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Bach Bibliography Search Result |
Series : BachStYour search has generated the following results ...
Volume : 8
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Jacobi, Erwin R. (ed.) | Albert Schweitzers nachgelassene Manuskripte über die Verzierungen bei Johann Sebastian Bach. Mit einer Einführung in die geplante Revision seines Buches über Johann Sebastian Bach und mit einem Anhang hrsg. von Erwin R. Jacobi. Ergänzendes Vorwort von Bernhard Billeter. Leipzig: Breitkopf & Härtel, 1984. 129p. (= Bach-Studien, 8) | BachSt | 8 | 129p |
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 | 2. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). | ContextBachStud | 8 | 3-22 |
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| | 3. | Chafe, Eric | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). | ContextBachStud | 8 | 23-50 |
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| | 4. | Peters, Mark A. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) | ContextBachStud | 8 | 51-73 |
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| | 5. | Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. | ContextBachStud | 8 | 75-102 |
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| | 6. | Petzoldt, Martin | The Theological in Bach Research (2007). | ContextBachStud | 8 | 103-118 |
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| | 7. | Sanders, Reginald L. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. | ContextBachStud | 8 | 121-137 |
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| | 8. | Lee, Kayoung | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. | ContextBachStud | 8 | 139-151 |
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| | 9. | Allanbrook, Wye J. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. | ContextBachStud | 8 | 153-164 |
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| | 10. | Schulze, Hans-Joachim | Parody and Text Quality in the Vocal Works of J. S. Bach. | ContextBachStud | 8 | 167-176 |
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| | 11. | Leaver, Robin A. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? | ContextBachStud | 8 | 177-203 |
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| | 12. | Butler, Gregory | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. | ContextBachStud | 8 | 205-214 |
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| | 13. | Saunders, Steven | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. | ContextBachStud | 8 | 215-224 |
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| | 14. | Tomita, Yo | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. | ContextBachStud | 8 | 225-242 |
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| | 15. | Kevorkian, Tanya | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. | ContextBachStud | 8 | 245-259 |
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| | 16. | Grant, Jason B. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. | ContextBachStud | 8 | 261-279 |
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| | 17. | Scheide, William H. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). | ContextBachStud | 8 | 281-295 |
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| | 18. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. | ContextBachStud | 8 | 297-303 |
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| | 19. | Peters, Mark A.; Sanders, Reginald L. (eds.) | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Edited by Mark A. Peters and Reginald L. Sanders. - Lanham: Lexington Books, 2018. xxi, 328p. ISBN: 978-1-4985-5495-4 (Hardback); 978-1-4985-5496-1 (eBook) | ContextBachStud | 8 | xxi, 328p |
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