Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Fülöp, Rebecca: Introduction. Bach 50/1 (2019), 1-4 | |
| 2. | Moering, James M.: Status, Standards, and Stereotypes: J. S. Bach's Presence in the Silent Era. Bach 50/1 (2019), 5-31 | |
| 3. | Plank, Dana: From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. Bach 50/1 (2019), 32-62 | |
| 4. | Wissner, Reba A.: First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). Bach 50/1 (2019), 63-80 | |
| 5. | Brown-Montesano, Kristi: Terminal Bach: Technology, Media, and the Goldberg Variations in Postwar American Culture. Bach 50/1 (2019), 81-117 | |
| 6. | Haldey, Olga: Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986). Bach 50/2 (Fall 2019), 136-174 | |
| 7. | Baumgartner, Michael: J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). Bach 50/2 (Fall 2019), 175-219 | |
| 8. | Brill, Mark: The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964). Bach 50/2 (Fall 2019), 220-253 | |
| 9. | Broman, Per F.: Another Woody: J. S. Bach in Dixieland. Bach 50/2 (Fall 2019), 254-274 | |
| 10. | Kupfer, Peter: 'Good Hands': The Music of J. S. Bach in Television Commercials. Bach 50/2 (Fall 2019), 275-302 | |