Bach Bibliography Search Result

Author : Yearsley, David
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Ideologies of learned counterpoint in the northern German Baroque. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769]	diss.			1994	376p
	2.	The organ music of J. S. Bach.	[ce]CambridgeCompanion_Organ			1998	236-249
	3.	Alchemy and Counterpoint in an Age of Reason	JAMSoc	51	2	Summer 1998	201-243
	4.	Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints.	MLetters	80	2	May 1999	183-206
	5.	Bach and the Meanings of Counterpoint. Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5.				2002	xvi, 257p
	6.	Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying.	18cM	2	2	Sep 2005	231-249
	7.	The concerto in northern Europe to c.1770. [BWV 1046-1051]	[ce]CambridgeCompanion_Concerto			2005	53-69
	8.	C. P. E. Bach and the living traditions of learned counterpoint.	[ce]CPEBachStud			2006	173-201
	9.	In Buxtehude's footsteps.	EarlyM	35	3	Aug 2007	339-353
	10.	Women at the organ: a fragment. [BWV 573]	[fs]Williams70			2007	119-141
	11.	Organ Works / Carl Philipp Emanuel Bach. Edited by Annette Richards and David Yearsley. - Los Altos, CA: Packard Humanities Institute, 2008. xxvi, 123p (Critical report pp. 91-119). ISBN: 978-1-933280-33-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 9) [Sonata in g minor, Wq 70/6. Sonata in D major, Wq 70/5. Sonata in F major, Wq 70/3. Sonata in a minor, Wq 70/4. Sonata in B-flat major, Wq 70/2. Prelude in D major, Wq 70/7. Fantasia and fugue in c minor, Wq 119/7. Fugue in d minor, Wq 119/2. Fugue in F major, Wq 119/3. Fugue in A major, Wq 119/4. Fugue in g minor, Wq 119/5. Fugue in E-flat major, Wq 119/6. O Gott, du frommer Gott, H 336/1. Ich bin ja, Herr, in deiner Macht, H 336/2. Jesus, meine Zuversicht, H 336/3. Wer nur den lieben Gott läßt walten, H 336/4. Komm, heiliger Geist, Herre Gott, H 336/5. Chorale prelude on "Aus der Tiefen rufe ich", BWV 745. Chorale prelude on "Ich ruf zu dir, Herr Jesu Christ", BWV Anh. II 73. Adagio in d minor, [Wq n.v.66] H 352. Appendix: Pedal Exercitium, BWV 598] [BWV 745, Anh. II 73; Wq 70/2-7 (H 134, 84, 85, 86, 87, 107), Wq 119/2-7 (H 99, 100, 101, 101.5, 102, 75.5), H 336/1-5, H 352; BWV 598 (Anh. II)]	CPEBachCW	1	9	2008	xxvi, 123p
	12.	Princes of War and Peace and their Most Humble, Most Obedient Court Composer. http://konturen.uoregon.edu/vol1_Yearsley.html	Konturen(Oregon)	1		2009	1-33
	13.	What is a Sängerin? A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009.	[p]Women_Yale			Oct 2009
	14.	Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach.	18cM	7	2	Sep 2010	326-329
	15.	Bernhard the German and the invention of the pedals.	OrganYb	39		2010	7-25
	16.	Bach's Feet: the Organ Pedals in European Culture. Cambridge University Press, 2011. xiv, 298p. ISBN:9780521199018. (= Musical Performance and Reception) - Paperback edn. 2017.				2011	xiv, 298p
	17.	Exorcising Completeness in the Pedal Exercitium.	AmerOrganist(2)	46	10	Oct 2012	62-69
	18.	Hoopskirts, coffee, and the changing musical prospects of the Bach women.	WomenM	17		2013	27-58
	19.	'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach.	BachNotesABS		26	Spring 2017	1-3
	20.	Keyboard Music. [Chapter 12] Part IV: Genres and Forms. [main headings: Hierarchies; Source Studies; Influences and Contemporaries; Hermeneutics; The Toccata and Fugue in D Minor]	[ce]RoutledgeResearchCompanion			2017	295-316
	21.	Interlude: Recollecting the Westfield Center Bach Organ Tour of 1989.	KeyboardPerspectives	10		2017	113-118
	22.	Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. Chicago and London: The University of Chicago Press, 2019. 336p. (= New Material Histories of Music)				2019	336p