Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Myhajlova, Iryna Mykolaivna: Ideâ transcendentnogo v muzyci J.-S. Baha ta A.G. Šnitke: Obrazy, symvoly, paradoksy. diss. (2009), 179p | Latin 2
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| 2. | Redrow, Sean Patrick: The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. diss. (2009), 276p | |
| 3. | Sulaiman, Samaa: Les pianistes et le répertoire du baroque tardif pour clavier: réflexion sur un corpus d'interprétations discographiques (J.S.Bach, Rameau, D.Scarlatti). diss. (2009), 338p | |
| 4. | Lephay, Pierre-Emmanuel: Que faire d'une oeuvre inachevée? Les choix interprétatifs face au manque à travers les exemples de 'L'art de la fugue' de Bach, 'La Khovantchina' de Moussorgsky et la 'Neuvième symphonie' de Bruckner. diss. (2009), 469, 143p | |
| 5. | Joyce, Elizabeth B.: Representation of 'the world' in the church cantatas of Johann Sebastian Bach. diss. (2009), 606p | |
| 6. | Helfgott, Maria: Die Orgelmesse: Eine Untersuchung der orgelbegleiteten Messen vom ausgehenden 18. bis zum beginnenden 20. Jahrhundert. diss. (2009), 675p | |
| 7. | Alexander, Daniel: The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. diss. (2009), 89p | |
| 8. | Beck, Kimberly Jean: The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. diss. (2009), iv, 111p | |
| 9. | D'Elia, Peter: Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. diss. (2009), iv, 73p | |
| 10. | Seighman, Gary B.: Expanding the Choral Conductor's Horizon: The Application of Selected Literary Theories to the Process of Choral Score Study. diss. (2009), v, 170p | |
| 11. | Rice, Karen M.: Beyond Third Stream: Henry Martin's Preludes and fugues for solo piano. diss. (2009), vi, 170p | |
| 12. | McCormick, Susan: The Choralbuch of Johann Christian Kittel. Its significance in our understanding of Bach's legacy. diss. (2009), vii, 78p; v, 533p | |