Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 2. | Identifying 'Anonymus 402': New thoughts on the transmission of Bach's works in Berlin. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 3. | Towards the Development of the Next Generation of Online Resources for Bach Scholarship. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 4. | Easter 1724 and Bach's Chorale Cantata Cycle. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 5. | Prospects of Research on Scribes: The Heritage Yoshitake Kobayashi. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 6. | Lost Musical manuscripts rediscovered at unexpected places - another chapter. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 7. | Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 8. | The path towards a new Bach-Werke-Verzeichnis ('BWV3'): The struggle to establish an authentic corpus of organ chorales by J. S. Bach. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 9. | 'The Bare Original in Its Primitive State': Friedrich Grützmacher's Concert Version of the Bach Cello Suites. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 10. | Reinhard Keiser's Passion Oratorios: Examining the Originality and Ingenuity of the Vanguard in German Sacred Oratorio. |
[p]IMS_Tokyo |
| | Mar 2017 |
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