Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Editing Bach's Well-Tempered Clavier, Part 2. Paper read at 'Editing the Eighteenth Century' Workshop organised by CECS at Queen's University Belfast on 11 June 2006. |
|
| | Jun 2006 |
|
|
| 2. | The French Suites (BWV 812-817). English: http://www.mu.qub.ac.uk/tomita/essay/FrSuites-e.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/FrSuites-j.html |
|
| | 2003 |
|
|
| 3. | The Simrock Edition of the Well-Tempered Clavier II. http://www.mu.qub.ac.uk/tomita/essay/simrock/ |
|
| | 2005 |
|
|
| 4. | Stages of revision of the Wesley/Horn '48' title-page plate. http://www.mu.qub.ac.uk/tomita/wh/ |
|
| | 2004 |
|
|
| 5. | Surviving copies of the Wesley/Horn '48'. http://www.mu.qub.ac.uk/tomita/wh/list-wh.htm |
|
| | 2005 |
|
|
| 6. | The Inventions and Sinfonias (BWV 772-801). English: http://www.mu.qub.ac.uk/tomita/essay/inventions.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/inventionsj.html |
|
| | 1999 |
|
|
| 7. | Bachfest Leipzig 2008. Bach und seine Söhne - Bach and his sons. 13 June - 22 June 2008. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2008/ |
|
| | 14 Aug 2008 |
|
|
| 8. | The Clavier-Übung II (BWV 971 and 831) http://www.mu.qub.ac.uk/tomita/essay/CU2-e.html |
|
| | 2006 |
|
|
| 9. | Bachfest Leipzig 2004. Bach und die Romantik - Bach and the Age of Romanticism. 14 - 23 May 2004. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2004/ |
|
| | 11 Jul 2004 |
|
|
| 10. | The Six Partitas (BWV 825-830). English: http://www.mu.qub.ac.uk/tomita/essay/CU1-e.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/Partitas.htm |
|
| | 2002 |
|
|
| 11. | Bachfest Leipzig 2005. Bach und die Zukunft - Bach and the Future. 29 April - 8 May 2005. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2005/ |
|
| | 20 Jun 2005 |
|
|
| 12. | The Well-Tempered Clavier, Book 1 (BWV 846-869). English: http://www.mu.qub.ac.uk/tomita/essay/wtc1.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/wtc1j.html |
|
| | 1996 |
|
|
| 13. | Bachfest Leipzig 2003. 23 May-1 June. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2003/ |
|
| | 29 Jun 2003 |
|
|
| 14. | Clavier-Übung III ('The German Organ Mass') English: http://www.mu.qub.ac.uk/tomita/essay/cu3.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/cu3j.html |
|
| | 2000 |
|
|
| 15. | The 'Goldberg' Variations (BWV 988). English: http://www.mu.qub.ac.uk/tomita/essay/cu4.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/cu4j.html |
|
| | 1997 |
|
|
| 16. | Writer Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder. In: Richard Wilson et al. (eds.), Computer Analysis of Images and Patterns: 15th International Conference, CAIP 2013, York, UK, August 27-29, 2013, Proceedings, Part II (Berlin and Heidelberg: Springer-Verlag, 2013), pp. 555-562. ISBN: 978-3-642-40245-6 (Print) 978-3-642-40246-3 (Online). |
|
| | 2013 |
555-562 |
|
| 17. | J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol. I: Autograph Manuscripts. Leeds: Household World, 1993. iv, 146p. ISBN: 0-9521516-0-X. |
|
| | 1993 |
iv, 146p |
|
| 18. | Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. Revidierte Ausgabe, hrsg. von Yo Tamita. Ohne Fingersatz. - München: G. Henle, 2007. xiii, 164p. Pl.-Nr.: HN 258. ISMN: M-2018-0258-9. - replaced in c.2012 with Bestell-Nr. HN 1016 · ISMN M-2018-1016-4. [BWV 870-893] |
|
| | 2007 |
xiii, 164p |
|
| 19. | Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. Hrsg. von Yo Tamita. Fingersatz und Hinweise zur Ausführung von András Schiff. Revidierte Ausgabe. Urtext. - München: G. Henle Verlag, c2007. xvii, 164p. Pl.-Nr. (brosch.): HN 16; (Leinen): HN 17. ISMN: M-2018-0016-5. [BWV 870-893] |
|
| | 2007 |
xvii, 164p |
|
| 20. | J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol.II. All the Extant Manuscripts. Leeds: Household World, 1995. xxx, 1001p. ISBN: 0-9521516-7-7. |
|
| | 1995 |
xxx, 1001p |
|
| 21. | Select Bibliography. |
AmerBachSocNL |
| | Spring 2002 |
6-7 |
|
| 22. | Select Bibliography. |
AmerBachSocNL |
| | Spring 2001 |
6-7 |
|
| 23. | Select Bibliography. |
AmerBachSocNL |
| | Spring 2003 |
6-7 |
|
| 24. | The Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801. Errata published in Bach XXX/2 (1999) 75 |
Bach |
29 | 2 | Fall-Winter 1998 |
8-79 |
|
| 25. | Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. |
Bach |
30 | 2 | 1999 |
49-72 |
|
| 26. | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. |
Bach |
32 | 1 | 2001 |
17-43 |
|
| 27. | Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. In Memory of Yoshitake Kobayashi. |
Bach |
44 | 1 | 2013 |
1-45 |
|
| 28. | Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg. Kleine Beiträge. |
BachJb |
85 | | 1999 |
143-149 |
|
| 29. | Neue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006). Zur Rekonstruktion eines wichtigen Überlieferungszweigs. |
BachJb |
95 | | 2009 |
49-74 |
Latin 2 |
| 30. | 'Bach and His Sons' Bachfest Leipzig 2008. http://www.americanbachsociety.org/Newsletters/BachNotes10.pdf |
BachNotesABS |
| 10 | Fall 2008 |
8-9 |
|
| 31. | The Bachfest Leipzig 2009 -- A Review. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf |
BachNotesABS |
| 12 | Winter 2010 |
1-2 |
|
| 32. | Songs Both New and Old -- A Review of the Bachfest Leipzig 2012. [BWV 244b] http://www.americanbachsociety.org/Newsletters/BachNotes17.8.pdf |
BachNotesABS |
| 17 | Fall 2012 |
1-5 |
|
| 33. | Challenging Virtuality: A Response to Ruth Tatlow. http://www.americanbachsociety.org/Newsletters/BachNotes18.12.pdf |
BachNotesABS |
| 18 | Spring 2013 |
3-6 |
|
| 34. | Bachfest Leipzig 2004. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf |
BachNotesABS |
| 2 | Fall 2004 |
5 |
|
| 35. | In Memoriam: Alison Jayne Dunlop (1985-2013) http://www.americanbachsociety.org/Newsletters/BachNotes20.pdf |
BachNotesABS |
| 20 | Spring 2014 |
6-7 |
|
| 36. | 'So herrlich stehst du, liebe Stadt!': Report on Bachfest Leipzig 12-21 June 2015. |
BachNotesABS |
| 23 | Fall 2015 |
8-11 |
|
| 37. | Review -- 'Geheimnisse der Harmonie': Bachfest Leipzig 2016. |
BachNotesABS |
| 25 | Fall 2016 |
9-11 |
|
| 38. | Bachfest Leipzig 2018: Cycles ; A Conference Report. |
BachNotesABS |
| 29 | Fall 2018 |
[1]-3 |
|
| 39. | Hof-Compositeur Bach: A Review of Bachfest Leipzig 2019. |
BachNotesABS |
| 31 | Fall 2019 |
11-14 |
|
| 40. | Bachfest Leipzig 2005: 'Bach und die Zukunft'. http://www.americanbachsociety.org/Newsletters/BachNotes04.pdf |
BachNotesABS |
| 4 | Fall 2005 |
7 |
|
| 41. | Bachfest Leipzig 2006: 'Von Bach zu Mozart'. May 27 to June 5. http://www.americanbachsociety.org/Newsletters/BachNotes06.pdf |
BachNotesABS |
| 6 | Fall 2006 |
15 |
|
| 42. | 'Most ingenious, most learned, and yet practicable work': The English reception of Bach's The Well-Tempered Clavier in the first half of the nineteenth century as seen through the editions published in London. http://www.americanbachsociety.org/Newsletters/BachNotes07.pdf |
BachNotesABS |
| 7 | Spring 2007 |
1-12 |
|
| 43. | Bachfest Leipzig 2010. |
BachNotesLBS |
| | Autumn 2010 |
[2-3] |
|
| 44. | Leipzig, a City of Festivals. Bachfest'05- a view from the pew. |
BachNotesLBS |
| | Sep 2005 |
[3-4] |
|
| 45. | Bachfest Leipzig 2008. |
BachNotesLBS |
| | Sep 2008 |
[3] |
|
| 46. | Bachfest Leipzig 2004. |
BachNotesLBS |
| | Sep 2004 |
[3] |
|
| 47. | Leipzig's Bachfest sines again: an appreciation. |
BachNotesLBS |
| | Autumn 2012 |
[3] |
|
| 48. | Leipzig's Bachfest [2013] enthrals. |
BachNotesLBS |
| | Autumn 2013 |
[3] |
|
| 49. | Bachfest Leipzig 2019 - A report |
BachNotesLBS |
| | Autumn 2019 |
[3] |
|
| 50. | Bachfest Leipzig '06 -- Another View from the Stalls. |
BachNotesLBS |
| | Sep 2006 |
[4] |
|
| 51. | Bachfest Leipzig 2015: 'So herrlich stehst du, liebe Stadt!' -- A Report |
BachNotesLBS |
| | Autumn 2015 |
[4] |
|
| 52. | Bachfest Leipzig 2009. An appreciation. |
BachNotesLBS |
| | Sep 2009 |
[4] |
|
| 53. | Bachfest Leipzig 2016, a review from the pews. |
BachNotesLBS |
| | Autumn 2016 |
[5] |
|
| 54. | Bachfest Leipzig 2018: a review. |
BachNotesLBS |
| | Autumn 2018 |
[6] |
|
| 55. | 'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. ['London autograph' and 'the 'Well-tempered Clavier'] |
BachZenshu |
12 | | Jul 1998 |
64-83 |
|
| 56. | J. S. Bach no Kantata no Kenkyushi o megutte. Tokubetsu Kiko 2. [On J. S. Bach's Cantata Research] |
BCJ |
| 100 | Feb 2013 |
34-37 |
|
| 57. | Program Notes. [BWV 232] |
BCJ |
| 120 | Nov 2016 |
12-17 |
|
| 58. | Program Notes. [BWV 1046-1051] |
BCJ |
| 135 | Nov 2019 |
12-19 |
|
| 59. | Kangengaku Kumikyoku o megutte. [On Orchestral Suites] |
BCJ |
| 61 | Oct 2003 |
16-18 |
|
| 60. | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Repr. from Bach, xxxii/1 (2001), pp. 17-43. |
[ce]BaroqueComposers |
| | 2011 |
465-491 |
|
| 61. | Introduction. |
[ce]BaroqueComposers |
| | 2011 |
xv-xxxvii |
|
| 62. | Bach. Farnham: Ashgate Publishing, 2011. xxxvii, 574p. ISBN: 978-0-7546-2891-0. (= The Baroque Composers, Series Editor: David Ledbetter) |
[ce]BaroqueComposers |
| | 2011 |
xxxvii, 574p |
|
| 63. | Bach, Johann Sebastian (b. Eisenach, 21 Mar. 1685; d. Leipzig, 28 July 1750) 1. The dissemination of Bach's works in Vienna; 2. Mozart's editorial work in K405; 3. Bach's influence on Mozart. |
[ce]CambridgeMozartEncyclopedia |
| | 2006 |
38-41 |
|
| 64. | The Dawn of the English Bach Awakening Manifested in Sources of the '48'. |
[ce]EnglishBachAwakening |
| | 2004 |
35-167 |
|
| 65. | Pursuit of Perfection: Stages of Revision of the Wesley/Horn '48'. |
[ce]EnglishBachAwakening |
| | 2004 |
341-377 |
|
| 66. | Samuel Wesley as Analyst of Bach's Fugues. |
[ce]EnglishBachAwakening |
| | 2004 |
379-402 |
|
| 67. | Exploring Bach's B-minor Mass. Edited by Yo Tomita, Robin A. Leaver and Jan Smaczny. - Cambridge University Press, 2013. xxix, 314p. ISBN 978-1-107-00790-1. |
[ce]ExploringBMM |
| | 2013 |
xxix, 314p |
|
| 68. | 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. |
[ce]Piano19CBritishCulture |
| | 2007 |
33-67 |
|
| 69. | Manuscripts. [Chapter 3] Part I: Sources. [main headings: Manuscript Study; Diplomatic Evidence; Notational Evidence; Musical Evidence; Performance Implications; Bach's Teaching; Critical Editions; Transmission and Reception History; Future Work] |
[ce]RoutledgeResearchCompanion |
| | 2017 |
47-88 |
|
| 70. | Bach, The Font: inline Music Graphics for Databases and Spreadsheets. |
ComputingMcol |
9 | | 1993-94 |
61-64 |
|
| 71. | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. |
ContextBachStud |
8 | | 2018 |
225-242 |
|
| 72. | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. School of Music and Sonic Arts, Queen's University Belfast. 2007. x, 356p. |
[cr]Belfast2007 |
1 | | 2007 |
x, 356p |
|
| 73. | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. School of Music and Sonic Arts, Queen's University Belfast. 2007. 357-511pp. |
[cr]Belfast2007 |
2 | | 2007 |
357-511p |
Latin 2 |
| 74. | B-minor Mass: Select Bibliography. Compiled by Tanja Kovacevic, Yo Tomita and Robin A. Leaver. |
[cr]Belfast2007 |
2 | | 2007 |
492-504 |
|
| 75. | Breaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies. |
[cr]Shizuoka2002 |
| | 2004 |
233-237 |
|
| 76. | Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources Abstract: pp.198 (pl), 199 (en). |
[cr]Warsaw2017 |
| | 2019 |
171-196 |
|
| 77. | The Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation. MMus diss., Leeds Univ., with performance note. 1986, 86p. |
diss. |
| | 1986 |
86p |
|
| 78. | J. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process. PhD diss., Leeds University, 1990. xv, 317p. Supplements: A - 88p; B - 608p; C - 45p. |
diss. |
| | 1990 |
xv, 317, 88, 608, 45p |
|
| 79. | Streben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken. trans. Stephanie Wollny. |
DortmundBachF |
6 | | 2003 |
87-103 |
|
| 80. | Deciphering the performance hints hidden in J. S. Bach's quaver beams. In memory of Christopher Hogwood (1941–2014) |
EarlyM |
44 | 1 | Feb 2016 |
89-104 |
|
| 81. | Revisiting the reception of J. S. Bach's Well-Tempered Clavier II in pre-Classical Vienna. |
[fs]Gillen |
| | 2017 |
318-359 |
|
| 82. | Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music. |
[fs]Hogwood70 |
| | 2011 |
13-40 |
|
| 83. | Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). |
[fs]Leaver65 |
| | 2007 |
169-191 |
|
| 84. | Heikinritsu Clavier Kyokushu Dai-2-Kan no Shukofu ni kansuru Database Kochiku to sono Riyo. [Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database.] |
IPSJSIGNotes |
100 | | Oct 2002 |
21-26 |
|
| 85. | Bach's Credo in England: an early history. |
IrishMStud |
8 | | 2004 |
205-227 |
|
| 86. | Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. Dublin: Four Courts Press, 2004. 270p. ISBN: 1-85182-857-5. (= Irish Musical Studies, 8) |
IrishMStud |
8 | | 2004 |
270p |
|
| 87. | The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. In: Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii (eds.): Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8, pp. 519-524. |
ISMIR |
10 | | 2009 |
519-523 |
|
| 88. | Classifying Bach's Handwritten C-Clefs. In: Anssi Klapuri, Colby Leider (eds.): Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011, Miami, Florida, USA, October 24-28, 2011. University of Miami 2011, ISBN 978-0-615-54865-4, pp. 417-422. |
ISMIR |
12 | | 2011 |
417-422 |
|
| 89. | Bach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. [What can we learn from Bach's autograph manuscripts? An eternal question of performers and musicologists] |
KunitachiColMResearchInstBul |
21 | | Mar 2009 |
159-174 |
|
| 90. | Orijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. [Learning Bach's Partitas Nos. 2 and 6 from the original sources] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
107-131 |
|
| 91. | 'Goldberg Hensokyoku' no Seiritsu wo megutte: Gendai ni okeru Pianist e no Ichiteigen. [On the origin of 'Goldberg Variations': a suggestion for today's pianists] |
KunitachiColMResearchInstBul |
23 | | Mar 2011 |
91-115 |
|
| 92. | 'Rotancho Misakyoku' to Bach Kenkyu: Sakuhin no Densho to Gakufu Henshushi kara miru Kenkyujo no Shomondai. [The B-minor Mass and Bach Research: Various research questions posed by the work's transmission and the history of editing] |
KunitachiColMResearchInstBul |
24 | | Mar 2012 |
145-182 |
|
| 93. | Gibt es bisher unbekannte Kanons von Bach? Ergebnisse jüngster Forschungen zur Frühzeit der Bach-Bewegung in England. Übersetzung von Barbara Steinwachs. |
LeipzigerBeitrBachF |
5 | | 2002 |
497-519 |
|
| 94. | Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. |
MLetters |
81 | 3 | Aug 2000 |
364-391 |
|
| 95. | Analysing Bach's ink through a glass darkly. |
MTimes |
139 | 1865 | Winter 1998 |
37-38, 40-42 |
|
| 96. | Roundtable 1: Bach Kenkyu to 21 Seiki. [Roundtable: Bach Research and the 21st Century] [Summary of papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
233-235 |
|
| 97. | Bach Kenkyu no atarashii Keiko to Shorai ni kanshite no Ichikosatsu. [A consideration on the new trend and future of Bach research] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
234 |
|
| 98. | Deciphering J. S. Bach's Performance Hints in his autograph manuscripts. Paper read at The 1st International Conference on Historical Keyboard Music, 1-3 July 2011 at University of Edinburgh. |
[p]1ICHKM_Edinburgh |
| | Jul 2011 |
|
|
| 99. | On-line Bach Bibliography: a brief introduction and demonstration. A special presentation given at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.' |
[p]ABS_Houston |
| | Apr 2002 |
|
|
| 100. | 'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London. A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 11. |
[p]ABS_Leipzig |
| | May 2006 |
|
|
| 101. | Bach's Credo in England: an early history. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. |
[p]BCB_Dublin |
| | Jul 2000 |
|
|
| 102. | Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. http://www.mu.qub.ac.uk/tomita/WTC2Psalm/index.html |
[p]BCB_Exeter |
| | Jul 1998 |
|
|
| 103. | The Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier. A paper read at Tenth Biennial Conference on Baroque Music held at Universidad de La Rioja (Logroño) from 17 to 21 July 2002. |
[p]BCB_Logrono |
| | Jul 2002 |
|
|
| 104. | The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 105. | Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 141. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 106. | Reading Soul from Manuscripts: Observations on Performance Issues in J.S. Bach's Habits of Writing his Music. A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008. |
[p]BICB_Leeds |
| | Jul 2008 |
|
|
| 107. | Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 |
[p]BICB_Manchester |
| | Jul 2004 |
|
|
| 108. | Revisiting Altnickol's 1744 Copy of the Well-Tempered Clavier, Book II. A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 109. | Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. |
[p]BICB_Southampton |
| | Jul 2012 |
|
|
| 110. | Reconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 111. | The Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier. A paper read at Fifth Biennial International Conference on Music in Nineteenth-Century Britain, Nottingham, 7-10 July 2005 |
[p]BICM19C_Nottingham |
| | Jul 2005 |
|
|
| 112. | A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. A paper read at the British Musicology Conference in April 1996 (King's College, London). http://www.mu.qub.ac.uk/tomita/bmc1996/KV405.html |
[p]BMC_London |
| | Apr 1996 |
|
|
| 113. | New Online Resources for Bach Scholarship. A dialogue session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 114. | Bach's quaver notation and performance implications. A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 115. | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 116. | The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two. A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011. |
[p]BNUK_Edinburgh |
| | Aug 2011 |
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| 117. | Anna Magdalena as Bach's Copyist. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. |
[p]BNUK_Oxford |
| | Jan 2008 |
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| 118. | Struggle for correctness: Samuel Wesley as an editor of Bach's keyboard works. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002. |
[p]BS_Dortmund |
| | Jan-Feb 2002 |
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| 119. | Reading performance implications from J. S. Bach's eighth-note beams. A paper read at the conference 'Historical Performance: Theory, Practice, and Interdisciplinarity' held at Indiana University Jacobs School of Music, May 20-22, 2016. |
[p]HPI_Bloomington |
| | May 2016 |
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| 120. | The translation of twenty-four most recent musical thoughts?: a new hypothesis on the origin of the Well-Tempered Clavier II. Paper read at the Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung e.V. 14.-17. März 2002 in Verbindung mit der Evang.-Luth. Kirchgemeinde Eisenach, der Gesellschaft |
[p]IATB_Eisenach |
| | Mar 2002 |
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| 121. | Setting up Research Resources for the Future: The On-line Bach Bibliography Project and International Collaboration. Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000. |
[p]IBS_Utrecht |
| | Sep 2000 |
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| 122. | Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 123. | Towards the Development of the Next Generation of Online Resources for Bach Scholarship. A Study Session presented at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 124. | Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Roudtable Session 'Current Sources Studies in Bach Research: Sources, Scribes, and Beyond: A Tribute to Yoshitake Kobayashi' |
[p]IMS_Tokyo |
| | Mar 2017 |
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| 125. | Reading Inspiration from Autograph Manuscripts: Musicologist's Advice to Performers on the second Book of the '48'. A Paper read at the Weekend Conference on J. S. Bach and Rhythmic Inequality at Birmingham Conservatoire on 31 May 1997 |
[p]JSBRI_Birmingham |
| | May 1997 |
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| 126. | Roundtable 'Bach Kenkyu to 21Seiki'. [Roundtable: Bach Research and the 21st Century] Papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005. Tomita's paper is uploaded at http://www.mu.qub.ac.uk/tomita/essay/NTBResearch.html |
[p]MSJ_Tokyo |
| | Oct 2005 |
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| 127. | Bahha no Sakkyoku Katei to Enso e no Hinto o 8-bun Onpu no Renko kara yomitoku. [Deciphering J. S. Bach’s performance hints hidden in his quaver beams] A paper read at the 66th National Conference of the Musicological Society of Japan at Aoyama Gakuin University, 14-15 November 2015. |
[p]MSJ_Tokyo |
| | Nov 2015 |
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| 128. | 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [Various aspects of Bach Reception seen through the 19-century editions of Bach's works] Paper read at the 62nd Annual Conference of the Musicological Society of Japan held on 5-6 November 2011 at the University of Tokyo. |
[p]MSJ_Tokyo |
| | Nov 2011 |
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| 129. | Bach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite. [On the transmission and reception of the Sonatas and Partitas for Unaccompanied Violin in the 50 years following Bach's death.] A paper read as part of roundtable 'J.S. Bach and C.P.E. Bach - on transmission and creative reception' chaired by Tadashi Isoyama at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo. |
[p]MSJ_Tokyo |
| | Oct 2008 |
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| 130. | 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [Vienna in 1780s and Well-Tempered Clavier II: a complex and unique reception history seen through the transmission of sources]. A paper read at Kanto Chapter meeting of the Musicological Society of Japan on 8 February 1997 held at Kunitachi College of Music, Tokyo. http://www.mu.qub.ac.uk/tomita/wc2wien/wc2wien.html |
[p]MSJ_Tokyo |
| | Feb 1997 |
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| 131. | The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. A paper read at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. |
[p]MwW_Belfast |
| | Dec 2009 |
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| 132. | The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. A poster presented at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. |
[p]MwW_Belfast |
| | Dec 2009 |
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| 133. | J. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History. Royal Musical Association Conference, Irish Chapter (Queen's University of Belfast), May 1996. |
[p]RMA_Belfast |
| | May 1996 |
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| 134. | Some considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: an interim report. Papers read at RMA Irish Chapter meeting, 8 May 1998 at University of Ulster, Belfast. |
[p]RMA_Belfast |
| | May 1998 |
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| 135. | Samuel Wesley as analyst of Bach's fugues. Paper read at Royal Musical Association 14th Irish Chapter Meeting held at Department of Music, University College Dublin, 3-4 May 2002. |
[p]RMA_Dublin |
| | May 2002 |
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| 136. | Assessing a text-critical database using AI techniques. A paper read at RMA Study Day, 30 November 1996, at King's College, London. http://www.mu.qub.ac.uk/tomita/RMA-SD/txtcrit.html |
[p]RMA_London |
| | Nov 1996 |
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| 137. | Transmission of Bach's WTC in England during the Second Half of the Eighteenth Century. Papers read at RMA 12th Irish Chapter meeting, 7-8 May 1999 at Institute of Technology, Waterford. |
[p]RMA_Waterford |
| | May 1999 |
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| 138. | Bachowskie przebudzenie Mozarta - studium kontekstu. Prezek³ady: Piotr Szymaczak. [Mozart’s Bach Awakening and its Background] |
PrzegladMuzykologiczny |
7 | | 2009 |
191-223 |
Latin 2 |
| 139. | Recently discovered sources of Bach's Well-Tempered Clavier and their implication. A paper read at SMI Conference held at Queen's University Belfast, 7 and 8 May 2004. |
[p]SMI_Belfast |
| | May 2004 |
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| 140. | Pursuit of perfection: stages of revision in Wesley and Horn's 'New and Correct' edition of Bach's '48'. Paper read at the first annual conference of the Society for Musicology in Ireland held at National University of Ireland Maynooth from 2 to 3 May 2003. |
[p]SMI_Maynooth |
| | May 2003 |
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| 141. | Hitherto unknown Bach canons? Some findings from recent research into the dawn of the Bach movement in England. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. |
[p]WK_Leipzig |
| | Jan 2000 |
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| 142. | Anna Magdalena as Bach's Copyist. A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. |
[p]Women_Yale |
| | Oct 2009 |
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| 143. | Anna Magdalena as Bach's Copyist. http://www.bachnetwork.co.uk/ub2/tomita.pdf |
UnderstandingBach |
2 | | 2007 |
59-76 |
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| 144. | The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. http://www.bachnetwork.co.uk/ub6/Tomita%20UB6.pdf |
UnderstandingBach |
6 | | 2011 |
35-50 |
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| 145. | Veiled Aspects of Bach Reception in the long Nineteenth Century Exposed through a Macro-examination of Printed Music: with Particular Focus on The Well-Tempered Clavier. http://www.bachnetwork.co.uk/ub7/UB7_Tomita.pdf |
UnderstandingBach |
7 | | 2012 |
29-53 |
|