Bach Bibliography
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Author : Yearsley, David
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
[]
1. Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. 2019 336p
2. Bach's Feet: the Organ Pedals in European Culture. 2011 xiv, 298p
3. Bach and the Meanings of Counterpoint. 2002 xvi, 257p
4. Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. 18cM 2 2 Sep 2005 231-249
5. Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. 18cM 7 2 Sep 2010 326-329
6. Exorcising Completeness in the Pedal Exercitium. AmerOrganist(2) 46 10 Oct 2012 62-69
7. 'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach. BachNotesABS 26 Spring 2017 1-3
8. The concerto in northern Europe to c.1770. [ce]CambridgeCompanion_Concerto 2005 53-69
9. The organ music of J. S. Bach. [ce]CambridgeCompanion_Organ 1998 236-249
10. C. P. E. Bach and the living traditions of learned counterpoint. [ce]CPEBachStud 2006 173-201
11. Keyboard Music. [ce]RoutledgeResearchCompanion 2017 295-316
12. Organ Works / Carl Philipp Emanuel Bach. CPEBachCW 1 9 2008 xxvi, 123p
13. Ideologies of learned counterpoint in the northern German Baroque. diss. 1994 376p
14. In Buxtehude's footsteps. EarlyM 35 3 Aug 2007 339-353
15. Women at the organ: a fragment. [fs]Williams70 2007 119-141
16. Alchemy and Counterpoint in an Age of Reason JAMSoc 51 2 Summer 1998 201-243
17. Interlude: Recollecting the Westfield Center Bach Organ Tour of 1989. KeyboardPerspectives 10 2017 113-118
18. Princes of War and Peace and their Most Humble, Most Obedient Court Composer. Konturen(Oregon) 1 2009 1-33
19. Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. MLetters 80 2 May 1999 183-206
20. Bernhard the German and the invention of the pedals. OrganYb 39 2010 7-25
21. What is a Sängerin? [p]Women_Yale Oct 2009
22. Hoopskirts, coffee, and the changing musical prospects of the Bach women. WomenM 17 2013 27-58

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