Bach Bibliography
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Author : Owens, Samantha
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Owens, Samantha:   The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Württenberg's music collection: contextual remarks on the 'Sammlung Ziegesar'. FaschSt 9 (2003), 77-90
2. Owens, Samantha; Reul, Barbara M.:   'Das gantze Corpus derer musicirenden Personen': An Introduction to German Hofkappellen. [ce]MusicGermanCourts (2011), 1-14
3. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.):   Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts (2011), xx, 484p
4. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan:   'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw (Jul 2013)
5. Owens, Samantha:   'The Greatest Choral Work that has ever been written': Wellington Performances of J. S. Bach's St Matthew Passion, 1899-1941 UnderstandingBach 9 (2014), 75-86
6. Owens, Samantha:   Music via Correspondence: A List of the Collection of Kreuzkirche Organist Emanuel Benisch. [p]BNUK_Cambridge (Jul 2015)
7. Owens, Samantha:   Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. UnderstandingBach 11 (2016), 39-56
8. Owens, Samantha:   'A gothic cathedral in music': The performance and reception of Bach's Mass in B minor in 1920s Australia. AustralianMResearch 17 (2018), 101-116
9. Collins, Denis; Murphy, Kerry; Owens, Samantha:   First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories. AustralianMResearch 17 (2018), 218-221
10. Collins, Denis; Murphy, Kerry; Owens, Samantha (eds.):   J.S. Bach in Australia: Studies in Reception and Performance. AustralianMResearch 17 (2018), xiii, 266p

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