Bach Bibliography Search Result - Ordered Chronologically

Series : [p]BICB_Canterbury
Year : 2016
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Markovska, Nadya:   Bach's Suites for Solo Cello (BWV 1007-1012): Textuality and Beyond in the Search for 'Truth'. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 106-107.
	2.	Tatlow, Ruth:   Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138.
	3.	Tomita, Yo:   Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 141.
	4.	Molinaro, Lawrence:   Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 107-108.
	5.	Kovacevic, Tanja; [Kovaèeviæ]:   A New Source of Bach's Violin Solos from Vienna. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 93-94.	Latin 2
	6.	Guido, Massimiliano:   From Affects to Individual Sensibility: Emotions and subjectivity from Frescobaldi to Carl Philipp Emanuel Bach. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 75-76.
	7.	Fiaminghi, Luiz Henrique:   Rhythmic ambiguity in Bach's Presto of the Sonata I a Violino Solo senza Basso (BWV 1001). [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 64.
	8.	Heber, Noelle:   Freelance Musician and Entrepreneur: How J.S. Bach Supplemented his Income in Leipzig from 1723 to 1750. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 79.
	9.	Fazekas, Gergely:   Formal deviation in the Kyrie of the Mass in B Minor. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 61-62.
	10.	Alevizos, Konstantinos:   Re-ordering 'The Art of Fugue'? A new, analytical point of view. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 31.
	11.	Janz, Tim:   Resonant Tempo, tonality and tempo relationships in J.S. Bach's Orchestral Suite No 2 in B minor. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 89-90.
	12.	Davis, Stacey:   The Analysis and Performance of Implied Polyphony in Solo Bach. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 51.