Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Markovska, Nadya: Bach's Suites for Solo Cello (BWV 1007-1012): Textuality and Beyond in the Search for 'Truth'. [p]BICB_Canterbury (Jul 2016) | |
| 2. | Tatlow, Ruth: Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury (Jul 2016) | |
| 3. | Tomita, Yo: Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. [p]BICB_Canterbury (Jul 2016) | |
| 4. | Molinaro, Lawrence: Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury (Jul 2016) | |
| 5. | Kovacevic, Tanja; [Kovačević]: A New Source of Bach's Violin Solos from Vienna. [p]BICB_Canterbury (Jul 2016) | Latin 2
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| 6. | Guido, Massimiliano: From Affects to Individual Sensibility: Emotions and subjectivity from Frescobaldi to Carl Philipp Emanuel Bach. [p]BICB_Canterbury (Jul 2016) | |
| 7. | Fiaminghi, Luiz Henrique: Rhythmic ambiguity in Bach's Presto of the Sonata I a Violino Solo senza Basso (BWV 1001). [p]BICB_Canterbury (Jul 2016) | |
| 8. | Heber, Noelle: Freelance Musician and Entrepreneur: How J.S. Bach Supplemented his Income in Leipzig from 1723 to 1750. [p]BICB_Canterbury (Jul 2016) | |
| 9. | Fazekas, Gergely: Formal deviation in the Kyrie of the Mass in B Minor. [p]BICB_Canterbury (Jul 2016) | |
| 10. | Alevizos, Konstantinos: Re-ordering 'The Art of Fugue'? A new, analytical point of view. [p]BICB_Canterbury (Jul 2016) | |
| 11. | Janz, Tim: Resonant Tempo, tonality and tempo relationships in J.S. Bach's Orchestral Suite No 2 in B minor. [p]BICB_Canterbury (Jul 2016) | |
| 12. | Davis, Stacey: The Analysis and Performance of Implied Polyphony in Solo Bach. [p]BICB_Canterbury (Jul 2016) | |