Williams, Peter F.Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19 6 Jun 1985 44-46
248. Williams, Peter F.Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19 12 Dec 1985 60-62
249. Williams, Peter F.Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19 11 Nov 1985 91-93
250. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17 1 Jan 1983 45-47
251. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17 3 Mar 1983 50-52
252. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17 9 Sep 1983 42-47
253. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19 7 Jul 1985 56-58
254. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19 9 Sep 1985 62-64
255. Williams, Peter F.Sui generis: some fashionable uses to which Bach is put. MTimes 141 1871 Summer 2000 8, 10, 12-15
256. Williams, Becket (arr.)Suite for two pianos / Bach [1. Gavotte (from 5th French suite) -- 2. Minuets 1 & 2 (from 1st partita) -- 3. Fugue (from 8 short Preludes and Fugues for organ)] arranged by Becket Williams. - London: Oxford University Press, [c.1937] 11, 11p. (= The Anglo-French series of easier two-piano pieces) c 1937 11, 11p
257. Williams, W. S. Gwynn (ed.)Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach. Ed. and arr. by W. S. Gwynn Williams ; [words from] Luke 1,54 ; the translations by W. S. Gwynn Williams. - Llangollen: Gwynn, c1959. 4p. Pl.-Nr.: 2065 G.P.C. [BWV 243/10] 1959 4p
258. Adams, Sarah (ed.)Symphonies for Baron van Swieten, Wq 182/2-6 [Facsimile] Edited by Sarah Adams. - Los Altos, CA: Packard Humanities Institute, 2015. xii, 95p. ISBN: 978-1-938325-42-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series III Supplement) [Wq 182/2-6] CPEBachCW 3 Suppl 2015 xii, 95p
259. Thomson, VirgilTechnique and taste. [Review of a recital by pianist Charles Rosen on 3 November 1953, at Town Hall, New York City, performing two Bach fugues; etc. The review appeared in the New York herald tribune on 4 November 1953.] [ce]Thomson 2014 931-932
260. Williams, Peter F.The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk 1986 267-282
261. Bloch, Robert SamsonThe Art of the Fugue: A Humanist View. A Paper read at the Pacific Southwest Chapter meeting of the American Musicological Society on 21-22 April 1991 at the University of California, Los Angeles. [p]AMS_PacificSouthwest Apr 1990
262. Samson, Jim (ed.)The Cambridge companion to Chopin. Cambridge: Cambridge University Press, 1992. xi, 341p. ISBN: 0-521-40490-8. [ce]CambridgeCompanion_Chopin 1992 xi, 341p
263. Samson, Jim (ed.)The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, 2002. xv, 772p. ISBN: 0-521-59017-5. [ce]CambridgeHist19cM 2002 xv, 772p
264. Röder, Matthias; Adams, Sarah (eds.)The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. Houghton Library - Matthias Röder and Eda Kuhn Loeb Music Library - Sarah Adams. Harvard: Harvard University, 2005. 40p 2005 40p
265. Williams, Peter F.The Chromatic Fourth. During Four Centuries of Music. New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3. 1998 272p
266. Adams, Howard C.The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. ContributStudMDance 19 1992 5-9 [cr]Hofstra1985
267. Umstaedt, Monica JohannaThe Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. DMA diss., Performance, Columbus, Ohio, Ohio State University 1980. 177p. diss. 1980 177p
268. Williams, Peter F.The European Organ 1450-1850. London: Batsford, 1966. 336p. - 3/1978. ISBN: 0713407530. 1966 336p
269. Armstrong, Joe (trans.)The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41 1 2010 32-96
270. Williams, Peter F.The French Silbermann. MTimes 112 1535 Jan 1971 77-78
271. Vaughan Williams, Ralph; Foster, Arnold (arr.)THE 'GIANT' FUGUE / J. S. BACH. Transcribed for String Orchestra by R. Vaughan Williams & Arnold Foster. - London: Oxford University Press, 1925. 4p. (= Oxford orchestral series, O6) [BWV 680] OxfordOrchSer 6 1925 4p
272. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
273. Williams, PeterThe International Organ Competition, Leipzig, July 2000. OrganistsReview 86 4: 340 Nov 2000 336-337
274. MSThe Johann Sebastian Bach Journey. Germany 18-24 April 2004. Performance Reviews. [Vol. incorrectly given as 82] Organ 83 328 May-Jul 2004 51-53
275. Lambert, Arthur AdamsThe keyboard partitas of J. S. Bach: A study of background, text, and interpretation. PhD diss., Musicology, State Univ. of Iowa 1961, 292p. (Ann Arbor Microfilms. No. 61-5587) diss. 1961 292p
276. Thomson, AndrewThe Life and Times of Charles-Marie Widor, 1844-1937. Oxford: Oxford University Press, 1987. 116p. 1987 116p
277. Williams, Peter F.The Life of Bach. Cambridge Univ. Press, 2004. viii, 219p. ISBN: 0-5221-82636-5 / 0-521-53374-0. (= Musical Lives) 2004 viii,219p
278. Williams, Peter F.The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart 1981 259-278
279. Williams, Peter F.The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 2007 371-381
280. Thomson, VirgilThe noble style. [Review of a recital by pianist Alexander Borovsky, on 17 March 1947 at Carnegie Hall, performing, among other works, the Bach-Liszt organ prelude and fugue, Beethoven's 32 variations on an original theme, Chopin's sonata in B-flat minor, two Messiaen preludes, Prokofiev's Danza and Sarcasm, two Rachmaninoff preludes, and Liszt's Sonnetto del Petrarcha no. 104 and Étude transcendante no. 10. The review appeared in the New York herald tribune on 18 March 1947] [ce]Thomson 2014 337-338
281. Williams, Peter F.; Owen, BarbaraThe Organ. Macmillan, 1988. 438p. ISBN: 0-393-02555-1; 0-393-30516-3. (= New Grove Musical Instruments) 1988 438p
282. Williams, Peter F.The Organ Music of J. S. Bach. III: A Background. Univ. press Cambridge 1984, 309p. 3 1984 309p
283. Williams, Peter F.The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) Univ. press Cambridge 1980, x, 357p. 1980 357p
284. Williams, Peter F.The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). Univ. press Cambridge 1980, 365p. 1 1980 365p
285. Williams, Peter F.The Organ Music of J. S. Bach. Second Edition. Cambridge: Cambridge Univ. Press, 2003. x, 624p. ISBN: 0521814162. 2003 x, 624p
286. Williams, Peter F.The Organs of Saxony. MTimes 111 1533 Nov 1970 1141-1143
287. Williams, Peter J.The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. MA diss., University of Leeds, 1977. diss. 1977
288. Gingras, Bruno; McAdams, Stephen; Schubert, Peter N.The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538. [cr]Graz2008 2010 305-318
289. Abdy Williams, Charles FrancisThe Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 1892-93 73-93
290. Williams, Peter F.The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] 1983 230-240
291. Williams, Peter F.The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist 1986 274-294
292. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Toccata et Fuga [in D-moll von] Joh. Sebastian Bach. Kopftitel: '110. Toccata et Fuga'. Pl.-Nr.: 124. S.141-152(oben). - Erfurt u. Leipzig: Körner, [c.1850]. (= Sämmtliche Orgel-Compositionen / von Joh. Sebastian Bach, 49) [BWV 565] SämtOrgComp 49 c 1850 141-152
293. Thomson, VirgilToo fast for brilliance. [Review of a recital by pianist of Simon Barere on 18 November 1946, at Carnegie Hall, performing, among other works, Bach's Chromatic fantasia and fugue, Liszt's Knomenreigen, the Gounod-Liszt waltz from Faust, and Chopin's Fantasie in F minor and Andante spianato et grande polonaise. The review appeared in the New York herald tribune on 19 November 1946] [ce]Thomson 2014 346-347
294. Williams, Peter F.Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 1994 143-156 [fs]Mann
295. Thomson, VirgilTranscriptions. [Originally published in the New York herald tribune on 4 June 1944 and subsequently published in The musical scene (1945)] [ce]Thomson 2014 276-278
296. Williams, Becket (arr.)Trio in C minor [from short organ trio] / J.S. Bach Arranged for two pianofortes, four Hands by Becket Williams. - London: Bosworth, [1933] 3, 3p. Pl.-Nr.: B. & Co. 18795. (= Two pieces, 2) [BWV 585/2] 1933 3, 3p
297. Williams, Becket (arr.)Trio in G (from Sonata for Gamba) / J. S. Bach arr. by Becket Williams. - London: Bosworth & Co., c1935. 5, 5p. Pl.-Nr.: B. & Co. 18879. (= Four pieces, 4) [BWV 1028/4] 1935 5, 5p
298. Williams, PeterTuning and Temperament. (An excerpt from Peter Williams' J.S. Bach: A Life in Music, Cambridge University Press, 2007, pp. 333-338) http://www.bach-cantatas.com/Articles/WilliamsTuning.pdf 2007
299. Williams, Peter F.Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21 4 Nov 1993 613-622
300. Williams, Peter F.Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. [BWV 534/1; 572; 553; 541; 548; 566; 572; 739; 829] EarlyM 22 1 Feb 1994 101-113
301. Williams, PeterTwo new editions of Bach's organ music: some questions arising. Review Article. OrganYb 41 2012 183-212
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