Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : Marissen, MichaelYour search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Marissen, Michael: A Trio in C major for recorder, violin and continuo by J. S. Bach? EarlyM 13/3 (Aug 1985), 384-390 |  |
 | 2. | Marissen, Michael: Bach-Repertoire für Flötisten. Tibia 12/3 (1987), 537-540 |  |
| | 3. | Marissen, Michael: A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. JMcol 6/3 (Summer 1988), 367-386 | |
 | 4. | Marissen, Michael: Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_Austin (Oct 1989) | |
| | 5. | Marissen, Michael: Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_MidAtlantic (Oct 1989) | |
| | 6. | Marissen, Michael: Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. MLetters 71/4 (Nov 1990), 494-504 | |
| | 7. | Marissen, Michael: Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. BeitrBachF 9-10 (1991), 104-128 | |
 | 8. | Marissen, Michael Anthony: Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. diss. (1991), vii, 251p | |
| | 9. | Marissen, Michael: Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. JAmerMInstrSoc 17 (1991), 5-52 | |
| | 10. | Marissen, Michael: On Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23/2 (Fall-Winter 1992), 31-46 | |
| | 11. | Marissen, Michael: J. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ 77/2 (Summer 1993), 193-235 | |
| | 12. | Marissen, Michael: Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ 77/4 (Winter 1993), 718-726 | |
| | 13. | Marissen, Michael: More Source-Critical Research on J. S. Bach's Musical Offering. Bach 25/1 (Spring-Summer 1994), 11-27 | |
 | 14. | Marissen, Michael: The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. (1995), 160p | |
| | 15. | Marissen, Michael: Concerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 (1995), 79-101 | |
| | 16. | Marissen, Michael: The theological character of J. S. Bach's Musical Offering. BachStud 2 (1995), 85-106 | |
| | 17. | Marissen, Michael: Bach and Recorders in G. GalpinSocJ 48 (Mar 1995), 199-204 | |
| | 18. | Marissen, Michael: Lutheranism, Anti-Judaism, and Bach's St. John Passion. [p]AMS_MidAtlantic (Oct 1995) | |
| | 19. | Marissen, Michael: Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. [p]AMS_MidAtlantic (Apr 1995) | |
| | 20. | Marissen, Michael: Penzel Manuscripts of Bach Concertos. DortmundBachF 1 (1997), 77-87 | |
| | 21. | Marissen, Michael: The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. [p]IATB_Chicago (Sep 1997) | |
| | 22. | Marissen, Michael: Lutheranism, Anti-Judaism, and Bach's St. John Passion. (1998), 127p | |
| | 23. | Melamed, Daniel R.; Marissen, Michael: An introduction to Bach Studies. (1998), xi, 189p | |
| | 24. | Marissen, Michael (ed.): Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith. BachPerspectives 3 (1998), ix, 160p | |
| | 25. | Marissen, Michael: Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. [p]BS_Dortmund (Jan 1998) | |
| | 26. | Marissen, Michael: Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. DortmundBachF 2 (1999), 291-301 | |
| | 27. | Marissen, Michael: Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. [p]IATB_Logumkloster (Oct 1999) | |
| | 28. | Marissen, Michael: Bach. Brandenburg Kyosokyoku. BCJ 42 (May 2000), 8-19 |  |
| | 29. | Marissen, Michael: Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. BCJ 42 (May 2000), 28-33 | |
| | 30. | Marissen, Michael: Perspectives on the 'St. John Passion' and the Jews. NYTimes (2 Apr 2000) | |
| | 31. | Marissen, Michael: Biblical solutions to Certain Problems in Bach Biography. [p]IBS_Utrecht (Sep 2000) | |
| | 32. | Marissen, Michael: On the Musically Theological in J. S. Bach's Cantatas. LutherQ 16/1 (2002), 48-64 | |
| | 33. | Marissen, Michael: Bach and Josephus on the destruction of Jerusalem. [p]ABS_Houston (Apr 2002) | |
| | 34. | Marissen, Michael: Bach, Luther, and Josephus on the Destruction of Jerusalem. [p]IATB_Eisenach (Mar 2002) | |
| | 35. | Marissen, Michael: The Character and Sources of the Anti-Judaism in Bach's Cantata 46. HarvardTheolReview 96/1 (2003), 63-99 | |
| | 36. | Marissen, Michael: Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. [p]WAfB_Wolfenbüttel (Apr 2003) | |
| | 37. | Marissen, Michael: Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 (2004), 85-94 | |
| | 38. | Marissen, Michael: Blood, People, and Crowds in Matthew, Luther, and Bach. LutherQ 19/1 (2005), 1-22 | |
| | 39. | Marissen, Michael: New Theological Research on Bach's Church Cantatas and Oratorios. [p]IMS_Middelburg (Mar 2005) | |
| | 40. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph: Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR (Nov 2005) | |
| | 41. | Marissen, Michael: Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. BCJ 76 (Apr 2007), 9-40 | |
| | 42. | Marissen, Michael: Bach's St. John Passion and the Jews. Colloquium 4 (Autumn 2007), 141-143 | |
| | 43. | Marissen, Michael: Historically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 (2007), 103-120 | |
| | 44. | Marissen, Michael: Bach's Oratorios: The Parallel German-English Texts with Annotations. (2008), 208p | |