Bach Bibliography
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Author : Fabian, Dorottya
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Fabian, Dorottya:   The Changing Style of Performing J. S. Bach's Music 1950-1975. [p]BCB_Birmingham (Jul 1996)
2. Fabian, Dorottya:   J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. (1998)
3. Fabian, Dorottya:   Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. [p]BCB_Exeter (Jul 1998)
4. Fabian, Dorottya:   Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. (2003), xiv, 314p
5. Fabian, Dorottya; Schubert, Emery:   Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. MScientiae Special Issue (2003), 49-71
6. Fabian, Dorottya; Schubert, Emery:   Performed and perceived dotting are different: Implications for performance practice and pedagogy. [cr]CIM04_Graz (2004), 74-75
7. Fabian, Dorottya:   Bach performance practice in the twentieth century: recordings, reviews and reception. IrishMStud 8 (2004), 179-189
8. Fabian, Dorottya:   Adalékok J.S. Bach szóló hegedűszonátáinak és -partitáinak előadástörténetéhez. MagyarZene 42/3-4 (Oct 2004), 311-335 Latin 2
9. Fabian, Dorottya; Schubert, Emery:   An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt (2005), 70-84
10. Fabian, Dorottya:   Bach performance practice in the twentieth century: recordings, reviews and reception. BachNachwelt 4 (2005), 157-167
11. Fabian, Dorottya:   Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations. [fs]Somfai70 (2005), 87-108
12. Fabian, Dorottya:   The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818. McolAustralia 28 (2005-06), 127-130
13. Fabian, Dorottya:   Is diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings. Context 31 (2006), 165-180
14. Fabian, Dorottya:   The Recordings of Joachim, Ysa˙e and Sarasate in light of their Reception by Nineteenth-Century British Critics. IReviewAesthSociolM 37/2 (Dec 2006), 189-211
15. Schubert, Emery; Fabian, Dorottya:   The dimensions of baroque music performance: a semantic differential study. PsycholM 34/4 (2006), 537-587
16. Fabian, Dorottya; Schubert, Emery:   Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). MScientiae 12/2 (Fall-Winter 2008), 177-206
17. Fabian, Dorottya; Ornoy, Eitan:   Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. PerformPractReview 14/1 (2009), 1-40
18. Bangert, Daniel; Fabian, Dorottya; Schubert, Emery:   Doing without thinking? Aspects of musical decision-making revisited. [cr]Vienna2013 (2013), 201
19. Fabian, Dorottya:   Ornamentation in recent recordings of J.S. Bach's solo sonatas and partitas for violin. MinAd 11/2 (2013), 1-21
20. Fabian, Dorottya:   Commercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention? [ce]ExpressivenessMPerform (2014), 58-79
21. Schubert, Emery; Fabian, Dorottya:   A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. [ce]ExpressivenessMPerform (2014), 283-303
22. Fabian, Dorottya; Timmers, Renee; Schubert, Emery (eds.):   Expressiveness in music performance: Empirical approaches across styles and cultures. [ce]ExpressivenessMPerform (2014), 416p
23. Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel:   Performing solo Bach: a case study of musical decision-making. MScientiae 18/1 (Mar 2014), 35-52
24. Fabian, Dorottya:   A musicology of performance: theory and method based on Bach's solos for violin. (2015), ii, 339p

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